Door In The Wall Quotes & Sayings

I took a few dragging steps toward the locker-room door. 'You're doing something to me that I wouldn't do to a dog,' I mumbled. 'What you're doing to me is worse than if you were to kill me. You're locking me up in shadows for the rest of my life. You're taking my mind away from me. You're condemning me slowly but surely to madness, to being without a mind. It won't happen right away, but sooner or later, in six months or in a year - Well, I guess that's that.'
I fumbled my way out of the locker room and down the passageway outside, guiding myself with one arm along the wall, and past the sergeant's desk and down the steps, and then I was out in the street.
("All At Once, No Alice") — Cornell Woolrich

The reason faeries don't like iron is that it ties them too strongly to this world. The Paths aren't part of this world - you can't take iron there. It won't let you.'
I frowned. "You do realize that makes no sense."
'Unlike being able to open a door in the wall and take you to another hemisphere in a matter of minutes? How odd. Everything about Faerie is usually so rational. — Kiersten White

She tore off his grip, and then she was walking out the kitchen door, across the courtyard, through the ward-stones, and along the invisible barrier- until she found a spot just out of sight of the fortress.
The world was full of screaming and wailing, so loud she drowned in it.
Celaena did not utter a sound as she unleashed her magic on the barrier, a blast that shook the trees and set the earth rumbling. She fed her power into the invisible wall, begging the ancient stones to take it, to use it. The wards, as if sensing her intent, devoured her power whole, absorbing every last ember until it flickered, hungry for more.
So she burned and burned and burned. — Sarah J. Maas

Go to bed, you fool," Calcifer said sleepily. "You're drunk."
"Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him. — Diana Wynne Jones

She was going to get another glass of champagne, enjoy herself and get to know her new co-workers. The thought came to an abrupt halt as she opened the bedroom door and found Quinn leaning against the wall opposite her, almost casually. But she wasn't fooled by his stance.
Nothing about him was casual. Those muscular arms were crossed over his broad chest and there was an almost predatory gleam in those dark eyes. No, that look on his face couldn't be mistaken for anything but raw lust. — Katie Reus

So, what's behind door number one?" Mary commented, bringing him out of his thoughts as the second air lock door opened.
"Pardon?"
"Oh, nothing. Game show reference, I make silly comments when I get nervous."
He led the way in to the corridor, on either side glass windows looked over the flanking rooms but it was too dark to see anything. Valdagerion suddenly stopped, listening. Abruptly he pressed her flat against the wall, almost crushing her just as four armed Unseeile appeared around the curve in the corner, rifles aiming. Blue bursts of light and heat flew past them.
"Shit." Mary squeaked. "I would have settled for the cuddly toy. — D.M. Alexandra

Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant. — Amos Oz

He stands before a door that will not open
wood sometimes, iron, but always the same door, set into a well, maybe in the anonymous middle of some city block, unattended, no one in control of who enters and who can't, a blank door hardly different from the wall it is set into, silent, insert, no handle or knob, no lock or keyhole, fitting so tightly into its wall that not even a knifeblade can be slipped between them ... He could wait across the street, keep vigil all night and day and night again, praying though not in the usual way, exactly, for the unmarked hour when at last the quality of shadow at the edge of the door might slowly begin to change, the geometry deepen and shift, the unasked-for as that, the route to some so-far-undreamable interior lie open, a way in whose way back out lies too far ahead in the dream to worry about — Thomas Pynchon

THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. "Thank God," he says, pressing his forehead to the door. "I was beginning to think it would never wear off and I would have to leave you here to ... smell flowers, or whatever you wanted to do while you were on that stuff. — Veronica Roth

I believe it is in the national interest that government stand side-by-side with people of faith who work to change lives for the better. I understand in the past, some in government have said government cannot stand side-by-side with people of faith. Let me put it more bluntly, government can't spend money on religious programs simply because there's a rabbi on the board, cross on the wall, or a crescent on the door. I viewed this as not only bad social policy - because policy by-passed the great works of compassion and healing that take place - I viewed it as discrimination. — George W. Bush

Nothing in the next-door world of Dachau impinged on the great winter cycle of Beethoven chamber music played in Munich. No canvases came off museum walls as the butchers strolled reverently past, guide-books in hand. — George Steiner

There were six men in Birmingham
In Guildford there's four
That were picked up and tortured
And framed by the law
And the filth got promotion
But they're still doing time
For being Irish in the wrong place
And at the wrong time

In Ireland they'll put you away in the Maze
In England they'll keep you for seven long days
God help you if ever you're caught on these shores
The coppers need someone
When they walk through that door

You'll be counting years
First five, then ten
Growing old in a lonely hell
Round the yard and a stinking cell
From wall to wall, and back again

A curse on the judges, the coppers and screws
Who tortured the innocent, wrongly accused
For the price of promotion
And justice to sell
May the judged be their judges when they rot down in hell — Shane MacGowan

Television is just like making a hole in the wall. All kinds of stuff comes in, on the screen, that we would never allow to come in through the door. — Albert Borgmann

