Dark Hallway Quotes & Sayings

Merripen emerged from a hallway leading away from the entrance room. He was in his shirtsleeves with no collar or cravat, the neck of the garment hanging open to reveal tanned skin gleaming with perspiration. With his black hair falling over his forehead, and his dark eyes smiling at the sight of them, Merripen cut a dashing figure. "You're three hours behind schedule," he said.
Laughing, Amelia pulled a handkerchief from her sleeve and gave it to him. "In a family of four sisters, there is no schedule. — Lisa Kleypas

the suit, if there is one, we still lose because of the publicity." I was scarcely hearing a word of it. Horrible images were playing crazily inside my mind. The 911 call, the fact it was aborted, made me see it. I knew what happened. Lori Petersen was exhausted after her ER shift, and her husband had told her he would be in later than usual that night. So she went to bed, perhaps planning to sleep just awhile, until he got home - as I used to do when I was a resident and waiting for Tony to come home from the law library at Georgetown. She woke up at the sound of someone inside the house, perhaps the quiet sound of this person's footsteps coming down the hallway toward the bedroom. Confused, she called out the name of her husband. No one answered. In that instant of dark silence that must have seemed an — Patricia Cornwell

Nick was waiting for him.
Gabriel hesitated. He wished those text messages had come with some kind of sign, whether Nick was pissed or exasperated or just completely done with him. Hell, a freaking emoticon would have been helpful.
His own room sat pitch-dark at the opposite end of the hallway. A black hole. Gabriel eased around the creaky spot in the floor and slid past his twin's room. Once in his own, he flung his duffel bag onto the ground and shut the door, closing the dark around himself. He sighed and kicked his shoes into the well of blackness under the bed. Maybe Nick hadn't heard him. Maybe he thought he was still out in the car.
"You are so predictable."
Gabriel swore and fumbled for the light switch.
Nick was straddling his desk chair backward, his arms folded on the backrest.
"What the hell is wrong with you?" Gabriel snapped. "Why are you sitting here in the dark?"
His twin shrugged. Because I knew you'd walk right past my room. — Brigid Kemmerer

Anti-narrative sequences of a man (Watt) sitting in a dark bedroom drinking bourbon while his wife (Heath) and an Amway representative (Johnson) have acrobatic coitus in the background's lit hallway. — David Foster Wallace

South Africa, it's like the little asshole of the whole world - it's, like, the bottom. It's, like, in the dark depths of the hallway. — Watkin Tudor Jones

At her tone, at once intimate and formal, a terrible sadness came over me, and when we looked at each other it seemed that the whole past was redefined and brought into focus by this moment, clear as glass, a complexity of stillness that was rainy afternoons in spring, a dark chair in the hallway, the light-as-air touch of her hand on the back of my head. "I'm — Donna Tartt

What's your deal?" I asked in the hallway after class. "I know you did that."
He shrugged. "So?"
... "That was rude, Daemon. You embarrassed him." ... "And I thought using your ... stuff would draw them here?"
... "That was barley a blip on the map. That didn't even leave a trace on anyone."
He lowered his head until the edges of his dark curled brushed my cheek. I was caught between wanting to crawl into my locker or crawl into him. "Besides, I was doing you a favor."
I laughed. "And how was that doing me a favor?"
... "Studying math wasn't what he had in mind."
That was debatable, but I decided to play along ... "And what if that's the case?"
"You like Simon?" His chin jerked up, anger flashing in his emerald eyes. "You can't possibly like him."
... "Are you jealous? ... Your jealous of Simon?" I lowered my voice. "Of a human? For shame, Daemon. — Jennifer L. Armentrout

When the other Dr. Meescham was alive and I could not sleep, do you know what he would do for me? This man would put on his slippers and he would go out into the kitchen and he would fix for me sardines and crackers. You know sardines? Little fishes in a can. He would put these little fishes onto crackers for me, and then I would hear him coming back down the hallway, carrying the sardines and humming, returning to me. Such tenderness. To have someone get out of bed and bring you little fishes and sit with you as you eat them in the dark of the night. To hum to you. This is love. — Kate DiCamillo

