Down Here In The Dark Quotes & Sayings

The poet Gary Snyder's finely unpoetic image of composting is useful here. Stuff goes into the writer, a whole lot of stuff, not notes in a notebook but everything seen and heard and felt all day every day, a lot of garbage, leftovers, dead leaves, eyes of potatoes, artichoke stems, forests, streets, rooms in slums, mountain ranges, voices, screams, dreams, whispers, smells, blows, eyes, gaits, gestures, the touch of a hand, a whistle in the night, the slant of light on the wall of a child's room, a fin in a waste of waters. All this stuff goes down into the novelist's personal compost bin, where it combines, recombines, changes; gets dark, mulchy, fertile, turns into ground. A seed falls into it, the ground nourishes the seed with the richness that went into it, and something grows. But what grows isn't an artichoke stem and a potato eye and a gesture. It's a new thing, a new whole. It's made up. — Ursula K. Le Guin

An hour before dawn they went down to the cove, following the bubble of the stream and the descending combe, with a glowworm here and there green-lit like a jewel in the dark. — Winston Graham

There's a special madness strikes travellers from the North when they reach the lovely land where the lemon trees grow. We come from countries of cold weather; at home, we are at war with nature but here, ah! you think you've come to the blessed plot where the lion lies down with the lamb. Everything flowers; no harsh wind stirs the voluptuous air. The sun spills fruit for you. And the deathly, sensual lethargy of the sweet South infects the starved brain; it gasps: 'Luxury! more luxury!' But then the snow comes, you cannot escape it, it followed us from Russia as if it ran behind our carriage, and in this dark, bitter city has caught up with us at last, flocking against the windowpanes to mock my father's expectations of perpetual pleasure as the veins in his forehead stand out and throb, his hands shake as he deals the Devil's picture books. — Angela Carter

Maggie and I were delighted. It was now Jett's turn to go to the dark side. "I've never seen such a bunch of doom cookies," she said, wiping down the tables.
"What?"
"Doom cookies. You know, people who pretend to be something they're not, like girls in my class who pretend to be bad-ass but go home and read The Little House on the Prairie in their Disney princess bedrooms."
"Who were the Pie Night people pretending to be? I don't quite follow."
"They're pretending to be bad-ass pie bakers," Jett trilled in a church-lady falsetto, " 'Oh, leaf lard is the best.' 'No, I swear by a mixture of Crisco and butter.' When was the last time they actually baked a pie? If they did, they wouldn't be gorging themselves here on Pie Night. They probably don't even own a rolling pin." Jett sniffed. And then she added, diplomatically, "But your pie was good. — Judith Fertig

Lord, how excellent are Thy ways, and how devious and dark are the ways of man. Show us how to die, that we may rise again to newness of life. Rend the veil of our self-life from the top down as Thou didst rend the veil of the Temple. We would draw near in full assurance of faith. We would dwell with Thee in daily experience here on this earth so that we may be accustomed to the glory when we enter Thy heaven to dwell with Thee there. In Jesus' name, Amen. — A.W. Tozer

From here she could see miles of dark emerald forest with just a few birds erupting from its depths like flying fish skimming an ocean ...
'Annabel!' Ewan called.
She looked down. He was standing in water, after all. So without a moment's trepidation, she launched herself from the downed carriage, coming home to his arms with all the security and the pleasure of child leaping from the second stair. — Eloisa James

I can smell the sex coming off you right now. I could take you down on this sidewalk and be up that skirt of yours in a heartbeat. And you wouldn't fight me, would you?"
"Now, we can be civilized and wait until we get home. Or we can get down to it right here. Either way, I'm dying to come inside of you again, and you're not going to say no." - Wrath to Beth — J.R. Ward

Did you-"
Griffin shoves past him and grabs me by the shoulders. "Are you alright?"
"Of course. Didn't they tell you?"
From the dark look in his normally bright eyes, I'm going to guess no.
He twists to look back over his shoulder and practically growls. "They didn't tell me anything. Except that I had to wait out here."
"Um, I need to go," Troy says, backing down the steps. "I have class in the morning."
"Coward," I taunt. — Tera Lynn Childs

Deep down here by the dark water lived old Gollum, a small slimy creature. I don't know where he came from, nor who or what he was. He was Gollum - as dark as darkness, except for two big round pale eyes in his thin face. — J.R.R. Tolkien