Set flush in the wall behind the desk was a steel door. It was knobless, and along one edge were three brass keyholes spaced a few inches apart. Rube brought out a key ring, selected a key, then walked around the desk, inserted the key in the topmost lock, and turned it. From his watch pocket he took a single key, pushed it into the middle keyhole, and turned. The guard stood waiting beside him, and now the guard inserted a key in the bottom keyhole, turned it and pulled the door open with the key. Rube removed his two keys and gestured me in through the open door before him. He followed, and the door swung solidly shut behind us. I heard the multiple click of the locks engaging, and we were standing in a space hardly larger than a big closet, dimly lighted by an overhead bulb in a wire cage. Then I saw that we were at the top of a circular metal staircase. — Jack Finney

The place that I worked I used to joke about it. There was a, every morning at 10:30 I'd come into work and I'd go into this cubicle that had a little upright piano and fake white cork bricks on the wall, and a little slate that came out of the wall that you could actually write on. And a door that locked from the outside. Every day from 10 to 6, we'd go in there and pretend that we were 13 year old girls and write these songs. That was the gig. — Al Kooper

The most fantastic parking-lot attendant in the world, he can back a car forty miles an hour into a tight squeeze and stop at the wall, jump out, race among fenders, leap into another car, circle it fifty miles an hour in a narrow space, back swiftly into tight spot, hump, snap the car with the emergency so that you see it bounce as he flies out; then clear to the ticket shack, sprinting like a track star, hand a ticket, leap into a newly arrived car before the owner's half out, leap literally under him as he steps out, start the car with the door flapping, and roar off to the next available spot, arc, pop in, brake, out, run; working like that without pause eight hours a night, evening rush hours and after-theater rush hours, in greasy wino pants with a frayed fur-lined jacket and beat shoes that flap. — Jack Kerouac

Over middle of mantel, engraving - Washington Crossing the Delaware; on the wall by the door, copy of it done in thunder-and-lightning crewels by one of the young ladies - work of art which would have made Washington hesitate about crossing, if he could have foreseen what advantage was going to be taken of it. — Mark Twain

I tried to get away from him, to get to that door, but instead I backed up against the wall and was stuck there in that white, white room. — Louise Erdrich

Then very haltingly at first, but afterwards more easily, he began to tell of the thing that was hidden in his life, the haunting memory of a beauty and a happiness that filled his heart with insatiable longings, that made all the interests and spectacle of worldly life seem dull and tedious and vain to him. — H.G.Wells

Although we kept the door ajar so that we could hear, we could not see beyond the gentlemen standing in front of the door in the crowded room. I felt trapped behind a wall of men that separated me from the main event. — Tracy Chevalier

He delayed entry for a brief period, pressing the edge of the door against his head, the other side of which touched the wall: rigid, as if imprisoned in a cruel trap specially designed to catch him and his like: some ingenious snare, savage in mechanism, though at the same time calculated to preserve from injury the skin of such rare creatures. — Anthony Powell

Salvation is a word for the divine spaciousness that comes to human beings in all the tight places where their lives are at risk, regardless of how they got there or whether they know God's name. Sometimes it comes as an extended human hand and sometimes as a bolt from the blue, but either way it opens a door in what looked for all the world like a wall. This is the way of life, and God alone knows how it works. — Barbara Brown Taylor

I would not be a rose upon the wall
A queen might stop at, near the palace-door,
To say to a courtier, "Pluck that rose for me,
It's prettier than the rest." O Romney Leigh!
I'd rather far be trodden by his foot,
Than lie in a great queen's bosom. — Elizabeth Barrett Browning

It is hard going to the door
cut so small in the wall where
the vision which echoes loneliness
brings a scent of wild flowers in the wood. — Robert Creeley

The rum fiend would like to go and hang up a skeleton in your beautiful house so that, when you opened the front door to go in, you would see it in the hall; and, when you sat at your table you would see it hanging from the wall; and, when you opened your bedroom you would find it stretched upon your pillow; and, waking at night, you would feel its cold hand passing over your face and pinching at your heart. There is no home so beautiful but it may be devastated by the awful curse. — Thomas De Witt Talmage

I push open the door just as Tobias, who is sitting on the floor with one leg stretched out, hurls a butter knife at the opposite wall. It sticks, handle out, from a large hunk of cheese they positioned on top of the dresser. Caleb, standing beside him, stares in disbelief, first at the cheese and then at me.
"Tell me he's some kind of Dauntless prodigy," says Caleb. "Can you do this too?"
"With my right hand, maybe," I say. "But yes, Four is some kind of Dauntless prodigy.
Tobias's eyes catch mine on the word "Four." Caleb doesn't know that Tobias wears his excellence all the time in his own nickname. — Veronica Roth

