Quotes & Sayings About Details In Writing

Even if, at the moment, you can't sit down and do the gruntwork of stringing verbs and nouns together, you are writing. It is a way of seeing, a way of being. The world is not only the world, but your personal filing cabinet. You lodge details of the world in your sparkling nerve-library that spirals through your brain and coils down your arms and legs, collects in your belly and your sex. You write, even if you can't always "write."
However, writers write. Active, not passive. — Luis Alberto Urrea

When you're in a place, the details you focus on are different than details you focus on when you're writing about it. — Tea Obreht

I like writing about places, about people and environments. When I create a world, it lets me go in and define the details of that world. — Halsey

In front of me 327 pages of the manuscript [Master and Margarita] (about 22 chapters). The most important remains - editing, and it's going to be hard. I will have to pay close attention to details. Maybe even re-write some things ... 'What's its future?' you ask? I don't know. Possibly, you will store the manuscript in one of the drawers, next to my 'killed' plays, and occasionally it will be in your thoughts. Then again, you don't know the future. My own judgement of the book is already made and I think it truly deserves being hidden away in the darkness of some chest.
[Bulgakov from Moscow to his wife on June 15 1938] — Mikhail Bulgakov

When I began my career as a writer I thought it would be fun to put my imagination to the page. Now I am finding out that my imagination is able to fill in those pesky holes called details all on its own, and then neglecting to tell me how it did it. — Jonathan Bender

A lot of the people I was writing with think a lot more about lyrics and a lot more about the details from the beginning. That kind of thinking made me a little self-conscious because I was suddenly having to judge what I was doing early on in the process. — St. Lucia

A few have become acquainted with Orwell's 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life. — Czeslaw Milosz

If you want to master the art of the sentence, you must first accept a somewhat unpleasant truth--something a lot of writers would rather deny: The Reader is king. You are his servant. You serve the Reader information. You serve the Reader entertainment. You serve the Reader details of your company's recent merger or details of your experiences in drug rehab. In each case, as a writer you're working for the man (or the woman). Only by knowing your place can you do your job well. — June Casagrande

Writing in a nuanced way, getting at all the details in a way that remains interesting for the reader, is very difficult. — Carl Hart

Even their contemporaries felt that the relationship of Elizabeth and Robert transcended the details on practicality. There had to be some explanation for their lifelong fidelity, and those contemporaries put it down to 'synaptia', a hidden conspiracy of the stars, whose power to rule human lives no-one doubted: 'a sympathy of spirits between them, occasioned perhaps by some secret constellation', in the words of the historian William Camden, writing at the beginning of the seventeenth century. Theirs was a relationship already rooted in history and mythology. And that moment when Elizabeth heard she had come to the throne encapsulated much about their story. If our well-loved picture of Elizabeth's accession is something of a fantasy - if the reality is on the whole more interesting - you might say the same about our traditional picture of her relationship with Robert Dudley. — Sarah Gristwood

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing. — Haruki Murakami

In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you'll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball. — Anton Chekhov

The details of what we call our lives go sometimes to form patterns of meaning not unlike those to be found in our preferred sort of fiction. — Gerald Murnane

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital. — Sara Sheridan

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

Perfectionism has nothing to do with getting it right. It has nothing to do with fixing things. It has nothing to do with standards. Perfectionism is a refusal to let yourself move forward. It is a loop-an obsessive, debilitating closed system that causes you to get stuck in the details of what you are writing or painting or making and to lose sight of the whole. — Julia Cameron

I make up as little as possible. I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are and to look where things have gone missing. And it's really in the gap - it's in the erasures - that I think the novelist can best go to work because inevitably in history in any period, we know a lot about what happened, but we may be far hazier on why it happened. And there's always the question, why did it happen the way it did? Where was the turning point? — Hilary Mantel

When I write, the story is always uppermost in my mind, and I feel that everything must be sacrificed to it. All elegant passages, all the curious details, all the so-called beautiful writing - if they are not truly relevant to what I am trying to say, then they have to go. — Paul Auster