A BIRTHDAY
Something continues and I don't know what to call it
though the language is full of suggestions
in the way of language
but they are all anonymous
and it's almost your birthday music next to my bones
these nights we hear the horses running in the rain
it stops and the moon comes out and we are still here
the leaks in the roof go on dripping after the rain has passed
smell of ginger flowers slips through the dark house
down near the sea the slow heart of the beacon flashes
the long way to you is still tied to me but it brought me to you
I keep wanting to give you what is already yours
it is the morning of the mornings together
breath of summer oh my found one
the sleep in the same current and each waking to you
when I open my eyes you are what I wanted to see. — W.S. Merwin

I'm the last one in the dark, until- suddenly- it happens. St. Clair removes something from his pocket. And then he gets down on one knee.
Anna's entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves- with the biggest smile I've ever seen- clearly aware that we've been standing here the whole time. — Stephanie Perkins

Out here, the deadly shit seeking your blood and meat is not confined to snakes and bears and weather. Other forces resent your presence too. Ghosts of long-gone wolves and buffalo and Indians and pioneers, dead in the service of implacable history. If you stop and camp early, while it's still early, while it's still daylight
claim your space, plant your flag, build your fire
you push them back into the past. But alone in the dark, the minute you sit your ass down they circle close around. Lie on the ground, and the cold seeps up as they try to equalize your temperature with theirs. Get quiet, and you hear the voices. A few words in English, but mostly in other languages. The ones that came before the Indians. Words the long-gone animals thought to one another. Words flowing against you. Wishing you ill. Yet, somehow, all gentle as an outbreath. — Charles Frazier

And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life.
That's me and that's the last painting I ever did.
Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture.
Cast a cold eye on it all, and on my work. I am still alive. — Christopher Peachment

Maybe she'd been drinking too much of the super-sweet Mexican Coca-Cola they had down here. Or maybe she was just tired, alone, and far from home. Because somewhere in the brittle, concrete center of Azrael's dark heart, something was melting. — Melissa De La Cruz

I eased back on my elbows, tilting my head back to look up at the sky, which was pinkish, streaked with red. This was the time we knew best, that stretch of day going from dusk to dark. It seemed like we were always waiting for nighttime here. I could feel the trampoline easing up and down, moved by our own breathing, bringing us in small increments up and back from the sky as the colors faded, slowly, and the stars began to show themselves. — Sarah Dessen

I'm beginning to wonder," said Kent, sitting down now on an overturned wooden tub. "Who do I serve? Why am I here?"
You are here, because, in the expanding ethical ambiguity of our situation, you are steadfast in your righteousness. It is to you, our banished friend, that we all turn - a light amid the dark dealings of family and politics. You are the moral backbone on which the rest of us hang our bloody bits. Without you we are merely wiggly masses of desire writhing in our own devious bile."
Really?" asked the old knight.
Aye," said I.
I'm not sure I want to keep company with you lot, then. — Christopher Moore

Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer.

As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb") — Michael Shea

It began as most thing begin. Not on a dark and stormy night. Not foreshadowed by ominous here comes the villain music, dire warning at the bottom of a teacup, or dread portents in the sky.
It began small and innocuously, as most catastrophes do. A butterfly flaps its wings somewhere and the wind changes, and a warm front hits a cold front off the coast of western Africa and before you know it you've got an hurricane closing in. By the time anyone figured out the storm was coming, it was too late to do anything but batten down the hatches and exercise damage control. — Karen Marie Moning

Her evil cannot reach us here. Let us burn the ancient tree-mace trees and close off the ancient ways. Tear down the tower, the crown of our barrow, and let us hide ourselves from evil. Let no one leave the mound, and if evil grows, we shall flee farther.
No! Let evil hear the pounding of our feet! Let evil hear our drumming and our chanting songs of war. Let evil fear us! Let evil flee! In any world, may dark things know our names and fear. May their vile skins creep and shiver at every mention of the faeren. Let the night flee before the dawn and darkness crowd into the shadows. We march to war!
- Nudd, the Chestnut King — N.D. Wilson

The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders.
("The Candy Skull") — Ray Bradbury

Who am I? What am I doing here? I fall between the cold walls of human malevolence, a white figure fluttering, sinking down through the cold lake, a mountain of skulls above me. I settle down to the cold latitudes, the chalk steps washed with indigo. The earth in its dark corridors knows my step, feels a foot abroad, a wing stirring, a gasp and a shudder. — Henry Miller

....One dark night,
my Tudor Ford climbed the hill's skull;
I watched for love-cars. Lights turned down,
they lay together, hull to hull,
where the graveyard shelves on the town. . . .
My mind's not right.