A person will struggle - she'll fight. She'll do just about anything to avoid making a decision she knows she has to make. We have got to be the most perverse creatures on the planet. Something in the human enjoys misery. It keeps us locked away, some in a mansion, some in a hovel. But then, one day - a day you don't plan, an hour you don't expect - the door opens. You have what you need, or you receive your answer. It's so obvious, and so right, and you even have the wherewithal to carry out what you need to carry out. A big angel with flaming eyes and burnished hair might as well have walked through the wall . . . — Donna Salli

Hauk!" a man shouted in the hallway outside.
He fell back from the door and braced himself against the wall. Sumi went low in the center of the room, behind a crate.
"What?" Dancer answered.
"Surrender or we're going to kill them all! Piece by piece, until their screams echo in your ears!"
Dancer laughed at the threat. "You do that and I will eat you, piece by fucking piece. The three of them are the only thing keeping you alive right now. Release them and we'll let you live. It's your choice on how you leave this place. On your feet or feet first. You have thirty seconds to decide. — Sherrilyn Kenyon

Who's that man you were talking to?"

"Oh, that's Norwood. He was checking you in for your first shift. I'll introduce you tomorrow."

She made a face. "No rush."

"I mean, you were scheduled to have a brief orientation with him today, but you know, you needed your beauty sleep, so we don't have time. Are you aware, Lex, that sloth is a deadly sin?"

She made a face at him, then glanced back at the hallway. She thought she could make out a bustle of activity behind the array of frosted glass tiles that lined its right-hand wall, but Uncle Mort ushered her out the front door too quickly for her to get a closer look.

"Wait, we're done here?"

"Well, I was going to show you around upstairs as well, but - "

"No time. Sloth. I get it."

"Deadly sin. — Gina Damico

You know the rest. In the books you have read
How the British Regulars fired and fled,
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere. — Henry Wadsworth Longfellow

I glanced in the first open door and stopped short. Desks. Four tiny desks. A wall of faded posters of alphabet animals. A blackboard, still showing the ghost of numbers. I blinked, certain I was seeing wrong.
Derek nudged my legs, telling me to get moving. I looked at him, and I looked at the classroom.
This was where Derek had grown up. Four tiny desks. Four little boys. Four young werewolves.
For a second, I could see them - three boys working at the three clustered desks, Derek alone at the fourth, pushed slightly away, hunched over his work, trying to ignore the others.
Derek nudged me again, whining softly, and I looked down to see him eyeing the room, every hair on his neck on end, anxious to get away from this place. — Kelley Armstrong

I focused the power from my armor into my leg and kicked the door in. The metal and plastic fibers splintered and the hinges ripped free from the wall.
"By the way, boss," HARV said. "I believe that the door was unlocked. — John Zakour

He went to the light switch by the door and flicked it off. When he turned, she glowed in the golden light from the space heater, and the shadow over her shoulders on the wall seemed a looming, black-cloaked figure. An ancient, mythical harbinger of doom and destruction.
He blinked. It turned into a pattern of blocked light again.
Jesus, what the hell was that about?
He was rattled, jittery, scared half to death. But he could no more say no to this girl than he could stop breathing. — Shannon McKenna

The queen is ... busy," Wybert said. "When she wants you in her room, the light, it will shine." He indicated a round light set in the wall to the right of the door.
So I was stuck her for an indefinite time-until the light, it shone. — Charlaine Harris

It was like a classic thing with Emma. So I walked in and I slammed the door and everything fell off the wall on the set. It was my second or third scene and I was so embarrassed and scared and so nervous about what everyone would say, but everyone just packed up laughing. — Dannii Minogue

Now, to tell my story
if not as it ought to be told, at least as I can tell it,
I must go back sixteen years, to the days when Whitbury boasted of forty coaches per diem, instead of one railway, and set forth how in its southern suburb, there stood two pleasant house side by side, with their gardens sloping down to the Whit, and parted from each other only by the high brick fruit-wall, through which there used to be a door of communication; for the two occupiers were fast friends. — Charles Kingsley

Why do all the men I know put their shoes on incredibly slowly? When I tie my shoelaces I can do it standing, and I'm out the door in about ten seconds. (Or, more often, I don't even tie my shoelaces. I slip my feet into my sneakers and tighten the laces in the car.) But with men, if they are putting on any kind of shoe (sneaker, Vans, dress shoe), it will take twenty times as long as when a woman does it. It has come to the point where if I know I'm leaving a house with a man, I can factor in a bathroom visit or a phone call or both, and when I'm done, he'll almost be done tying his shoes. There's a certain meticulousness that I notice with all guys when they put their shoes on. First of all, they sit down. I mean, they need to sit down to do it. Right there, it signals, "I'm going to be here for a while. Let's get settled in." I can put on a pair of hiking boots that have not even been laced yet while talking on my cell phone, without even leaning on a wall. — Mindy Kaling

