Don't Leave Me Here Alone Quotes & Sayings

Danny Dietz died right there in my arms. I don't know how quickly hearts break, but that nearly broke mine ... I had to leave him or else die out here with him. But I knew one thing was certain. I still had my rifle and I was not alone, and neither was Danny, a devout Roman Catholic. I left him with God. — Marcus Luttrell

I don't want to be alone," she whispered. "You won't be, through any of this." "It feels very alone. Death is like a cloud coming near that shadows and blocks the color from life." "I'll be here, Rae. Whatever you need. And God promised He would never leave you. He meant it. For the rest of eternity you will never be alone. — Dee Henderson

Let me simplify my take on intervention. To me it is mostly about having a systematic protocol to determine when to intervene and when to leave systems alone. And we may need to intervene to control the iatrogenics of modernity - particularly the large-scale harm to the environment and the concentration of potential (though not yet manifested) damage, the kind of thing we only notice when it is too late. The ideas advanced here are not political, but risk-management based. I do not have a political affiliation or allegiance to a specific party; rather, I am introducing the idea of harm and fragility into the vocabulary so we can formulate appropriate policies to ensure we don't end up blowing up the planet and ourselves. — Nassim Nicholas Taleb

Fabre stood up. He placed his fingertips on d'Anton's temples. "Put your fingers here," he said. "Feel the resonance. Put them here, and here." He jabbed at d'Anton's face: below the cheekbones, at the side of his jaw. "I'll teach you like an actor," he said. "This city is our stage."
Camille said: "Book of Ezekiel. 'This city is the cauldron, and we the flesh' ..."
Fabre turned. "This stutter," he said. "You don't have to do it." Camille put his hands over his eyes. "Leave me alone," he said. "Even you." Fabre's face was incandescent. "Even you, I am going to teach." He leapt forward, wrenched Camille upright in his chair. He took him by the shoulders and shook him. "You're going to talk properly," Fabre said. "Even if it kills one of us." Camille put his hands protectively over his head. Fabre continued to perpetrate violence; d'Anton was too tired to intervene. — Hilary Mantel

Because it's a fucking disaster to be creative when you know you're not Mozart or Keats. Dammit, I got tired of scratching around in my past. There's nothing in me to justify the pretension of creativity. This came before anything, before you, before Raquel, this is a matter of my own emptiness, my awareness of my own limits, maybe my sterility. Does what I'm saying to you seem awful? Now you want to come along and sell me an illusion, which I don't believe in but which does make me believe that either you're a fool or you underestimate my intelligence. Why don't you just leave me alone, so I can fill the emptiness in my own way? Let me see things for myself, learn if something can still grow in my soul, an idea, a faith, because I swear to you, Laura, my soul is more desolate than this rock landscape you see here ... why? — Carlos Fuentes

I really don't know what "I love you" means.
I think it means "Don't leave me here alone. — Neil Gaiman

been through enough. Don't do this to her." "I've done nothing to her," Naz says, his hand shifting higher, tightening around my throat. I gasp as he leans down, kissing my temple. "Nothing she hasn't wanted me to do." My mother's on the verge of hyperventilating. "Just let her go and let's talk about this. I'll give you whatever you want, whatever it is. Take me, but leave her alone. Please, I'm begging you. I'll do anything." Naz loosens his hold, and I breathe deeply, disoriented. "Johnny here?" "No." "Bet he went out the back door when he saw me, didn't he? — J.M. Darhower

Are you two finished beatin' the hell out of each other? Mason, you slept with his sister, you know he deserved to get that punch in. Bellemy, you got your hit in. Now, leave it alone. He obviously loves her if he was willin' to call me for help."

Clay lifted his mug again, taking another sip before he continued.

