Death Becomes Her Quotes & Sayings

FACE ONE WEARS as an adult is a mask that's cut to fit in her youth." There are many kinds of masks, Anna thought. Theater masks and Halloween masks and surgical masks and fencing masks and diving masks and wrestling masks and ski masks. Welding visors and face cages, blindfolds and dominos. And death masks. The Doktor continued. "Every mask becomes a death mask when you can no longer put it on or take it off at will. When it conforms to the contours of your psychic face. When you mistake the persona you project for your living soul. When you can no more distinguish between the two. — Jill Alexander Essbaum

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain. — Ronald Carter

Dr. Peter Levine, who has worked with trauma survivors for twenty-five years, says the single most important factor he has learned in uncovering the mystery of human trauma is what happens during and after the freezing response. He describes an impala being chased by a cheetah. The second the cheetah pounces on the young impala, the animal goes limp. The impala isn't playing dead, she has "instinctively entered an altered state of consciousness, shared by all mammals when death appears imminent." (Levine and Frederick, Waking the Tiger, p. 16) The impala becomes instantly immobile. However, if the impala escapes, what she does immediately thereafter is vitally important. She shakes and quivers every part of her body, clearing the traumatic energy she has accumulated. — Marilyn Van Derbur

The main paused only a moment, then pulled the boy around so he could look the lad in the eye. There's doing what's right, and there's doing what's safe. Most of the time you do what's safe because doing different will get you dead for no good reason, but there are times when doing what's safe will kill you too. Only it'll be a different kind of death. They dying will be slow, the sort that eats from the inside until breathing becomes a curse. Understand? — Michael J. Sullivan

Kate lost a mother," I said, "but I lost a nothing."
Kate doesn't feel that way," Jack assured me.
But what about everybody else besides Kate? How can I ever explain to anyone what she was when she and I had no name? People need names for everything. I wasn't a relative or a friend, I was just an object of her kindness."
He wiped my cheeks, saying Ssshh. I buried my face in his shoulder.
True kindness is stabilizing," I went on. "When you feel it and when you express it, it becomes the whole meaning of things. Like all there is to achieve. It's life, demystified. A place out of self, a network of simple pleasures, not a waltz, but like whirls within a waltz."
You're the one now," Jack said definitively. "That's why you met her. She had something she had to pass on." (p. 95) — Hilary Thayer Hamann

I got to work with Dustin Hoffman on a film called 'Billy Bathgate.' I got to work with Meryl Streep and Goldie Hawn and Bob Zemeckis on 'Death Becomes Her.' There are still a few actors out there that I would like to work with. — Bruce Willis

My sister will die over and over again for the rest of my life. Grief is forever. It doesn't go away; it becomes a part of you, step for step, breath for breath. I will never stop grieving Bailey because I will never stop loving her. That's just how it is. Grief and love are conjoined, you don't get one without the other. All I can do is love her, and love the world, emulate her by living with daring and spirit and joy. — Jandy Nelson

He'll always make time to talk to you if you call, but it becomes quickly clear in the course of the conversation that spare time is something Zugibe has very little of. He'll be halfway through an explanation of the formula used to determine the pull of the body on each of Christ's hands when his voice will wander away from the telephone for a minute and then he'll come back and say, Excuse me. A nine year old body. Father beat her to death. Where were we? — Mary Roach

It was in this situation that she penetrated as a vague shape into the existence of Thomas. Everything there appeared desolate and mournful. Deserted shores where deeper and deeper absences, abandoned by the eternally departed sea after a magnificent shipwreck, gradually decomposed. She passed through strange dead cities where, rather than petrified shapes, mummified circumstances, she found a necropolis of movements, silences, voids; she hurled herself against the extraordinary sonority of nothingness which is made of the reverse of sound, and before her spread forth wondrous falls, dreamless sleep, the fading away which buries the dead in a life of dream, the death by which every man, even the weakest spirit, becomes spirit itself. — Maurice Blanchot

When I first began my career I had one dictum that I set myself: to be paid for my work, but not to work for pay. Fame makes it that much easier to follow that maxim." He gave her a sharp look. "At least it does so long as I recognize when I am beginning to paint the obvious, rather than painting what I must express. People would rather you did the same thing over and over again and it becomes very easy to fall into their trap - particularly when you're young and hungry. But the more you do so, the nearer you are drawn to something you should not be a part of that homogeneity that is the death of any form of creative expression. — Charles De Lint

Bruce Willis is Bruce Willis in every single movie I've seen him in, except 'Death Becomes Her' and 'Mortal Thoughts,' which is another movie he was in that was very different from what he normally does. — Guillermo Diaz

If a Muslim becomes a non-Muslim and propagates his/her new religion, then it is as good as treason. There is a Death Penalty in Islam for such a person. — Zakir Naik

For the next two weeks, the world and all other issues would be omitted. We were two people alone in a hospital room. We allowed no visitors. We had two weeks of near-silence with each other and my increasing helplessness. I tended to tangle the IV and misplace the oxygen tube. As I started to say earlier, I could feel no sensible interest in the future. The moments became extraordinarily dimensionless - not without value but flat and a great deal emptier. When you learn you're fatally ill, time becomes very confusing, perhaps uninteresting, pedestrian. But my not caring if I lived or died hurt Ellen. And I was grateful that I could indulge my cowardice toward death in terms of living for her. — Harold Brodkey

