Quotes & Sayings About Describing Others

For the absurd man, it is not a matter of explaining and solving, but of experiencing and describing. Everything begins with lucid indifference. — Albert Camus

Glint, glisten, glitter, gleam ...
Tiffany thought a lot about words, in the long hours of churning butte. Onomatopoetic , she'd discovered in the dictionary, meant words that sounded like the thing they were describing, like cuckoo. But she thought there should be a word that sounds like the noise a thing would make if that thing made a noise even though, actually, it doesn't, but would if it did.
Glint, for example. If light made a noise as it reflected off a distant window, it'd go glint!And the light of tinsel, all those little glints chiming together, would make a noise like glitterglitter. Gleam was a clean, smooth noise from a surface that intended to shine all day. And glisten was the soft, almost greasy sound of something rich and oily. — Terry Pratchett

It's strictly coincidental that Pluto of course was named for the god of the underworld and we're describing these Halloween moons — Alan Stern

Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this. — Janet Fitch

Enchanting is not the word that would immediately spring to mind when describing a play that deals with fractal geometry, iterated algorithms, chaos theory and the second law of thermodynamics, but it is a perfect fit for Tom Stoppard's astonishing 1993 play, which is as beautiful as it is brilliant. This is one Stoppard drama that you don't have to be Einstein to understand
you can feel it as well as think it. ( ... ) Breathtaking, exhilarating and deeply satisfying. — Lyn Gardner

The whole experience of being hit by a bullet is very interesting and I think worth describing in detail. — George Orwell

Don't scorn your life just because it's not dramatic, or it's impoverished, or it looks dull, or it's workaday. Don't scorn it. It is where poetry is taking place if you've got the sensitivity to see it, if your eyes are open.
Philip Levine, describing what he learned from William Carlos Williams, via NPR — Philip Levine

Religion is but a single brand of superstition (others include beliefs in astrology, paranormal phenomena, homeopathy, and spiritual healing), but it is the most widespread and harmful form of superstition. And science is but one form of rationality (philosophy and mathematics are others), but it is a highly developed form, and the only one capable of describing and understanding reality. — Jerry A. Coyne

Although Erc was bitterly disappointed, there was another route to prestige. He possessed gifts of the mind sufficient to gain admittance to the order of Druids, the intellectual class of Celtic society. Members of the order were not practitioners of a specific religion, nor were they priests in the Christian sense of the word. The Greeks were more nearly correct by describing Druids as poet-philosophers. — Morgan Llywelyn

Poetry or science, what matters is saying it how you see it. Saying precisely what and how you saw, and no more. In science, poetry or describing a journey, accuracy is all you can do. Saying it as you saw. — Ruth Padel

The class of dishonest bees which I have been describing, may be termed the "Jerry Sneaks" of their profession, and after they have followed it for some time, they lose all disposition for honest pursuits, and assume a hang-dog sort of look, which is very peculiar. Constantly employed in creeping into small holes, and daubing themselves with honey, they often lose all the bright feathers and silky plumes which once so beautifully adorned their bodies, and assume a smooth and almost black appearance; just as the hat of the thievish loafer, acquires a "seedy" aspect, and his garments, a shining and threadbare look. — L.L. Langstroth

The outright propagandist sets up in me such a fury of opposition I am not apt to care much whether he has got his facts straight or not. He is like someone standing on your toes between you and an open window, describing the view to you. All I ask of him to do is to open the window, stand out of the way, and let me look at the view for myself. — Katherine Anne Porter

He was far more comfortable reading about the lives and ideas of others than describing his own. — Kate Morton

What we take anything to be profoundly affects how we go about describing it, and how we describe something profoundly affects how we go about explaining, accounting for, or understanding what is what we are, in a sense, defining, by our description. — R.D. Laing

