Dead Are Countless Movie Quotes & Sayings

Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred. — Walter Benjamin

Well," I sigh. I glance at Cole. He stares at — A. Gardner

I think "God" is an off-putting word. I don't think there's a name for this. I think it's a presence that is best for us, but unfortunately, it can't intervene if we don't ask it, and religion has us talking to the wall because the god that religion is selling isn't the reality. — Sinead O'Connor

In earlier days, even as a child, the beauty of landscapes was quite clear to me. A background for the soul's moods. Now dangerous moments occur when Nature tries to devour me; at such times I am annihilated, but at peace. This would be fine for old people but I ... I am my life's debtor, for I have given promises ... — Paul Klee

We were to found a University magazine. A pair of little, active brothers-Livingstone by name, great skippers on the foot, great rubbers of the hands, who kept a book-shop over against the University building-had been debauched to play the part of publishers. We four were to be conjuct editors and, what was the main point of the concern, to print our own works; while, by every rule of arithmetic-that flatterer of credulity-the adventure must succeed and bring great profit. Well, well: it was a bright vision. — Robert Louis Stevenson

Be selfish; love yourself before loving anyone else. — Debasish Mridha

He opened the veins of the social body to cure the disease; but he allowed life to flow out, pure or impure, with indifference, without casting himself between the victims and the executioners. — Charles Warwick

It's September 21st, a day I love for the balance it carries with it. — Pam Houston

A single week of Oprah takes you from bondage to all the violent terrors of life, to escape through vicarious encounters with celebrity, to visions of charity and hope, to hard resolve, to redemption and moral renovation. — Lee Siegel

It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S.' (1912) and the 'Seated Woman' (1914). — Gino Severini

Good afternoon, Seattle. I'm listening. — Frasier Crane