Dark And Sad Quotes & Sayings
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Top Dark And Sad Quotes

Yes, Ally?" What have I done? I try to figure out what I should say. Maybe ask to go get a drink? But the thing is that something deep inside me really does want to answer. Because I'm an expert on these two words. I know what they mean. And how they feel. Especially after that butterfly party. Mr. Daniels's eyes are wide, and they are waiting for me. "Ally?" he says. "It's okay, now. Take your time." And it's like he can see right into my guts. Knows how sad I am. Like he's handing me a flashlight in a dark room. I — Lynda Mullaly Hunt

And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things. — Gabriele D'Annunzio

Thunder erupted over head as I watched him go. I felt the rain start to hit my head, getting me soaked in an instant. Before he went into his house, he turned back one more time and looked at me with those sad eyes.
"Looks like you have your storm."
And then he was gone, leaving me standing out in the rain. — Sara Massa

Ava turned to the side, staring out into the dark. In profile, her face was suddenly tired and sad, and Cole felt the urge to wrap himself around her. To protect her from whatever was dragging her down. — Danika Stone

Yes, Mama. I'm going to try to love the Lord. At this there sprang into his mother's face something startling, beautiful, unspeakably sad - as though she were looking far beyond him at a long, dark road, and seeing on that road a traveler in perpetual danger. Was it he, the traveler? or herself? or was she thinking of the cross of Jesus? — James Baldwin

We went back into the Mens Apartments where there were others raving of Ships that may fly and silvered Creatures upon the Moon: Their Stories seem to have neither Head nor Tayl to them, Sir Chris. told me, but there is a Grammar in them if I could but Puzzle it out.
This is a mad Age, I replied, and there are many fitter for Bedlam than these here confin'd to a Chain or a dark Room.
A sad Reflection, Nick.
And what little Purpose have we to glory in our Reason, I continu'd, when the Brain may so suddenly be disorder'd? — Peter Ackroyd

What a strange, sad man is he!" said the child, as if speaking partly to herself. "In the dark night-time, he calls us to him, and holds thy hand and mine, as when we stood with him on the scaffold yonder! And in the deep forest, where only the old trees can hear, and the strip of sky see it, he talks with thee, sitting on a heap of moss! And he kisses my forehead, too, that the little brook would hardly wash it off! But here in the sunny day, and among all the people, he knows us not; nor must we know him! A strange, sad man is he, with is hand always over his heart! — Nathaniel Hawthorne

When you see the dark clouds, don't feel sad, don't feel bad and don't be afraid because sun is there just behind them! — Mehmet Murat Ildan

Will we go home to Beacon? Melanie had asked. When we're grown up? And Miss Justineau looked so sad, so stricken, that Melanie had immediately started to blurt out apologies and assurances, trying to stave off the effects of whatever terrible thing she'd inadvertently said. Which she understands now. From this angle, it's obvious. What she'd said, about going home to Beacon, was impossible, like hot snow or dark sunshine. Beacon was never home to her, and never could be. That — M.R. Carey

I lock onto his beautiful blue eyes, memorizing his face. The way his eyes crinkle at the corners when he laughs, the way they flash blue when he's happy and grow dark when he's sad. I'll miss his flop of dark hair and his dimples when he smiles. — Elle Strauss

Art objects are inanimate sad bits of matter hanging in the dark when no one is looking. The artist only does half the work; the viewer has to come up with the rest, and it is by empowering the viewer that the miracle of art gains its force. — Vik Muniz

I've seen comedians make people laugh by being either really dark and sad and touching, or really strange and bizarre and creepy. You can take the format and do whatever you want with it, and that seemed interesting to me. — Amy Seimetz

I buckle over, sobbing, my head resting against the hard shower tiles. I remember crying like this when Sukey died, the tears harsh, devouring, total. I hadn't known I was capable of being so sad, and the discovery shocked and terrified me. It was like finding an extra door in the house I'd always lived in, and opening it to find that the grief had carved out new rooms, new hallways, an entire black annex of its own. There were dark places in my mind I'd never known existed, and now that I'd seen them I knew they'd always be there, lying in wait, even when the original door had been sealed up. — Hilary T. Smith

