Death Notes Quotes & Sayings
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Top Death Notes Quotes

Oft, as in airy rings they skim the heath, The clamtrous lapwings feel the leaden death; Oft, as the mounting larks their notes prepare They fall, and leave their little lives in air. — Alexander Pope

The vocal chorus will be along shortly: I like that part especially and the abrupt manner in which it throws itself forward, like a cliff against the sea. For the moment, the jazz is playing; there is no melody, only notes, a myriad of tiny jolts. They know no rest, an inflexible order gives birth to them and destroys them without even giving them time to recuperate and exist for themselves. They race, they press forward, they strike me a sharp blow in passing and are obliterated. I would like to hold them back, but I know if I succeeded in stopping one it would remain between my fingers only as a raffish languishing sound. I must accept their death; I must even will it. I know few impressions stronger or more harsh. — Jean-Paul Sartre

The piece was like an elegant interrogation made of tangled yarn, a query from a well-dressed man in a casket, not yet dead. It proceeded slowly, like a careful equation, and then not: if x = y, if major = minor, if death equals part of life and life part of death, then what is the sum of the infinite notes of this one phrase? It asked, answered, reasked, its moody asking a refinement of reluctance or dislike. — Lorrie Moore

You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes. — Martin Amis

Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs. — Ambrose Bierce

But undying memories stood like sentinels in her breast. When the notes of doves, calling to each other, fell on her ear, her eyes sought the sky, and she heard a voice saying, Majella! — Helen Hunt Jackson

Did you get notes for me?"
"No", Ronan replied,"I thought you were dead in a ditch. — Maggie Stiefvater

The process of falling apart (the Coyolxauhqui process), of being wounded, is a sort of shamanic initiatory dismemberment that gives suffering a spiritual and soulful value. The shaman's initiatory ordeal includes some type of death or dismemberment during the ecstatic trance journey. Torn apart into basic elements and then reconstructed, the shaman acquires the power of healing and returns to help the community. To be healed we must be dismembered, pulled apart. The healing occurs in disintegration, in the demotion of the ego as the self's only authority.20 By connecting with our wounding, the imaginal journey makes it worthwhile. Healing images bring back the pieces, heal las rajaduras. As Hillman notes, healing is a deep change of attitude that involves an adjustment and abandonment of "ego-heroics." It requires that we shift our perspective. La — Gloria E. Anzaldua

Then he asked me which one I thought was most likely to happen. I wish I knew. I really do. But I don't. You'd think that after living with these people for fifteen years I'd know a little something about them. But right now I feel like I don't know my parents at all. I guess
when you get down to it, I've never really thought about them as people. They've always been my parents. Now I have to think about them as people with feelings. What a pain.
The funny thing is, I bet they feel the same way. — Michael Thomas Ford

Seven little crazy kids chopping up sticks;
One burnt her daddy up and then there were six.
Six little crazy kids playing with a hive;
One tattooed himself to death and then there were five.
Five little crazy kids on a cellar door;
One went all schizo and then there were four.
Four little crazy kids going out to sea;
One wouldn't say a word and then there were three.
Three little crazy kids walking to the zoo;
One jerked himself too much and then there were two.
Two little crazy kids sitting in the sun;
One a took a bunch of pills and then there was one.
One little crazy kid left all alone;
He went and slit his wrists, and then there were none. — Michael Thomas Ford

Tallent notes that the days surrounding the death are marked not by keening or weeping but instead by a dignified, almost majestical, sense of quiet and contemplation. The deceased's immediate family continues to go about their daily rituals, but their silence, their lack of chatter in this busy, intimate community, is a ritual in itself, and the other villagers give them peace until the bereaved signal their intention to return to the life of the community. Sometimes this silent mourning takes only days; sometimes it takes months. But it is a remarkable demonstration of being absent in a place so intensely present, of being granted solitude while surrounded by many — Hanya Yanagihara

He needed to do a lot of things more, but what he really wanted was for her to go, so he could make his daily trip to Avery's gravesite and then tuck himself away for the night with Avery's latest note. It had been eight weeks since Avery death, and he had seven bouquets and two handwritten notes from Avery. God, he missed that man more than he could bear. Tears sprang to his eyes. — Kindle Alexander

Seek to make life henceforth a consecrated thing; that so, when the sunset is nearing, with its murky vapors and lowering skies, the very clouds of sorrow may be fringed with golden light. Thus will the song in the house of your pilgrimage be always the truest harmony. It will be composed of no jarring, discordant notes; but with all its varied tones will form one sustained, life-long melody; dropped for a moment in death, only to be resumed with the angels, and blended with the everlasting cadences of your Father's house. — John Ross Macduff

