Do Not Look Down On Me Quotes & Sayings

I think - I think it's a big deal. Bigger for him and Eve than for most people.' Shane kept his eyes down, fixed on the sidewalk and the steps they were taking. 'Look, ask him, okay? This is girl talk. I don't do girl talk.'
She punched him in the shoulder. 'Ass.'
'That's better. I was starting to feel like we should go shoe shopping or something.'
'Being a girl is not a bad thing!'
'No.' He took his hand out of his pocket and put his arm around her shoulders, hugging her close. 'If I could be half the girl you are, I'd be - wow, I have no idea where I was going with that, and it just turned out uncomfortable, all of a sudden.'
'Jackass.'
'You like being a girl - that's good. I like being a guy - that's also good.'
'Next you'll be all Me, Tarzan, you, Jane! — Rachel Caine

Hastings sat down and braced his arm along the back of the chaise, quite effectively letting it be known he did not want anyone else to join them.
"You look frustrated, Miss Fitzhugh." He lowered his voice. "Has your bed been empty of late?"
He knew very well she'd been watched more closely than prices on the stock exchange. She couldn't smuggle a hamster into her bed, let alone a man.
"You look anemic, Hastings," she said. "Have you been leaving the belles of England breathlessly unsatisfied again?"
He grinned. "Ah, so you know what it is like to be breathlessly unsatisfied. I expected as little from Andrew Martin."
Her tone was pointed. "As little as you expect from yourself, no doubt."
He sighed exaggeratedly. "Miss Fitzhugh, you disparage me so, when I've only ever sung your praises."
"Well, we all do what we must," she said with sweet venom.
He didn't reply - not in words, at least. — Sherry Thomas

I don't know if I can."

I splayed my hand on the bulkhead beside Fran's shoulder and looked her in those pretty green eyes. "It's easier if you don't think about it. Shut it away, think about something else. Drink, fuck, do what you gotta do. Bury it so damn deep, it can't touch you. And before long, you'll forget what you were worried about."

Her lips turned down at the corners. She closed her eyes and sighed. "Is that what you do?"

"It works." Or it had. Until recently. Until One somehow made me look at myself though her eyes. Now I had shit going on in my head, like not wanting to let her down. Not wanting to let any of them down. Like this life and my place in it might actually mean something. That kinda thinking would get a man killed.

~ Caleb — Pippa DaCosta

He's gawking at me when I open the door.
"Damn girl," he says, looking me over, "what the hell are you trying to do to me?"
I look down at myself, still trying to wake up the rest of the way and realize I'm in those tiny cotton white shorts and varsity tee with no bra on underneath. Oh my God, my nipples are like beacons shining through my shirt! I cross my arms over my chest and try not to look at him i the eyes when he helps himself the rest of the way inside.
"I was going to tell you to get dressed," he goes on, grinning as he walks into the room carrying his bags and the guitar, "but really, you can go just like that if you want."
I shake my head, hiding the smile creeping up on my face. — J.A. Redmerski

Here's what you do," suggested Tansy Wagwheel, whom this job in just a few short weeks would drive screaming down Fifteenth Street and on into the embrace of the Denver County public-school system, "It's in this wonderful book I keep close to me all the time, A Modern Christian's Guide to Moral Perplexities. Right here, on page eighty-six, is your answer. Do you have your pencil? Good, write this down - 'Dynamite Them All, and Let Jesus Sort Them Out.'" "Uh . . ." "Yes, I know. . . ." The dreamy look on her face could not possibly be for Lew. "Does it do horse races?" Lew asked after a while. "Mr. Basnight, you card. — Thomas Pynchon

When is Colton coming over again?"
I straightened magazines on the coffee table and pretended the subject didn't bother me. "When he realizes the truth about either me or Bryant."
Julianne's head popped up from behind the couch, where Ken and a collection of tiny plastic picnic food had fallen. "When will that be?"
"Oh probably around the same time hell freezes over."
"I thought Colton was your friend," Evelynn said. "I thought you liked him."
"I do-well, I used to." It made me feel sad just to say the words.
Rebecca gave me a long look. "But you're not going to talk to him until hell freezes over?"
I straightened another magazine. "Well, anything is possible. After all, Colton is in the same business as the devil, so he probably has some pull down there. Hell might be cooling as we speak. — Janette Rallison

