Dialogue From Quotes & Sayings

But a mature humanity could get into a place where we no longer required these metaphysical spankings from messiahs and flying saucers that come along every thousand years or so to mess up the mess that has been created and try and send people off on another tack. And the way to do this is to look at the abysses that confront man as species and individuals and try to unify them. And I think that psilocybin offers a way out because it allows a dialogue with the over-mind. You won't read about it in "Scientific American" or anywhere else. You will carry it out. — Terence McKenna

I'm concerned when certain movements or countries have been isolated from the international dialogue because then you have no way of influencing them. — Martti Ahtisaari

I come from a tradition where the writer writes a play for the actors, rather than for himself, and the dialogue is made to work onstage, so it needs actors to help shape it. So you never get a play right straightaway. — Lee Hall

The illusion of being superior engenders the need to prove it; and so oppression is born. A bishop in Africa told me that, even though there were few Christians in the area, he had built his cathedral bigger than the local mosque. All this to prove that Christianity was a better, more powerful religion than Islam. So we build walls around our group and cultivate our certitudes. Prejudice grows on such walls. How did we, the human race, get to this position where we judge it natural not just to band ourselves into groups, but to set ourselves group against group, neighbour against neighbour, in order to establish some ephemeral sense of superiority? One of the fundamental issues for people to examine is how to break down these walls that separate us one from another; how to open up one to another; how to create trust and places of dialogue. — Jean Vanier

Soul can't exist unless you have active, meaningful dialogue with stakeholders: employees, customers, the community, suppliers, and investors. When you launch a business, your job as the entrepreneur is to say, 'Here's a value proposition that I believe in. Here's where I'm coming from. This is my point of view.' At first, it's a monologue. Gradually it becomes a dialogue and then a real conversation. Like breaking in a baseball glove. You can't will a baseball glove to be broken in; you have to use it. Well, you have to use a new business, too. You have to break it in. If you move on to the next thing too quickly, it will never develop its soul. Look what happens when a new restaurant opens. Everyone rushes in to see it, and it's invariably awkward because it hasn't yet developed soul. That takes time to emerge, and you have to work at it constantly. — Anonymous

One of the reasons you take a role is because it's something you always wanted to do, from going to the movies as a kid. I always wanted to do a 1950s movie, for example. And I got a chance to be in 'Peggy Sue Got Married.' I would have taken only one line of dialogue to be in that. — Catherine Hicks

It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible. — Paul Auster

Dialogue is a non-confrontational communication, where both partners are willing to learn from the other and therefore leads much farther into finding new grounds together — Scilla Elworthy

I urge everyone to be patient and reasonable and I warn against shooting from the hip in the truest sense of the term. Pressure and dialogue are needed. — Jean-Claude Juncker

Once I have the idea for a story. I start collecting all kinds of helpful information and storing it in three-ring notebooks. For example, I may see a picture of a man in a magazine and say, 'That's exactly what the father in my book looks like!' ... I save everything that will help
maps, articles, hand-jotted notes, bits of dialogue from conversations that I overhear. — Phyllis Reynolds Naylor

'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers. — Victoria Hanley

I don't believe in the model of pure inspiration. All of my creative work stems from a dialogue with others. — Rachel Kushner

I'm an actor, and, beyond that, the thing I do most compulsively is writing. So I come at it very much from this sense of character. I get interested in people. And I feel confident in my capacity to absorb and manifest the characteristics of people. I have a real auditory hang-up for dialogue; re-creating the way people talk really is an addiction in my brain. — Edward Norton

Six saw a caterpillar.'

'What kind?'

'Green, with purple and white zigzags.'

'I see,' Thaniel said slowly. Liking children did not keep him from being perplexed by them. He was recently too old to remember his own childhood with any clarity. 'I imagine that was exciting?'

