Diy Sharpie Mug Quotes & Sayings

He wasn't a man, but a tape recorder, repeating catch phrases and old slogans without any thought to the concepts behind them, a dog stuck in the training of his youth and faithfully executing his tasks long after his master had moved on. — Harvey Pekar

Jess believed, that she thought he was the best. It was not the kind of best that counted either at school or at home, but it was a genuine kind of best. He kept the knowledge of it buried inside himself like a pirate treasure. He was rich, very rich, but no one could know about it for now except his fellow outlaw, Julia Edmunds. — Katherine Paterson

I love being a dad, and I'm a great dad. — Russell Peters

Education is a system of imposed ignorance. — Noam Chomsky

It took me about fifteen minutes to get to the hospital, through traffic that existed in an entirely different space-time. — Aleksandar Hemon

I don't think I'm a good-enough songwriter. — Gin Wigmore

The human voice sounds thicker with a chorus and reverb than a dry signal. — Ken Hill

The only habits you never conquer are the ones you put off doing something about. — Wess Roberts

The major sin is the sin of being born. — Samuel Butler

We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free. — Walter Crane

A boat can love the storm only if it is stronger than the storm! — Mehmet Murat Ildan

The Rope a Dope would not have existed without the Big Dope. — George Foreman

The Joke...Audience as reflexive cast; 35 mm. X2 cameras;variable length; black and white, silent. Parody of Hollis Frampton's 'audience-specific events,' two Ikegami EC-35 video cameras in theater record the film's audience and project the resultant raster onto screen - the theater audience watching itself watch itself get the obvious 'joke' and become increasingly self-conscious and uncomfortable and hostile supposedly comprises the film's involuted 'antinarrative' flow. Incandenza's first truly controversial project, Film & Kartridge Kulcher's Sperber credited it with 'unwittingly sounding the death-knell of post-postsctructural film in terms of sheer annoyance. — David Foster Wallace