Quotes & Sayings About Dignity In Old Age

One endured with humble dignity the consequences of youthful folly. — Glen Cook

But when people age, they're not looking for a cure as much as they are for encouragement to continue. Our work here is not about curing. It's about the dignity of each person wheeled from breakfast back to their room. — Chris Fabry

Mrs Anderson was dead.
Nothing flashy, just old age - she went to bed one night and never woke up. The news said it was a peaceful, dignified way to die, which I suppose is technically true, but the three days it took for someone to realize they hadn't seen her in a while removed most of the dignity from the situation. Her daughter eventually dropped by to check on her and found her corpse three days rotted and stinking like roadkill. And the worst part isn't the rotting, it's the three days - three whole days before anyone cared enough to say, 'Wait, where's that old lady who lives down by the canal?' There's not a lot of dignity in that — Dan Wells

The proud tower built up through the great age of European civilization was an edifice of grandeur and passion, of riches and beauty and dark cellars. Its inhabitants lived, as compared to a later time, with more self-reliance, more confidence, more hope; greater magnificence, extravagance and elegance; more careless ease, more gaiety, more pleasure in each other's company and conversation, more injustice and hypocrisy, more misery and want, more sentiment including false sentiment, less sufferance of mediocrity, more dignity in work, more delight in nature, more zest. The Old World had much that has since been lost, whatever may have been gained. Looking back on it from 1915, Emile Verhaeren, the Belgian Socialist poet, dedicated his pages, With emotion, to the man I used to be. — Barbara W. Tuchman

Even death itself sometimes fails to bring the dignity and serenity which one would fain associate with old age. — Jane Addams

In reaction against the age-old slogan, "woman is the weaker vessel," or the still more offensive, "woman is a divine creature," we have, I think, allowed ourselves to drift into asserting that "a woman is as good as a man," without always pausing to think what exactly we mean by that. What, I feel, we ought to mean is something so obvious that it is apt to escape attention altogether, viz: ( ... ) that a woman is just as much an ordinary human being as a man, with the same individual preferences, and with just as much right to the tastes and preferences of an individual. What is repugnant to every human being is to be reckoned always as a member of a class and not as an individual person. — Dorothy L. Sayers

The Master and the boy followed each other as if drawn along the wires of some mechanism, until soon it could no longer be discerned which was coming and which going, which following and which leading, the old or the young man. Now it seemed to be the young man who showed honour and obedience to the old man, to authority and dignity; now again it was apparently the old man who was required to follow, serve, worship the figure of youth, of beginning, of mirth. And as he watched this at once senseless and significant dream circle, the dreamer felt alternately identical with the old man and the boy, now revering and now revered, now leading, now obeying; and in the course of these pendulum shifts there came a moment in which he was both, was simultaneously Master and small pupil; or rather he stood above both, was the instigator, conceiver, operator, and onlooker of the cycle, this futile spinning race between age and youth. — Hermann Hesse

Insecurity cuts deeper and extends more widely than bare unemployment. Fear of loss of work, dread of the oncoming of old age, create anxiety and eat into self-respect in a way that impairs personal dignity. — John Dewey

What drew him towards the outside was not the student, not the goat, not even the man in the down-at-heel shoes who joined them. Simply the street, like a blanched life-drained cadaver, fettered his whole attention. Never before had he seen it look so monstrously real, lit by the tired face of the moon, quiet and grave. There was about it, as it were, a sort of despairing dignity. You might have thought that the street had been killed by the weight of its suffering, that it had that moment died after long agony. It was old, the street, hobbling and twisted with age. Some of its houses were already crumbling in ruins. For years now it had sheltered the petty life of men. And now they had elected it to express the extent of their weariness. Naked beneath the prodigious brightness of the moon, it revealed all that men hid in the depths of their beings, the little hopes, the hates so huge. No longer could it hide anything; it cried out its despair from every corner. — Albert Cossery

In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so, - the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets. — Edward Carpenter

Dignity, high station, or great riches, are in some sort necessary to old men, in order to keep the younger at a distance, who are otherwise too apt to insult them upon the score of their age. — Jonathan Swift

Today, when death and old age are increasingly concealed behind euphemisms and comforting baby talk, and life is threatened with being smothered in the mass consumption of hypnotic mechanized vulgarity, the need to confront man with the reality of his situation is greater than ever. For the dignity of man lies in his ability to face reality in all its senselessness; to accept it freely, without fear, without illusions - and to laugh at it. — Martin Esslin