He: What's the matter with you?
Me: Nothing.
Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, but there was nothing the matter with her. — Jeanette Winterson

If only one person in the world held down a terrified, struggling, screaming little girl, cut off her genitals with a septic blade, and sewed her back up, leaving only a tiny hole for urine and menstrual flow, the only question would be how severely that person should be punished, and whether the death penalty would be a sufficiently severe sanction. But when millions of people do this, instead of the enormity being magnified millions-fold, suddenly it becomes "culture," and thereby magically becomes less, rather than more, horrible, and is even defended by some Western "moral thinkers," including feminists. — Steven Pinker

You know what love is because you've studied it, not because you've felt it. You never will. You know what love is? It's this insidious thing that infects your eyes and ears, spreads to every inch of skin, the follicles of hair on the skin, the lips, the tongue, a hundred million microscopic organisms crawling on you. They commandeer the hollow of your thorax and your guts, your arms, your legs, your head, and other extremities. You cease to be yourself. You are now a vessel of impressions and thoughts of the person you love, of wishes for her, of dreams of her. You're jealous of the air she breathes because she takes it inside her all day and needs it to live; it becomes her, as you want to. You cast your thoughts of her and you an hour, a day, a week, a year, a hundred years into the future. No thought has the power to push itself as far into the future as the thought of love - not even thoughts of fame, or wealth, or death. — Matthew Sharpe

To be a mother is to live in fear. Fear of death, of sickness, of loss, of accidents, of strangers, of the Black Man, or simply those small everyday things that somehow manage to hurt us most: the look of impatience, the angry word, the missed bedtime story, the forgotten kiss, the terrible moment when a mother ceases to be the center of her daughter's world and becomes — Joanne Harris

... she does not resent her grief. No; the weakness of that word would make it a lie. To her, what hurts becomes immediately embodied: she looks on it as a thing that can be attacked, worried down, torn in shreds. Scarcely a substance herself, she grapples to conflict with abstractions. Before calamity she is a tigress; she rends her woes, shivers them in convulsed abhorrence. Pain, for her, has no result in good; tears water no harvest of wisdom; on sickness, on death itself, she looks with the eye of a rebel. Wicked, perhaps, she is, but also she is strong: and her strength has conqueredBeauty, has overcome Grace, and bound both at her side, captives peerlessly fair, and docile as fair. Even in the uttermost frenzy of energy is each maenad movement royally, imperially, incedingly upborne. ... Fallen, insurgent, banished, she remembers the heaven whereshe rebelled. — Charlotte Bronte

That not-knowing might seem awful but it's not that bad because she knew lots of things in the way nobody teaches a dog to wag his tail or a person to feel hungry; you're born and you just know. Just as nobody one day would teach her how to die: yet she'd surely die one day as if she'd learned the starring role by heart. For at the hour of death a person becomes a shining movie star, it's everyone's moment of glory and it's when as in choral chanting you hear the whooshing shrieks. — Clarice Lispector

But why is it that within me "I don't want to" and "I want to" stand side by side? That is the chief horror of the matter; I continue to long for that happy death of yesterday. The horror of it is that even now, when I have integrated the logical function, when it becomes evident that that function contains death hidden within it, still I long for it with my lips, my arms, my heart, with every millimeter ... — Yevgeny Zamyatin

You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us. — Philip Pullman

Don't feel sad. The only certain thing in life ... is death itself. She's free from her body and her soul is ready to take on another new life, so she can continue on until she becomes light, just like the stars. — Grace Fiorre

There's this anomaly that happens sometimes with twins. It occurs in the womb when the fetuses are growing too closely to each other. The stronger twin develops normally, while the weaker twin crumples and is encased by the body of the stronger twin, where it becomes a parasite. The result is a single child, plagued by a twin-shaped fossil inside. Like a tumor.
In death Rose became Linden's parasitic twin. They were two separate organisms once, growing steadily beside each other. Two pulses. Two brains. But she has crumpled and died, and still he carries her inside himself. She goes where he goes, feeling nothing, seeing nothing, a shadow behind his ribs. — Lauren DeStefano

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

The ironic thing about the narrowing-down of neurosis is that the person seeks to avoid death, but he does it by killing off so much of himself and so large a spectrum of his action-world that he is actually isolating and diminishing himself and becomes as though dead.10 There is just no way for the living creature to avoid life and death, and it is probably poetic justice that if he tries too hard to do so he destroys himself. — Ernest Becker

Purchasing power is a license to purchase power. The old proletariat sold its labour power in order to subsist; what little leisure time it had was passed pleasantly enough in conversations, arguments, drinking, making love, wandering, celebrating and rioting. The new proletarian sells his labour power in order to consume. When he's not flogging himself to death to get promoted in the labour hierarchy, he's being persuaded to buy himself objects to distinguish himself in the social hierarchy. The ideology of consumption becomes the consumption of ideology. — Raoul Vaneigem

Who has not seen a frail, clinging-vine type of woman, who upon the death of her husband strainghtens up and becomes an oak, around which the growing children twine their lives, and are forever greatful for such a mother? But this strength would never have come out and developed had it not been for the tears that watered the vine and made it into an oak. — E. Stanley Jones