Dark Elements Quotes & Sayings

Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation. — Van Day Truex

What on earth could be worse than a malevolent witch?' I demanded.
'I belong to the best bit of the dark... I'm an earth-witch who serves Pan. My magic comes from the ground; it comes from the elements; it comes from the Earth itself. The truth is, that's what I was always meant to be. — Joseph Delaney

We pitched 'Sightseers' as a TV idea originally, and it was rejected because it was too dark. But then things like 'Dexter' came out, 'Breaking Bad' ... There are so many sophisticated dramas now with comic elements to them. — Alice Lowe

This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise. — Abbas Kiarostami

Like all these long low squat houses, it had been built not for but against. They were built against the forest, against the sea, against the elements, against the world. They had roof-beams and doors and hatred--as though in this part of the world an architect always included hatred among his tools, and said to his apprentice: 'Mind you've brought along enough hatred today. — Jane Gaskell

She could not have been born gray. Her
color, her color of brown, was an essential part of her, not an accident. Her anger, timidity, brashness, gentleness, all were elements of her mixed being, her mixed
nature, dark and clear right through, like Baltic amber. She could not exist in the gray people's world. She had not been born. — Ursula K. Le Guin

Aegean Islands 1940-41

Where white stares, smokes or breaks,
Thread white, white of plaster and of foam,
Where sea like a wall falls;
Ribbed, lionish coast,
The stony islands which blow into my mind
More often than I imagine my grassy home;

To sun one's bones beside the
Explosive, crushed-blue, nostril-opening sea
(The weaving sea, splintered with sails and foam,
Familiar of famous and deserted harbours,
Of coins with dolphins on and fallen pillars.)

To know the gear and skill of sailing,
The drenching race for home and the sail-white houses,
Stories of Turks and smoky ikons,
Cry of the bagpipe, treading
Of the peasant dancers;

The dark bread
The island wine and the sweet dishes;
All these were elements in a happiness
More distant now than any date like '40,
A. D. or B. C., ever can express. — Bernard Spencer

I don't think you understand what it means when a demon falls in love, Layla. It doesn't go away. It doesn't fade, even if we want to. We love until death. That's not just something we say. We love and we love once and it's forever. — Jennifer L. Armentrout

Mappo frowned. 'I have not heard that phrase before. Lost Elementals?'
'Scholars tend to acknowledge but four, generally: water, fire, earth and air; yet others exist. ( ... ) Life, death, dark, light, shadow ... possibly, but even that seems a truncated selection. What of, for example, time? Past, present, future? What of desire, and deed? Sound, silence? Or are the latter two but minor aspects of air? Does time belong to light? Or is it but a point somewhere between light and dark, yet distinct from shadow? What of faith and denial? Can you now understand, Mappo, the potential complexity of relationships?'
'Assuming they exist at all, beyond the notion of concepts.'
'Granted. Yet, maybe concepts are all that's needed, if the purpose of the elements is to give shape and meaning to all that surrounds us on the outside, and all that guides us from within. — Steven Erikson

The third, the dark, was a flux of forms, a perpetual coming together and falling asunder of forms. The light contained the docile elements of a new manifold, the world of the body broken up into the pieces of a toy; the half light, states of peace. But the dark neither elements nor states, nothing but forms becoming and crumbling into the fragments of a new becoming, without love or hate or any intelligible principle of change. Here there was nothing but commotion and the pure forms of commotion. Here he was not free, but a mote in the dark of absolute freedom. He did not move, he was a point in the ceaseless unconditioned generalization and passing away of line. — Samuel Beckett

My arm is fine."
"That doesn't answer my question."
"I don't think I need to answer your question, because you'll flip out."
Roth's lips thinned. "I'm totally calm. I would just like to know who marred your skin so that I can put a name and a face the creature I'm going to kill very slowly."
"I think we might have different definitions of calm," I said wryly. — Jennifer L. Armentrout

I started to respond, but Bambi slithered up and placed its horse-sized head on my shoulder. Every muscle in my body locked up and I squeezed my eyes shut. There was a puff of air, stirring the hair along my temple. Bambi's forked tongue shot out, tickling the side of my neck.
"Hey, look, Bambi likes you."
I pried one eye open.
"And if she didn't?"
"Oh, you'd know, 'cause she would've eaten you by now."
Armentrout, Jennifer L. (2014-03-01). White Hot Kiss (The Dark Elements Book 1) (p. 255). Harlequin. Kindle Edition. — Jennifer L. Armentrout

Winnowing is more like a trip to the confessional ... transparent & vulnerable without being sentimental. These songs have elements that are more like prayers & pleas for faith. They're questionings and wrangling in the dark about the journey. — Bill Mallonee

We'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Real good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. — David Foster Wallace

I've always had a fascination with vampires. It's not that I'm exactly fascinated with the dark side. It's the human struggle with it. How we deal with those two aspects of who we are. We all have those elements. — Sheryl Lee