A car radio bleats,
"Love, O careless Love. . . ." I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody's here--

only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes' red fire
under the chalk-dry and spar spire
of the Trinitarian Church.

I stand on top
of our back steps and breathe the rich air--
a mother skunk with her column of kittens swills the garbage pail.
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare. — Robert Lowell

19-21 "Don't hoard treasure down here where it gets eaten by moths and corroded by rust or - worse! - stolen by burglars. Stockpile treasure in heaven, where it's safe from moth and rust and burglars. It's obvious, isn't it? The place where your treasure is, is the place you will most want to be, and end up being. 22-23 "Your eyes are windows into your body. If you open your eyes wide in wonder and belief, your body fills up with light. If you live squinty-eyed in greed and distrust, your body is a dank cellar. If you pull the blinds on your windows, what a dark life you will have! 24 "You can't worship two gods at once. Loving one god, you'll end up hating the other. Adoration of one feeds contempt for the other. You can't worship God and Money both. — Eugene H. Peterson

Another pair of hands joined us, but I was so completely submerged into myself that I might as well have closed my eyes and disappeared in the dark. In here, nothing could touch me. In here, Henry was everywhere. In here, it was winter again, and we curled up together underneath the down comforter in the Underworld as the hours passed by. His chest was warm under my palm, and his heart beat against my fingers, steady and eternal. In here, no one died. — Aimee Carter

I have lived in this tree, in this same hollow," the owl said, "for more years than anyone can remember. But now, when the wind blows hard in winter and rocks the forest, I sit here in the dark, and from deep down in the bole, near the roots, I hear a new sound. It is the sound of strands of wood creaking in the cold and snapping one by one. The limbs are falling; the tree is old, and it is dying. Yet I cannot bring myself, after so many years, to leave, to find a new home and move into it, perhaps to fight for it. I, too, have grown old. One of these days, one of these years, the tree will fall, and when it does, if I am still alive, I will fall with it. — Robert C. O'Brien

But here we call it Spring, when a young man's fancy turns,
fitfully, lightly, to idling in the sun,
to touching in the dark. And the old man's?
To worms in their garden box; stepping aside
a moment in a poem that will remember,
fitfully, who made it and the discord
and stammer, and change of heart and catch of breath
it sprang from. A bending down
lightly to touch the earth. — David Malouf

I live completely without regret. Sure there are plenty of things that someone could second guess, but I see the path of life like driving down the road without a map. The thing is, some dark alleys open up in majestic places, and some bright and shiny highways to the top end in cliffs to the bottom. You never know until you get there. What I know for sure is that if many years ago I actually had a map to the path of life, the destination that I would have chosen is right here, with this family, in this place, and with these smiles. That makes anything that could have been regretful, the best decision in the world. — Michael A. Wood Jr.

What is it about the relationship of a mother that can heal or hurt us? Her womb is the first landscape we inhabit. It is here we learn to respond - to move, to listen, to be nourished and grow. In her body we grow to be human as our tails disappear and our gills turn to lungs. Our maternal environment is perfectly safe - dark, warm, and wet. It is a residency inside the Feminine.
When we outgrow our mother's body, our cramps become her own. We move. She labors. Our body turns upside down in hers as we journey through the birth canal. She pushes in pain. We emerge, a head. She pushes one more time, and we slide out like a fish. Slapped on the back by the doctor, we breath. The umbilical cord is cut - not at our request. Separation is immediate. A mother reclaims her body, for her own life. Not ours. Minutes old, our first death is our own birth. — Terry Tempest Williams

By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.
The foe long since in silence slept;
Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
Down the dark stream which seaward creeps.
On this green bank, by this soft stream,
We set to-day a votive stone;
That memory may their deed redeem,
When, like our sires, our sons are gone.
Spirit, that made those heroes dare
To die, and leave their children free,
Bid Time and Nature gently spare
The shaft we raise to them and thee. — Ralph Waldo Emerson