When the oldest Chatwin, melancholy Martin, opens the cabinet of the grandfather clock that stands in a dark, narrow back hallway in his aunt's house and slip through into Fillory ... it's like he's opening the covers of a book, but a book that did what books always promised to do and never ac tually quite did: get you out, really out, of where you were and into something better. — Lev Grossman

She ran and didn't slow until she came to a hallway that terminated in a multipaned window of thick, old-fashioned glass. Her breath rasped in her throat, but the dizziness and nausea eased enough that she stood steadier on her feet. She heard again the gentle ringing of metal sliding against metal. Musty air rose up with the same smell of leather and dust, an acrid undertone beneath. She whipped her head toward the end of the hall. At first she didn't see anything. The light shifted and swirled, and the swordsman materialized from the shadows. Gold and red emblazoned his tunic in a chevron against a cobalt background. The sword was back in its scabbard, strapped across his back. He was tall, with broad shoulders and dark hair, and he looked like Sebastian. Timed to the wind stirring the ivy outside, he vanished through the wall. — Carolyn Jewel

Also, in my bedroom, nobody minded if I kept the hall door half-open, allowing in enough light that I was not scared of the dark, and, just as important, allowing me to read secretly, after my bedtime, using the dim hallway light to read by, if I needed to. I always needed to. — Neil Gaiman

I will accept only the best from you, Percy Jackson. I took a deep breath. I picked up the mythology book. I'd never asked a teacher for help before. Maybe if I talked to Mr. Brunner, he could give me some pointers. At least I could apologize for the big fat F I was about to score on his exam. I didn't want to leave Yancy Academy with him thinking I hadn't tried. I walked downstairs to the faculty offices. Most of them were dark and empty, but Mr. Brunner's door was ajar, light from his window stretching across the hallway floor. I was three steps from the door handle when I heard voices inside the office. Mr. Brunner asked a question. A voice that was definitely Grover's said " ... worried about Percy, sir." I froze. I'm not usually an eavesdropper, but I dare you to try not listening if you hear your best friend talking about you to an adult. I inched closer. — Rick Riordan

A long hallway, hung profusely with dark, water-stained sporting prints, served as a lobby, in which centuries of sacrificed kippers had left the smell of their smoky souls clinging to the wallpaper. Only the patch of sunshine visible through the open front door relieved the gloom — Alan Bradley

The house burned an hour before midnight on the last day of April. The wild, distant ringing of the fire bells woke George Hazard. He stumbled through the dark hallway, then upstairs to the mansion tower, and stepped outside into the narrow balcony. — John Jakes

Rosie!" Scarlett shouts. There's fear in her voice, mixed with fury. I grit my teeth. My sister flings the bathroom door open, a hazy form behind the white shower curtain. "What happened? Are you okay?" she demands, voice dark enough to intimidate a wolf.
"I ... " Scarlet," I say, cutting the water off. I sigh and reach for a towel.
A voice interrupts my movement. "Look, Scarlett, come on, it was an accident - "
Silas rounds the corner. I freeze, arm outstretched and still a few inches from the towel, body half exposed around the curtain. His mouth drops, cheeks flush, and he immediately whirls around to face the hallway.
"Sorry, Rosie," he said quickly. He puts his hands into his pockets and bounces on his heels. My face turns bright red, goose bumps scattering across my arms from both the cold and the shivery feeling Silas is giving me. — Jackson Pearce

What's on your mind, doc?" he asked as he flashed his ID at the staff duty sergeant.
"Just wondering why the driver didn't make conversation," she said after a moment, following him down the hallway and trying not to feel like she was rushing to keep up.
"We don't take warm showers together, if that's what you're asking."
Emily laughed quietly. "Was that a line from Heartbreak Ridge?"
"You didn't strike me as a war movie kind of girl." Reza stopped short, studying her. "Are you honestly telling me you've watched that movie?"
Heat crept up her neck. "Before I signed up for the army, I needed to know what I was getting myself in for. I watched every war movie I could find."
Reza simply stared at her, his dark eyes glittering. She was sure he was laughing at her. "You know those were Marines in Heartbreak Ridge, right?"
"Of course."
He cracked the barest grin. She supposed it was better than yelling at her, so there was that. — Jessica Scott