The specific use of folks as an exclusionary and inclusionary signal, designed to make the speaker sound like one of the boys or girls, is symptomatic of a debasement of public speech inseparable from a more general erosion of American cultural standards. Casual, colloquial language also conveys an implicit denial of the seriousness of whatever issue is being debated: talking about folks going off to war is the equivalent of describing rape victims as girls (unless the victims are, in fact, little girls and not grown women). Look up any important presidential speech in the history of the United States before 1980, and you will find not one patronizing appeal to folks. Imagine: 'We here highly resolve that these folks shall not have died in vain; and that government of the folks, by the folks, for the folks, shall not perish from the earth. — Susan Jacoby

Margot used to like describing men as 'my unhappy love affair.' But hadn't that presumed the existence of a happy love affair that made the others unimportant? What is unhappy is the only kind Margo ever has? — Francine Prose

Most of us have developed a fairly extensive vocabulary for describing pain, as though the journal were a doctor requiring much detail to make the correct diagnosis. The roundness of the spiritual journey cannot be expressed without developing an equally extensive vocabulary for talking to ourselves and others about the nature of wonder, joy, ecstasy, love, transfiguration. — Christina Baldwin

Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing
in my collection and others
in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music
vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison
room as brain
is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look. — Jonathan Lethem

From time to time I think of describing the "German", or defining his "typical" existence. Probably that isn't possible. Even when I sense the presence of such a thing, I am unable to define it. What can I do, apart from writing about individuals I meet by chance, setting down what greets my eyes and ears, and selecting from them as I see fit? The describing of singularities within this profusion may be the least deceptive; the chance thing, plucked from a tangle of others, may most easily make for order. I have seen this and that; I have tried to write about what stuck in my senses and my memory. — Joseph Roth

There is one thing where people are always right. It is when they are describing what they have been feeling when watching your film. You cannot say: No, you did not feel like that! — Pirjo Honkasalo

Since history is the drama of genius, its relentless surprise tempts us into designing boundaries for it, searching through it for patterns of repetition. Historians sometimes speak of trends, of cycles, of currents, of forces, as though they were describing natural events. In doing so they must dehistoricize themselves, taking a perspective from the timeless, believing that each observed history is always of others and never of themselves, that each observation is of history but not itself historical. — James P. Carse

People sleep peacefully in their beds at night, because rough men stand ready to do violence on their behalf.

(By George Orwell) Describing your country's servicemen. — Steven Preece

All models divide naturally ... into two a priori parts: one is kinematics, whose aim is to parameterize the forms of the states of the process under consideration, and the other is dynamics, describing the evolution in time of these forms. — Rene Thom

...obscurantist feature in social scientists trying to combine pluralism with environmentalism. They are so preoccupied with the role of prejudice in creating hostile environments that they perpetually deny the obvious, that stereotypes are rough generalizations about groups derived from long-term observation. Such generalizations are usually correct in describing group tendencies and in predicting certain collective actions, even if they do not adequately account for differences among individuals. Nonetheless, as Goldberg explains, the self-described pluralist and prominent psychologist Gordon Allport went out of his way in The Nature of Prejudice (1954) to reject stereotypes as factually inaccurate as well as socially harmful. For Allport and a great many other social Scientists, nothing is intuitively correct unless it is politically so. — Paul Edward Gottfried

So often, environmentalists and others working to slow the destruction are capable of plainly describing the problems (Who wouldn't be? The problems are neither subtle nor cognitively challenging), yet when faced with the emotionally daunting task of fashioning a response to these clear and clearly insoluble problems, we generally suffer a failure of nerve and imagination. Gandhi wrote a letter to Hitler asking him to stop committing atrocities, and was mystified that it didn't work. I continue to write letters to the editor pointing out untruths, and continue to be surprised each time the newspaper publishes its next absurdity. At least I've stopped writing to politicians. — Derrick Jensen