I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find as many. Some of them really look big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking. Not just beautiful though
the stars like the trees in the forest, alive and breathing. And they're watching me. What I've done up till now, what I'm going to do
they know it all. Nothing gets past their watchful eyes. As I sit there under the shining night sky, again a violent fear takes hold of me. My heart's pounding a mile a minute, and I can barely breathe. All these millions of stars looking down on me, and I've never given them more than a passing thought before. Bot just stars
how many other things haven't I noticed in the world, things I know nothing about? I suddenly feel helpless, completely powerless. And I know I'll never outrun that awful feeling. (135) — Haruki Murakami

I wear makeup and dress this way because I think it makes me look better. I am not doing it to get people to stare at me. If I wanted to do that I could just put a pot on my head, wear a wedding dress, and run screaming down the street. — Boy George

Though no one notices at the time, in-loveness obliterates the humanity of the beloved. One does a curious kind of insult to another by falling in love with him, for we are really looking at our own projection of God, not at the other person. If two people are in love, they tread on star dust for a time and live happily ever after - that is so long as this experience of divinity has obliterated time for them. Only when they come down to earth do they have to look at each other realistically and only then does the possibility of mature love exist. If one person is in love and the other not, the cooler one is likely to say, "We would have something better between us if you would look at me rather than at your image of me. — Robert A. Johnson

That explains what I'm doing here." He put his chin down on the edge of the gurney, watching me like a big friendly dog. "What are you doing here?"
He was so dreamily handsome, looking at me with concern in his eyes, and his tone was so gentle, that I almost answered him.
"You followed me," he said.
I shifted on the gurney, trying in vain to find a more comfortable position. My hip sure did hurt.
"You wanted to know where I was going so late at night," he said. "I've seen you watching me through your window."
Note to self: when boys look back at you watching them in the darkness outside your well-lit window, but their expressions do not change, you relax, assuming they can't really see you watching them, when they can totally see you.
There was no way around it now. — Jennifer Echols

Without a conscious thought to do so, he went down on his knees in front of her, grasping both her hands. If she wouldn't look up at him, she could
look down at him. Her tiny, surprised intake of breath caught in the air between them. He lifted her knuckles to his lips, aching so hard to touch
some part of her. Being away from you has been ... hell. I could wax poetic and tell you it's been like being torn away from my own soul, or missing a
shard of my heart, but in the end it's been absolute torment. I'm missing all those things if I'm not with you. — Cherrie Lynn

Don't fall in love with me. Not unless you're ready for a God damn fight. I don't do fragility, or friction and fairy tales. I want you to be irrational because I'm irrational. Be bold. Speak your mind. I want your wildfires and obscenities. I want your passion and priorities. Protect what's yours. I'll defend what's ours. Let us fight against routines and bad habits, and anything typical. And don't you dare quit. Not on us, not on yourself. God help the person who threatens us. Forgive me when I let you down, but don't overlook it, or allow it. We're all insecure about something. Show me yours. We're all terrified sometimes. Turn to me. People come in and out of my life so often and easily that I just look for a love that stays. I don't mind your blemishes or scars, I have a few of my own. Don't be another flash in the pan. Falling for me will be easy. Staying with me will be impossible. But you deserve a love that most people don't believe in anymore. — J. Raymond

You are gonna shoot me," he says. "One day." He's still holding Lindsay's hand, he's looking down at where their fingers are wound together and not at Lindsay's face, but his voice is clear. "I ain't thick. I know you'll get sick of me. You can't just let me go, I know too much, you'd be freaked out forever in case I snitched. You'll get proper sick of me one day, not just annoyed, and then you'll shoot me. It's okay."
"I won't get sick of you," Lindsay says. He feels numb and far away, as if its somebody else talking, and almost like he's going to throw up, a sort of lurch in his stomach like when you're at the top of the the Angel tube station escalator and somebody a bit too eager to get on the train shoves you from behind.
"Yeah you will. I'm gonna be with you til I die, though. Least I can say that and know its true, how many people can do that? Bit romantic, really. If you squint, and look at it sideways. — Richard Rider