I'm going to kick down that fucking door at the end of the long, dark hallway and show everyone that I deserve the light. — Tara Sivec

I've wandered as far west as I can go. Sitting now on the sand, I watch the sun blur into an aftermath. Reds finally marrying blues. Soon night will enfold us all. But the light is still not gone, not yet, and by it I can dimly see here my own dark hallway, or maybe it was just a foyer and maybe not dark at all, not in fact brightly lit, an afternoon sun blazing through the lead panes, now detected amidst what amounts to a long column of my yesterdays, towards the end, though not the very end of course, where I had stood at the age of seven, gripping my mother's wrists, trying as hard as I could to keep her from going. — Mark Z. Danielewski

That's when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. — Jenny Han

The French expression 'cul-de-sac' describes what the Baudelaire orphans found when they reached the end of the dark hallway, and like all French expressions, it is most easily understood when you translate each French word into English. The word 'de,' for instance is a very common French world, I would be certain that 'de' means 'of.' The word 'sac' is less common, but I can fairly certain that it means something like 'mysterious circumstances.' And the word 'cul' is such a rare French word that I am forced to guess at its translation, and my guess is that in this case it would mean 'At the end of the dark hallway, the Baudelaire children found an assortment,' so that the expression 'cul-de-sac' here means 'At the end of the dark hallway, the Baudelaire children found an assortment of mysterious circumstances. — Lemony Snicket

I think it was this: like most of us, he was carrying a misery in his soul. I don't say it to forgive what he done, [sic] only to say it as true as I can. He was a wrong-minded man, but inside- I swear this is true- he was always that little boy eating that fried-egg sandwich in that dark hallway while the steam pipe dripped water on his head. I don't ask you to excuse him, only to understand that there's people who don't have what others do, and sometimes they get hurtful in their hearts, and they puff themselves up and try all sorts of schemes to level the ground- to get the bricks and joints all plumb, Ray used to say. They take wrong turns, hit dead ends, and sometimes they never make their way back. ~Clare — Lee Martin

William clapped to gain everyone's attention. "All right, listen up. I've got good news and bad news. Because I'm such a positive person, we'll start with the good. Ashlyn survived the birthing, and so did her personal horde."
The hallway echoed with breathy sighs of relief ... none louder than Maddox's own.
"So what's the bad?" someone demanded.
After a dramatic pause, the warrior said, "I'm out of conditioner. I need someone to flash out of here and get me some. Hint, I'm looking at you, Lucien. And, yeah, you're welcome for my amazing contrib to your happy family. Little terrors clawed me up but good. — Gena Showalter

I saw Jake in the hallway at school. I pretended not to notice him.

I saw Rachel, too. She had a dark look in her eyes. Like she hadn't slept. Like something was really wrong.

Even Cassie seemed grim. It had gotten to all of us. It's not so easy to just forget terror. It's not easy to just ignore the memory of your leg being ripped off. Of being dismembered. Torn apart.

One of these days, I thought, one of us is going to go crazy. Totally lock-me-up-in-a-rubber-room nutso. It was too much. This wasn't how life was supposed to be.

One of us would snap. One of us would lost it. It could happen, even to strong people.

-Animorphs #5, The Predator page 52 — K.A. Applegate

The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn't have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn't seem to be really trying. — Raymond Chandler

Gansey clucked at his bedraggled reflection in the dark-framed mirror hanging in the front hallway. Chainsaw eyed herself briefly before hiding on the other side of Ronan's neck; Adam did the same, but without the hiding-in-Ronan's-neck bit. Even Blue looked less fanciful that usual, the lighting rendering her lampshade dress and spiky hair as a melancholy Pierrot. — Maggie Stiefvater

Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge
dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be. — Mark Helprin

Teeth clenched, she swiped the light switch next to the door, but all she got was a 'click.'
'Click, click.'
"Ugh," Lindsey moaned. She'd need to flip a breaker, and for that she'd need a flashlight. But that would only fix things if the power was actually on.
"I'm working on that." The deep voice with a drawl came from the dark hallway, and the man that matched it stepped out of the shadows. — Tracy March