In the end Navidson is left with one page and one match. For a long time he waits in darkness and cold, postponing this final bit of illumination. At last though, he grips the match by the neck and after locating the friction strip sparks to life a final ball of light.
First, he reads a few lines by match light and then as the heat bites his fingertips he applies the flame to the page. Here then is one end: a final act of reading, a final act of consumption. And as the fire rapidly devours the paper, Navidson's eyes frantically sweep down over the text, keeping just ahead of the necessary immolation, until as he reaches the last few words, flames lick around his hands, ash peels off into the surrounding emptiness, and then as the fire retreats, dimming, its light suddenly spent, the book is gone leaving nothing behind but invisible traces already dismantled in the dark. — Mark Z. Danielewski

You know how you secretly worry that this is it, that it's all downhill from here? I know you do. You worry that the children will turn into hulking criminals; their scalps will turn odorless. You lie in bed now during a thunderstorm, two sleeping, moonlit faces pressed against you, fragrant scalps intoxicating you, the rain on the roof like hoofbeats, heartbeats - and the calamity of raising young children falls away because this is all you ever wanted. Now you boo-hoo noiselessly into the kids' hair because life is so beautiful and you don't want it to change. Enjoy it. But let me tell you - you won't believe it, but let me tell you anyway - you will watch them sleeping still and always: the illuminated down of their cheeks, their dark puffs of lips and dear, dark wedges of eyelashes, and you will feel exactly the way you feel now. Only better. — Catherine Newman

Oh, when we are journeying through the murky night and the dark woods of affliction and sorrow, it is something to find here and there a spray broken, or a leafy stem bent down with the tread of His foot and the brush of His hand as He passed; and to remember that the path He trod He has hallowed, and thus to find lingering fragrance and hidden strength in the remembrance of Him as " in all points tempted like as we are," bearing grief for us, bearing grief with us, bearing grief like us. — Alexander MacLaren

But at the end of the white board, the edge, where you'll come down with your weight to make it send you off, there are two areas of darkness. Two flat shadows in the broad light. Two vague black ovals. The end of the board has two dirty spots. They are from all the poeple who've gone before you. Your feet as you stand here are tender and dented, hurt by the rough wet surface, and you see that the two dark sports are from people's skin. They are skin abraded from feet by the violence of the disappearance of people with real weight. More people than you could count without losing track. The weight and abrasion of their disappearance leaves little bits of soft tender feet behind, bits and shards and curls of skin that dirty and darken and tan as they lie tiny and smeared in the sun at the end of the board. They pile up and get smeared and mixed together. They darken in two circles. — David Foster Wallace

This plague ... This curse ... I have an idea where it came from. I don't think it's from any spell or virus or nuclear rays. I think it's from a deeper place. I think we brought it here. I think we crushed ourselves down over the centuries. Buried ourselves under greed and hate and whatever other sins we could find until our souls finally hit the rock bottom of the universe. And then they scraped a hole through it, into some ... dark place. We released it. We poked through the seabed and the oil erupted, painted us black, pulled our inner sickness out for everyone to see. Now here we are in this dry corpse of a world, rotting on our feet till there's nothing left but bones and the buzz of flies. — Isaac Marion

Times moves differently down here in the dark. With no sunlight or shadows. No weather at all.
There's no future, no right now. Nothing but your memory to keep you company. But they keep me so angry and weak. I can barely think straight.
How long have I been locked up ... wuuks? months?
I don't even konow how I got to this place. There are times I don't even know who I am anymore. — Scott Snyder

There is a girl behind the desk in blue uniform, with dark red hair, spread fanlike from her head in lacquered splendour; she looks at them without interest. 'Hallo, dolling,' says Lubijova, 'Here is Professor Petwurt, reservation of the Min'stratii Kulturi, confirmation here.' 'So, Petvurt?' the girl says, taking a pen from her hair and running it languidly down the columns of a large book. 'Da, Pervert, so, here is. Passipotti. ' 'She likes your passport, don't give it to her, says Lubijova, 'Give it to me. I know these people well, they are such bureaucrats. Now, dolling, tell me, how long do you keep?' 'Tomorrow,' says the girl, 'It registers with the police. — Malcolm Bradbury