He knew nothing about werewolves but what was in the movies. He hadn't even believed they existed until he was attacked. The tall dude, though, knew.
Joshua managed to force his body to make a left-hand turn at the corner, and again once he was across the street, and then a third time. He came looping past the Kitchen Kitsch where the tall dude was standing in the hole in the wall.
"You're really conflicted about this running away part, aren't you?" the dude said as Joshua dashed past him.
"Yes!" He tried to put on the brakes but his body kept running. He could smell his own blood on the man and his body wanted nothing to do with that.
The dude wasn't standing in the hole as Joshua came looping back toward the Kitchen Kitsch a second time. Joshua was afraid he'd lost the man. He was so focused on the opposite side of the street that he nearly ran into the glass door that opened out in front of him. A hand caught him, jerking him into the building. — Wen Spencer

Was there, after all, ever any green door in the wall at all? — H.G.Wells

They inched through dense, heart-stopping darkness. In the distance was what looked like a bright white door cut out of a black wall. Sunni tiptoed towards it, puzzled by its brilliance. — Teresa Flavin

Dan was doing his best Ian Kabra impersonation, looking around the store as though inspecting it for cockroaches. Amy tried to turn her snort of laughter into a cough.
"Espresso?" The saleswoman materialized seemingly out of nowhere. Amy realized that the full-length mirror on the wall was actually a door.
If she were Amy Cahill, she would blush and shake her head no, just because she didn't want to cause any bother. She imagined what Natalie Kabra would do.
"Tea. Darjeeling," she said in a curt tone.
"Oh, not Darjeeling, sis," Dan said. "That's just so middle class."
"Lapsang souchong?" the saleswoman asked.
"I just adored his last collection," Dan said.
The woman's tight smile dimmed. "That's a tea. — Jude Watson

The passageway smelled of smoke: burning wood, a torch, acrid. His head ached. Blood was wet and sticky upon his arm and on his fingers, and the orange glow of torchlight played from behind his back and over the corridor walls, leaping like a bonfire. There was a strange familiarity to it: the narrow walls in around him. And when he came to a wooden door set in the wall, he put his hand upon it and pushed it open.
There was a room, and a pallet inside it; a small torch burned low in a socket upon the wall. A man lay upon the cot, his face bruised and battered, his hands curled against his chest bloody: and Laurence knew him; knew him and knew himself. He remembered another door opening, in Bristol, three years before, and a voice asking him to come outside his prison, in a Britain under siege.
"Tenzing," Laurence said, and, as Tharkay opened feverish eyes, went to help him stand. — Naomi Novik

She opened the door behind him, slipped through, and shut herself in, then leaned against the wall of her hallway for a moment, oddly depressed at how easy that had been. It seemed to her that it shouldn't be so easy to make a man into a fool. — Kristin Cashore

Reading is not as insignificant as we claim. First we must steal the key to the library. Reading is a provocation, a rebellion: we open the book's door, pretending it is a simple paperback cover, and in broad daylight escape! We are no longer there: this is what real reading is. If we haven't left the room, if we haven't gone over the wall, we're not reading. — Helene Cixous

He'd followed Dasha once before and remembered which door was hers. He knocked, peered inside, then jumped in and shut the door, quiet as brushing two feathers together. He smiled at his own stealth, then swaggered right into a chair, banging it against the wall.
You oaf. He cut short his swagger and begin to move with exaggerated sneakiness. There was a certain pleasure in that, too. — Shannon Hale

I should have left yesterday before I found out how hot you run. But I didn't. And now I'm fucked." One hand dropped from the wall to grip the side of her hip, squeezing and releasing. "That exquisite body of yours needs a lot of care and attention. I didn't even get a chance to use my tongue on you. I hate not knowing how you taste."

Her head dropped back against the door. When his hand slipped under her dress to run up the outside of her thigh, a moan escaped her lips. Unconsciously, she thrust her breasts upward, in the direction of his mouth.

"Yes, I see them, baby. I'd taste you there, too." Slowly, his hand slid around toward the juncture between her thighs. "You came so quickly for me yesterday, like something out of a fantasy. Were you neglected here?" He ran a knuckle along the seam of her panties. "I know how to make it better. — Tessa Bailey

What misery to live in this world! We are like men whose enemies are at the door, who must not lay aside their arms, even while sleeping or eating, and are always in dread lest the foe should enter the fortress by some breach in the walls. O my Lord and my all! How canst thou wish us to prize such a wretched existence? — Teresa Of Avila

Hallucinations may be a neglected low door in the wall to a scientific understanding of the sacred. — Carl Sagan

About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie. — Klaus Kinski

Your dad said to tell you that just because you haven't been inside the big guy's door for a while, it doesn't mean he hasn't been in yours. — Shelley K. Wall

What people had had shed and left
a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes
those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again. Now, day after day, light turned, like a flower reflected in water, its sharp image on the wall opposite. Only the shadows of the trees, flourishing in the wind, made obeisance on the wall, and for a moment darkened the pool in which light reflected itself; or birds, flying, made a soft spot flutter slowly across the bedroom floor. — Virginia Woolf

As the message drained away Vimes stared at the opposite wall, in which the door now opened, after a cursory knock, to reveal the steward bearing that which is guaranteed to frighten away all nightmares, to wit, a cup of hot tea.*
* The sound of the gentle rattle of china cup on china saucer drives away all demons, a little-known fact. — Terry Pratchett