I used to be something of an obsessive when it came to research. When I first began writing the Thorne novels, I would drive to a set of traffic lights in the early hours of the morning to make sure you could turn left. I thought it was important to get even the most trivial details right. — Mark Billingham

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

I was a mere tourist with no part whatever in this great conflict; but it was my rare privilege, through an unusual train of circumstances, to witness the moving scenes that I have resolved to describe. In these pages I give only my personal impressions; so my readers should not look here for specific details, nor for information on strategic matters; these things have their place in other writings. — Henry Dunant

Whenever I'm writing a book, small details from my life always creep in. — Kevin Henkes

I began to write poetry again in 1975, when I fell in love with another woman. I returned to poetry not because I had "become a lesbian" - but because I had returned to my own body after years of alienation. The sensual details of life are the raw materials of a poet - and with that falling-in-love I was able to return to living fully in my own fleshly self. — Minnie Bruce Pratt

For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. — Taylor Swift

On small, informal projects, a lot of design is done while the programmer sits at the keyboard. "Design" might be just writing a class interface in pseudocode before writing the details. It might be drawing diagrams of a few class relationships before coding them. It might be asking another programmer which design pattern seems like a better choice. Regardless of how it's done, small projects benefit from careful design just as larger projects do, and recognizing design as an explicit activity maximizes the benefit you will receive from it. — Steve McConnell

Anyone can see that to write Uncle Tom's Cabin on the knee in the kitchen, with constant calls to cooking and other details of housework to punctuate the paragraphs, was a more difficult achievement than to write it at leisure in a quiet room. — Anna Garlin Spencer

Despite my affection for subtext and plot and prose at its best... life, it turns out, is nothing more than the finer details. — Bailey Vincent

My writing is an answer to the partisans of the many and it returns their attack with interest, with a view to showing that the hypothesis of the many, if examined sufficiently in detail, leads to even more ridiculous results than the hypothesis of the One — Zeno Of Elea

Writing in other voices is almost Japanese in the sense that there's a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life. — Suzanne Vega

So I made an outline. Well, you know, days are going by, and I am not writing anything because this thing is laid out in front of me. It's as if you get every brochure for a trip you are going to go on and you get the minutest details of every step along the way. Well, I really doubt you're going to then get in the car and go. You know, it's like, why bother if it's all laid out in front of you? — Steve Tesich

Writers live twice. They go along with their regular life, are as fas as anyone in the grocery store, crossing the street, getting dressed for work in the morning. But there's another part of them that they have been training. The one that lives every second at a time. That sits down and sees their life again and goes over it. Looks at the texture and details. — Natalie Goldberg

I find it relatively easy to keep my clothes on because I don't really feel like taking them off. It's not an urge I have. For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. That's putting myself out there, maybe even more than taking my shirt off. — Taylor Swift

To help you fill in the details of the world you are creating, imagine that your characters inhabit a real world. Daydream what it would be like to be there. What would your characters eat, what would they talk about, where would they get their supplies, etc. Keep asking the question, "What happens next?" Show your characters actions and write down their thoughts — Christopher Paolini

In any case, Cide Hamete Benengeli was a very careful historian, and very accurate in all things, as can be clearly seen in the details he relates to us, for although they are trivial and inconsequential, he does not attempt to pass over them in silence; his example could be followed by solemn historians who recount actions so briefly and succinctly that we can barely taste them, and leave behind in the inkwell, through carelessness, malice, or ignorance, the most substantive part of the work. — Miguel De Cervantes Saavedra

Borges is particularly stimulating to a man who works in the cinema, because the unusual thing about his writing is that it is like a dream, extraordinarily farsighted in calling up from the unconscious complete images in which the thing itself, and its meaning, coexist - exactly as happens in a film. And, just as happens in dreams, in Borges the incongruous, the absurd, the contradictory, the arcane and the repetitive, although as powerfully imaginative as ever, are at the same time illumined like the careful details of something larger, something unknown, and are the faultless elements of a cruelly perfect, indifferent mosaic. Even the fact that Borges's work is strangely fragmentary makes me think of a broken dreamlike flow; and the heterogeneous quality of his work - stories, essays, poems - I prefer to see not as the union of the multiple threads in a greedy, impatient talent, but as a mysterious sign of unending change. — Federico Fellini

