Design Object Quotes & Sayings

To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale. — Greg Lynn

Design Patterns - Elements of Reusable Object-Oriented Software — Erich Gamma

Once an object escapes, you have to assume that another class or thread may, maliciously or carelessly, misuse it. This is a compelling reason to use encapsulation: it makes it practical to analyze programs for correctness and harder to violate design constraints accidentally. — Brian Goetz

The problem is that when many products are produced, the majority of time and effort go into the engineering phase and not into the design phase. Object-oriented — Matt Weisfeld

The complexity of the simplest known type of cell is so great that it is impossible to accept that such an object could have been thrown together suddenly by some kind of freakish, vastly improbable, event. Such an occurrence would be indistinguishable from a miracle. — Michael Denton

In reality," said Democritus, "there are only atoms and the void." Perception is due to the expulsion of atoms from the object upon the sense organ. There is or have been or will be an infinite number of worlds; at every moment planets are colliding and dying, and new worlds are rising out of chaos by the selective aggregation of atoms of similar size and shape. There is no design; the universe is a machine. This, — Will Durant

Good design is probably 98% common sense. Above all, an object must function well and efficiently-and getting that part right requires a good deal of time and attention. — Terence Conran

You can go from creating the design on your iPad to making the object on your MakerBot. — Bre Pettis

A divine 'punishment' is also a divine 'gift', if accepted, since its object is ultimate blessing, and the supreme inventiveness of the Creator will make 'punishments' (that is changes of design) produce a good not otherwise to be attained — J.R.R. Tolkien

Regardless of what the object of design is, humans need design. For anything humans use in their day to day life, they need design and it is a clear and concrete proof of the fundamental human right to live. — Kenji Ekuan

The genius is a genius by the first look he casts on any object. Is his eye creative? Does he not rest in angles and colors, but beholds the design,
he will presently undervalue the actual object. — Ralph Waldo Emerson

To enlarge the sphere of social happiness is worthy of the benevolent design of a Masonic institution; and it is most fervently to be wished, that the conduct of every member of the fraternity, as well as those publications, that discover the principles which actuate them, may tend to convince mankind that the grand object of Masonry is to promote the happiness of the human race.
[Letter to the Grand Lodge of Free and Accepted Masons for the Commonwealth of Massachusetts, January 1793] — George Washington

A chair is a very difficult object. A skyscraper is almost easier. That is why Chippendale is famous. — Ludwig Mies Van Der Rohe

Any baseball is beautiful. No other small package comes as close to the ideal design and utility. It is a perfect object for a man's hand. Pick it up and it instantly suggests its purpose; it is meant to be thrown a considerable distance - thrown hard and with precision. — Roger Angell

McSweeney's as a publishing company is built on a business model that only works when we sell physical books. So we try to put a lot of effort into the design and production of the book-as-object. — Dave Eggers

The tides of time should be able to imprint the passing of the years on an object. The physical decay or natural wear and tear of the materials used does not in the least detract from the visual appeal, rather it adds to it. It is the changes of texture and colour that provide the space for the imagination to enter and become more involved with the devolution of the piece. Whereas modern design often uses inorganic materials to defy the natural ageing effects of time, wabi sabi embraces them and seeks to use this transformation as an integral part of the whole. This is not limited to the process of decay, but can also be found at the moment of inception, when life is taking its first fragile steps toward becoming. — Andrew Juniper

I'm interested in designing not the object but the process that leads to the object. — Michael Hansmeyer

For me, the concept of design is more than object-oriented; it encompasses the design of processes, systems and institutions as well. Increasingly, we need to think about designing the types of institutions we need to get things done in this rapidly accelerating world. — John Seely Brown

There comes a point when you realize that these things, these brands, aren't "enough." Having more or better or best doesn't provide you with a lasting sense of having more or being better or being best. It's a rather fleeting experience, this romantic attachment to brands, and I find that if I'm not careful, the search for having more or better or best is a precarious journey into the infinite. When you depend on finite objects-or brands-to provide you with a long-term sense of self or love or pride or achievement, you start yourself out on a path with no end. No object, no product, and no brand can provide you with ultimate, infinite satisfaction. — Debbie Millman

All you have to do is pick up a baseball. It begs to you: throw me. If you took a year to design an object to hurl, you'd end up with that little spheroid small enough to nestle in your fingers but big enough to have some heft, lighter than a rock but heavier than a hunk of wood. Its even, neat stitching, laced into the leather's slippery white surface, gives your fingers a purchase. A baseball was made to throw. It's almost irresistible. — Dave Dravecky