The classic hustle is still famous, even today, for the cold purity of its execution: bring opium from India, introduce it into China00howdy Fong, this here's opium, opium, this is Fong - ah, so, me eatee! - no-ho-ho, Fong, you smokee, smokee, see? pretty soon Fong's coming back for more and more, so you create an inelastic demand for that shit, get China to make it illegal, then sucker China into a couple-three disastrous wars over the right of your merchants to sell opium, which by now you are describing as sacred. You win, China loses. Fantastic. — Thomas Pynchon

In describing today's accelerating changes, the media fire blips of unrelated information at us. Experts bury us under mountains of narrowly specialized monographs. Popular forecasters present lists of unrelated trends, without any model to show us their interconnections or the forces likely to reverse them. As a result, change itself comes to be seen as anarchic, even lunatic. — Alvin Toffler

Some people as a result of adversity are sadder, wiser, kinder, more human. Most of us are better, though, when things go better. Knowing when to keep your mouth shut is invariably more important than opening it at the right time. Always listen to a man when he describes the faults of others. Often times, most times, he's describing his own, revealing himself. — Malcolm Forbes

But in general, for the purposes of most novelists, the number of objects genuinely necessary for ... describing a scene will be found to be very small. — Elizabeth Bowen

A 5'5", 182-pound, 43-year-old man wearing khaki shorts and a UCLA sweatshirt runs to Nicolas Cage in a manner he will spend the rest of the night describing to his slightly bored but equally boring date as "ambushing." No one else is on the street and Nicolas Cage is unable to avoid the man, who wants a picture with his "brand new Droid." As the man, who actually seems to be vibrating and hovering in an almost hummingbird-like way, adjusts his stance for the third attempt at a picture his crotch lightly brushes Nicolas Cage's upper thigh, causing his face to shift from "bemused resignation" to, strangely, "serene bliss," for what will become the man's inaugural Facebook profile picture. — Megan Boyle

Poetry, from describing external events objectively, is becoming subjectified into a poetry of personal conscious expression. — Julian Jaynes

Gentleness is an active trait, describing the manner in which we should treat others. Meekness is a passive trait, describing the proper Christian response when others mistreat us. — Jerry Bridges

The goal in blogging/ business/ inspiring non-fiction is to share a truth, or at least a truth as the writer sees it. To not just share it, but to spread it and to cause change to happen. You can do that in at least three ways: with research (your own or reporting on others), by building and describing conceptual structures, or with stories that resonate. — Seth Godin

Marriage is also a social statement, preeminently describing and defining a person's relationship and place in society. Marital status, along with what we do for a living, is often one of the first pieces of information we give to others about ourselves. It's so important, in fact, that most married people wear a symbol of their marriage on their hand. — Evan Wolfson

Instead of saying that all gender is this or all gender id that, let's recognize that the word gender has scores of meanings built into it. It's an amalgamation of bodies, identities, and life experiences, subconscious urges, sensations, and behaviours, some of which develop organically, and others which are shaped by language and culture. Instead of saying that gender is any one single thing, let's start describing it as a holistic experience. — Kate Bornstein S. Bear Bergman

Women have been driven mad, "gaslighted," for centuries by the refutation of our experience and our instincts in a culture which validates only male experience. The truth of our bodies and our minds has been mystified to us. We therefore have a primary obligation to each other: not to undermine each others' sense of reality for the sake of expediency; not to gaslight each other.
Women have often felt insane when cleaving to the truth of our experience. Our future depends on the sanity of each of us, and we have a profound stake, beyond the personal, in the project of describing our reality as candidly and fully as we can to each other. — Adrienne Rich

The primary vice of a bad person is precisely that he is more preoccupied with others than himself. Rousseau is describing a precise libidinal mechanism: the inversion which generates the shift of the libidinal investment from the object to the obstacle itself. This could well be applied to fundamentalist violence - be it Oklahoma City Federal Building, the Twin Towers - was what really mattered, not achieving the noble goal of a truly Christian or Muslim society. — Slavoj Zizek