My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them. — Paul Auster

I never thought I was capable of writing a whole book until Ursula K. Le Guin, with whom I worked briefly in publishing, said, 'you already wrote one (referencing a screenplay), you just need to add the details. — E.L. Sayers

When all the details fit in perfectly, something is probably wrong with the story. — Charles Baxter

If you would like to write better than everybody else, you have to want to write better than everybody else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen - editors, agents and publishers - whose sights may be different from yours, whose standards not so high. — William Zinsser

Mike Ruby, a writer in the magazine's Business section, used to call Newsweek writing f - k-style journalism: Flash (the lead), Understanding (the billboard - why is this story important), Clarification (tell the details of the story), and Kicker (bringing it all together with a clever ending). — Lynn Povich

I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later. — Jenni Rivera

You'll have to excuse Kyle; he's somewhat of a history geek and gets himself all excited. He talks without thinking sometimes," Collin said punching his arm. "But, he is well informed about our situation. He knows details about things that I don't."
"What does he know exactly?"
"Kyle said the book dates a long way back."
I tilted my head. "You mean the book I've been writing in?" Collin nodded. "How does he know this?"
"I love this," Kyle interrupted. "I'm in the car right? You guys can see me? — Nicole Gulla

I never make notes; just a few small details when I'm writing, but nothing much. The plot is never written down. I will tell the story to myself, but I won't plan it. I'll speak the narrative in my head for a while. — Ruth Rendell

There's an expression, "God is in the details," and it applies to nothing more than it does to the writing of fiction. To that and to the art of telling good lies. And what is fiction but the telling of lies? — Donna Levin

While I am writing about the details of my own intimate encounters and journeys in America and the Far East. — Frederick Lenz

It has always seemed to me that so long as you produce your dramatic effect, accuracy of detail matters little. I have never striven for it and I have made some bad mistakes in consequence. What matter if I hold my readers? — Arthur Conan Doyle

When your show keeps coming back, year after year, you have a responsibility because your fans know your show sometimes better than you do. You can't play games with them. You have to be really focused and concentrated, and play at your best in every department. The writing staff has to be fantastic. Our director line-up has to be great. Everything has to be better and better. Your fans keep track of the details. — Demian Bichir

When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind. — Anton Chekhov

Writers the most learned, the most accurate in details, and the soundest in tendency, frequently fall into a habit which can neither be cured nor pardoned,-the habit of making history into the proof of their theories. — Lord Acton

A sunset, almost formidable in its splendor, would be lingering in the fully exposed sky. Among its imperceptibly changing amassments, one could pick out brightly stained structural details of celestial organisms, or glowing slits in dark banks, or flat, ethereal beaches that looked like mirages of desert islands. I did not know then (as I know perfectly well now) what to do with such things - how to get rid of them, how to transform them into something that can be turned over to the reader in printed characters to have him cope with the blessed shiver - and this inability enhanced my oppression. — Vladimir Nabokov

After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me. — Vladimir Nabokov

Writing is so much more problematic than drawing, full of moral pitfalls, ambiguity, public responsibility. If you record a day of your life, does the decision to do so change the shape of the day? One of Doris Lessing's days in The Golden Notebook is fifty-four pages long. It's complete; the rest are summaries - the "impression" of a day foisted artfully upon the reader by providing a few details. Fiction is made this way - as lineal perspective gives the illusion of three dimensions in drawing. But does the selection of a day - that you begin by knowing you must remember and observe - really affect it? Do you change the balance, distort the truth? The period itself, its choice and selection, does that not in itself constitute a kind of misconstruction, and the rest follow subconsciously? — Kate Millett