The Divine glory is an object only worthy of attention; and to display his holy character, was the design of God in creation' as there were no after beings existing antecedent therto, to attract the mind of Jehovah; and we are sure that God is pursing the same thing still, and always will. — Lemuel Haynes

Every dependency is like a little dot of glue that causes your class to stick to the things it touches. — Sandi Metz

Weight Weight is an implied, if not critical, concept in design and animation. How you show an object in motion greatly affects its weight and therefore its believability. Weight in animation is a perception of mass. An object's movement, how it reacts in motion, and how it reacts to other objects — Dariush Derakhshani

... what society overwhelmingly asks for is snake oil. Of course, the snake oil has the most impressive names - otherwise you would be selling nothing - like "Structured Analysis and Design", "Software Engineering", "Maturity Models", "Management Information Systems", "Integrated Project Support Environments" "Object Orientation" and "Business Process Re-engineering". — Edsger Dijkstra

The computer is usually seen as a solely beneficial invention, which liberates human fantasy and facilitates efficient design work. I wish to express my serious concern in this respect, at least considering the current role of the computer in education and the design process. Computer imaging tends to flatten our magnificent, multi-sensory, simultaneous and synchronic capacities of imagination by turning the design process into a passive visual manipulation, a retinal journey. The computer creates a distance between the maker and the object, whereas drawing by hand as well as working with models put the designer in a haptic contact with the object, or space. In our imagination, the object is simultaneously held in the hand and inside the head, and the imagined and projected physical image is modelled by our embodied imagination. We are inside and outside of the conceived object at the same time. — Juhani Pallasmaa

The combination of threads, remote-procedure-call interfaces, and heavyweight object-oriented design is especially dangerous ... if you are ever invited onto a project that is supposed to feature all three, fleeing in terror might well be an appropriate reaction. — Eric S. Raymond

The best kind of design isn't necessarily an object, a space, or a structure: it's a process- dynamic and adaptable. — Donald A. Norman

As a child Valentine's Day was fun. You got to design your own little heart-laden box to accept all your classmate's Valentine's. Then you'd get to fill in the To: and From: fields on your G.I. Joe cards (because nothing says "Be Mine" like Snake Eyes). I remember each time taking extra special care when filling out a card for the girl who I happened to like that particular year. When the day arrived and cards were exchanged I would rifle through my haul finding the one from whichever girl it was and kept it apart from the others. It was special even though I'm sure she'd written the exact same thing on mine that she'd written on everyone else's. No matter, love was given and received. Valentine's Day was for a young boy not yet mature enough to express his affections and for him to hold fast to even a token expression from the object those affections. — Aaron Blaylock

No design works unless it embodies ideas that are held common by the people for whom the object is intended. — Adrian Forty

Rather, the master question from which the mission of education research is derived: What should be taught to whom, and with what pedagogical object in mind? That master question is threefold: what, to whom, and how? Education research, under such a dispensation, becomes an adjunct of educational planning and design. It becomes design research in the sense that it explores possible ways in which educational objectives can be formulated and carried out in the light of cultural objectives and values in the broad. — Jerome Bruner

We are convinced by things that show internal complexity, that show the traces of an interesting evolution. Those signs tell us that we might be rewarded if we accord it our trust. An important aspect of design is the degree to which the object involves you in its own completion. Some work invites you into itself by not offering a finished, glossy, one-reading-only surface. This is what makes old buildings interesting to me. I think that humans have a taste for things that not only show that they have been through a process of evolution, but which also show they are still a part of one. They are not dead yet. — Stewart Brand

It is important to realize that whatever we do or design has iconographic references, it comes from somewhere; any form is always metaphorical, never totally metaphysical; it is never a 'destiny' but always a fact with some kind of historical reference. To put an object on a base means to monumentalize it, to make everyone aware it exists. — Ettore Sottsass

The best everyday example of relativity, the finest symptom of human intelligence, is humor. ( ... ) Design without humor is not human. The word 'beautiful' does not mean anything. Only coherence counts. An object, design or not, is primarily an object that meets the parameters of human intelligence, which reconciles opposites. The lack of humor is the definition of vulgarity. — Philippe Starck

Object-oriented design is the roman numerals of computing. — Rob Pike

Deception, as practically manifested, succeeds because of two things. First, the object of deception is convincingly deceptive in its design; i.e., it looks/feels/acts like the real thing. Second, and equally important, the subject of deception must be predisposed to believing that the object of deception is indeed the real thing. These two criteria work in an inverse relationship with each other; a sufficiently deceptive object can convince a skeptical subject, while a subject who sincerely wants to believe will be able to overlook even gross flaws in the object onto which he or she confers belief. — John Scalzi