She glanced up at him warily. 'No. It was just a caterpillar. — Natasha Pulley

The remarkable insights that science affords us into the intelligible workings of the world cry out for an explanation more profound than that which itself can provide. Religion, if it is to take seriously its claim that the world is the creation of god, must be humble enough to learn from science what that world is actually like. The dialogue between them can only be mutually enriching. — John Polkinghorne

Science has only two things to contribute to religion: an analysis of the evolutionary, cultural, and psychological basis for believing things that aren't true, and a scientific disproof of some of faith's claims (e.g., Adam and Eve, the Great Flood). Religion has nothing to contribute to science, and science is best off staying as far away from faith as possible. The "constructive dialogue" between science and faith is, in reality, a destructive monlogue, with science making all the good points, tearing down religion in the process. — Jerry A. Coyne

Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does something to you. — Jason Silva

On the surface, we are all different. We ascribe to a variety of belief systems, attain our identity from various stories, get our customs from diverse cultures, and so on. And, rightly or wrongly, we generally define ourselves by these differences - there is no denying that. However, when we look beneath the surface, we discover certain universal elements. — Gudjon Bergmann

War, I have always said, forces men to change their standards, regardless of whether their country has won or lost. Poetics and philosophies disintegrate "when the trees fall and the walls collapse ". At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds. After the turbulence of death, moral principles and even religious proofs are called into question. Men of letters who cling to the private successes of their petty aesthetics shut themselves off from poetry's restless presence. From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue. The politician and the mediocre poets with their armour of symbols and mystic purities pretend to ignore the real poet. It is a story which repeats itself like the cock's crow; indeed, like the cock's third crow. — Salvatore Quasimodo

119When you bring together the national security state and the military-industrial complex, when you bring together the prison-industrial complex and all the profits that flow from it, when you bring together the corporate media multiplex that don't want to allow for serious dialogue ... and then, when you bring together the Wall Street oligarchs and the corporate plutocrats, and they tell any person or any group, 'If you speak the truth, we'll shoot you down like a dog and dehumanize you the way we did to dehumanize the brothers in Attica,' the only thing that will keep you going is you better have some love in your heart for the people. — Cornel West

I do three drafts handwritten and then it's typed up ... They are different from each other, they are hopefully improvements in the sense you're going back over something. The first time you write it, it's the first thing that you can think. The second time you're trying to shape the dialogue, helping the characters. The third time you're doing it because you want the words to sound nice, hopefully making the prose better, making it more fun to read, making the jokes funnier and the scary bits scarier. — Clive Barker

Customers expect richer experiences when they come into contact with our brands and richer experiences come from having rich dialogue. Businesses that refuse to become more open to rich dialogues with their customers will be punished badly. Businesses that are keen on only feeding customers with information without opening channels for customer feedback will soon find themselves left behind. Survival in these times calls for rich dialogue for richer experiences. — J. N. HALM

Mori made an unwilling sound. 'I don't like Western art.'

'No look at this.' He lifted it from its package. It wasn't heavy. 'It's clever, it looks like busy Mozart.'

'What?'

'I . . .' Thaniel sighed. 'I see sound. Mozart looks like this. You know. Fast strings.'

'See? In front of you?'

'Yes. I'm not mad.'

'I didn't think so. All sounds?'

'Yes. — Natasha Pulley

When we write memoir we are re-creating, sorting through the layer of remembering, to put form and shape to our experience through language. By borrowing from the techniques of fiction and poetry, we are able to make the events of our past come alive, creating detailed pictures of time and place and portraits of the people who have come and gone in our lives. We use scene and dialogue, challenging ourselves to recall how someone talked, what they said (or more accurately, what we remember that they said) and how we felt when moving among the people and events of our past. — Janice Gray

Dialogue in the works of autobiography is quite naturally viewed with some suspicion. How on earth can the writer remember verbatim conversations that happened fifteen, twenty, fifty years ago? But 'Are you playing, Bob?' is one of only four sentences I have ever uttered to any Arsenal player (for the record the others are 'How's the leg, Bob?' to Bob Wilson, recovering from injury the following season; 'Can I have your autograph, please?' to Charlie George, Pat Rice, Alan Ball and Bertie Mee; and, well, 'How's the leg, Brian?' to Brian Marwood outside the Arsenal club shop when I was old enough to know better) and I can therefore vouch for its absolute authenticity. — Nick Hornby