The cicadas buzzing, I can hear them through the window. Buzzing louder and louder. Just like the night I sat by the window in the dark, gasping for air, feeling the riddle wriggling in my chest, hearing the monster's heavy footsteps in my ears. And suddenly I know. What they do all those years living in the ground. The nymphs who are to become cicadas. Maybe they don't know it themselves, but they are writing their song. Collecting the notes in the dark earth. The song rising to the sky, this is how it is, this is how it always is. The song floating toward the sky comes from the underworld. — Lene Fogelberg

Read Mann's notes, which contain precise accounts of cholera and its symptoms, and observe how careful he is throughout his fiction in getting medical details straight - then you might begin to wonder whether cholera is the only candidate for the cause of Aschenbach's death. What results from this, I think, is a deeper appreciation of Mann's brilliance in keeping so many possibilities in play. The ambiguity is even more artful than people have realized. — Philip Kitcher

Rising, the woman who had carried the jar began to dance to the music of the rebab, fevered music that was like to the flashing of the recurved blade she flourished aloft. Ever the chimings of the red-gold finger cymbals slipped through, around, and over the exigent strains, and in a minute or three (though it had grown dark) the fluting notes of a syrinx joined them, an eerie piping, more distant far in time than space, that railed against death and the desert, and like a child forlorn sobbed of wildflowers. "Flitting — Gene Wolfe

Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, had you love me thus! — Vladimir Nabokov

Hair is the most delicate and lasting of our materials, and survives us, like love. It is so light, so gentle; so escaping from the idea of death, that, with a lock of hair belonging to a child or friend, we may almost look up to heaven and compare notes with the angelic nature,
may almost say, I have a piece of thee here not unworthy of thy being now. — Leigh Hunt

Tezumen are the only people who beat themselves to death with their own suicide notes. — Terry Pratchett

I revise my suicide plan to slow death by morphling. I will become a yellow-skinned bag of bones, with enormous eyes. I'm a couple of days into the plan, making good progress, when something unexpected happens. I begin to sing. At the window, in the shower, in my sleep. Hour after hour of ballads, love songs, mountain airs. All the songs my father taught me before he died, for certainly there has been very little music in my life since. What's amazing is how clearly I remember them. The tunes, the lyrics. My voice, at first rough and breaking on the high notes, warms up into something splendid. A voice that would make the mockingjays fall silent and then tumble over themselves to join in. Days pass, weeks. I watch the snows fall on the ledge outside my window. And in all that time, mine is the only voice I hear. What — Suzanne Collins

Somewhere in the notes Estraven wrote during our trek across the Gobrin Ice he wonders why his companion is ashamed to cry. I could have told him even then that it was not shame so much as fear. Now I went on through the Sinoth Valley, through the evening of his death, into the cold country that lies beyond fear. There I found you can weep all you like, but there's no good in it. — Ursula K. Le Guin

Oh, I almost forgot. In case that anyone besides big-headed Near or the deluded murderer is reading these notes, then I shall at least perform the basic courtesy of introducing myself, here at the end of the prologue, I am your narrator, your navigator, your storyteller. For anyone else but those two, my identity may be of no interest to you, but I am the world's runner-up, the best dresser that died like a dog, Mihael Keehl. I once called myself Mello and was addressed by that name, but that was a long time ago.
Good memories and nightmares. — NisiOisiN

"Fine! Fine! I'm listening ... but it's not very interesting! ...
"Oh, that's what you think! that's what you think! but nothing is very interesting, dear Professor Y! jot this down! take some notes!"
"What notes?"
"Just write! ... that if it weren't for wars, alcohol, blood pressure and cancer, the people in our atheistic Europe would soon be bored to death of life! — Louis-Ferdinand Celine

For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexibleorder gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves ... I would like to hole them back, but I know that, if I succeeded in stooping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions. — Jean-Paul Sartre

One of the greatest tragedies in my life is my deafness, for it's been over twenty years now since I've been able to hear notes. When I listen to music it's as if the letters in a text were changing places with one another, rendering the words unintelligible and muddying the lines. I'd consider my old age redeemed if my hearing were to come back, for music would be the gentlest opiate, calming my fears as I move toward death. In any case, I suppose the only chance I have for that kind of miracle involves nothing short of a visit to Lourdes. — Luis Bunuel

Summer has come with the loveliness of a mother Heat, not warmth, now pours onto my face, aging me, taking me closer to death.
Let it. I am here to live my story, to love my story. I will not fail to savor any gift out of a desire for self-preservation. Self-preservation is not a great virtue in this story. — N.D. Wilson

Aristotle raped reason. He implanted in the dominant schools of philosophy the attractive belief that there can be discrete separation between mind and body. This led quite naturally to corollary delusions such as the one that power can be understood without applying it, or that joy is totally removable from unhappiness, that peace can exist in the total absence of war, or that life can be understood without death.
- ERASMUS, Corrin Notes — Brian Herbert