I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!" — Kelly Hogan

Well, this is the hardest part to believe; look, you can suspend me if you want to, but it's the God's honest truth. This man Tompkins came all the way down to where I was bending over the body at the foot of the stairs. I straightened up and covered him with my gun. It didn't faze him in the least, he kept moving right on past me toward the street-door. Not quickly, either; as slowly as if he was just going out for a walk. He said, 'It isn't my time yet. You can't do anything to me with that.' ("Speak To Me Of Death") — Cornell Woolrich

Debt Chauffeur, that's my name for him now, wants to marry me. He asked me down on bended knee, and I would have been honored - except he wants us to live in London, and he wants me to live white. I crowed at that. I laughed so hard and not a tear came. He couldn't understand it. I don't often think on how white I look; it's always been a question of how colored I feel, and I feel plenty colored. He said that no one in London will know that I'm supposed to be colored. And I said I am colored, colored black, the way I talk, the way I cook, the way I do most everything, and he said but you don't have to be. — Alice Randall

When anger rears up in me I have a trick I do where I picture it as a freshly uncoiled snake dropping down from the jungle canopy and heading for my neck. If I look at it directly it'll disappear, but I have to do it while the snake's still dropping or it will strike. This sounds like something they'd teach you in therapy at the hospital or something, but it's not. It's just a trick I found somewhere by myself. Once you've looked at a deadly thing and seen it disappear, what more is there to do? Walk on through the empty jungle toward the city past the clearing. — John Darnielle

If your not willing to do the work that your instructing me to do. I will look down on you. — Jonathan Burkett

Caleb," Lily whispered. He turned from the horses to glance at her curiously. "What?" "Indians," she managed to say. "Over there, on the rise!" He turned in a leisurely fashion to look toward the hillside, making no move to take his pistol from its holster or dive for the rifle Lily had seen him put under the seat back in Tylerville. "Son of a gun," he remarked, sounding interested but not alarmed. Impatient, Lily started to reach under the seat. "No sudden moves, sodbuster," Caleb warned calmly without even glancing in her direction. "They don't take well to things like that." Lily sat still as a stone, her fingers itching for the rifle even though she didn't have the faintest idea what to do with it. Do something! she wanted to scream as the Indians rode down the hill at a cautious pace. "They'll probably scalp me," she fretted through her teeth. "If they don't, I will," Caleb replied. At — Linda Lael Miller

She introduces me to a nurse as the Best Friend. The impersonal article is more intimate. It tells me that they are intimate, the nurse and my friend.
'I was telling her we used to drink Canada Dry ginger ale and pretend were were in Canada'
'That's how dumb we were,' I say.
'You could be sisters,' the nurse says.
So how come, I'll bet they are wondering, it took me so long to get to such a glorious place? But do they ask?
They do not ask.
Two months, and how long is the drive?
The best I can explain it is this - I have a friend who worked one summer in a mortuary. He used to tell me stories. The one that really got to me was not eh grisliest, but it's the one that did. A man wrecked his care on 101 going south. He did not lose consciousness. But his arm was taken down to the bone - and when he looked at it - it scared him to death.
I mean, he died.
So I hadn't dared to look any closer. But now I'm doing it - and hoping that I will live through it. — Amy Hempel

I look at that woman and all my neurons start firing at once," Devlin said. "My head shuts down and that's not the worst of it."
But he wasn't about to describe the effect she had on his body. Even if the stallion was looking particularly supportive. The memory of A.J. in his arms was potent enough without adding to it the power of words.
"What the hell am I going to do?"
If the stallion had an answer, he wasn't sharing, and Devlin pulled away from the stall with a frustrated groan.
"To top it off, she's got me turning to a horse for advice. — J.R. Ward

I mean honestly, who just sits around in a house with a bunch of short guys waiting for their prince to come? So your mom is a bitch and wants to kill you because her mirror told her to? Cry me a river why don't you? Your big plan is sitting around cleaning house waiting for the other shoe to drop? And speaking of shoes, everyone has been picked on by mean girls. You do not wait for some old lady to pop in and transmogrify some innocent rodents just so you can sneak in to a dance under false pretenses. And let's say you do sneak in. For the love of all that is holy take your mask off and look the guy in the face and say. "Hi, I'm Cindy from down the street, I have this thing at midnight. Can we do coffee later?" This nonsense with a shoe and searching the entire village for one girl, it's crap. — John Goode