Many thrifts layered a billion dollars of brand-new loans on top of their existing, disastrous hundred million dollars of old loss-making loans, in a hope that the new would offset the old. Each new purchase of mortgage bonds (which was identical to making a loan) was like the last act of a desperate man. The strategy was wildly irresponsible, for the fundamental problem (borrowing short term and lending long term) hadn't been remedied. The hypergrowth only meant that the next thrift crisis would be larger. But the thrift managers were not thinking that far in advance. They were simply trying to keep the door to the shop open. That explains why thrifts continued to buy mortgage bonds even as they sold their loans. — Michael Lewis

Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn's late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room. — James Sallis

He was the first to reach the aircraft, and he went for the door that by some miracle was facing outward and not into the concrete wall. Wrenching the thing open, and getting out his flashlight, he didn't know what to expect inside - smoke? Fumes? Blood and body parts?
Zsadist was sitting rigid in a backward-facing seat, his big body strapped in, both hands locked on the armrests. The Brother was staring straight ahead and not blinking.
"Have we stopped moving?" he said hoarsely — J.R. Ward

These lines of D.H. Lawrence are taped to the wall of my office:

"What is the knocking?
What is the knocking at the door in the night?
It is somebody wants to do us harm.

No, no, it is the three strange angels.
Admit them, admit them."

I under[stand] that failure is surely one of these strange angels. — Anne Lamott

She looked over her shoulder at him, as ever, not in the least affected by him or his consequence. Not one whit. She was a lady, yes, but she would never believe herself the sort of woman who might marry a duke. "You aren't the sentimental sort, are you?"
"I'm told not."
She considered him, and he felt the curiosity behind her scrutiny of him. He had no idea what to make of that and so pushed off the wall he'd leaned against and headed for the door. She followed. — Carolyn Jewel

You're a lot like that bird in the barn. You're so scared that you're going to be caged in forever you can't see the way out. You smack yourself against the wall again and again and again. The door is open, Beth. Stop running in circles and walk out. — Katie McGarry

But what struck me was the book-madness of the place
books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper. — Steven Millhauser

Even old, your husband is the young man you remember now. Even dead, he is the man you remember, not as he was but as he is, alive still in your love. Death is a sort of lens, though I used to think of it as a wall or a shut door. It changes things and makes them clear. Maybe it is the truest way of knowing this dream, this brief and timeless life. — Wendell Berry

The death agony of the barricade was about to begin.
For, since the preceding evening, the two rows of houses in the Rue de la Chanvrerie had become two walls; ferocious walls, doors closed, windows closed, shutters closed.
A house is an escarpment, a door is a refusal, a facade is a wall. This wall hears, sees and will not. It might open and save you. No. This wall is a judge. It gazes at you and condemns you. What dismal things are closed houses. — Victor Hugo

Tie your heart at night to mine, love,
and both will defeat the darkness
like twin drums beating in the forest
against the heavy wall of wet leaves.
Night crossing: black coal of dream
that cuts the thread of earthly orbs
with the punctuality of a headlong train
that pulls cold stone and shadow endlessly.
Love, because of it, tie me to a purer movement,
to the grip on life that beats in your breast,
with the wings of a submerged swan,
So that our dream might reply
to the sky's questioning stars
with one key, one door closed to shadow. — Pablo Neruda

Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn't an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over. — Rebecca Solnit

Callie tucked her brother into bed, and once he fell asleep, she left her room in search of her husband. She found him outside her door, leaning against the wall with his sword beside him.
"Sin? What are you doing?"
"'Twould appear I am sitting."
"And why are you sitting there?"
"Because it's rather difficult to sleep while standing."
Callie faltered as his meaning became clear. "You are sleeping outside my door? Why?"
"Because if I slept outside of Simon's door, the innkeeper might think I'm strange."
-Callie & Sin — Kinley MacGregor

Caroline Caldwell gets out of Rosie using the cockpit door rather than the midsection door. The midsection door still has the airlock attached and her hungry specimen jammed into it. She walks twenty paces forward. That's as far as she can go, more or less. She stares at the grey wall for a long time. For whole minutes, probably, although she doesn't really trust her time sense any more. Her wounded mouth throbs in time with her heartbeat, but her nervous system is like a flooded carburettor; the engine doesn't catch, the confused signals don't coalesce into pain. Caldwell — M.R. Carey

Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty.
'Little girls,' said Miss Brodie, 'come and observe this.'
They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'.
'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me. — Muriel Spark

She got out and shut the door without looking back, picking her way through the snow to the black wooden door in the college wall. At least she hadn't told him not to follow. He watched as she carefully brushed the snow off the latch with her rolled umbrella before touching it with her suede gloves. She left the door half open behind her. He followed. When he reached the door he saw she had paused on the garden path leading to her hall and was doing something in the snow with the tip of her umbrella. Still not looking back, she moved on without waiting for him. When he reached the spot he saw that she had written 'I love you' in the snow. It was that night, he believed ever after, that she became pregnant. — Alan Judd