I tried to imagine myself as an old lady, grey and wrinkled, with my life behind me. And suddenly I knew what I wanted. Not in the details, but the broad sweep of things. I wanted my life to be like one of my favourite books: a big, fat novel, each page filled with smallwritten words as though the only way to cram so much life in was to make the writing really small. I wanted to be brave, take risks, make a difference, fall in love. The characters would be colourful, the landscapes exotic. I wanted my life to be a page-turner. — Helen Douglas

The advantage of writing from experience is that it often provides you with details that you would never think of yourself, no matter how rich your imagination. And specificity in description is something every writer should strive for. — Christopher Paolini

Writing in public gives you that access to a junkyard of details all around you. — Chuck Palahniuk

Sit and quiet yourself. Luxuriate in a certain memory and the details will come. Let the images flow. You'll be amazed at what will come out on paper. I'm still learning what it is about the past that I want to write. I don't worry about it. It will emerge. It will insist on being told. — Frank McCourt

And doesn't a writer do the same thing? Isn't she knitting together scraps of dreams? She hunts down the most vivid details and links them in sequences that will let a reader see, smell, and hear a world that seems complete in itself; she builds a stage set and painstakingly hides all the struts and wires and nail holes, then stands back and hopes whoever might come to see it will believe. — Anthony Doerr

Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions. — Diana Gabaldon

You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing. — Alfonso Cuaron

Each sentence should have proper meaning, details should not be needlessly repeated, and every sentence should add to the entertainment value in one way or another. — A.J. Flowers

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about. — Michael Chabon

Use original detail in your writing. Life is so rich, if you can write down the real details of the way things were and are, you hardly need anything else. — Natalie Goldberg

I went to Colby College in Waterville, ME and did picture it when I was writing 'Cum Laude.' So many of the physical details were included, like the loop where people jogged. The story of the chapel is also borrowed from Colby ... but the students and cast of characters are fictional. — Cecily Von Ziegesar

If you write a story based on a real person, you're trapped by the details of the real person and his life. It gets in the way of writing your own story. — Caroline B. Cooney

Socially interacting with a storyteller can be a frustrating challenge because a portion of her awareness is constantly sorting through the details of a developing book. And while you may successfully engage in a meaningful conversation with her, an additional part of her mind is frantically sifting through descriptive lines to be used if ever she were to write this exchange down. The trouble with writers is that they are ALWAYS writing! — Richelle E. Goodrich

Everyday, the mail brings the thousands of letters, and you hand over to Me personally hundreds more. Yet, I do not take the help of anyone else, even to open the envelopes. For, you write to me intimate details of your personal problems, believing that I alone will read them and having implicit confidence in Me. You write, each one only a single letter, that makes for Me a huge bundle a day; and I have to go through all of them. You may ask how I manage it? Well I do not waste a single moment. — Sathya Sai Baba

Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better. — V.S. Pritchett

In the course of this story, and very soon now, it will be necessary to make some disclosures about Mr. Krupper of a nature too coarse to be dealt with very directly in a work of such brevity. The grossly naturalistic details of a life, contained in the enormously wide context of that life, are softened and qualified by it, but when you attempt to set those details down in a tale, some measure of obscurity or indirection is called for to provide the same, or even approximate, softening effect that existence in time gives to those gross elements in the life itself. When I say that there was a certain mystery in the life of Mr. Krupper, I am beginning to approach those things in the only way possible without a head-on violence that would disgust and destroy and which would actually falsify the story.
("Hard Candy") — Tennessee Williams

The final advantage is the same that applies in every other competitive venture. If you would like to write better than everyone else, you have to want to write better than everyone else. You must take an obsessive pride in the smallest details of your craft. And you must be willing to defend what you've written against the various middlemen--editors, agents, and publishers--whose sights may be different from yours, whose standards are not as high. Too many writers are browbeaten into settling for less than their best. — William Zinsser