Ginger, truth or dare?"
"Dare."
"Forgive me for taking the idea from Kai, but I dare you to snog Blake-" She modified the request at the insistent stare from her sister. "Oh, come on! Just the teeniest peck on the lips."
I thought she would still refuse, but apparently she wasn't one to outright turn down a dare. She turned to Blake and pointed a finger at him.
"Try to cop a feel and I'll make Anna's chair flip look angelic," she warned.
He grinned and she leaned in, both closing their eyes as she pressed her lips against his for one, two, three seconds. It appeared innocent, but they were shy when they pulled away and sat back.
"Right," Ginger said, clearing her throat. "My turn. Jay, truth or dare?"
"Truth."
"Do you fancy Marna?"
"I'm not sure what that means, but if you're asking if I like her and think she's the most beautiful girl I've ever met and I wish she would move here, then yes."
Marna and I giggled at his brazen, smitten openness. — Wendy Higgins

As they left, Eve watched him slide the coffee sleeve off the drink and put it in his pocket.
After they'd walked a few blocks, she questioned him. "Why'd you keep the sleeve?"
Blake pulled out the cardboard and looked down at it. "Just to remember I could do it."
Eve grabbed it from him quickly, ripped it in half, and threw it in a trashcan on the sidewalk. Blake held his hands up and gave her a What the hell? look.
"Don't tie your success to anything other than what's inside you." She stepped up to him and gently patted his heart. "You did this, Blake. You. Not the coffee, not me, not Livia. You did this. — Debra Anastasia

As Ian popped the lock and opened the car door, he turned to Phoebe. "Can you do me a favour?"
She immediately stepped toward him, fully embracing their new mature relationship. "Of course."
Ian looked pointedly over his own shoulder and said, "Tell me the truth. Does this car make my glowing ass look fat?"
She'd naturally followed the direction of his gaze, but now she looked up, hard, into his eyes. And she smiled back at him despite herself. She even laughed. "You're an idiot."
"When things get too serious, I get a rash."
She pointedly looked back down at his nether regions, despite the fact doing so made her blush. Still, she spoke coolly, dryly. "Not on your ass."
If Ian believed in love, that would've been it for him. Instantly. Enthrallingly. Eternally. Instead, he just laughed. "Thank God for that. See if there's anything remotely clothinglike in the backseat or the trunk. — Suzanne Brockmann

Men, I am not a religious man and I don't know your feelings in this matter, but I am going to ask you to pray with me for the success of the mission before us. And while we pray, let us get on our knees and not look down but up with faces raised to the sky so that we can see God and ask his blessing in what we are about to do. — Robert Lee Wolverton

Perhaps you say, Why are the wicked joyous? Why do they live in luxury? Why do they not toil with me? It is because they who have not put down their names to strive for the crown are not bound to undergo the labors of the contest. They who have not gone down into the race-course do not annoint themselves with oil nor get covered with dust. For those whom glory awaits trouble is at hand. The perfumed spectators are wont to look on, not to join in the struggle, nor to endure the sun, the heat, the dust, and the showers ... — Bill Vaughan

It is an awful thing to look on such sad circumstance and not be able to shed a tear. It is not because I do not feel for these folks, but maybe I feel too much. Part of me is glad, in a low down, mean way, that it is not Albert's or Mama's graves we are digging. Glad that it is some soldiers I don't know and neighbors and friends but not family. Lord, I must be the cussedest woman there is to think that. Finally, I felt so guilty for thinking those things that I cried. Then I began to feel the heartaches of our friends and neighbors and I cried for them, too, as we said prayers over each and every grave. — Nancy E. Turner

Go." Granmare pointed at the door. "Let me work in peace."
Balthazar didn't look back when he left.
"Now, my dear," the witch turned to her, "let me give you what that foolish boy paid for."
"He's not foolish," Arianne said. For giving a drop of his blood, the least she could do was defend the annoying oaf. "He's going out of his way to help me, so if there's anyone foolish here it's me."
"My, my, my." Granmare Baba gasped, spreading her hand at the center of her chest. "You have a mouth on you. I will so enjoy watching what happens to you when the time comes."
A chill went down Arianne's back. She'd almost been afraid to ask, "What do you mean?"
Granmare Baba only smiled her yellow toothy smile before she went about putting things together in a large cauldron that seemed to have magically appeared in the center of the round room. — Kate Evangelista