She died."
I had to prompt him.
"Soon after?"
"In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital."
"Poor girl."
"All past. All under the sea."
"You make it seem present."
"I do not wish to make you sad."
"The scent of lilac."
"Old man's sentiment. Forgive me."
There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way.
"Is this why you never married?"
"The dead live."
The blackness of the trees. I listened for footsteps, but none came. A suspension.
"How do they live?"
And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke.
"By love. — John Fowles

I hope when this is done I'll be able to get back into my happy gardening vibe that was so healthy for me. I want to go back to my routine and my morning ritual with the compost, but it will probably be that my life will split in two. New Leaf Gardening in Wood Green will be happening in parallel to a fantasy that runs along the bottom of that screen like a ticker. Alice will be fine. Rabbit will stay up tonight, and every night. Resending and resending, reopening the page to see if she has responded, if anyone has. The spinning wheel will make my eyes hurt and everything else will go dark. — Olivia Sudjic

I can't write a lie; the world of imagination is no good. I objectively capture my own experiences and those of my friends. I want to put true feelings into words. If I make a song when I'm sad, it's a dark one, but I think that's good. No matter when I want to be true to myself. — Ayumi Hamasaki

Thanksgiving dinner's sad and thankless. Christmas dinner's dark and blue. When you stop and try to see it From the turkey's point of view.
Sunday dinner isn't sunny. Easter feasts are just bad luck. When you see it from the viewpoint of a chicken or a duck. Oh how I once loved tuna salad Pork and lobsters, lamb chops too Till I stopped and looked at dinner From the dinner's point of view. — Shel Silverstein

Then, with all my being I felt I was wildly, desperately in love. Not only with Maya and her dark locks flying in the wind as she ran. But also with the plants that swayed as she passed, and with that grey, sad sky and the air that smelled of rain. I was even in love with that old piece of farm machinery with flat tyres, sensing that it was quite essential to the harmony that had just been created before my eyes ... — Andrei Makine

After nine nights must come ten and every desperate meeting only leaves you desperate for another. There is never enough to eat, never enough garden for your love.
So you refuse and then you discover that your house is haunted by the ghost of a leopard.
When passion comes late in life it is hard to bear.
One more night. How tempting. How innocent. I could stay tonight surely? What difference could it make, one more night? No. If I smell her skin, find the mute curves of her nakedness, she will reach in her hand and withdraw my heart like a bird's egg. I have not had time to cover my heart in barnacles to elude her. If I give in to this passion, my real life, the most solid, the best known, will disappear and I will feed on shadows again like those sad spirits whom Orpheus fled.
I wished her goodnight, touching her hand only and thankful for the dark that hid her eyes. — Jeanette Winterson

Nights dark beyond darkness and the days more gray each one than what had gone before. — Cormac McCarthy

I realized the shells were talking in a voice I recognized. I should have; it was my own. Had I always known that? I suppose I had. On some level, unless we're mad, I think most of us know the various voices of our own imaginations.
And of our memories, of course. They have voices, too. Ask anyone who has ever lost a limb or a child or a long-cherished dream. Ask anyone who blames himself for a bad decision, usually made in a raw instant (an instant that is most commonly red). Our memories have voices, too. Often sad ones that clamor like raised arms in the dark. — Stephen King

There was the biography of a Norwegian resistance fighter who swam through chilly oceans and got gangrene and wandered through I think it might have been Finland or Lapland in a sweet short summer and everyone took him in and the dark Finnish women made him tea with honey in it on late afternoons and it was beautiful but also horribly sad because the book was only half over and you knew that bad things were going to happen. — William T. Vollmann

Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I'd been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we've never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I've been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I've missed you all my life. — Ann-Marie MacDonald

Silence and twilight fell over the garden. Far away the sea was lapping gently and monotonously on the bar. The wind of evening in the poplars sounded like some sad, weird old rune-some broken dream of old memories. A slender, shapely young aspen rose up before them against the fine maize and emerald and paling rose of the western sky, which brought out every leaf and twig in dark, tremulous, elfin loveliness. — L.M. Montgomery