Dimitri.
I hadn't known he was here. His eyes were on me too,dark and endless. Only I couldn't read what he was feeling. His face betrayed nothing, but there was something in his eyes ... something intense and intimidating. The image of him ready to take down that group of guardians flashed through my mind,and something told me that if I asked,He would fight his way to me through this courtroom and do everything in his power to rescue me from it. — Richelle Mead

Hey, Ivashkov! Open up. " Avery argued. She kept pounding on the door and yelling, and finally, Adrian answered. His hair stuck up at odd angles, and he had dark circles under his eyes. He'd drunk twice as much as Lissa last night.
"What ... ?" He blinked. "Shouldn't you guys be in class? Oh God. I didn't sleep that much, did I? "
"Let us in, " said Avery, pushing past. "We've got refugees from a fire here. " She flounced onto his couch, making herself at home while he continued staring. Lissa and Christian joined her.
"Avery sprang the fire alarm, " explained Lissa.
"Nice work, " said Adrian, collapsing into a fluffy chair. "But why'd you have to come here? Is this the only place that's not burning down? "
Avery batted her eyelashes at him. "Aren't you happy to see us? " He eyed her speculatively for a moment.
"Always happy to see you. — Richelle Mead

Down here in the deep, dark South we know and live with the real world. Candy-Land idealism is quietlly suffocated in the relentless humidity. This is the world where fist meets face. This is where the calluses on a man's hand are bigger than his conscience, and dreams get drowned in sweat and tears. — Damien Echols

I glanced up at the trees too.
Dead. Every one of them gray and white, needles rusted, leaves shriveled at the tips of branches. All the life sucked out of them. Not just the trees. All the plants, ferns, grasses and brush were shriveled, brown, barren.
As if a month of winter had set down right here in my driveway and gone on a killing spree.
...
"Love what you've done with the landscape," Cody said. "You could open your own business, you know."
...
"The hell you talking about, Miller?" I asked Cody.
"Yard care. You're poison and weed whacker all in one. You can call it Death to All Shrubbery. — Devon Monk

Go down into the crypts. When I woke, I told him to take me down, to see if Father was truly there. At first he didn't know what I was saying, but I got him to the steps by telling him to go here and go there, only then he wouldn't go down. He just stood on the top step and said 'Hodor,' like he was scared of the dark, but I had a torch. It made me so mad I almost gave him a swat in the head, like Old Nan is always doing." He saw the way the maester was frowning and hurriedly added, "I didn't, though. — George R R Martin

In my mind's eye I can still see the first night flight I made in Argentina. It was pitch-dark. Yet in the black void, I could see the lights of man shining down below on the plains, like faintly luminous earthbound stars. Each star was a beacon signaling the presence of a human mind. Here a man was meditating on human happiness, perhaps, or on justice or peace. Lost among this flock of stars was the star of some solitary shepherd. There, perhaps, a man was in communication with the heavens, as he labored over his calculations of the nebula of Andromeda. And there, a pair of lovers. These fires were burning all over the countryside, and each of them, aven the most humble, had to be fed. The fire of the poet, of the teacher, of the carpenter. But among all these living fires, how many closed windows there were, how many dead stars, fires that gave off no light for lack of nourishment. — Antoine De Saint-Exupery

I tried to call your cell phone when we got in to see if you made it."
Ash immediately tensed as he put his comic down and pulled out another issue. "I turned it off on the day I got here."
"Really?" Dante asked, stunned by Ash's confession. It wasn't like him to be out of touch with his Dark-Hunter charges. "What if one of the Dark-Hunters needed you?"
Ash shrugged. "If they can't survive alone for four days once a year, they deserve to die. — Sherrilyn Kenyon

What in Hood's name are you doing down here?'
'Hiding, what's it look like? That's always been your problem, Kal, your lack of subtlety. Sooner or later it's going to get you into trouble. Is it dark yet?'
'No. Listen, what's with this damned gale up top? It's all wrong-'
'You just noticed?'
Kalam scowled in the gloom. Well, at least he'd found the wizard. The High Mage of the Fourteenth, hiding between crates and casks and bales. Oh, how bloody encouraging is that?
...
Quick Ben moved further into the narrow space between cargo. 'Here, there's room.'
After a moment, Kalam joined him. 'You got anything to eat? Drink?'
'Naturally.'
'Good. — Steven Erikson