You are fond of history! And so are Mr. Allen and my father; and I have two brothers who do not dislike it. So many instances within my small circle of friends is remarkable! At this rate, I shall not pity the writers of history any longer. If people like to read their books, it is all very well, but to be at so much trouble in filling great volumes, which, as I used to think, nobody would willingly ever look into, to be labouring only for the torment of little boys and girls, always struck me as a hard fate; and though I know it is all very right and necessary, I have often wondered at the person's courage that could sit down on purpose to do it. — Jane Austen

She gathered a circle of children around her and commenced singing 'For Those Who Peril on the Sea' over their little heads. But no, 'safety from storms' wasn't enough for her. God had to keep them from being blown up too. She set about ordering the poor things to pray for their parents every night- who knew what the German soldiers might do to them? Then she said to be especially good little boys and girls so Mama and Daddy could look down on them from heaven and BE PROUD OF THEM ... she had those children crying and sobbing fit to die.
I was too shocked to move, but no, not Elizabeth. No, quick as an adder's tongue, she had ahold of Adelaide's arm and told her to SHUT UP.
'Let me go!' Adelaide cried. 'I am speaking the Word of God!'
Elizabeth, she got a look on her that would turn the devil to stone, and then she slapped Adelaide right across the face! — Mary Ann Shaffer

Connie Madison Parker, age 36, on Merchandise: You got to put your
goods on display, babe. Otherwise, not only will the boys ignore you but - an'
trust me on this, my sister's flat as you - we're talkin' the Great Plains of East Texas - no landmarks - one day you'll look down and have no wares at all.
What'll you do then? — Marisha Pessl

What is man - and of course the writer means all of us puny little insignificant creatures - what is a mere human being that God who made the immense universe should ever notice?' She chuckled. 'The sky does take you down to size.'
Not even big as bugs. Not even a speck of dust to the nearest star,' Angel agreed.
But the psalmist answers his own question. "Thou hast made him a little lower than the angels, and hast crowned him with glory and honor ... " '
What?' Angel asked, not sure she had heard right.
A little lower than the angels, crowned with glory and honor.'
The real angels? Do you believe that?'
Yes, Angel, I do. When people look down on me, and these days' - she laughed shortly - 'these days everyone over the age of five does. When people look down on me, I remember that God looks at this pitiful, twisted old thing that I have become and crowns me with glory. — Katherine Paterson

Curran gave me a flat look. "I can always drive to a burger joint instead."
"Oh, so you'd throw a burger down my throat and expect making out in the back seat?"
He grinned. "We can do it in the front seat instead, if you prefer. Or on the hood of the car."
"I'm not doing it on the hood of the car."
"Is that a dare?"
Why me? — Ilona Andrews

I'm lying on Cash's chest, tracing his tattoo.
"What does this mean?" I whisper.
"It's the Chinese symbol for awesome," he teases lightly.
I giggle. "If it's not, which I imagine it isn't, then it should be."
"Are you paying me a compliment? I just want to be sure, so I don't miss it."
I slap his ribs. "You make it sound like I'm mean and horrible because I don't throw myself at your feet."
"You don't have to throw yourself at my feet. Although if you want to, I'm sure I can think of something for you to do while you're down there."
I look up at him and he's waggling his eyebrows again.
"I'm sure you could." Shaking my head, I settle back onto his chest and resume tracing the ink shapes. "Seriously, what do they mean?"
Cash is quiet for so long I begin to think he's not going to answer me. But then he finally speaks.
"It's a collage of things that remind me of my family. — M. Leighton

I try to be true to myself yet still at the same time look at comments and look at what the fans have to say and kind of put it in perspective. I'm never someone whose not open for opinion, I'm always just down to make it work and see how we can do things but at the end of the day I always want to make sure it represents me. It's really about just being humble and not selling yourself on being there already. — Kid Ink

