Despedazar Algo Quotes & Sayings

Rather let us imagine the anima mundi as that particular soul-spark, that seminal image, which offers itself through each thing in its visible form. Then anima mundi indicates the animated possibilities presented by each new event as it is, its sensuous presentation as a face bespeaking its interior image - in short, its availability to imagination, its presence as psychic reality. Not only animals and plants ensouled as in the Romantic vision, but soul is given with each thing, God-given things of nature and man-made things of the street. — James Hillman

Don't turn your back upon your doctrinal doubts and difficulties. Go up to them and examine them. Perhaps the ghastly object which looks to you in the twilight like a sheeted ghost may prove to be no more than a table-cloth hanging upon a hedge. — Andrew Kennedy Hutchison Boyd

After all, they (the pro-vaccine lobbyists) say to themselves, you can't make an omelette without breaking eggs. But the eggs being broken are small, helpless, and innocent babies, while the omelette is being enjoyed by the pediatricians and vaccine manufacturers. — Harris L Coulter

I am so tired. Even the word sleep is a lure, a seduction. — Audrey Niffenegger

For no man can write anything who does not think that what he writes is, for the time, the history of the world. — Ralph Waldo Emerson

I've always got the road. Stand-up makes you so autonomous and self-sufficient that it really helps with that part of show business. — Louis C.K.

I'd never met such a sexually responsive woman. I could fuck her forever. I could fuck her and say filthy things I could never say to anyone else. She was free. Unrepressed. An open door. — C.D. Reiss

Thought, not money, is the real business capital. — Harvey S. Firestone

I didn't start acting until I was in college, which was in the 70's. — Ray Liotta

Well, with facts what's important is their weight and accuracy. Warmth is secondary. — Haruki Murakami

Much of the colony's musical experimenting was, quite consciously, concerned with what might be called "time span." What was the briefest note that the mind could grasp - or the longest that it could tolerate without boredom? Could the result be varied by conditioning or by the use of appropriate orchestration? Such problems were discussed endlessly, and the arguments were not purely academic. They had resulted in some extremely interesting compositions. But it was in the art of the cartoon film, with its limitless possibilities, that New Athens had made its most successful experiments. The hundred years since the time of Disney had still left much undone in this most flexible of all mediums. On the purely realistic side, results could be produced indistinguishable from actual photography - much to the contempt of those who were developing the cartoon along abstract lines. — Arthur C. Clarke

There is no question that Los Angeles expects its long-termers to survive the inevitable and chronic ass-kickings alone. — Jennifer Harrison