It's funny, my agent came up to us and said, "That line, when Nicholas says, 'I'm gonna bust this thing wide open,' what film's that from?" I said, "I think it's from every film." It's just like you get into that kind of mode of generic dialogue, it's fun to do. — Edgar Wright

I think 'The Book of Mormon' has made that difference in its field. It changed the game. It's something that 20 years from now people will still be talking about, hopefully. That's my goal as an artist, as a creator, as a work for hire, is to choose projects that make people think, make people talk, and make people interested in having a dialogue. — Josh Gad

An inner dialogue of negative thoughts will be toxic and self-destructive, because it will cause you to doubt what you previously thought was obvious or doable. It will poison you against your goals and your self-worth. It will keep you from acting when you need to. In short, it will make it impossible to live up to your full potential. — Holly Burns

For a sculptor, a painter, a weaver, a potter, the dialogue between one's materials and what one makes from them is easy to see: discover a new material or a new way to use a familiar one, and new things can be made, sometimes leading to the discovery of more new material, leading to more creation. — Andrea Barrett

I come from a TV background, so for me this more like doing a freeing theatre piece because we'd go into a room and do the scene, instead of doing it as a wide shot, medium shot, and close up with only the odd line of dialogue. — Jennifer Sky

Most arguments are about programming; most resolutions are reached through a process of unlearning then relearning. — Oli Anderson

My inspiration comes from so many things, it is hard to give credit to one. I find music of all kinds to be a great inspiration. A melody or a lyric can fire my imagination. Exercise is another. Endorphins fuel my thoughts - I tend to work out scenes and dialogue when I am exercising. Reading is also a great inspiration. — Julia London

This sucks on so many levels." Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought. — Roger Ebert

His grandfather was scathing about "speculative faith," which is the kind you get from worrying about the possibility that God exists and may be cross with you. Daniel Spork observed that God, if there is one, is well aware of the interior dialogue, and most likely unimpressed by it. Much better, he said, to get on with being the man you are, and hope like buggery that God thinks you did as well as could be expected. Hence all the lessons and strictures concealed in everyday objects. _Learn the shape of the world, know the mind of God._ — Nick Harkaway

I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue. — Chimamanda Ngozi Adichie

Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words - if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night - do you see both the humor and the volley in the tennis match? — C.J. Cherryh

And there's no synthetic owners manual?" His lips twitched, smile threatening to break into a grin.

A joke. He wasn't funny. "Do you come with an owners' manual, Captain? Because I'd like to study your troubleshooting section."

"Would you like to strip me down to my nuts and bolts, and figure out what makes me tick?"

"I knew what made you tick from the moment we first met. That's why I punched you between the legs."

~ #1001 & Caleb — Pippa DaCosta

Hunting in my experience - and by hunting I simply mean being out on the land - is a state of mind. All of one's faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something "means" and to be concerned only that it "is." And then to recognize that things exist only insofar as they can be related to other things. These relationships - fresh drops of moisture on top of rocks at a river crossing and a raven's distant voice - become patterns. The patterns are always in motion. — Barry Lopez

Like, I'm a big fan of films from the '70s, like Cassavetes and things, where they just keep the dialogue really loose and just kind of roll, you know what I mean? — Jody Hill

Nature is man's inorganic body
that is to say, nature insofar as it is not the human body. Man lives from nature
i.e., nature is his body
and he must maintain a continuing dialogue with it is he is not to die. To say that man's physical and mental life is linked to nature simply means that nature is linked to itself, for man is a part of nature. — Karl Marx

Daniel is asleep. A care assistant, a different one today is swishingaroundthe room with a mop that smells of pine cleaner.

Elisabeth wonders what's doing to happen to all the care assistants. She realizes she hasn't so far encountered a single care assistant here who isn't from somewhere else in the world. That morning on the radio she;d heard a spokesperson say, but it's not just that we;ve been rhetorically and practically encouraging the opposite of integration for immigrants to this country. It's that we've been rhetorically and practically encouraging ourselves not to integrate. We've been doing this as a matter of self-policing since Thatcher taught us to be selfish and not just to think but to believe that there's no such thing as society.