"Next one of you to throw a punch is out of here and won't get to know what is goin' on. It's a courtesy that I even let either of you in here or tell you the details of the investigation. Don't take advantage of my kind nature. — Alex Morgan

A passenger isn't supposed to concern himself with the running of the ship; that is being taken care of by the crew, anonymous creatures down in the engine-room or up on deck, whom he never meets. But, in this case, I wasn't really a passenger. I was like a lazy or scared or drunken captain lying shut in his cabin when he ought to be on the bridge, giving orders. Sooner or later, I would have to come out and assume command and decide where we were going.
But not yet, I told the crew. You don't need me yet. Can't you see I'm sick? You're doing all right without me. Sure, I'll come, when we get near land. Just let me lie here a little longer. Leave me alone, can't you? Let me sleep. — Christopher Isherwood

Another like me? Don't leave me out here with myself! I'd go mad. Please
don't leave me alone, Samuel! Just take me home!" Tears stream down her face.
"Please take me home! — Nathan Reese Maher

I've been watching you drink," he says. "Think it's a good idea to put your liver through this?"
"What are you the public service message fairy?"
"Just being polite."
"Well I'm going to go out on a limb here and say that you, sir, have taken the being polite thing too far. Why don't you just ask me out already so I can refuse and you can leave me the fuck alone? — Sam Hunter

In far too many families with young children, both parents are working, when, if they really took an honest look at the budget, they might find they don't both need to ... What happened in America so that mothers and fathers who leave their children in the care of someone else - or worse yet, home alone after school between three and six in the afternoon - find themselves more affirmed by society? Here, we can thank the influence of radical feminism. — Rick Santorum

We used to talk about death, she said. We don't anymore. Why is that?
I don't know.
It's because it's here. There's nothing left to talk about.
I wouldn't leave you.
I don't care. It's meaningless. You can think of me as a faithless slut if you like. I've taken a new lover. He can give me what you cannot.
Death is not a lover.
O yes he is.
Please don't do this.
I'm sorry.
I can't do it alone. — Cormac McCarthy

Padma shook her head and sighed loudly. Her friend was foolish to think evil would simply disappear and leave them alone. "There is talk of a syndicate rising up. They are not happy with what you have set up here." "Of course they're not. But that's just too bad." Charlie sat across from her and frowned. "Before I was abducted, I was aware of poverty in the general sense, but the personal stories of bondage are so real and so heart wrenching." "Charlie, please, you need to focus on the matter at hand," Padma urged. "But don't you see, it's all connected. More than thirty million people are in some form of slavery worldwide. Thirty million!" Drumming her fingers on the desk, Charlie gave a weak smile. "I cannot stand by and do nothing. India has my heart and sadly it is one of the worst countries for human trafficking. You and I can attest to that. — Tracey Hoffmann

Cole,do you feel anything for me?" I don't know what made me ask this, except that Jack had asked him the night of the Tunnels.It obviously surprised him.
He backed up. "What?"
I inched forward,not quite sure I was going with this. "Do you feel ... something for me?"
He was quiet,still as a statue, so I moved even closer.
"Don't,Nik." His gaze dropped to the ground.
"If you feel anything, please leave me alone.I don't know why I survived.I don't have your answer. Shadowing me will get you nothing."
Then he did something unexpected. He backed down, and as he turned around to his motorcycle,he shook his head and mumbled, "What have you done to me?"
"I don't know," I said. "But you have ninety-nine years to figure it out."
He kicked it on and revved the engine, and at the sound,he found his cocky smirk again. "That's a long time, Nik. Jack is gone,and I'm here.Let's see who gives up first. — Brodi Ashton

I'm sorry if I made you think I don't trust you."
"You don't. Not yet. And that's okay. Just stop assuming I'm only out to hurt you, or take something you're not willing to give. If you're not interested, all you have to do is say so. I can't say I won't be disappointed, but I'll leave you alone if that's what you want."
"I am interested," she said more boldly than she actually felt. "Please understand, my caution comes from experience. You've already proven you're not like the asshole. I'm glad you came last night. I'm glad you're still here this morning."
"See, I'm not so hard to like," he teased, putting her at ease after the tense moments they'd just shared. — Jennifer Ryan