Just out of curiosity, do they know I'm here?"
"Yep." My Mother did, anyway. Mention of a French tutor had effectively headed off any possibility of shopping.
"I take it they trust you not to do anything inappropriate."
I couldn't tell if he was being serious. I assumed not. "Absolutely. In fact,my mother would probably pay you to do something to make them trust me a little less." I took a look at his face. He looked a little stunned. "Oh,no. I didn't mean-"
Or maybe I did. But Alex was backing away from me, hands raised. "okay."
"J'etais stupide."
He sat down heavily on the edge of my desk, narrowly missing the biscotti. "I wouldn't say that. But your use of the imperfect is improving."
"Just what I always wanted," I said sadly, "to get better at imperfection. — Melissa Jensen

I popped the tab off the Coke and took a drink. Tink had filled the sink up with water. I had no idea what he
Tink cocked his arm back and moved the stick - no, it was a pole - forward. My eyes widened.
I shot forward, almost dropping the soda. "What the fuck? Tink! Are youfishing in my sink?"
He looked up. "Yeah," he said, drawing the word out.
Sitting the Coke on the counter, I slowly approached the sink. "If there are fish in my sink, I swear to God, I'm flushing you down a toilet."
Tink shot me a bored look. "As if I'd fit down a toilet."
"Tink!"
He sighed. "Relax. They're not real fish." Dropping to his knees, he reached into the water and pulled out a small, red plastic fish. "I tried to order real ones from Amazon, but alas, they do not sell them."
I fell back against the counter, breathing a sigh of relief. Thank God for the small things in life. — Jennifer L. Armentrout

He reaches into his pocket and pops a handful of jelly beans into his mouth. Logan does the same. Logan points to Sean's mouth. "Dude," he says. "That color's not great on you." I look at Sean again, and my lipstick is smudged all over his lips. I laugh. I must look a sight if he looks like that. He wipes at the corners of my lips with his thumbs. "Next time, I'll wear pink," I whisper. "I don't care what you wear," he says. His gaze is hot, and my belly flips. "I'd like to see you wearing nothing." He looks into my eyes, his expression full of longing. He presses his lips to mine briefly. "I can't get used to the fact that I can kiss you whenever I want." "Says who?" I taunt. "That's what boyfriends do, Lacey," he says, as if he needs to remind me. My stomach flutters again. I step onto my tiptoes and pull his head down to mine. I kiss him, holding onto the back of his neck, until we're both breathless, and I'm whimpering. "Yea," I agree. "That's what boyfriends do. — Tammy Falkner

Now that little problem of yours, this business of not knowing good men from bad men and villains from heroes and so forth ... There's still plenty for you to do. And you'll do it. And when you fall in love and have a mistress or a wife and children to look after, it will all seem easier." He opened the door but stopped on the threshold. "Surround yourself with human beings, my dear. They are easier to fight for than principles." He laughed. "But don't let me down and become human yourself. We would lose such a wonderful machine." With a wave of his hand he shut the door. — Ian Fleming

Georgie Porgie puddin' and pie. Kissed the boys and made them cry. What kind of name is Georgia?"
"My great-great grandma was Georgia. The first Georgia Shepherd. My dad calls me George."
"Yeah. I've heard him. That's just nasty."
I felt my temper rise in my cheeks, and I really wanted to spit on him from where I sat atop my horse, looking down on his neatly shorn, well-shaped head. He glanced up at me and his lips twitched, making me even angrier.
"Don't look at me like that. I'm not trying to be mean. But George is a terrible name for a girl. Hell, for anyone who isn't the King of England."
"I think it suits me," I huffed.
"Oh, yeah? George is the name for a man with a stuffy, British accent or a man in a white, powdered wig. You better hope it doesn't suit you."
"Well, I don't exactly need a sexy name, do I? — Amy Harmon

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

Jace?" She offered him the glass.
"I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown."
"Brown?" Isabelle made a face.
"Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it."
Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded."
"You could dress it up with a sequined headband," Magnus suggested. — Cassandra Clare

My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should?
"It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed.
"You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
"It is why we are drawn to babies ... " He turned to the mourners. "And to funerals. — Mitch Albom