Then the other spokesperson in the dialogue said, well, you would say that. Get over it. Grow up. Your time's over. Democracy. You lost. — Ali Smith

That was enough dialogue for a few pages - he had to get into some fast, red-hot action.
There weren't any more hitches now. The story flowed like a torrent. The margin bell chimed almost staccato, the roller turned with almost piston-like continuity, the pages sprang up almost like blobs of batter from a pancake skillet. The beer kept rising in the glass and, contradictorily, steadily falling lower. The cigarettes gave up their ghosts, long thin gray ghosts, in a good cause; the mortality rate was terrible.
His train of thought, the story's lifeline, beer-lubricated but no whit impeded, flashed and sputtered and coursed ahead like lightning in a topaz mist, and the loose fingers and hiccuping keys followed as fast as they could. ("The Penny-A-Worder") — Cornell Woolrich

But what sets me apart from other Chinese writers is that I neither copy the narrative techniques of foreign writers nor imitate their story lines; what I am happy to do is closely explore what is embedded in their work in order to understand their observations of life and comprehend how they view the world we live in. In my mind, by reading the works of others, a writer is actually engaging in a dialogue, maybe even a romance in which, if there is a meeting of the minds, a lifelong friendship is born; if not, an amicable parting is fine, too. — Mo Yan

It's interesting because you feel on the one hand, we understand people from what the say, and in another sense, you'd think that you'd be able to convey more through dialogue. — Adrien Brody

I have been carrying on a dialogue between the landscape and the female body (based on my own silhouette) I am overwhelmed by the feeling of having been cast from the womb (nature). Through my earth/body sculptures I become one with the earth I become an extension of nature and nature becomes an extension of my body — Ana Mendieta

You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat. — John Leguizamo

Ideas come from the Earth. They come from every human experience that you've either witnessed or have heard about, translated into your brain in your own sense of dialogue, in your own language form. Ideas are born from what is smelled, heard, seen, experienced, felt, emotionalized. Ideas are probably in the air, like little tiny items of ozone. — Rod Serling

What to Accept
The fact of mountains. The actuality
Of any stone - by kicking, if necessary.
The need to ignore stupid people,
While restraining one's natural impulse
To murder them. The change from your dollar,
Be it no more than a penny,
For without a pretense of universal penury
There can be no honor between rich and poor.
Love, unconditionally, or until proven false.
The inevitability of cancer and/or
Heart disease. The dialogue as written,
Once you've taken the role. Failure,
Gracefully. Any hospitality
You're willing to return. The air
Each city offers you to breathe.
The latest hit. Assistance.
All accidents. The end. — Thomas M. Disch

When George W. Bush hit the campaign trail in 2000, the precious possession he brought with him from home was his personal feather pillow. The theme of the Bush years was obliviousness. He was famously unavailable for debate and dialogue. He was deaf to countervailing voices. He hit the sack early and always got a good night's sleep. — Tina Brown

While the debate on the Patriot Act is far from over, it is important that all Americans continue in this dialogue and work together to ensure greater security for our nation. — Jo Bonner

And then came the pain. First in her leg, as if something had sunk its teeth into it. A huge beast, a dog, maybe. It locked its jaws onto her limb and tore at the muscles with its teeth. She screamed, that was all she could do, scream. She could not describe the feeling of having her body ripped apart. She remembered her father's despair, his face as he leaned over her bed, and his words: What is it, tell me, what is it? As she writhed in pain, soaked in her own sweat, Don Guillermo, her kind, good father, waited for her to tell him. For an explanation. A meaningful verbalization of this horror, so that he could understand what was happening to his child. Otherwise, how could he help her? Because her frenzied cries were not enough. Pain needs to be articulated, communicated. It needs a kind of dialogue. It needs words. But only screams and shrieks of pain escaped from the child's lips. — Slavenka Drakulic

Once you see the entertainment world from both sides, you really get a greater understanding of how it all operates. As an actor going into screenwriting, I was able to understand what type of dialogue feels natural and what an actor could actually say. — John Francis Daley