But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road. — V.S. Naipaul

Just leave me alone. I'm not myself. I'm falling apart, and I don't want you here. — Daniel Keyes

Why are you here, Harley? What is it that you really want from me?" I came away from the wall with my hands balled into fists. He nodded thoughtfully, a slight tilt to his head. "I want to know what Arys has that I don't. I want to know what is so important that he is willing to destroy anything that dares to threaten you. Clearly he loves you, yet he chooses not to bond you." Harley's voice was low, contemplative. "I want to know what joins him to the most powerful werewolf alive." I stared at him fearfully as if he were mad, which I was pretty sure he was. This was all about what Arys had that he did not. Was it just a vampire's need to dominate or was there more to it? "All I can tell you is this, whatever Arys and I have, it's meant to be. It's bigger than we are and try as I might to find my way out, it is here to stay." I saw no harm in divulging that much to Harley. I was hoping he would see it for the truth it was and leave me alone. — Trina M. Lee

Time, where did you go? / Why did you leave me here alone? / Wait, don't go so fast / I'm missing the moments as they pass — Chantal Kreviazuk

What am I doing here?" she demanded, bewildered.
"You're having dinner," her little brother said.
"Stop it! I'm not hungry. Stop it!"
John held the spoon in front of her. His cherubic face was dark with anger. "You said you wouldn't leave me."
"What are you talking about?" Mary demanded.
"You said you wouldn't do it. You wouldn't leave me alone," John said. "But you tried, didn't you?"
"I don't know what you're babbling about." She noticed Astrid then, leaning against a filing cabinet. Astrid looked like she'd been dragged through the middle of a dog fight. Little Pete was sitting cross-legged, rocking back and forth. He was chanting, "Good-bye, Nestor. Good-bye, Nestor."
"Mary, you have an eating disorder," Astrid said. "The secret is out. So cut the crap."
"Eat," John ordered, and shoved a spoonful of food in her mouth. None too gently.
"Swallow," John ordered.
"Let me - "
"Shut up, Mary. — Michael Grant

Did you know you always refer to Eliza and Kitty as 'the girls?' I think it's endearing, but also reveals your true feelings." Nathaniel's smile bent upward. "Eliza has captured your heart. You can't deny it." Thomas glared at his friend who only grinned in return. "You know," Nathaniel said, an impressive seriousness knitting his voice. "They don't have to leave. They could stay right here with you. What life do they have for them in Boston? They've no family, nothing to entice them away from you." "They have more than you think," Thomas shot back. "Besides, in the end, Eliza may decide she'll marry Samuel after all." "Don't fool yourself." Nathaniel leaned forward and rested his elbows on his knees. "I've seen the way Eliza looks at you, and her eyes are not those of a woman longing for home, let alone another man." Thomas exhaled, his shoulders dropping as he did. "I've told you, I will not water the garden of affection. — Amber Lynn Perry

Not the first time. I didn't think my heart could stand it. But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road. I — V.S. Naipaul

Mark glanced at his watch and sighed. "Look, I have to go, but I'm serious, Rose. Stay here. Stay out of trouble. Fight Strigoi if they come to you, but don't go seeking them blindly. And definitely leave the ghosts alone. "
It was a lot of advice to get in a grocery store, a lot of advice I wasn't sure I could follow. — Richelle Mead

Please God, we're all right here. Please leave us alone.
Don't send death in his fat red suit and his ho-ho baritone. — Anne Sexton

I've never eaten here so I don't know what's good. Peanut butter and jelly is always good. You can't screw that up. Peanut butter and jelly has always been there for me and is one of the constants in my life. Peanut butter and jelly has never done me wrong. It's my favorite."
"Should I leave you two alone when it gets here? Sounds like you don't need me. — Chelsea M. Cameron