Happened to them. And the more confident they became, the more sensory details they added to their false memories ("the place smelled horrible").22 Researchers have created imagination inflation indirectly, too, merely by asking people to explain how an unlikely event might have happened. Cognitive psychologist Maryanne Garry finds that as people tell you how an event might have happened, it starts to feel real to them. Children are especially vulnerable to this suggestion.23 Writing turns a fleeting thought into a fact of history, and for Wilkomirski, writing down his memories confirmed his memories. "My illness showed me that it was time for me to write it all down for myself," said Wilkomirski, "just as it was held in my memory, to trace every hint all the way back."24 Just as he rejected the historians at Majdanek who challenged his — Carol Tavris

I think, when you are writing non-fiction, you feel there's an obligation to get it absolutely right, so all your factual details have to be, have, you know, to go through a long list of them and tick them. I'm not saying that's not important in fiction, but I think you have a bit more leeway; you can suit yourself. — Ronald Frame

The rules that I adhere to are the rules of minimalism. And those rules kind of force writing to be more filmic ... to have the immediacy and accessibility of film so that the reader really has to fill in a lot of the details. — Chuck Palahniuk

There is a very simple statement to be made about all these stories: they do not really come off intellectually as problems, and they do not come off artistically as fiction. They are too contrived, and too little aware of what goes on in the world. They try to be honest, but honesty is an art. The poor writer is dishonest without knowing it, and the fairly good one can be dishonest because he doesn't know what to be honest about. He thinks a complicated murder scheme which baffled the lazy reader, who won't be bothered itemizing the details, will also baffle the police, whose business is with details. — Raymond Chandler

I paint as the mood takes me- it is an emotional release. But in this society moods and images can incriminate you. Writing is much safer for me. I can hide myself behind a maze of words and the details of people's lives. — Ma Jian

If you want to write what the world is about, you have to write details ... real life is in the dishes. Real life is pushing strollers up the street, folding T-shirts, the alarm clock going off early and you dropping into bed exhausted every night. That's real life. — Anna Quindlen

Don't have conversations taking place in empty space. Weave in background details of where the action (dialogue is a form of "action") is taking place. Don't have invisible people talking, either. Let the reader see them as they speak - their facial expressions and gestures. And by all means "cue" the speeches to the speakers. — Lee Wyndham

When it comes to creating compelling fiction, the devil may be in the details, but it is your imagination that ultimately allows your work to spread its wings and take flight. And fly it must. Only by soaring above the clouds of doubt can one truly achieve a suspension of disbelief — Max Hawthorne

The biggest pitfall to avoid is not writing. Not writing is really, really easy to do, especially if you're a young writer. The hope that elves will come in the night and finish it for you, is a very common one to have. That is my main recommendation - you have to write, and you have to finish what you write and beyond that, it's all detail. — Neil Gaiman

'Dreamsongs' allows me to show the scope of my writing - with personal commentary that puts the works in context and includes some autobiographical details intended to reveal how each piece came to be, what it represents, and how it has formed, or been informed by, my philosophy of writing. — George R R Martin

remember, just because you're writing fiction doesn't mean that you can ignore facts. It is those details that make fiction compelling and, in many cases, very real for the reader. — Roy A. Teel Jr.

So much of a novelist's writing ... takes place in the unconscious: in those depths the last word is written before the word appears on paper. We remember the details of our story, we do not invent them. — Graham Greene

Her gaze darted back to the computer screen. THIS IS YOUR CALL TO ACTION. If she posted this, it needed to be real. She needed people to believe Spartan could come back. They needed to trust that he'd made it out of the ship. It couldn't just be fangirl to fangirl, writing Starveil AU's that never really happened. This would be the guerrilla warfare of character ships. The fans would have to reweave the details they had into a new explanation of those last seconds of film. They'd take no prisoners, leave no wounded fans behind. But, as in any war, that meant the intel behind the revolution had to stay secret for as long as possible.
Fandom had to believe. — Danika Stone

You don't go to other books and take little pieces because although say a romantic scene may have been many times before all the details of who it is, where it is, are so intertwined in that text that it's easier to write it from scratch. — Bill Gates

As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail. — Aristotle.