Dialogue and education for peace can help free our hearts from the impulse toward intolerance and the rejection of others. — Daisaku Ikeda

One of my favorite dialogue pieces from Black Creek Burning:
"It was a polite, white lie," Brie whispered.
"I'll have to remember you think that way," Nathan said. — R.T. Wolfe

Stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech. — Stephen King

The secrets that the characters hold are held back from the audience, and that's such a delight to hold onto. When you're playing scenes, it gives you an inner dialogue that allows you to really immerse yourself as the actor, in every scene that you're playing. Nothing felt expositional. Nothing felt like we were just doing it to move the story along. There was a reason these characters were saying what they're saying. It was a gift, really. — Tom Hughes

Preston Sturges is one of my favorites. I learned about dialogue and timing from him - louder, faster, funnier. But I do love Mel Brooks. — Clara Mamet

Dialogue unplugs you from your own programming as you become more real; debate turns up the voltage and entrenches you more deeply. — Oli Anderson

I went right from wunderkind to washed up. Old. Been around too long. That's just the way I feel. That's my internal dialogue. — Conor Oberst

Dialogue is about freeing human beings from the beliefs and attitudes that make human beings miserable. — Oli Anderson

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end - as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary. — John Berendt

He took me from not being able to write a word in terms of writing screenplays to being the king of wooden dialogue. — George Lucas

Oh, go right ahead,' she replied. 'You seem to have such an affinity for canines.'
'Clearly,' he shot back, keeping his voice low so that Mary could not hear, 'they are not so different from women. Both breeds hang on my every word. — Julia Quinn

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

Dialogue teaches you to listen through your emotions, not to become distracted or distanced from the truth because of them. — Oli Anderson

We define our identity always in dialogue with, sometimes in struggle against, the things our significant others want to see in us. Even after we outgrow some of these others - our parents, for instance - and they disappear from our lives, the conversation with them continues within us as long as we live. — Charles Taylor

The rule of thumb for a director or producer - which prevents them from just sticking their names on everything - is that you have to contribute substantially more than 50 percent of the character dialogue and story. — Harold Ramis

Death is a Dialogue between
The Spirit and the Dust.
"Dissolve" says Death,
The Spirit "Sir
I have another Trust" -
Death doubts it -
Argues from the Ground -
The Spirit turns away
Just laying off for evidence
An Overcoat of Clay. — Emily Dickinson

An ideology critique that does not clearly accept its identity as satire can, however, easily be transformed from an instrument in the search for truth into one of dogmatism. All too often, it interferes with the capacity for dialogue instead of opening up new paths for it. — Peter Sloterdijk

We are all either conditioned by belief system or consciousness. Belief system is built through the world, consciousness is built from within. — Matthew Donnelly

We have to bring our imaginations to bear on a story if we are to see all it's possibilitiess; otherwise it's just about somebody who did something. Whatever we take away from stories in the way of significance, symbolism, theme, meaning, pretty much anything except character and plot, we discover because our imagination engages with that of the author. Pretty amazing when you consider that the author may have been dead for thousands of years, yet we can still have this exchange, this dialogue, with her. — Thomas C. Foster

Dialogue starts from the courageous willingness to know and be known by others. It is the painstaking and persistent effort to remove all obstacles that obscure our common humanity. — Daisaku Ikeda

DYER. No, I am not of your Mind, for the Dialogue was fitted up with too much Facility. Words must be pluckt from Obscurity and nourished with Care, improved with Art and corrected with Application. Labour and Time are the Instruments in the perfection of all Work. — Peter Ackroyd

Jesus' teaching is not the product of human learning, of whatever kind. It originates from immediate contact with the Father, from "face-to-face" dialogue - from the vision of the one who rests close to the Father's heart. It is the Son's word. Without this inner grounding, his teaching would be pure presumption. — Pope Benedict XVI

Things are going so well. We're volleying words back and forth. Everything she says, I have something I can say back. We're sparking, and part of me just wants to sit back and watch. We're clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that's as comfortable as it is unrehearsed. — David Levithan