What was remarkable was that associating with a computer and electronics company was the best way for a rock band to seem hip and appeal to young people. Bono later explained that not all corporate sponsorships were deals with the devil. "Let's have a look," he told Greg Kot, the Chicago Tribune music critic. "The 'devil' here is a bunch of creative minds, more creative than a lot of people in rock bands. The lead singer is Steve Jobs. These men have helped design the most beautiful art object in music culture since the electric guitar. That's the iPod. The job of art is to chase ugliness away. — Walter Isaacson

I always design the hat with the wearer in mind; otherwise, it's an inanimate object. — Philip Treacy

'Commercial' is not the word that has to be said only by CEOs. It has to be something that is maybe the essence of design, because design has some sort of art in it and creation, but it's also some object that you have to use. There is also this pragmatic end to it. — Alber Elbaz

Design is not about decorating functional forms - it is about creating forms that accord with the character of the object and that show new technologies to advantage. — Peter Behrens

I am giving soul and functionality to art by implementing her in to daily objects by through out design — Baris Gencel

Here is a piece of metal which has been melted until it has become shapeless. It represents nothing. Nor does it have design, of any intentional sort. It is merely amorphous. One might say, it is mere content, deprived of form." Childan nodded. "Yet," Paul said, "I have for several days now inspected it, and for no logical reason I feel a certain emotional fondness. Why is that? I may ask. I do not even now project into this blob, as in psychological German tests, my own psyche. I still see no shapes or forms. But it somehow partakes of Tao. You see?" He motioned Childan over. "It is balanced. The forces within this piece are stabilized. At rest. So to speak, this object has made its peace with the universe. It has separated from it and hence has managed to come to homeostasis. — Philip K. Dick

Designing for me is a very complex process. There are many ideas that I want to express in one object, very often contradictory. The creative process in Miu Miu is completely different from that of Prada. Miu Miu is not as complicated and thought out as Prada. Rather than being young, Miu Miu is immediate Prada is very sophisticated and considered; Miu Miu is much more naive. The solution, when I am working on Miu Miu, has to come immediately, instinctively, spontaneously with whatever is available at the moment. If I think three times, I stop. — Miuccia Prada

Designers need to be mavericks, because the best way to design a successful object is to pretend that either it never existed or that people will be able to have a new behavior with it. — Paola Antonelli

Object-oriented programming as it emerged in Simula 67 allows software structure to be based on real-world structures, and gives programmers a powerful way to simplify the design and construction of complex programs. — David Gelernter

I return to the Prophet Joseph's words: 'Happiness is the object and design of our existence; and will be the end thereof, if we pursue the path that leads to it; and this path is virtue, uprightness, faithfulness, holiness, and keeping all the commandments of God.' Let us walk these clearly defined paths. To help us do so we can follow the shortest sermon in the world. It is found on a common traffic sign. It says, 'Keep right. — Thomas S. Monson

At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event. — Harold Rosenberg

Happiness is the object and design of our existence; and will be the end thereof, if we pursue the path that leads to it; and this path is virtue, uprightness, faithfulness, holiness, and keeping all the commandments of God. — Joseph Smith Jr.

Immutable objects are simple. They can only be in one state, which is carefully controlled by the constructor. One of the most difficult elements of program design is reasoning about the possible states of complex objects. Reasoning about the state of immutable objects, on the other hand, is trivial.

Immutable objects are also safer. Passing a mutable object to untrusted code, or otherwise publishing it where untrusted code could find it, is dangerous - the untrusted code might modify its state, or, worse, retain a reference to it and modify its state later from another thread. On the other hand, immutable objects cannot be subverted in this manner by malicious or buggy code, so they are safe to share and publish freely without the need to make defensive copies. — Brian Goetz

Simplicity is somehow essentially describing the purpose and place of an object and product. — Jonathan Ive

To grasp the reality of life as it has been revealed by molecular biology, we must magnify a cell a thousand million times until it is twenty kilometers in diameter and resembles a giant airship large enough to cover a great city like London or New York. What we would then see would be an object of unparalleled complexity and adaptive design. On the surface of the cell we would see millions of openings, like the port holes of a vast space ship, opening and closing to allow a continual stream of materials to flow in and out. If we were to enter one of these openings we would find ourselves in a world of supreme technology and bewildering complexity. — Michael Denton

The debut show, "Second Lives: Remixing the Ordinary," is supposed to be about how artists reuse humble or unusual materials. There's good work here, but much of what's on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building [of Museum of Arts and Design], too, seems caught between wanting to be an object of decorative delectation and making an architectural statement. — Jerry Saltz

But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new guards for their future security - — James Madison