Well, what do we do now?" Caramon asked, sitting astride his horse and looking both up and down the stream.
" 'You're' the expert on women," Raistlin retorted.
"All right, I made a mistake," Caramon grumbled. "That doesn't help us. It'll be dark soon, and then we'll never find her trail. I haven't heard you come up with any helpful suggestions," he grumbled, glancing at his brother balefully. "Can't you magic up something?"
"I would have 'magicked up' brains for you long time ago, if I could have," Raistlin snapped peevishly. "What would you like me to do?-make her appear out of thin air or look for her in my crystal ball? No, I won't waste my strength. Besides it's not necessary. Have you a map, or did you manage to think that far ahead? — Margaret Weis

Glancing back at me as I settled on the Harley, Cooper sighed. "My sister dresses like a slut, but most of the girls at school dress that way. They act like whores, but they're not. They just like dressing up and playing sexy. These guys are losers and they come here with these ideas about the country girls being easy. When they aren't easy, they make them easy. They look down at local girls and poor chicks like you. Now that they know where you work, they'll come hanging around to make you dance like a monkey. If that happens, you tell me and I'll hunt them down and make them dance. Do you understand? — Bijou Hunter

Your female, huh?" The Shifter bravely looked up. "Is your cock so small that you can't get your own women to--

Logan slapped a hand across his mouth and leaned in, nose to nose--giving the man a good look at the darkness pulsing in his eyes. "There are no laws against what we do, only opinions. Your opinion doesn't matter to me, but disrespecting this female does. Tip your head to her once more and I'll place my jacket on the back of that chair and we'll take a walk where Breed rules don't apply. Care to discuss your opinions on this matter any further?" Logan's nose wrinkle, drawing in a scent. The man backed down in defeat. Obviously not an alpha Shifter, just a jackass.

Logan's eyes slanted, as if watching me in his peripheral. "For the record, my cock can only be measured in decibels from the screams of the females it pleasures. — Dannika Dark

But he came back to his idea.
"My life is very monotonous," the fox said. "I hunt chickens; men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat ... "
The fox gazed at the little prince, for a long time. — Antoine De Saint-Exupery

She eyes me. 'What is this all about?'
It's my turn to shrug, upsetting the rocks on my back. 'I don't know. Girl talk. I mean, you can have any guy you want, so why don't you just pick one?'
Priscilla doesn't answer at first. I'm glad I chose this moment: she's actually pinned down and cannot run away. Finally, she says, 'If I can have any guy I want, I'd like to have every guy I want.'
'What do you mean?
She gives me an exasperated look. 'I'm only seventeen, Skye. I'm not looking to settle down just yet.' She probably misunderstands my shocked expression, because she adds, 'I mean, I'm not saying you're wrong or anything, but it's just not me, you know? — Fabio Bueno

It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.
And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isn't a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.
But, though I crave for work, I still like to be fair. I do not ask for more than my proper share. — Jerome K. Jerome

I always get muscle aches in my eyes after a few hours of reading," she said. "Doesn't matter what. The closeness does it. All these words in your face, one at a time and filling your periphery. I love reading, but there's a limit.
"There are times," she went on, "when I don't leave my apartment for days. I read for hours without a break and feel like all I want to do is stand in a field and look as far as I can in any direction. I want a view, but I don't want to see anything. I just want something like an eye stretch."
"Why not just shut your eyes?" I asked. "What's the difference?"
"Closing my eyes is too much like nearness, like reading. It's black and it's in your face, sort of crowding you. Gazing down a prairie road stretches me and the muscles in my eyes. I don't necessarily want to see anything. Just look out. — Ryan Knighton

Michelle: Phone. That had to be my phone waking me up. My hand swept across the nightstand until it found the vibrating hunk of silicone. "Hello."
"Michelle, It's Gordon from the Cobb County Sheriff's Office. We need you to deal with some illegally bred magical creatures."
The sound of barking and shouting followed his voice.
"What are they?"
"We don't know. I can tell you what they look like. Henri was one of the responding and he's never heard of these things. I think they're new."
Blech. I rolled out of bed to start getting dressed. Henri was an old vampire. I'm not sure how old. But old enough to take his word on something like this.
"Gordon, tell me what these things look like."
"I'd say someone found the stupidest chihuahua in the city and then did something to give it wings and magic."
"Great! How do I get there?" I wrote down the address and a few directions. "That's the mayor's place, isn't it?
"Yep and he's not happy. — N.E. Conneely