Martin, Willie Wash (? - 1926) YEARS ACTIVE: 1920-1925 VICTIMS: 7 RACE OF VICTIMS: White AREA: Arkansas KILL METHODS: Bludgeoning RAPE: Yes NOTES: His victims were all attractive women who walked past a swamp where he spent a good deal of time. After dragging them into the swamp, he raped them and then beat them to death with rocks, tree branches, or pipes. He was later executed by electrocution. — Justin Cottrell

[referencing African girls with no medical care while giving birth and the devastating fistulas they are left with untreated] Instead of receiving treatment, these young girls--often just girls of fifteen or sixteen--typically find their lives effectively over. They are divorced from their husbands and, because they emit a terrible odor from their wastes, are often forced to live in a hut by themselves on the edge of the village. Eventually, they starve to death or die of an infection that progresses along the birth canal. The fistula patient is the modern-day leper," notes Ruth Kennedy, a British nurse-midwife. — Nicholas D. Kristof

When a baronet is discovered behind a bush in the park with a guardsman, or a minister of the crown is caught creeping out of a country with his socks stuffed full of bank notes and a woman not his wife ten paces behind, or a public person is revealed disporting himself with a couple of tarts and a teddy bear in West Paddington, they complain to the press that the outcry is hypocritical and that everyone would like to do what they were doing if only they had the chance. They regard the law as an instrument of envy, like nationalization and death duties. — Alice Thomas Ellis

At the bottom of all music you have to hear the tune without notes, made just for us, the tune of Death. — Louis-Ferdinand Celine

I'd like to die listening to a piece of music. I imagine this as so easy, so natural, but naturally it's quite impossible. Notes stab too softly. The wounds they leave behind may smart, but they don't fester. Melancholy and pain trickle out instead of blood. When the notes cease, all is peaceful within me again. — Robert Walser

I also know that the shock of Annabel's death consolidated the frustration of that nightmare summer, made of it a permanent obstacle to any further romance throughout the cold years of my youth. The spiritual and the physical had been blended in us with a perfection that must remain incomprehensible to the matter-of-fact, crude, standard-brained youngsters of today. Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, had you loved me thus! — Vladimir Nabokov

I have longed to move away
From the hissing of the spent lie
And the old terrors' continual cry
Growing more terrible as the day
Goes over the hill into the deep sea;
I have longed to move away
From the repetition of salutes,
For there are ghosts in the air
And ghostly echoes on paper,
And the thunder of calls and notes.
I have longed to move away but am afraid;
Some life, yet unspent, might explode
Out of the old lie burning on the ground,
And, crackling into the air, leave me half-blind.
Neither by night's ancient fear,
The parting of hat from hair,
Pursed lips at the receiver,
Shall I fall to death's feather.
By these I would not care to die,
Half convention and half lie. — Dylan Thomas

As she was finishing her song, the notes dipped down low - they carried a sadness that was more than a sadness at the death of men; rather it was a sadness at the lives of men, and of women. It reminded those who heard the rising, dipping notes, of notes of hopes that had been born, and, yet, died; of promise, and the failure of promise. — Larry McMurtry

Men must not cut down trees. There is a God. (He noted such revelations on the backs of envelopes.) Change the world. No one kills from hatred. Make it known (he wrote it down). He waited. He listened. A sparrow perched on the railing opposite chirped Septimus, Septimus, four or five times over and went on, drawing its notes out, to sing freshly and piercingly in Greek words how there is no crime and, joined by another sparrow, they sang in voices prolonged and piercing in Greek words, from trees in the meadow of life beyond a river where the dead walk, how there is no death. — Virginia Woolf

My life is not this steeply sloping hour,
in which you see me hurrying.
Much stands behind me; I stand before it like a tree;
I am only one of my many mouths,
and at that, the one that will be still the soonest.
I am the rest between two notes,
which are somehow always in discord
because Death's note wants to climb over
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful. — Rainer Maria Rilke

For at the hour of death you became a celebrated film star, it is a moment of glory for everyone, when the choral music scales the top notes. — Clarice Lispector

Don't you think it's a little sick the way that most of the culture denies death? It's there all the time, and most people act like it's not going to happen to them. — Trish Cook, Brendan Halpin

Flute Notes from a Reedy Pond
Now coldness comes sifting down, layer after layer,
To our bower at the lily root.
Overhead the old umbrellas of summer Wither like pithless hands.
There is little shelter.
Hourly the eye of the sky enlarges its blank
Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases,
The lamp-headed nymphs are nodding to sleep like statues.
Puppets, loosed from the strings of the puppetmaster
Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed,
And how a god flimsy as a baby's finger
Shall unhusk himself and steer into the air. — Sylvia Plath