George, who is out somewhere there in the dark, who is good to me - whom I revile, who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. And yes, I do wish to be happy. George and Martha: Sad, sad, sad. Whom I will not forgive for having come to rest; for having seen me and having said: "Yes, this will do". Who has made the hideous, the hurting, the insulting mistake of loving ... me, and must be punished for it. George and Martha ... Sad, sad, sad. — Edward Albee

Have you ever seen a child sitting on its mother's knee listening to fairy stories? As long as the child is told of cruel giants and of the terrible suffering of beautiful princesses, it holds its head up and its eyes open; but if the mother begins to speak of happiness and sunshine, the little one closes its eyes and falls asleep with its head against her breast ... I am a child like that, too. Others may like stories of flowers and sunshine; but I choose the dark nights and sad destinies. — Selma Lagerlof

Maybe I'd always been broken and dark inside. — Sarah J. Maas

May with its light behaving
Stirs vessel, eye and limb,
The singular and sad
Are willing to recover,
And to each swan-delighting river
The careless picnics come
In living white and red.
Our dead, remote and hooded,
In hollows rest, but we
From their vague woods have broken,
Forests where children meet
And the white angel-vampires flit,
Stand now with shaded eye,
The dangerous apple taken.
The real world lies before us,
Brave motions of the young,
Abundant wish for death,
The pleasing, pleasured, haunted:
A dying Master sinks tormented
In his admirers' ring,
The unjust walk the earth.
And love that makes impatient
Tortoise and roe, that lays
The blonde beside the dark,
Urges upon our blood,
Before the evil and the good
How insufficient is
Touch, endearment, look. — W. H. Auden

It is often said that there should be no death or grief in children's stories. It is not wise to dwell on the dark and sad side of these things; but they have also a bright and lovely side, and since even the youngest, dearest, and most guarded child cannot escape some knowledge of the great mystery, is it not well to teach them in simple, cheerful ways that affection sweetens sorrow, and a lovely life can make death beautiful? — Louisa May Alcott

Maybe it's something to do with the movements: the Cat and then the Cow, the twist to the left and then to the right, the reaching up, and then bending to the ground, the constant training of the body to move one way, and then to move in the opposite way. Hatha: sun, moon opposites, dark and light, yin and yang. This must be key in the way yoga shapes the mind and heart, in the way it helps one to understand that every movement has a counter movement, that every action has an opposing action, that the happy parts of life will be met by the sad, and the sad, in turn will be met by the happy. — Kathryn E. Livingston

Dalhia," he says, his tone is as dark and sad as the place I have lived for the past two years before meeting him. "One day, if you change your mind . . . just know you'll always be my once in a lifetime."
He presses kisses to my forehead and nose, then turns, leaving me at the front door to the house I shared with Ben for so many years. The house that is now empty is the house where, once again, I will be alone. — Kim Karr

Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns ... — Janet Frame

You are sitting here with us,
but you are also out walking in a field at dawn.
You are yourself the animal we hunt
when you come with us on the hunt.
You are in your body
like a plant is solid in the ground,
yet you are wind.
You are the diver's clothes
lying empty on the beach.
You are the fish.
In the ocean are many bright strands
and many dark strands like veins that are seen
when a wing is lifted up.
Your hidden self is blood in those,
those veins that are lute strings
that make ocean music,
not the sad edge of surf,
but the sound of no shore. — Rumi

The lonesome dark.
That's what Jack called a night like this. When you were distanced from everything and everybody. Out on your own and there was nobody to care if you were happy or sad. If you lived or died.
The lonesome dark hadn't existed in the old days. That was something people invented. Like time. Parcel up the days, parcel up the seasons. Add a minute here, a day there when it doesn't quite fit. Trim the square peg so that you could slide it into the round hole. In the old days the night was as open as the day. It wasn't a better place to hide because there was nothing to hide from. You weren't outside because there was no in. — Charles De Lint

I wanted to capture time through how food and I were getting along at any given moment. That necessitated writing some dark stuff, some sad stuff, and a lot of painful memories, because my life has often been dark, sad, and painful. I didn't want to sugarcoat anything. — Kate Christensen