Despite everything he'd learned and witnessed firsthand, it called to him as much as hunger or thirst. A movement up on the left wall of the South Door caught his attention. Startled, he reacted quickly, looking just in time to see a flash of silver. A patch of ivy shook — James Dashner

I see the pricks of blood the spear has left in his shoulder, and when Mutt slides the door shut, I spring on to Mutt and press my little switchblade to his great bulging neck. I can see his skin sucking in with his pulse. My knife lies right next to it. "I thought you said to beat you on the sand," Mutt says. corr slams the wall of his stall with his hooves. My voice hisses out through a cage of my teeth. "I also said ten drops of your blood for every drop of his." I want a pool of his blood around him like the one beneath Edana. I want him to lie against this wall and whimper like she does.I want him to know he'll never stand again. I want him to remember David Prince's death mask as he wears it for himself. — Maggie Stiefvater

She dampened her lips. "I . . . I have defenses you don't know of, and" - she gestured to the half wall revealing the kitchen beyond - "I have pepper spray in the kitchen."
"Pepper spray in the kitchen," he said tonelessly.
"All right, all right!" She dropped the bag with the box on a coffee table that held a few large picture books on the Old West and hurried into the kitchen, coming back with the pepper spray, which she stuck on a bookcase shelf next to the door. He took it down and checked the expiration date. "You should have tossed this two years ago. — Robin D. Owens

The prince set her down and dismissed his valet. The latter left with a bow and closed the door. Leaning against the wall, the prince pulled off his stockings. As he walked toward the amethyst tub, he yanked his shirt over his head.
He was lean and tightly sinewed. Her little bird heart thudded.
He glanced at her, his lips curved in not quite a smile. The next thing she knew, his shirt had flown through the air and landed on the cage, blocking her view toward the bathtub.
"Sorry, sweetheart. I am shy."
She chirped indignantly. It was not as if she would have continued to watch him disrobe beyond a certain point. — Sherry Thomas

He puts his hand on the wall next to my head and moves closer. I put my other hand on his chest. Not to stop him. Just to feel more of his body.
He closes his eyes and exhales before looking at me again. "If you're feeling even half of the attraction I'm feeling toward you, then, no, I don't think you could resist. In fact, I think if I kissed you right now, we'd barely make it through that door before tearing each other's clothes off and fucking like there's no tomorrow. — Leisa Rayven

Instead of scaring him, that threat set fire to his temper. No one threatened Nick Gautier.
"I'm not afraid of you. You want to fight ... bring it."
Something struck the wall by his face. Hard. It was so close to him that whatever it was grazed his nose.
In spite of his bravado, that actually scared him blind. Hard to fight something when you couldn't see it ... Jack-rabbiting up the stairs, he went into Kyrian's training room instead of his office.
Nick slammed the door and threw himself against it, arms wide to keep it shut. — Sherrilyn Kenyon

Imagination is the politics of dreams; imagination turns every word into a bottle rocket ... Imagine every day is Independence Day and save us from traveling the river changed; save us from hitchhiking the long road home. Imagine an escape. Imagine that your own shadow on the wall is a perfect door. Imagine a song stronger than penicillin. Imagine a spring with water that mends broken bones. Imagine a drum which wraps itself around your heart. Imagine a story that puts wood in the fireplace. — Sherman Alexie

That's my little piece of heaven. Go ahead."
Ciro followed Remo through the open door to a small enclosed garden. Terra-cotta pots positioned along the top of the stone wall spilled over with red geraniums and orange impatiens. An elm tree with a wide trunk and deep roots filled the center of the garden. Its green leaves and thick branches reached past the roof of Remo's building, creating a canopy over the garden. There was a small white marble birdbath, gray with soot, flanked by two deep wicker armchairs.
Remo fished a cigarette out of his pocket, offering another to Ciro as both men took a seat. "This is where I come to think."
"Va bene," Ciro said as he looked up into the tree. He remembered the thousands of trees that blanketed the Alps; here on Mulberry Street, one tree with peeling gray bark and holes in its leaves was cause for celebration. — Adriana Trigiani

Are you afraid in there?" she said softly, as the men called out for them.
"No," he said. "I'm not afraid. You lock me in. They won't get me."
She closed the door on the little white face, turned the key in the lock. Then she slipped the key into her pocket. The lock was hidden by a pivoting device shaped like a light switch. It was impossible to see the outline of the cupboard in the paneling of the wall. Yes, he'd be safe there. She was sure of it.
The girl murmured his name and laid her palm flat on the wooden panel.
"I'll come back for you later. I promise. — Tatiana De Rosnay

She allowed herself to look his way, pretending she was glancing at the clock on the wall above the door. He was meticulously lost in the lesson, taking notes well beyond the scope of what was written on the board.
She was grateful that at least one of them was listening, because she knew he was going to have to explain it all to her later. And he would, without every knowing that he was the reason she hadn't heard a word of the lesson. — Kimberly Derting

Entering yet another code, she took the passageway to Rehv's office, and when she came through his door, the three males around the desk all looked at her warily.
She took up res against the black wall across from them. "What."
Rehv leaned back in his chair, crossing his fur-clad arms over his chest. "Are you getting ready to go into your needing."
As he spoke, Trez and iAm both made the Shadow hand motion for warding off disaster.
"God, no. Why do you ask?"
"Because, no offense, you're cranky as fuck."
"I am not."
As the males looked at one another, she barked, "Stop that."
Oh, great, now they all just pointedly didn't look at each other.