Commercials are art, too; they're 30-second movies starring people like me. If you look down on the medium, you're never going to book. If you don't love it, do not bother. Find another job you like. — Geneva Carr

Because you are never here
but always there, I forget
not you but what you look like
You drift down the street
in the rain, your face
dissolving, changing shape, the colours
running together
My walls absorb
you, breathe you forth
again, you resume
yourself, I do not recognize you
You rest on the bed
watching me watching
you, we will never know
each other any better
than we do now — Margaret Atwood

I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh, ever so many lessons to learn! No, I've made up my mind about it: if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who Am I, then? Tell me that first, and then if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else' - but oh dear!" Cried Alice, with a sudden burst of tears, " I do wish they would put their heads down! I am so very tired of being all alone here! — Lewis Carroll

I KNOW HE'S GONE. I CAN STILL FEEL THE LINGERING pain from the new scar on my leg. I might never stop feeling that; it could be with me for the rest of my life.
I have to try.
I fall to my knees in the mud next to Eight's body. The wound doesn't even look so bad. There's not as much blood as there was in New Mexico, and Eight lived through that. I should be able to heal this, right? It should work. It has to work. But this one is right on his heart, straight through. I press my hands across the puncture and will my Legacy to kick in. I did it before. I can do it again. I have to.
Nothing happens. I feel cold all over, but it's not the iciness of my Legacy.
I wish I could lie down next to Eight here in the muck and just shut out everything that's going on around me. I'm not even crying - it's like the tears have gone out of me and I just feel hollow. — Pittacus Lore

Stop!" she screamed. "Don't hurt him."
"Back off!" Billy shouted.
She yanked harder on Billy's arm.
"He isn't a vampire anymore, idiot. Look! Do you see that big, yellow thing up in the sky? That's called the sun. It's shining down on him, and he isn't exploding. His fangs are gone. He's as human as we are. Case closed."
Billy stared up at the sky, his jaw slack. "Not possible."
Jack mumbled, "They don't call me Jackpot for nothing."
"What?" Billy blinked at him.
"Private joke. — Kasi Blake

Eli snorted, her eyes narrowed.
- Because I am like you.
- What do you mean like me? I..
Eli thrust her hand through the air as if she was holding a knife, said:
- What are you looking at, idiot? Want to die, or something? - Stabbed the air with empty hand. - That what happens if you look at me.
Oskar rubbed his lips together, dampening them.
- What are you saying?
- It's not me that's saying it. It's you. That was the first thing I heard you say. Down on the playground.
Oskar remembered. The tree. The knife. How he had held up the blade of the knife like a mirror, seen Eli for the first time. — John Ajvide Lindqvist

She gave his hand a small squeeze. "Jason, if we're going to try this then I'd like to
take things slow." He frowned. "What I mean is nothing beyond the level we were at
last night." She worried her lip between her teeth. "What I mean is no actual sex."
He narrowed his eyes on her. "But, you'll still sleep with me naked and let me do a
hundred other naughty things to you?" he asked in a serious tone.
"Yes."
He brushed his lips against hers again and moved back a few inches to look into her
eyes. "And you'll still cook for me and call me Master?"
Her lips twitched. "Yes to the cooking and not a chance in hell for the other."
He sighed wearily. "Fine, how about Lord and Master?"
"Uh ... no."
"God?"
"Nope."
"My liege?"
"Wait ... no."
He gave her one of his lopsided smiles. "I'll wear you down eventually. — R.L. Mathewson

She perks up and smiles. "Are you asking me out on a real, live date?"
I nod my head.
"Well, you suck at it, you know. You always have. Sometimes girls like to be asked and not told."
She's trying to play hard to get, which is pointless. I've already got her ... but I play her game anyway. I kneel down on the floor in front of her and look into her eyes. "Lake, will you do me the honor of accompanying me on a date tomorrow night? "
She leans back into the couch and looks away. "I don't know, I'm sort of busy," she says. "I'll check my schedule and let you know." She tries to look put out, but a smile breaks out on her face. She leans forward and hugs me, but I lose my balance and we end up in the floor. I roll her onto her back and she stares up at me and laughs. "Fine. Pick me up at seven. — Colleen Hoover