If I read this to you and did not tell you that it was an FBI agent describing what Americans had done to prisoners in their control, you would most certainly believe this must have been done by Nazis, Soviets in their gulags or some mad regime - Pol Pot or others - that had no concern for human beings, — Dick Durbin

And then he says, "The writer must be true to truth." And that's a killer, because the only way you can describe a human being truly is by describing his imperfections. The perfect human being is uninteresting - the Buddha who leaves the world, you know. It is the imperfections of life that are lovable. And when the writer sends a dart of the true word, it hurts. But it goes with love. This is what Mann called "erotic irony," the love for that which you are killing with your cruel, analytical word. — Joseph Campbell

[About describing atomic models in the language of classical physics:]
We must be clear that when it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images and establishing mental connections. — Niels Bohr

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

The way of the unconscious is different. Symbols gather round the thing to be explained, understood, interpreted. The act of becoming conscious consists in the concentric grouping of symbols around the object, all circumscribing and describing the unknown from many sides. Each symbol lays bare another essential side of the object to be grasped, points to another facet of meaning. Only the canon of these symbols congregating about the center in question, the coherent symbol group, can lead to an understanding of what the symbols point to and of what they are trying to express. — Erich Neumann

Who helped you most? Most often they (suffering people) answer by describing a quiet, unassuming person. Someone who was there whenever needed, who listened more than talked, who didn't keep glancing down at a watch, who hugged and touched, and cried. In short, someone who was available, and came on the sufferer's terms and not their own. — Philip Yancey

Describing laughter: The sound is produced by a deep inspiration followed by short, interrupted, spasmodic contractions of the chest, and especially the diaphragm ... the mouth is open more or less widely, with the corners drawn much backwards, as well as a little upwards; and the upper lip is somewhat raised. — Charles Darwin

There was a time when formal clothes were one of life's great pleasures, as well as a way of describing instantly a man's status wealth. Toffs wore the most, the proles the least. Fast forward to 2008 and clothes are still an unrivalled pleasure but some men - and this includes many of our betters - have confused status with fake informality. — Peter York

Lawyers often face intense demands but have relatively little "decision latitude." Behavioral scientists use this term to describe the choices, and perceived choices, a person has. In a sense, it's another way of describing autonomy - and lawyers are glum and cranky because they don't have much of it. — Daniel H. Pink

When I see a movie, the music often gets in the way for me. It's something that, say, for myself and Claire, we never, ever speak about. We never speak about describing emotion. I think it's about color and movement. And I think it's important to let the images be the melody, as well, a lot of the time - to create a kind of a backing for that, to let it sing. — Stuart A. Staples

Despite all the videos you see from the Ministry of Defence or the Pentagon, and all the sanitised language describing smart bombs and pinpoint strikes, the scene on the ground has remained remarkably the same for hundreds of years. Craters. Burned houses. Mutilated bodies. Women weeping for children and husbands. Men for their wives, mothers children. — Marie Colvin

I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story. — Patrick Rothfuss

in describing the various writers of his idolatry he more than once lets fall a phrase that could equally apply to himself. 'To read Spenser,' he says, 'is to grow in mental health.' What he values in Addison is his 'open-mindedness.' The moments of despair chronicled in Scott's diary cannot, he claims, counterpoise 'that ease and good temper, that fine masculine cheerfulness' suffused through the best of the Waverly novels. Most of all it was the chiaroscuro of what Chaucer called 'earnest' and 'game' that attracted him. He found it eminently in the poetry of Dunbar, that late-medieval Scottish maker who wrote the greatest religious poetry and the earthiest satire in the language — Jocelyn Gibb