This is me, God! Elisa. I once saw you in all the world. But the world is dark now, Lord. Full. Full of darkness. Close your eyes for a moment, God, and let me sing to you. Let me remember that you are here. Here in the notes. Smiling down as I play for you. Just this moment, God, let me sing to you. And maybe in the song, I will forget whether I am singing to you, or you are singing to me ... — Bodie Thoene

Oh, no you don't. You're not heading down to that dock, young man," Babette declares as she clears my plate.
"But Babette, Dr. Felix said I only had to rest yesterday!"
"Yes he did, and I won't make you stay in bed today. But you're going to stay here while I go. I don't think your crutches are able to make it down the path. It's too rough. You'll end up tripping over something."
I scoff. She doesn't know that I'm the guy who not only made it down to the dock, but also did it in the dark WITHOUT falling flat on his back.
"But Babette - "
"No buts, Rylan. You're staying here and that's final"
"Fine," I grumble. — Colleen Boyd

The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known ... "
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. — Melissa Marr

Travis!"
"Down here, Pidge. Just come in feet first, I'll catch you."
"You're out of your damn mind if you think I'm jumping into the dark!"
"I'll catch you! I promise! Now get your ass in here! — Jamie McGuire

Bellow

"Tell the range and all that's howling,
the flickers of life beyond the weeds,
the vulture's furrowed brow of flight,
the blasted sticky Canadian lawn thistle;
tell the clowned-out clouds and the rain,
and all that makes you go quiet again,
tell them that you didn't come here
to make a fuss, or break, or growl, or
scream; tell them-crazy sky and stars
between-tell them you didn't come
to disturb the night air and throw a fit,
then get down in the dark and do it. — Ada Limon

These evil freaks," Karrin said. "They always pick the most charming places to hang out."
"Dark energy here," I said. "Keeps people from wandering in and randomly interfering. And it feels homey."
"I know you haven't burned down any buildings in a while," she said, "but if you start feeling the need ... — Jim Butcher

Something about the time of year depressed him deeply. Overcast skies and cutting wind, leaves falling, dusk falling, dark too soon, night flying down before you are ready. It's a terror. It's a bareness of the soul. He hears the rustle of nuns. Here comes winter in the bone. We've set it loose on the land. There must be some song or poem, some folk magic we can use to ease this fear. Skelly Bone Pete. Here it is in the landscape and sky. We've set it loose. We've opened up the ground and here it is. He took Interstate 45 south. He didn't want them to kill Leon. He felt a saturating sense of death, a dread in the soft filling of his bones, the suckable part, approaching Galveston now. — Don DeLillo

The room was almost dark, with just flickers of light coming from the logs burning in the hearth. I could just see his shape, sitting in the leather, wing-backed chair, silhouetted by the fire.
"Come here."
His voice was quiet, but with the firmness I had come to expect from him. I moved closer and knelt down in front of him, my naked bottom facing the warmth of the fire. I bent my head downwards and looked at the floor as I had been taught, but he surprised me by lifting up my chin with his hand.
"You look so beautiful."
He bent and kissed me softly on the lips, and I shivered in anticipation. Was it to be pleasure or pain this time? Or perhaps a combination of both, given in the way that only he can. — Rachel De Vine

Oh yes, he's seen the black pupils of time's eyes. Two dark drains in a pair of dirty gas station bathroom sinks. The faucet's open and he's gurgling down the pipes, gushing toward whatever tank he's bound to swirl around in for the rest of his life. There's no telling from here if that's a realm of purification or of shit. There's only one way to find out, and that's to ride it all the way down. — Patrick Bryant

My aunt had given me these rosary beads that were glow-in-the-dark. So all of a sudden I look down and they're glowing, and I'm looking toward the door and thinking, "Oh, my God, I don't want anything to come though here. I'm not worthy, I'm not ready." I didn't want to be one of those kids who sees Our Lady of Fatima. — Susan Sarandon