Okay, more disclosure. I'm not a fugitive at the moment, but I might become one. I don't know if I'm going back for a trial. I can't go to prison and leave the twins alone. We'll leave before it comes to that. I don't want to get you in trouble."
Hilda waved off the words. "I'm an old woman. They ain't gonna take me out of here in shackles. I've seen most of the local officers run around in diapers."
Luanne was pretty sure that didn't mean immunity. She'd seen Chase naked, and that hadn't stopped him from arresting her. She didn't tell that to Aunt Hilda. — Dana Marton

Emily Zola.That's only the second woman I've seen down here. What's up with that?"
But before St. Clair can answer, the grating voice says, "It's Emile." We turn around to find a smug guy in a Euro Disney sweatshirt. "Emile Zola is a man."
My face burns. I reach for St. Clair's arm to pull us away again,but St. Clair is already in his face. "Emile Zola was a man," he corrects. "And you're an arse. Why don't you mind your own bloody business and leave her alone! — Stephanie Perkins

Here's a tip. If you touch a girl, even as joke, and she pushes you off, leave ... her ... alone. Don't touch her. Anywhere! Just stop. Your touch does nothing but sicken her. — Jay Asher

I'll miss you every day for the rest of my life. You're my heart and it'll go with you. I'll be here, and I'll hold your hand, and you focus on me, and when you leave me, you won't be alone. Don't be afraid. We won't be saying good-bye, baby. Just, 'til later. — T.A. Webb

Goodness! Golly! Good God! Blessed Allah! Zeus and Hera! Mary and Joseph! Nathaniel Hawthorne! Don't touch her! Grab her! Move closer! Run away! Don't move! Kill the snake! Leave it alone! Give it some food! Don't let it bite her! Lure the snake away! Here, snakey! Here, snakey snakey! — Lemony Snicket

Don't leave me here alone! It's your Sam calling. Don't go where I can't follow! Wake up, Mr. Frodo! — J.R.R. Tolkien

Hey, sweet. Please open your eyes, Livia. Open your eyes and see what you did. I'm actually sitting here without grimacing. There's no pain at all. But you know that, don't you? I don't know why you stayed with me. God knows, I wasn't worth it. But I don't want you to leave me alone anymore. I need you, Livia. I can't live without you in my life. I can't ... I'm not that strong. Please open your eyes and look at me. Please. (Adron) — Sherrilyn Kenyon

And this time as the lashes come, try to think about the pain, instead of against it, because there is not one single aspect of life, past, present, or future, that does not tear your reason from you, to think on it. So think about the pain. This pain after all has its limits. You can chart its passage through your body. It has a beginning, middle, end. Imagine if it had a color. The first cut of the lash is what, red? Red, spreading into a brilliant yellow. And this one again, red, red, no yellow, and then white, white, white, white ... Why have you incarcerated yourself in this palazzo of torture chambers, why do you not leave this place? Because you are a monster and this is a school for monsters, and if you leave here, then you will be completely, completely alone! Alone with this!
Don't weep in front of these strangers. Swallow it down. Don't weep in front of these strangers! Cry to heaven, cry to heaven, cry to heaven. — Anne Rice

We don't like murders here, said a man's voice, low and threatening, from the back of the crowd. Megan glanced at Cassie and her friends. They looked away, as if they didn't see what was happening.
Anger boiled in her chest. Why wouldn't they leave her alone? She hadn't killed anyone. She hadn't killed Harlen Trooper, all those years ago. She knew it and the judge knew it. She hadn't even been charged.
If I wanted to, I could have you all killed, she thought, and was stunned when the thought didn't scare her the way it should. She looked at their faces, stony and stubbled, shiny with alcoholic sweat. The power in her chest hadn't worked against Ktana Leyak, but it could against them, this miserable bunch of humans with their heavy boots and beer guts.
She pictured those guts exploding. She pictured the terror in their eyes when they realized they were messing with the wrong fucking demon, they were -
Demon? — Stacia Kane