Somehow, I cannot see anyone describing me as gracious, loving, and happy." He frowned at his sandwich as if in puzzlement. "You are loving," Anna replied staunchly, though she hadn't exactly planned for those words to leave her mouth. "Now that is beyond surprising." The earl eyed her in the deepening shadows. "How do you conclude such a thing, Mrs. Seaton?" "You have endless patience with your family, my lord," she began. "You escort your sisters everywhere; you dance attendance on them and their hordes of friends at every proper function; you harry and hound the duke so his wild starts are not the ruination of his duchy. You force yourself to tend to mountains of business which you do not enjoy, so your family may be safe and secure all their days." "That is business," the earl said, looking nonplussed that his first sandwich had disappeared, until Anna handed him a second. — Grace Burrowes

I was working with a Crookes tube covered by a shield of black cardboard. A piece of barium platino-cyanide paper lay on the bench there. I had been passing a current through the tube, and I noticed a peculiar black line across the paper ...
The effect was one which could only be produced in ordinary parlance by the passage of light. No light could come from the tube because the shield which covered it was impervious to any light known even that of the electric arc ...
I did not think I investigated ...
I assumed that the effect must have come from the tube since its character indicated that it could come from nowhere else ... It seemed at first a new kind of invisible light. It was clearly something new something unrecorded ...
There is much to do, and I am busy, very busy.
[Describing to a journalist the discovery of X-rays that he had made on 8 Nov 1895.] — Wilhelm Conrad Rontgen

The word hammockable (describing two trees that are the perfect distance apart between which a hammock can be hung) is not in the dictionary, but it should be. [Of lying in hammocks] — Dan Kieran

For the writer under Actually Existing Socialism describing sex is a simple matter: he simply does not do it (the describing, I mean, not the sex). — Philip Sington

All photographs are about light. The great majority of photographs record light as a way of describing objects in space. A few photographs are less about objects and more about the space that contains them. Still fewer photographs are about light itself. — John Paul Caponigro

Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful ... Brutal language isn't necessarily the most truthful way of describing a brutal moment. — Anne Michaels

And all the books you've read have been read by other people. And all the songs you've loved have been heard by other people. And that girl that's pretty to you is pretty to other people. and that if you looked at these facts when you were happy, you would feel great because you are describing 'unity. — Stephen Chbosky

When you gossip about another person, listeners unconsciously associate you with the characteristics you are describing, ultimately leading to those characteristics' being "transferred" to you. So, say positive and pleasant things about friends and colleagues, and you are seen as a nice person. In contrast, constantly complain about their failings, and people will unconsciously apply the negative traits and incompetence to you. — Richard Wiseman

Kvothe looked at Bast for a long moment. "Oh Bast," he said softly to his student. His smile was gentle and sad. "I know what sort of story I'm telling. This is no comedy."
"This is the end of the story, Bast. We all know that." Kvothe's voice was matter-of-fact, as casual as if he were describing yesterday's weather. "I have led an interesting life, and this reminiscence has a certain sweetness to it. But ... "
Kvothe drew a deep breath and let it out gently. " ... but this is not a dashing romance. This is no fable where folk come back from the dead. It's not a rousing epic meant to stir the blood. No.
We all know what kind of story this is. — Patrick Rothfuss

It is not that Edwards did not use the social analogy; his understanding that God as the Persons of the Father, Son, and Spirit equate to mind, idea, and love in his psychological analogy (as Caldwell insists). It is just that Edwards does not use the social analogy when describing participation of the saints in God and therefore pays the price for seeking to make a Spirit who defines the essence of the Godhead the same Spirit that indwells and becomes the vital principle of the nature of regenerate human beings. — W Ross Hastings

"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words. — Chris Ware

This is all very fine, but it won't do-Anatomy-botany-Nonsense! Sir, I know an old woman in Covent Garden, who understands botany better, and as for anatomy, my butcher can dissect a joint full as well; no, young man, all that is stuff; you must go to the bedside, it is there alone you can learn disease!
Comment to Hans Sloane on Robert Boyle's letter of introduction describing Sloane as a 'ripe scholar, a good botanist, a skilful anatomist'. — Thomas Sydenham