Dimosthenis Liakopoulos Quotes & Sayings

I pulled back because I am not a hugger. Never have been. When someone wraps their arms around me, I shut down and stand there with my eyes closed, waiting for it to be over. — David Sedaris

I remembered some of it and some of the things that fell out of my mouth, like telling him his dick was the best treat and that I'd rather have it than chocolate. I mean, c'mob, I gave his dick a better rating than chocolate - who does that? — Amelia Hutchins

I had an idea for a medical conspiracy thriller. Since it was non-horror, I didn't want the publishers and editors bringing a lot of baggage - my history as a genre writer in the SF and horror fields, for instance - to the novel when they read it. I wanted them to consider the book solely on its own merits. So I called myself Colin Andrews. I was tired of seeing my books at floor level. Not that Herman Wouk and Phyllis Whitney and William Wharton are bad company, but I wanted to be up at eye level for a change, where people with bad backs could get a chance to see my books. — F. Paul Wilson

Industrial society seems likely to be entering a period of severe stress, due in part to problems of human behavior and in part to economic and environmental problems — Cyril Connolly

Throughout the narrative you will find many statements that are obviously nonsensical and quite at variance with common sense. For the most part these are true. — Robert Gilmore

You should never, ever be understood completely. That's like the kiss of death, isn't it? It's a full stop. I don't ever think you should put full stops on thoughts. They change. — John Lydon

Focus on the future for 50%, on the present for 40%, and on the past for 10% — Masaaki Hatsumi

There are no part-time Christians. — Pope Francis

Isn't joyful or painful this pain in which I rejoice — Fernando Pessoa

Tunner's presence created a situation, however slight, which kept him from entering into the reflective state he considered essential. — Paul Bowles

I grew up in an artists' community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art. — Vin Diesel

Ah," he said. "I had an ... artistic disagreement with the director of the panto. As it happens, I take issue with the objectification of women in Cinderella, and the reliance on shoes as a means of identification. Surely you understand. — Maureen Johnson