Maybe princes aren't real," Sada said. Her eyes were crafty and sad at the same time. "But monsters are." She opened her mouth wide and showed Azhar the wildflowers sitting on her tongue. — Mercedes M. Yardley

She lifted up her hand and from the ring that she wore there issued a great light that illuminated her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Then she let her hand fall, and the light faded, and suddenly she laughed again, and lo! she was shrunken: a slender elf-woman, clad in simple white whose gentle voice was soft and sad. — J.R.R. Tolkien

She was sad and lost and alone in the dark," Cecil said. "She needed somebody to hold her."
"And you think she's going to get tired of that?"
"You did," Cecil said. "You shut me right out."
"It was your decision, not mine," Dave said. "You are the dearest thing in life to me. You're bright and funny and gentle and decent and full of life. And I will never get tired of you, and neither will Chrissie. It's not up to her anyway. You're the adult. Tell her the truth
that it was an act of kindness that got out of hand."
"I can't hurt her like that," Cecil said.
"It will hurt more the longer you let it go on. — Joseph Hansen

You scan the cheering bleachers for the strange boy's face: handsome, reserved, with the eye patch, a little dramatic, a little scary. You finally find him sitting there in the middle of the sixth row. He is wearing a dark green army jacket and is staring back at you. He looks sad and beautiful, like a watercolor in a hospital room. — Joe Meno

We have reduced the kingdom of God to private piety, the victory of the cross to comfort for the conscience, and Easter itself to a happy, escapist ending after a sad, dark tale. Piety, conscience, and ultimate happiness are important, but not nearly as important as Jesus himself. — N. T. Wright

When I'm awake all night, sometimes I see the people and the city waking up around me. I feel a little bit moody at them for stepping into my night-time. What I want is that feeling when you're in the rain, or a storm. It's a shiver at the edge of your mind, an atmosphere of hearing a sad, distant sound, but it seems closer - like it's just for you. Like hearing rain or a whale-song, a cry in the dark, the far cry. — Burial

How I used to love the dark, sad evenings of late autumn and winter, how eagerly I imbibed their moods of loneliness and melancholy when wrapped in my cloak I strode for half the night through rain and storm, through the leafless winter landscape, lonely enough then too, but full of deep joy, and full of poetry which later I wrote down by candlelight sitting on the edge of my bed! — Hermann Hesse

Darling, even raindrops try to wipe my teardrops but your thoughts haul out more tears from my liquid eyes and then teardrops replace raindrops ... — Abhishek Rath

Some of these beginners, too, make little of their faults, and at other times become over-sad when they see themselves fall into them, thinking themselves to have been saints already; and thus they become angry and impatient with themselves, which is another imperfection. Often they beseech God, with great yearnings, that He will take from them their imperfections and faults, but they do this that they may find themselves at peace, and may not be troubled by them, rather than for God's sake; not realizing that, if He should take their imperfections from them, they would probably become prouder and more presumptuous still. They dislike praising others and love to be praised themselves; sometimes they seek out such praise. Herein they are like the foolish virgins, who, when their lamps could not be lit, sought oil from others. — San Juan De La Cruz

In its individual manifestation the character of a man's anima is as a rule shaped by his mother. If he feels that his mother had a negative influence on him, his anima will often express itself in irritable, depressed moods, uncertainty, insecurity, and touchiness. (If, however he is able to overcome the negative assaults on himself, they can serve to reinforce his masculinity.) Within the soul of such a man the negative mother-anima figure will endlessly repeat this theme: "I am nothing. Nothing makes any sense. With others it's different, but for me ... I enjoy nothing." These "anima moods" cause a sort of dullness, a fear of disease, of impotence, or of accidents. The whole of life takes on a sad and oppressive aspect. Such dark moods can even lure a man to suicide, in which case the anima becomes a death demon. She appears in this role in Cocteau's film Orphee. — C. G. Jung

A couple hours went by, and the storm began to turn back to the sea. The dark clouds rolled away, leaving white, fluffy ones in their place. We were safe, and the rock in the distance was still there. We stepped out of the car and walked over to the rock, noticing the families of seals were back again. The seals were strong and ready to make it through any storm that would fall their way. My parents' love was still there; that is what love means. I envy that love, and I hoped to find it someday ... and I did. — Joseph McGinnis