The authentic rebel knows that the silencing of all his adversaries is the last thing on earth he wishes: their extermination would deprive him and whoever else remains alive from the uniqueness, the originality, and the capacity for insight that these enemies being human also have and could share with him. If we wish the death of our enemies, we cannot talk about the community of man. In the losing of the chance for dialogue with our enemies, we are the poorer. — Rollo May

There could be no real dialogue between those who still thought that time was on their side and those who realized that they were dangling from its jaws, like Saturn's children, already half-devoured. — Edward St. Aubyn

... modern man no longer communicates with the madman [ ... ] There is no common language: or rather, it no longer exists; the constitution of madness as mental illness, at the end of the eighteenth century, bears witness to a rupture in a dialogue, gives the separation as already enacted, and expels from the memory all those imperfect words, of no fixed syntax, spoken falteringly, in which the exchange between madness and reason was carried out. The language of psychiatry, which is a monologue by reason about madness, could only have come into existence in such a silence. — Michel Foucault

I don't think it is so difficult to solve the problems between Cuba and the United States; it all depends on whether there is a dialogue, a discussion, or if the prejudices and hatred of people like the extremists and terrorists from the Cuban community, who try to impose their policies, prevail. — Fidel Castro

That's me, keeping things bitchy from open to close." I turned around and gave him my customer service smile. — Katherine McIntyre

I've always had a problem with conventional punctuation of dialogue because it does seem to me to set it off too much from the narrative. I mean, in life, things don't stop while somebody says something, and then stuff starts up again; it's all happening at once. — Kate Grenville

Some young man has wronged you, hasn't he?' From a person who renounced on principle the possibility of transcendental morality, she thought, it was an interesting choice of words.

'None of them's stuck around long enough to wrong me, Bruno.'

He waved a hand dismissively. 'Romance is a fiction anyway. A myth to sell greeting cards.' Still, he seemed ready, given a name and address, to go challenge the malefactor, like some feudal-era father defending his daughter's chastity. This was all in the eyes, of course. The rest of the face stayed perfectly composed. — Garth Risk Hallberg

I've read a lot of fiction from writers just starting out, and the dialogue is a little bit forced, or it's almost too teenager-y, or too slang-y or putting too much technology or trends in there. I try to stay pretty trend-neutral. I try not to mention too many current bands or current TV shows. — Sara Shepard

I think I've always been extremely conscious of the kind of empowerment that comes from realizing that you're in a position to express yourself. And the fact is that - and this is the thing about punk rock - that everyone is in a position to create culture, and that point has never been lost on me. To me, that's an important political aspect of doing this, and trying to live in a way that's about dialogue as opposed to like spectacle — J. Robbins

Now I protest to thee, gentle reader, that I entirely dissent from Francisco de Ubeda in this matter, and hold it the most useful quality of my pen, that it can speedily change from grave to gay, and from description and dialogue to narrative and character. So that if my quill displays no other properties of its mother-goose than her mutability, truly I shall be well pleased; and I conceive that you, my worthy friend, will have no occasion for discontent. From — Walter Scott

We must truly listen to each other, respecting our essential brotherhood and the courage of those who try to speak, however they may differ from us in professional standing or religious belief or moral vision. We must speak and listen patiently, with good humor, with real expectation, and our dialogue can serve both truth and charity. — Eugene England

In the Second Part of this Dialogue, that which hath already been shewn concerning the passive power of the universe is demonstrated for the active power of the efficient cause, set forth with arguments of which the first deriveth from the fact that divine power should not be otiose; particularly positing the effect thereof outside the substance thereof (if indeed aught can be outside it), and that it is no less otiose and invidious if it produce a finite effect than if it produce none. — Giordano Bruno

Tragically, because many addicts are not given sufficient love, nurturing and non-shaming dialogue at crucial stages in their early emotional development, they are on a quest to find contentment from a source outside of themselves.
Their parents might have provided bountifully for them; however, their parents were never fully emotionally present while parenting, which made their children feel starved of emotional nourishment. — Christopher Dines

