Derrida Writing Quotes & Sayings

What cannot be said above all must not be silenced but written. — Jacques Derrida

The bricoleur, says Levi-Strauss, is someone who uses 'the means at hand,' that is, the instruments he finds at his disposition around him, those which are already there, which had not been especially conceived with an eye to the operation for which they are to be used and to which one tries by trial and error to adapt them, not hesitating to change them whenever it appears necessary, or to try several of them at once, even if their form and their origin are heterogenous - and so forth. There is therefore a critique of language in the form of bricolage, and it has even been said that bricolage is critical language itself ... If one calls bricolage the necessity of borrowing one's concepts from the text of a heritage which is more or less coherent or ruined, it must be said that every discourse is bricoleur. — Jacques Derrida

The French philosopher Jacques Derrida likens writing fiction to a software code that operates in the hardware of your mind. Stringing together separate macros that, combined, will create a reaction. — Chuck Palahniuk

Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau ... It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau's writing it tells us Jean-Jacque's desire etc ... the concept of the supplement and the theory of writing designate textuality itself in Rousseau's text in an indefinitely multiplied structure - en abyme. — Jacques Derrida

It goes without saying that these effects do not suffice to annul the necessity for a "change of terrain." It also goes without saying that the choice between these two forms of deconstruction cannot be simple and unique. A new writing must weave and interlace these two motifs of deconstruction. Which amounts to saying that one must speak several languages and produce several texts at once. I would like to point out especially that the style of the first deconstruction is mostly that of the Heideggerian questions, and the other is mostly the one which dominates France today. I am purposely speaking in terms of a dominant style: because there are also breaks and changes of terrain in texts of the Heideggerian type; because the "change of terrain" is far from upsetting the entire French landscape to which I am referring; because what we need, perhaps, as Nietzsche said, is a change of "style"; and if there is style, Nietzsche reminded us, it must be plural. — Jacques Derrida

As you know, I have always been curious about our immortality ... how it feels to live on and on through time ... I need speculate no longer, I have sampled eternity in Miss Campbell's fifth period "social studies" class. Three days on the concept of "manifest destiny," Vasile. THREE DAYS. I yearned to stand up, rip her lecture notes from her pallid hands, and scream, 'Yes, America expanded westward! Is that not logical, given that Europeans settled on the Eastern shore? What else were they to do? Advance vainly into the sea? — Beth Fantaskey

It is like when a player has a slump, we do not trade them, we coach them. It is the same with our employees. The best leaders come to the aid of their people, whose performance is down. Not come down harder on them. — Simon Sinek

During the fifteen or twenty years in which I tried - it was not always easy with publishers, newspapers, etc. - to forbid photographs, it was not at all in order to mark a sort of blank, absence, or disappearance of the image; it was because the code that dominates at once the production of these images, the framing they are made to undergo, the social implications (showing the writer's head framed in front his bookshelves, the whole scenario) seemed to me to be, first of all, terribly boring, but also contrary to what I am trying to write and to work on. — Jacques Derrida

Actually, when I write, there is a feeling of necessity, of something that is stronger than myself that demands that I must write as I write. — Jacques Derrida

Not all of Derrida's writing is to everyone's taste. He had an irritating habit of overusing the rhetorical question, which lends itself easily to parody: 'What is it, to speak? How can I even speak of this? Who is this "I" who speaks of speaking? — Terry Eagleton

Mystical writing was indeed the forerunner of today's radical theology and deconstruction ...
Jacques Derrida can be described as an intellectual subversive whose work leads to the view that any text may be interpreted to mean almost anything, and as a mystic will.
Well, yes, mystical writing is indeed politically and linguistically subversive and always was so the mystic seeks to create an effect of religious happiness by liberating religious language from the Babylonian captivity of metaphysics. When the writing does succeed in melting God and the soul down into each other, the effect of happiness is astonishing. — Don Cupitt

We have FCC, abandoned alimony payments, assault and battery, Homeland Security escalation, and that's before we invite the IRS to take a walk on your wild side. — Ken Goldstein

Peter Pan, prepare to meet thy doom. — Dustin Hoffman

[A kitten] gets himself into every kind of trouble ... — Champfleury

Women love the lie that saves their pride, but never an unflattering truth. — Gertrude Atherton

No one will ever know from what secret I am writing and the fact that I say so changes nothing. — Jacques Derrida

I always dream of a pen that would be a syringe. — Jacques Derrida

In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it. — Jacques Derrida

(the pharmakon is neither remedy now poison, neither good nor evil, neither the inside nor the outside, neither speech nor writing; the supplement is neither a plus nor a minus, neither an outside nor the complement of an inside, neither accident nor essence, etc.; the hymen is neither confusion nor distinction, neither identity nor difference, neither consummation nor virginity, neither the veil nor unveiling, neither the inside nor the outside, etc.; the gram is neither a signifier nor a signified, neither a sign nor a thing, neither a presence nor an absence, neither a position nor a negation, etc.; spacing is neither space nor time; the incision is neither the incised integrity of a beginning, or of a simple cutting into, nor simple secondarity. Neither/nor, that is, simultaneously either or; the mark is also the marginal limit, the march, etc.) — Jacques Derrida

I don't really read a lot of newspapers. I don't pay attention to what is being said or written about me. I've had lots of experiences in the past when I got too much into it. That sort of diverts your focus. — Virat Kohli

The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality; it is fundamental. I leave here a bit of paper, I leave, I die; it is impossible to exit this structure; it is the unchanging form of my life. Every time I let something go, I live my death in writing. — Jacques Derrida

Of course I didn't take my wife to see Rochdale as an anniversary present. It was her birthday and would I have got married during the football season? Anyway, it was Rochdale reserves. — Bill Shankly

The traditional statement about language is that it is in itself living, and that writing is the dead part of language. — Jacques Derrida

Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, 'Middlesex.' — Jeffrey Eugenides