Depression is very real. It'll back you into a dark room, slap you across the face, spit in your eyes, scream in your ears, and punch you in the gut - Until you give in. — Anonymous

there was a time I was dark, sad and a recluse
I did not understand why I felt like I did.Then my life changed.
I was diagnosed and suddenly my world made sense. — Tina J. Richardson

You think that is true, but I assure you it is not. Death is better than the sort of captivity they plan for you. I have been a captive, a toy for heartless men. I made them fear me. It is why they sought to sell me. It was why your father could buy my freedom.'
'I do not know that tale.'
'It is a dark and sad one. — Robin Hobb

How mysterious night and day are, this endless procession off dark and light ... I think such sad thoughts - of people in trouble and afraid, all lonely people all prisoners. — Iris Murdoch

You're letting me go?"
He curled his upper lip, his expression painfully bitter as he took a step back from me.
"Apparently ... I never had a hold of you." He turned sharply, and without another word striding down the street into the dark.
Braden never once looked back and that was a good thing.
If he had, he'd have seen Jocelyn Butler crying real tears for the first time in a long time, and he would have known that I'd lied. And lied big. For anyone who saw me, knew they were watching a heart in the process of it breaking. — Samantha Young

The fresh complexion of former days was gone. A mortal pallor covered those features, which he had known so charming and so gentle, and sorrow had furrowed them into pitiless lines and traced dark and unspeakably sad shadows under her eyes. — Gaston Leroux

I don't think of my songs as sad songs. I think of them as vulnerable and honest. I crack jokes in between songs, so people don't leave feeling too dark. — Mary Lambert

All the fear in the world, and the violence that comes from the fear, and the hatred that comes from the violence, and the lonliness that comes from the hatred. All the unhappiness, all the cruelty, it gathers like clouds in the air, and grows dark and cold and heavy, and falls like grey snow in thick layers over the land. Then the world is muffled and numb, and no one can hear each other or feel each other. Think how sad and lonely that must be. — William Nicholson

Somewhere someone is thinking of you. Someone is calling you an angel. This person is using celestial colors to paint your image. Someone is making you into a vision so beautiful that it can only live in the mind. Someone is thinking of the way your breath escapes your lips when you are touched. How your eyes close and your jaw tightens with concentration as you give pleasure a home. These thoughts are saving a life somewhere right now. In some airless apartment on a dark, urine stained, whore lined street, someone is calling out to you silently and you are answering without even being there. So crystalline. So pure. Such life saving power when you smile. You will never know how you have cauterized my wounds. So sad that we will never touch. How it hurts me to know that I will never be able to give you everything I have — Henry Rollins

We could learn to stop when the sun goes down and when the sun comes up. We could learn to listen to the wind; we could learn to notice that it's raining or snowing or hailing or calm. We could reconnect with the weather that is ourselves, and we could realize that it's sad. The sadder it is, and the vaster it is, the more our heart opens. We can stop thinking that good practice is when it's smooth and calm, and bad practice is when it's rough and dark. If we can hold it all in our hearts, then we can make a proper cup of tea. — Pema Chodron

No! Please no," she feels the cool metal
of the handcuffs again. "Please, I'm
Madison, I'm Madison!"
Her arms lock into place above her head.
She jerks her body, pain snapping at her
muscles.
"You can stay like this for the day." He
rises from the bed, bends down, and
blows out the candles on her birthday
cake. "Night, night, Rosie."
"No!"
He opens the door, letting a stream of
sunlight into the room.
"Please don't leave me here, please!"
And then the door closes, and the
sunlight is gone. — Kay Botha

Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling. — William H Gass

No time ago
or else a life
walking in the dark
i met christ
jesus)my heart
flopped over
and lay still
while he passed(as
close as i'm to you
yes closer
made of nothing
except loneliness. — E. E. Cummings

She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars. — Neil Gaiman

The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh
and a poke in the ribs, you went to Jenny's and got your money's worth; but if the sweet worldsadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days. — John Steinbeck