The park was a highly secure place for people to do drugs after dark, more secure even than homes and apartments. The police didn't make regular patrols because they were too busy answering 911 calls. Policemen were more likely to enter a user's building during the night, answering a domestic abuse call from down the hallway, than they were to make a pass through the Orange Park playground. — Jeff Hobbs

I - At her tone, at once intimate and formal, a terrible sadness came over me, and when we looked at each other it seemed that the whole past was redefined and brought into focus by this moment, clear as glass, a complexity of stillness that was rainy afternoons in spring, a dark chair in the hallway, the light-as-air touch of her hand on the back of my head. — Donna Tartt

When I entered and shut the door, the Darkling gave me a small bow. "How are you, Alina?"
"I'm fine," I managed.
"She's fine!" hooted Baghra. "She's fine! She cannot light a hallway, but she's fine."
I winced and wished I could disappear into my boots.
To my surprise, the Darkling said, "Leave her be."
Baghra's eyes narrowed. "You'd like that, wouldn't you?"
The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. "Baghra has her own way of doing things," he said.
"Don't patronize me, boy!" Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he'd caught himself.
"Don't chide me, old woman," he said in a low, dangerous voice. — Leigh Bardugo

Somewhere forest fires rage and somewhere else something moves beneath dark waters and somewhere blood appears in the hallway of the home of some old couple who aren't bleeding and somewhere someone else spontaneously self-combusts and somehow all the mysteries of this world as I know it offer me comfort and I don't know beans about heaven and hell and somehow all that stuff is no longer an issue and at the moment I'm a sixteen-foot-tall five-hundred-and-forty-eight-pound man inside this six-foot body and all i can feel is the pressure all I can feel is the pressure and the need for release. — David Wojnarowicz

Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written. — Jonathan Safran Foer

You're just going to stand there?" I asked.
Uriel folded his arms and tapped his chin with one fingertip. "Mmmm. It does seem that perhaps she deserves some form of aid. Perhaps if I'd had the presence of mind to see to it that some sort of agent had been sent to balance the scales, to giver her that one tiny bit of encouragement, that one flicker of inspiration that turned the tide ... " He shook his head sadly. "Things might be different now."
And, as if on cue, Mortimer Lindquist, ectomancer, limped out of the lower hallway and into the electrical-junction room, with Sir Stuart's shade at his right hand.
Mort took a look around, his dark eyes intent, and then his gaze locked onto Molly.
"Hey," he croaked. "You. Arrogant bitch ghost. — Jim Butcher

Let me get this straight. I can't take the vampire with me because if I remove the stake, he can kill us all. Now I can't take the girl because she's what? some kind of ninja witch? — Tate Hallaway

He swept a hand back through his dark hair, and in that moment Ceony saw a flicker in his eyes and a thinning of his lips. He was worried.
"Is everything . . . all right?" she asked, hesitating at the threshold of the library, unsure of her bounds.
"Hm?" he asked, his countenance smoothing between ticks of the library clock. "Quite fine. Do take care, Ceony." He walked down the hallway as far as the lavatory, where he turned around and added, "And keep the doors locked. — Charlie N. Holmberg

The figure stood in the flames, dark, hard to make out. "I've given you the blessing of pewter, Spook," the voice said. "Use it to escape this place. You can break through the boards on the far side of that hallway, escape out onto the roof of the building nearby. The soldiers won't be watching for you - they're too busy controlling the fire so it doesn't spread."
Spook nodded. The heat didn't bother him anymore. "Thank you."
The figure stepped forward, becoming more than just a silhouette. Flames played against the man's firm face, and Spook's suspicions were confirmed. There was a reason he'd trusted that voice, a reason why he'd done what it had said.
He'd do whatever this man commanded.
"I didn't give you pewter just so you could live, Spook," Kelsier said, pointing. "I gave it to you so you could get revenge. Now, go! — Brandon Sanderson

Having no other recourse, Roran resorted to the unexpected: he stuck his head and neck out and shouted, "BAH!" just as he would if he were trying to scare someone in a dark hallway ... — Christopher Paolini