Donohoo Chevy Quotes & Sayings

Coldness in everything. It comes from a long way off; it gets into everything. One must get out of the way before it reaches the core. If it does that, one won't feel even the coldness any more. Do you see what I mean? — Christa Wolf

Nature would be scarcely worth a puff of the empty wind if it were not that all Nature is but a temple, of which God is the brightness and the glory. — Henry Ward Beecher

This isn't a crush, it's obsession.You are never not in my thoughts. Your scent carries across a room and paralyzes me with longing. I don't want to hold your hand. Part of me wants to set you on fire and hold you while the flame consumes us both, to eat your heart so I know that only I possess it entirely. — Gwen Hayes

Strangers used to gather together at the cinema and sit together in the dark, like Ancient Greeks participating in the mysteries, dreaming the same dream in unison. — Angela Carter

The Dead and Those About to Die is a gripping, first-hand account of the desperate battle for Omaha Beach on D-Day by the legendary 1st Infantry Division, the Big Red One. On the 70th anniversary of that momentous event, John C. McManus's tale of courage under fire is a vivid reminder that freedom isn't free and that when the chips are down stalwart American soldiers will always answer the call of duty. — Carlo D'Este

I can't name the poison that's killing your friend. But the one that's killing you is called hope. — Scott Lynch

V: You asked for Knowledge, Eve, and that is what I shall pass on to you. Knowledge, like air, is vital to life. Like air, no one should be denied it.
Eve: Oh, V, come on. You've always kept thinks mysterious: yourself, this place, your plans ... If knowledge is like air, you've been suffocating me.
V: Not at all. I've been teaching you to breathe. — Alan Moore

Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph. — John Ruskin