Then one day, from the window of a car (the destination of that journey is now forgotten), I saw a billboard by the side of the road. The sight could not have lasted very long; perhaps the car stopped for a moment, perhaps it slowed down long enough for me to see, large and looming shapes similar to those in my book, but shapes that I had never seen before. and yet, all of a sudden, I knew what they were; I heard them in my head, they metamorphosed from black lines and white spaces into a solid, sonourous, meangingful reality. I had done this all by myself. No one had performed the magic for me. I and the shapes were alone together, revealing ourselves in a silently respectful dialogue. Since I could turn bare lines into a living reality, I was all-poweful. i could read. — Alberto Manguel

Do you like manga?" she asked after a minute. "Anime?"
"Anime's cool. I'm not really into it, but 1 like Japanese movies,
animated or not."
"Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's
completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from
them." She caught my gaze. "So would you say she belongs here?"
"No. Most kids are that way about something, right? With me, it's
movies. Like knowing who directed a sci-fi movie made before I was born. — Kelley Armstrong

When you have an American mother from the Midwest and an Egyptian father, you travel back and forth and see such completely different stories in the news about the exact same events. It makes you think, 'How is anybody able to understand or even have a dialogue when the basis of information is just so completely different?' — Jehane Noujaim

Contrary to what I once thought, scientific progress did not consist simply in observing, in accurately formulating experimental facts and drawing up a theory from them. It began with the invention of a possible world, or a fragment thereof, which was then compared by experimentation with the real world. And it was this constant dialogue between imagination and experiment that allowed one to form an increasingly fine-grained conception of what is called reality. — Francois Jacob

He began to prefer talking on the phone to actually getting together with someone, preferred the bodilessness of it, and started to turn down social engagements. He didn't want to actually sit across from someone in a restaurant, look at their face, and eat food. He wanted to turn away, not deal with the face, have the waitress bring them two tin cans and some string so they could just converse, in a faceless dialogue. — Lorrie Moore

On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult. — John Fowles

Bad acting comes in many bags, various odors. It can be performed by cardboard refugees from an Ed Wood movie, reciting their dialogue off an eye chart, or by hopped-up pros looking to punch a hole through the fourth wall from pure ballistic force of personality, like Joe Pesci in a bad mood. I can respect bad acting that owns its own style. — James Wolcott

We are playwrights in that we spontaneously compose and direct dialogue, acting out various roles of a nurturer, an authority, or a character from a client's life. — Jeffrey A. Kottler

Is she alright? That cannot be normal," I ask the Captain. I am finding my two 'sisters' behavior to be concerning.
"Depends on your definition of 'normal'," he air quotes 'normal', before waving his hand in Cassandria's face.
Cassandria swipes at the Captain's hand with a shout of surprise. The Captain moves his hand easily beyond reach. Her eyes then widen in confusion as she studies her surroundings.
Turning back to the Captain, I point out, "I was hoping you had a definition."
"I have one, but what I would consider 'normal' is different from what most would agree with," he shrugs. — D.R.L. Hicks

Actually, King Abdullah, under his supervision and guidance, has established a dialogue in Saudi Arabia whereby all the population, whether Shiite or Sunnis from north, south, west or east, they can get together and exchange their views. — Al-Waleed Bin Talal

From the beginning, Judeo-Christian principles have been the foundation for American public dialogue and government policy. They serve as the solid basis for political activism in support of a better socioeconomic environment. Found in American homes, truth from the Hebrew Christian Bible has enabled individual liberty to prevail over secular empires because it is a practical message about reality from man's Creator.
In their quest for liberty, Americans focused upon the conspicuously self-evident "Laws of Nature and of Nature's God." It is the governing character of these principles (laws), such as humility, the Golden Rule, and the Ten Commandments, that leads to success. This is the sure foundation upon which man's right to "life, liberty, and the pursuit of happiness" rests. Called "virtue" by America's Founding Fathers, the impartial and divine element frees man to do what is right. "Where the Spirit of the Lord is, there is liberty" (2 Cor. 3:17). — David A. Norris

If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue. — Terry Eagleton