-Xhex, Rehv, Trez & iAm — J.R. Ward

It gave me a feeling of temporary acceptance into that elite community, to stroll across the quad at his side. It also gave me my first faint quiver of sexual belonging, the elusive feeling that if I slipped my hand into his as we walked along, a door would fall open somewhere in the long wall of reality as I knew it, never to be closed again. — Elizabeth Kostova

She didn't know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss.
"Shane," he said when he raised his head from hers. "I love you. I love you."
Her heart opened and the wall inside her trembled as she clung to him. "Burn me up, Matt," she said, her voice a ragged whisper. "Burn it away. Please, please, burn it all away."
She heard him growl deep in his throat and he lifted her into his arms in one swift movement.
As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire. — Jane Taylor Starwood

Because this week I've started in on a hundred reproductions of Rembrandt van Rijn, a hundred portraits of the old artist with the mushroom face, the face of a man pushed to the brink of eternity by art and drink, the door handle starting to turn, the final door pushed open from without by an unknown hand, and I'm beginning to have his puff-paste face, that peeling, piss-soaked wall of a face, I'm beginning to smile his half-moronic smile, to look at the world from the other side of human causes and events, and all my bales these days are framed with that portrait of Rembrandt van Rijn as an old man while I keep filling my drum with wastepaper and open books. — Bohumil Hrabal

Block of Death. Just inside the door on the left is the room where they held the proceedings. Jarek remarks that the SS officer who sentenced five thousand Poles here to die was still alive last year, living in Germany, age ninety-two. We ask why. He shrugs. At the far end on the corridor, on the left, looking out into the courtyard, is the room where the condemned were stripped and held. An illustration depicts a naked girl holding on to her mother's legs as the SS guard comes for them. High on the wall, a prisoner scratched graffiti, a name and the date and the words, "Sentenced to die." Beneath that is the date of the next day and the words, "I'm still here. — Christopher Buckley

You're not as cold as you pretend to be,' she said. 'I think your doors open in different places, that's all. Most people just don't know how to get in to you. They knock and they knock where the door is supposed to be, but it's a blank wall. But you're there. I've watched you. I've seen you do some awfully cold things warmly and some warm things coldly. Or does that make sense? — Evan S. Connell

Perched up on salvaged bricks, the half-pipes made perfect planters with an industrial edge that oddly complemented Sugar's pretty favorites: pansies, lantana, verbena and heliotrope.
She laid two of them by the long wall of the taller building next door and planted a clematis vine at one end and a moonflower vine at the other: the clematis because the variety she picked had the prettiest purple bloom and the moonflower because it opened in the early evening and emanated a heavenly scent just when a person most felt like smelling one. — Sarah-Kate Lynch

Sometimes I look up in spite of myself and see that the hospital wall, painted in soothing pastel yellow, has been replaced with gray stones held together by ancient mortar and covered with ivy. The ivy is dead, and the branches look like skeletal hands. The small door in the wall is hidden, Astrid was right about that, but it's there. The voice comes from behind it, drifting through an ancient rusty keyhole. — Stephen King

My latest theory is that it's - well, I describe it as, like, being in an apartment with kind of thin walls. And in the apartment next door, they've got a radio tuned constantly on - tuned to a really cool radio station. It's on all the time. And you can just hear it coming through the wall all the time. — Nick Lowe

You can show a guy sort of peeking over the wall, you can see a guy tunneling underneath, you can see a guy going through the front door. All of those, in cyber terms, are vulnerabilities, because it's not that you have to look for one hole of a specific type. It's the whole paradigm. — Edward Snowden

Kestrel climbed down and studied the garden in the lamplight thrown from her sunroom. She chewed the inside of her cheek, and was wondering whether books stacked on the chair on top of the table would make a difference when she heard something.
The grate of a heel against pebbles. It came from beyond the door, and the other side of the wall.
Someone had been listening.
Was listening still.
As quietly as she could, Kestrel took the chair down from the table and went inside.


Before Arin left for the mountain pass, during the coldest hours of the night, he found time to order that every piece of furniture light enough for Kestrel to move be taken from her suite. — Marie Rutkoski

Who can tell?
Your living is an organized hell.
The mansion of your mind just an oversized cell.
The pressure, everything is done to a measure.
In the sea of competition sunk like a treasure.
Like a feather falling slow spiraling to the floor.
Strung up like a broken violin to your course.
Opportunity is knocking at your door,
But you never left a welcome mat (It doesn't matter anymore.).
Or anyhow, but you're too late to turn back.
Fate pushing you into the wall like a thumbtack.
Ain't no comebacks in this game of life.
Roll the dice again,
Roll it once, never twice.