One lone wolf sat on
the other side of the offender, licking his chops.
"Yeah, you know we don't discriminate around here. We like
dark meat, white meat, red meat, even yellow meat," the wolf said,
staring up at the bartender. "It's all good stuff. — Lynn Mullican

Isn't the universe full of gaseous elements?"
Andrew says, "Yeah, there are gases and neutrinos and this shit they call dark matter. — Michael Cunningham

A big part of the humor is in identifying with the tragic elements of the film. The New Zealand sense of humor is very dark. Our films are usually very dark and it's always someone being killed. Usually a child. — Taika Waititi

In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. — D.T. Max

I heaved into being, came out of the stone, the bricks, and other elements, and took form. (Dark City Lights) — Jerrold Mundis

We manipulate nature as if we were stuffing an Alsatian goose. We create new forms of energy; we make new elements; we kill crops; we wash brains. I can hear them in the dark sharpening their lasers. — Erwin Chargaff

In the same way that certain sections of the city were mortal battlegrounds, some parts of the calendar were always more warlike than others, and during the days between Christmas and the new year all elements seemed to conspire to subdue the soul. Fire, rain, sickness, cold, and death were everywhere spread through the dark as in a painting of hell. People struggled until exhaustion, giving everything they had, and the days were packed with trials and mysteries. — Mark Helprin

But no, music lasted longer than anything it inspired. After LPs, cassettes, and CDs, when matrimony was about to decay into its component elements - alimony and acrimony - the songs startled him and regained all their previous, pre-Rachel meanings, as if they had not only conjured her but then dismissed her, as if she had been entirely their illusion. He listened to the old songs again, years later on that same dark promenade, when every CD he had ever owned sat nestled in that greatest of all human inventions, the iPod, dialed up and yielding to his fingertip's tap. The songs now offered him, in exchange for all he had lost, the sensation that there was something still to long for, still, something still approaching, and all that had gone before was merely prologue to an unimaginably profound love yet to seize him. If there was any difference now, it was only that his hunger for music had become more urgent, less a daily pleasure than a daily craving. — Arthur Phillips

I sighed.
"There's this big exam in bio on Monday." Lie.
"And since there haven't been any demon attacks lately ... " Lie.
"I was hoping I could spend the night at Stacey's house on Saturday to study."
Lie. Lie. Lie.
Armentrout, Jennifer L. (2014-03-01). White Hot Kiss (The Dark Elements Book 1) (p. 280). Harlequin. Kindle Edition. — Jennifer L. Armentrout

A panther poised in the cypress tree about to jump is a
panther poised in a cypress tree about to jump.
The panther is a poem of fire green eyes and a heart charged
by four winds of four directions.
The panther hears everything in the dark: the unspoken
tears of a few hundred human years, storms that will break
what has broken his world, a bluebird swaying on a branch a
few miles away.
He hears the death song of his approaching prey:
I will always love you, sunrise.
I belong to the black cat with fire green eyes.
There, in the cypress tree near the morning star. — Joy Harjo

When you hate women, you hate all the female elements of your own psychology. Jung believed that there were two primary anthropomorphic archetypes of the unconscious mind. The animus is the unconscious male, and the anima is the unconscious female. Because a man's anima, his more sensitive, feeling side, must so often be repressed, it forms the ultimate shadow self - a dark side that is hated and buried. Jung was a big believer in accepting the shadow, embracing it . . . or suffering the consequences in psychic pain. — Lisa Unger

The way the British 'Office' got away with being so dark was that it only had 13 episodes. There are realistic elements that people obviously enjoy, but they don't necessarily want to relive the trials and tribulations of their average work day. — John Krasinski

I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures. — Brian Williams

Finally when he climbed below deck after dark, wondering where his dinner was, perhaps with a storm come up and rough seas and blinding rains, I'd sulk and lure him into the warm and steamy darkness and from the hairs of his warm body I'd breed a myriad smiling, sparkle-eyed one-year-olds, my broods, my flocks. In the churning seas, below the waves, together inside our hammock woven in coarse sailcloth by Unguentine's deft hands, a spherical webbed sack which hung and swivelled between the two walls of our bedroom, we would spin round and round with lapping tongues and the soft suction of lips, whirling, our amorous centrifuge, all night long, zipped inside against the elements. Now, years and years later, those nights, the thought and touch of them is enough to make me throw myself down on the ground and roll in the dust like a hen nibbled by mites, generating clouds, stars and all the rest. — Stanley Crawford

Dust as we are, the immortal spirit grows Like harmony in music; there is a dark Inscrutable workmanship that reconciles Discordant elements, makes them cling together In one society. — William Wordsworth

There is always something wrong with redheads. The hair is kinky, or it's the wrong color, too dark and tough, or too pale and sickly. And the skin - it rejects the elements: wind, sun, everything discolors it. A really beautiful redhead is rarer than a flawless forty-carat pigeon-blood ruby - or a flawed one, for that matter. But none of this was true of Kate. Her hair was like a winter sunset, lighted with the last of the pale afterglow. And the only redhead I've ever seen with a complexion to compare with hers was Pamela Churchill's. But then, Pam is English, she grew up saturated with dewy English mists, something every dermatologist ought to bottle. — Truman Capote

Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling. — William H Gass

She'd been trained to survive many things: starvation and bullet wounds. Winter nights and scouring sun. Double-tied knots and interrogations at knifepoint. But this? A boy's lips on hers. Moving and melding. Soft and strength, velvet and iron. Opposite elements that tugged and tor Yael from the inside. Feelings bloomed, hot and warm. Deep and dark. — Ryan Graudin

He'd only been gone two seconds, but the room got brighter when they were together, as if they were two elements that became brilliant in proximity. At Sam's clumsy efforts to carry the vacuum, Grace smiled a new smile that I thought only he ever got, and he shot her a withering look full of the sort of subtext you could only get from a lot of conversations whispered after dark.
It made me think of Isabel, back at her house. We didn't have what Sam and Grace had. We weren't even close to having it. I didn't think what we had could get to this, even if you gave it a thousand years. — Maggie Stiefvater

The night was dark as pitch or coal. Stupid expressions, thought Pereda. European nights might be pitch-dark or coal-black, but not American nights, which are dark like a void, where there's nothing to hold on to, no shelter from the elements, just empty, storm-whipped space, above and below. — Roberto Bolano

The longing for improvement and the fear of waste and worse - it is a pattern still with us, and maybe it speaks to the medium's essential marriage of light and dark, or as Mary Pickford put it in her autobiography (published in 1955), Sunshine and Shadow. Light and dark were the elements of film, and they had their chemistry in film's emulsion. They had a moral meaning, too. But not everyone appreciated that prospect, or credited how it might make your fortune. — David Thomson

Our negative life situations are essential elements for us to fulfill our intended destiny. However, unless we possess the power of endurance to live through the dark of the night, we will not see the glory of daybreak. — Chin-Ning Chu

The most astonishing subset of the Deep Web is a collection of dark alleys called the Dark Web. The Dark Web is generally thought of as a collection of criminal elements intent on subverting the law, stealing our money, and possibly kidnapping our daughters. — John McAfee

When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world. — Yves Rossy

When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about. — Matisyahu

Some say it is the elements of hope and wonder in children's books that make them special. But there are many dark young adult novels these days. Adults loved Harry Potter, though it was written for the young. In the end, it is probably up to the reader of any age to decide if this book is for him or her. — Katherine Paterson

I despise the morning ... I am a creature of darkness, whose elements is night and shadow.I belong in the dark with the other sinful creatures. — Charlotte Featherstone

The universe had once been bright, too. For a short time after the big bang, all matter existed in the form of light, and only after the universe turned to burnt ash did heavier elements precipitate out of the darkness and form planets and life. Darkness was the mother of life and of civilization. On Earth, an avalanche of curses and abuse rolled out into space toward Blue Space and Bronze Age, but the two ships made no reply. They cut off all contact with the Solar System, for to those two worlds, the Earth was already dead. The two dark ships became one with the darkness, separated by the Solar System and drifting further apart. Carrying with them the entirety of human thoughts and memories, and embracing all of the Earth's glory and dreams, they quietly disappeared into the eternal night. — Liu Cixin

Dark influences from the American past congregate among us still. If we are a democracy, what are we to make of the palpable elements of plutocracy, oligarchy, and mounting theocracy that rule our state? How do we address the self-inflicted catastrophes that devastated our natural environment? So large is our malaise that no single writer can encompass it. We have no Emerson or Whitman among us. An institutionalized counterculture condemns individuality as archaic and depreciates intellectual values, even in the universities. (The Anatomy of Influence) — Harold Bloom

In retrospect, I think that I've been given quite a few scripts over the years that had dark elements to them but most of them took place in the countryside with a haunted house. I think I've probably had that script about six to 10 times over the past few years. Or it was something to do with the supernatural. — Gillian Anderson

The inability of Americans to value intellect is, to me, maddening. If someone possesses physical beauty they will not be cloistered or hidden in dark shadows. No, they are expected to be a source of pleasing scenery to others. We are not frightened in this country by beauty. We celebrate it, as we should. But what about beautiful brains, the kind that create amazing worlds out of nothing but thoughts, that can find a way to intricately bond elements of our lives that common wisdom tells us are inert? Why should anyone hide this intellect ever? No. Fuck boring financiers like Warren Buffett...there is no such thing as unnecessary beauty, physical or intellectual. — Stuart Rojstaczer

Water is the most versatile of all elements. It isn't afraid to burn in fire or fade into the sky, it doesn't hesitate to shatter against sharp rocks in rainfall or drown into the dark shroud of the earth. It exists beyond all eginnings and ends. On the surface nothing will shift, but deep in underground silence, water will hide and with soft fingers coax a new channel for itself, until stone gives in and slowly settles around the secret space.
Death is water's close companion, and neither of them can be separated from us, for we are made of the versatilitiy of water and the closeness of death. Water doesn't belong to us, be we belong to water: when it has passed through our fingers and pores and bodies, nothing separates us from earth. — Emmi Itaranta