Different Masks Quotes & Sayings

The social codes are different, distinctly preppy, fraternity-sorority, hip, flip, fast-and-cute, nauseating, and artificial. I have no doubt that the majority of these people are interesting, likeable, intelligent people. Unfortunately, they've been taught not to show it. The problem lies in socializing. When these people socialize, they don a common "mask." They talk a certain way (hip, flip) act a certain way, do certain things, all of which have been defined as socially acceptable. By acting in such a way, one makes "friends." With time, friends use their masks less and less, and a true, deep friendship results. — Juan F. Thompson

The people you think are the happiest are usually the saddest; that's because they see more and feel deeper than others do. They are the sensitive and they see beyond the veil of what's tangible and what's not. They wear no masks and can see through the masks of others. The sensitive to life are few in number, which is why they feel so alone ... because they are all alone. — Donna Lynn Hope

Everyone wears masks. They come in all different shapes and sizes. The only problem with trying one on - is that it fits. How easily we fall into the trap that we don't have to be who we really are. How easily we convince ourselves that we need to cover up what we were born to be. It's a tragedy - that fear keeps us from our destiny. It's hell - when the person you were created to be - is covered up by some cheap imposter. — Rachel Van Dyken

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day ...
To me, it's all art, inside the studio and out. At least it is if we approach our lives that way. — Terri Windling

We're wearing masks, all of us, all of the time. We're presenting a face, a version of ourselves, to the world, to each other. We show a different face depending on who we're with and what they expect of us. Even when we're alone it's just another mask, the version of ourselves we'd prefer to be. — S.J. Watson

Behind the masks of total choice, different forms of the same alienation confront each other. — Guy Debord

As the Hindu gods are "immortal" only in a very particular sense - for they are born and they die - they experience most of the great human dilemmas and often seem to differ from mortals in a few trivial details ... and from demons even less. Yet they are regarded by the Hindus as a class of beings by definition totally different from any other; they are symbols in a way that no human being, however "archetypal" his life story, can ever be. They are actors playing parts that are real only for us; they are the masks behind which we see our own faces. — Neil Gaiman

The child
a skilled actor with a hundred masks: a different one for his mother, father, grandmother or grandfather, for a stern or lenient teacher, for the cook or maid, for his own friends, for the rich and poor. Naive and cunning, humble and haughty, gentle and vengeful, well behaved and willful, he disguises himself so well that he can lead us by the nose. — Janusz Korczak

(Greek) Theater started off and used masks and Kabuki, in the East, they used mask-work. And then, Commedia dell'arte in Italy and then, you know, we're part of an acting tradition and, and performance capture is no different. — Andy Serkis

Most of us are like those Russian nesting dolls, presenting a slightly different visage to the world depending on which world we're dealing with at the time. The outermost doll isn't a lie; mine still offers part of who I am, but it's not all of who I am. As I get closer to people, the nesting dolls open and the masks change. But it's a rare person whom I allow to see what's at my core: my innermost thoughts and fears, my dreams and desires, my pettiness and peevishness. — Paul Asay

Master Seneca says that 'No one can wear a mask for very long.' This is true; but someone can wear different masks for very long! — Mehmet Murat Ildan

A way of life can be shared among individuals of different ages, status, and social activity. It can yield intense relations not resembling those that are institutionalized. It seems to me that a way of life can yield a culture and an ethics. To be "gay," I think, is not to identify with the psychological traits and the visible masks of the homosexual but to try and define and develop a way of life. — Michel Foucault

Pussy Riot is a mask: a symplifying, modernizing mask. Prison, confinement, these are also masks, different masks, ones that help people of our generation to shake off cynicism and irony. When you put on a mask, you leave your own time, you abandon the world in which any sincerity will be mocked, you move into the world of cartoon heroes, where Sailor Moon and Spiderman, those consummate modern role models, can be found. (...) The masks that members of Pussy Riot wear hold, if any, a therapeutic function: yes, we belong to a generation raised on irony, but we also put on masks to reduce that impotent irony. We go out in the streets and speak plainly, without varnish, about the things that matter most. — Nadezhda Tolokonnikova

Earlier on in my career I felt that I had to hide behind a lot of different masks, and showboat ways of performing. Now, that's a lie. The less I have to hide, the less I have to act. — Thomas Jane

We have now come to a quite insidious edge in contemporary tolerance discourse. By converting the effects of inequality - for example, institutionalized racism - into a matter of "different practices and beliefs," this discourse masks the working of inequality and hegemonic culture as that which produces the differences it seeks to protect. As it essentializes difference and reifies sexuality, race, and ethnicity at the level of ideas and practices, contemporary tolerance discourse covers over the workings of power and the importance of history in producing the differences called sexuality, race, and ethnicity. It casts those culturally produced differences as innate or given, as matters of nature that divide the human species rather than as sites of inequality or domination. — Wendy Brown

Mal adjusted his hood to better hide his face and tipped up his mask, then reached forward and did the same with mine. He leaned in. Our jackal masks bumped snouts.
I started to laugh.
"Next time, different costumes," he grumbled.
"Bigger hats? — Leigh Bardugo

We all in real life put on these masks - we don't swear when we're around certain people ... When we come home, when you're on your own I'm sure you're really different than when you're with your boss. — Malin Akerman

The Muslim veil, the different sorts of masks and beaks and "burkas", are all gradations of mental slavery. (...) The veil deliberately marks women as private and restricted property, nonpersons. (...)
I felt anger that this subjugation is silently tolerated (...) by so many Western societies where the equality of sexes is legally enshrined. — Ayaan Hirsi Ali

Let go, let go, let go,
Just let it go,
Let the tears come out,
Stop fighting the tears back,
Stop wearing different masks,
Let yourself be seen,
Let yourself be the real you, — Julie Jewels Smoot

We wear different masks and hide our reality from everyone, including ourselves. Our assumed identities becomes our whole lives, and we start to believe them - even more than others do. — Mo Gawdat

Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us. — James Nesbitt

We fell in love with different people. Looking back, we might have done it in a different order, but we got invested. We really wanted to do the flashbacks because we wanted to explore who these women were on the outside versus the inside, and get a fuller picture of the masks we wear. — Jenji Kohan

When I'm on set, I'm on set, and I focus and get the work done. Then when I'm done, I kind of have this button that I switch. I'm constantly switching this button and putting on different masks, and that kind of keeps me organized. — Hayley Kiyoko