What makes Argia different from other cities is that it has earth instead of air. The streets are completely filled with dirt, clay packs the rooms to the ceiling, on every stair another stairway is set in negative, over the roofs of the houses hang layers of rocky terrain like skies with clouds. We do not know if the inhabitants can move about the city, widening the worm tunnels and the crevices where roots twist: the dampness destroys people's bodies and they have scant strength; everyone is better off remaining still, prone; anyway, it is dark.
From up here, nothing of Argia can be seen; some say, "It's down below there," and we can only believe them. The place is deserted. At night, putting your ear to the ground, you can sometimes hear a door slam. — Italo Calvino

The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same. — George R R Martin

Yeah," Tamara said. "An old bowling alley. There must be a town not too far from here. But how could Aaron be there? And don't say something like 'working on his score' or 'maybe he's in a bowling league' or something like that. Be serious."
Call leaned against the rough bark of a nearby tree and resisted the urge to sit down. He was afraid he wouldn't be able to get up again. "I'm serious. It might be hard to tell in the dark, but I have my most super-serious face on. — Cassandra Clare

He whispered, "Follow me," though he had no idea where to go. There was a time, not long ago, when his instincts had kept him alive on the dark streets, the long beats, with rain hammering down on gun-toting punks, slick drug dealers, prostitutes with sharp teeth. He'd thought it a mad world then, and he thought it now, It's a sharp, mad world. It'll bleed you out. — Lee Thompson

You'll just have to make the best of it down here," he said to Richard, "in the sewers and the magic and the dark. — Neil Gaiman

What Karen wants to do - needs to do - is cry, but she can't. Here, alone, when she could howl, beat the sofa cushions, scream; now, somehow, she is unable. It's for fear that if she gives in to it, she'll lose all sense of who she is. She is afraid that if she falls apart in private, then she'll fall apart completely. That if she crumbles, like a house in an earthquake, she will disappear down some deep, dark crevasse, and never be able to pull herself out and put herself back together again. — Sarah Rayner

Bran had told himself a hundred times how much he hated hiding down here in the dark, how much he wanted to see the sun again, to ride
his horse through wind and rain. But now that the moment was upon him, he was afraid. He'd felt safe in the darkness; when you could not
even find your own hand in front of your face, it was easy to believe that no enemies could ever find you either. — George R R Martin

And the City, in its own way, gets down for you, cooperates, smoothing its sidewalks, correcting its curbstones, offering you melons and green apples on the corner. Racks of yellow head scarves; strings of Egyptian beads. Kansas fried chicken and something with raisins call attention to an open window where the aroma seems to lurk. And if that's not enough, doors to speakeasies stand ajar and in that cool dark place a clarinet coughs and clears its throat waiting for the woman to decide on the key. She makes up her mind and as you pass by informs your back that she is daddy's little angel child. The City is smart at this: smelling and good and looking raunchy; sending secret messages disguised as public signs: this way, open here, danger to let colored only single men on sale woman wanted private room stop dog on premises absolutely no money down fresh chicken free delivery fast. And good at opening locks, dimming stairways. Covering your moans with its own. — Toni Morrison

Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really
all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else. — Cheryl Strayed

Once, when Tom was over here, to tease Rose, I asked him, "Before she was born, can you remember? Were things just the same as they are these days? Did it still rain and get dark and all the stuff it does now? Did the sun go up and down in exactly the same way?"
Yes," Tom said, and then he smiled at Rose and said, "No. Not really. Not exactly the same way. — Hilary McKay

That's you, drops of water and you're on top of the mountain of success. But one day you start sliding down the mountain and you think wait a minute; I'm a mountain top water drop. I don't belong in this valley, this river, this low dark ocean with all these drops of water. Then one day it gets hot and you slowly evaporate into air, way up, higher than any mountain top, all the way to the heavens. Then you understand that it was at your lowest that you were closest to God. Life's a journey that goes round and round and the end is closest to the beginning. So if it's change you need, relish the journey. — Casey Affleck

Evie, bed down." Scanning the dark, he murmured, "You doan have to be scared. I've got you."
You do, don't you? Here we were in the Bagmen's lair, and I wasn't terrified for my life. Jackson would kill
any that strayed too close. In fact, they should fear him.
I was with the boy that monsters should fear. — Kresley Cole