Keep on going, and taste the stars.
Keep on growing, and raise the bar.
You're living life for the As down to the Zs,
After one drop you got a fountain to seize.

Wanna break from the world, but the world wanna break you,
The weight makes your backbone curl up and make you. — Tablo

Between the kitchen and the destroyed chapel a door led into an oval-shaped library. The space inside seemed safe except for a large hole at portrait level in the far wall, caused by mortar-shell attack on the villa two months earlier. The rest of the room had adapted itself to this wound, accepting the habits of weather, evening stars, the sound of birds. — Michael Ondaatje

I cough, swirling, trying to gain my bearings. It is all black. There are footfalls around me, random screams followed by a blast of a gun. Falling to both knees, I crawl through the soft powder that had moments before been living, my hand outstretched in search of a wall so that I might ground myself. There is a swish overhead, and a screeching sound like a door needing oil. A tusk rolls to me, and I realize it had been thrown my way. — Lindsay Anderson

...she shot him in the face as he slid down the door facing and she shot him in the face as he sat on the floor and she ran to him and shot him twice in the face as he sprawled against the wall, scalp down to his chin and his hair on fire. — Thomas Harris

EVERY FEW WEEKS AND SOMETIMES MORE OFTEN THAN THAT, the Benzes would receive in the postbox affixed to the wall outside their front door a notice printed on a half-size sheet of white paper, bordered in a bold black line. They were death announcements. Ein Bestattungsanzeige. The postman delivered them along with the mail whenever a Dietlikon resident died. It was a small-town courtesy, not a typical Swiss practice. — Jill Alexander Essbaum

purple threaded evening. a torn goddess laying on the roof. milk sky. lavender hued moan against hot asphalt. the thickness of evening presses into your throat. polaroids taped to the ceiling. ivy pouring out of the cracks in the wall. i found my courage buried beneath molding books and forgot to lock the door behind me. the old house never forgets. opened my mouth and a dandelion fell out. reached behind my wisdom teeth and found sopping wet seeds. pulled all of my teeth out just to say i could. he drowned himself in a pill bottle and the orange really brought out his demise. lay me down on a bed of ground spices. there's a song there, i know it. amethyst geode eyes. cracked open. no one saw it coming.
october never loved you.
the moon still doesn't understand that. — Taylor Rhodes

It's hard to tell
if we close our eyes or if night
opens in us other starred eyes,
if it burrows into the wall of our dream
till some other door opens.
But the dream
is only the flitting costume of one moment,
is spent in one beat
of the darkness,
and falls at our feet, cast off
as the day stirs and sails away with us."
-from "In the Tower — Pablo Neruda

One morning indeed, I felt a sudden misgiving that she not only had left the house but had gone for good: I had just heard the sound of a door which seemed to me to be that of her room. On tiptoe I crept towards the room, opened the door, stood upon the threshold. In the dim light the bedclothes bulged in a semi-circle, that must be Albertine who, with her body bent, was sleeping with her feet and face to the wall. Only, overflowing the bed, the hair upon that head, abundant and dark, made me realise that it was she, that she had not opened her door, had not stirred, and I felt that this motionless and living semi-circle, in which a whole human life was contained and which was the only thing to which I attached any value, I felt that it was there, in my despotic possession. — Marcel Proust

Magic And Loss (The Summation)
They say no one person can do it all
But you want to in your head
But you can't be Shakespeare and you can't be Joyce
So what is left instead
You're stuck with yourself and a rage that can hurt you
You have to start at the beginning again
And just this moment
This wonderful fire started up again
When you pass through humble, when you pass through sickly
When you pass through, I'm better than you all
When you pass through anger and self deprecation
And have the strength to acknowledge it all
When the past makes you laugh and you can savor the magic
That let you survive your own war
You find that that fire is passion
And there's a door up ahead, not a wall — Lou Reed

Aria dropped her satchel against the wall and glanced at the front door, smiling at a sound beyond the reach of his ears. A second later, Roar blew into the house in a dark flash.
'Finally!' he bellowed. He wrapped Aria into a big hug, lifting her off the ground. 'What took you so long? Don't answer that." He glanced at Perry. "I think I know. — Veronica Rossi

She is stunning in her anger. Her eyes are bright, her chest is heaving and all I want to do is slam against her into nearest wall. I take a deep breath to calm the hormones, again."- Alex. — M.R. Field

I open the gallery door, walk in with that sinking feeling I always have in galleries. It's the carpets that do it to me, the hush, the sanctimoniousness of it all: galleries are too much like churches, there's too much reverence, you feel there should be some genuflecting going on. Also I don't like it that this is where paintings end up, on these neutral-toned walls with the track lighting, sterilized, rendered safe and acceptable. It's as if somebody's been around spraying the paintings with air freshener, to kill the smell. The smell of blood on the wall. — Margaret Atwood