Stale beer sticks to wobbling tables. The cigarette machine flashes in the corner, mocking smokers who never have any change on them. There's no natural light in this pub, so it's dark and gloomy. The pain on the face of the staff tells its own story: overworked, underpaid, exploited and treated as expendable. I feel at home with them. They're so scared they will be fired from their terrible jobs, every time I order a beer they ask me if I want any peanuts or crisps, in case between drinks I've turned into the dreaded mystery shopper. The air is chewy and weighs heavy on the skin. The fruit machines in the corners don't make a sound, aware this is the last stop saloon for the drunk few who can't afford to gamble properly. Everyone here is down to their last pint and pound. — Craig Stone

Now, all quiet, all rusty, wind and rain in possession, lamps extinguished, Mugby Junction dead and indistinct, with its robe drawn over its head, like Caesar. Now, too, as the belated traveller plodded up and down, a shadowy train went by him in the gloom which was no other than the train of a life. From whatsoever intangible deep cutting or dark tunnel it emerged, here it came, unsummoned and unannounced, stealing upon him and passing away into obscurity. Here, mournfully went by, a child who had never had a childhood or known a parent, inseparable from a youth with a bitter sense of his namelessness, coupled to a man the enforced business of whose best years had been distasteful and oppressive, linked to an ungrateful friend, dragging after him a woman once beloved. Attendant, with many a clank and wrench, were lumbering cares, dark meditations, huge dim disappointments, monotonous years, a long jarring line of the discords of a solitary and unhappy existence. — Charles Dickens

Peregrine," Molly said sometime later, when the group had fallen quiet. Talon snored softly with his head in her lap. "Sable made an announcement to us earlier. He told us this place was going to be called Cape Rim. I think we can do better."
"I know we can," he said. "What would you call it, Molly?"
"I've been thinking about it, and it seems to me we wouldn't be here if it weren't for Cinder."
"Oh ... ," Marron said. "That's lovely."
Aria looked up, her violet scent filling him with steadiness. "What do you think?"
Perry looked down to the waves, and then farther out to the dark horizon, where he saw only stars. "I think it's a great name. — Veronica Rossi

Floating in the void free of gravity I made my way along the side of the ship. I listened to my own breaths. It was so dark and I was so weightless that I had to look for my bubbles to be sure which way was up. I swam backward a little away from the boat and into outer space and waved my arm through the water. Sure enough the phosphorescents appeared trailing my movement like the tail of a shooting star. I let myself tip upside down and floated there watching the gentle snowstorm marveling that a world of such strangeness existed here all the time just under the surface. — Elisabeth Eaves

We are in the dark places of the earth," said Madman. "Where all the ancient and most dangerous secrets are kept. There are Old Things down here, sleeping all around us, in the earth and in the living rock, and in the spaces between spaces. Keep your voices down. Some of these old creatures sleep but lightly, and even their dreams can have force and substance in our limited world. We have come among forgotten gods and sleeping devils, from the days before the world settled down and declared itself sane. — Simon R. Green

The bioelectricity of her brain has ceased to function, and as I lay here, the cells are beginning to degenerate and every thought and memory she had is irretrievably fading into nothing. We were like phone towers in concert, reciprocating, each useless without the other, and now I feel like a massive star extending its light, heat, and gravitational pull into a radiant and beautiful universe only to discover that it is singularly without planets, only holding down a vestigial field of cold, dark rocks. — Bryan Way

We who are crushed to earth with heavy chains, who travel a weary, rugged, thorny road, groping through midnight darkness on earth, earn our right to enjoy the sunshine in the great hereafter. At the grave, at least, we should be permitted to lay our burdens down, that a new world, a world of brightness, may open to us. The light that is denied us here should grow into a flood of effulgence beyond the dark, mysterious shadows of death. — Elizabeth Keckley

I bend down and pick one up. The cover is dark, of a house and a girl, merging together as one. It's creepy. I can't imagine sitting up here alone, reading books like this in the dark. — Colleen Hoover

But listen to me, she said. What. You don't actually think I'm scary, do you? Yeah, I do. Tell me the truth. I'm serious now. That is the truth. At times I can't say I know what to make of you. Can't you? No. What do you mean? Why not? Because you're different than everybody else, he said. You don't seem to ever get defeated or scared by life. You stay clear in yourself, no matter what. She kissed him. Her dark eyes were watching him in the dim light. I get defeated sometimes, she said. I've been scared. But I'm just crazy about you. She reached down and touched him. Here's one part of you that seems to know what to make of me. You do make a person feel interested, said Guthrie. — Kent Haruf