Walking across campus made me feel sad, and I thought to myself, I wasn't happy there. Then, after reading, we walked past Butler Library. It was dark, but the light inside illuminated the windows. Students were reading and working, and those lit windows gave me a wonderful, weightless feeling. I understood for the first time how happy I had been there - in the library. — Siri Hustvedt

He was very fond of flying fish as they were his principal friends on the ocean. He was sorry for the birds, especially the small delicate dark terns that were always flying and looking and almost never finding, and he thought, the birds have a harder life than we do except for the robber birds and the heavy strong ones. Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea. — Ernest Hemingway,

That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms. — Khaled Hosseini

I think, honestly, that a lot of people think I'm sad and dark all the time, because of the music I have made. But there's a huge part of my personality that's really energetic, outgoing and goofy. — Skylar Grey

The men in my life are always like the countries I visit: I fall in love briefly and then move on. I visit, regard the wonders, delve into the history, taste the cooking, peer into dark corners, feel a few moments of excitement and maybe ecstasy and bliss, and then, though I am often sad to leave - or stung that no one insists that I stay - I am on my way. — Laura Fraser

Sad is one of those words that has given up its life for our country, it's been a martyr for the American dream, it's been neutralized, co-opted by our culture to suggest a tinge of discomfort that lasts the time it takes for this and then for that to happen, the time it takes to change a channel. But sadness is real because once it meant something real. It meant dignified, grave; it meant trustworthy; it meant exceptionally bad, deplorable, shameful; it meant massive, weighty, forming a compact body; it meant falling heavily; and it meant of a color: dark. It meant dark in color, to darken. It meant me. I felt sad. — Claudia Rankine

I know a bit about the loss of dignity. I know that when you take away a man's dignity there is a hole, a deep black hole filled with despair, humiliation and self-hatred, filled with emptiness, shame and disgrace, filled with loss and isolation and hell. It's a deep, dark, horrible fucking hole, and that hole is where people like me live our sad-ass, fucked-up, dignity free, inhuman lives, and where we die, alone, miserable, wasted and forgotten. — James Frey

As sad as I so often was, and I was often overwhelmed with sadness, I never admitted it, and I don't recall ever having said aloud that I was sad. I tried not to think about it, about all the sad things, because I had this feeling that if I started to think about it, that was all I would ever think of again. I often had a nightmare of falling down into a deep dark well that I could never climb out of. But then there was the other part of me that honestly believed I wasn't sad at all, and I had little compassion for those who dwelled in sadness. Strange how that works. You would think that it would be the other way around. — John William Tuohy

Clouds overlaid the sky as with a shroud of mist, and everything looked sad, rainy, and threatening under a fine drizzle which was beating against the window-panes, and streaking their dull, dark surfaces with runlets of cold, dirty moisture. Only a scanty modicum of daylight entered to war with the trembling rays of the ikon lamp. The dying man threw me a wistful look, and nodded. The next moment he had passed away. — Fyodor Dostoyevsky

With Dante gone, time seemed to stand still around me; the mornings just as cloudy and dark as the evenings, as if the sun had never decided to rise. There was no wind, like the world was holding its breath along with me, waiting for him to return. — Yvonne Woon

The sad truth is very few people will ever be 'for' you in your terms. The bigger question is how many are against you--and still more importantly, how many are against you that you thought were for you? These are the deep insect tunnels that lead to the egg chambers guarded by mindless dark armor. Mandible and leverage. Chemical secretions. — Kris Saknussemm

The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known ... "
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. — Melissa Marr

I'd still thought that everything I thought about that night-the shame, the fear-would fade in time. But that hadn't happened. Instead, the things that I remembered, these little details, seemed to grow stronger, to the point where I could feel their weight in my chest. Nothing, however stuck with me more than the memory of stepping into that dark room and what I found there, and how the light then took that nightmare and made it real. — Sarah Dessen

The sad and solemn night hath yet her multitude of cheerful fires;
The glorious host of light walk the dark hemisphere till she retires;
All through her silent watches, gliding slow,
Her constellations come, and climb the heavens, and go. — William C. Bryant

Because." He turns his face back up to the stars. "The sky is always beautiful. Even when it's dark or rainy or cloudy, it's still beautiful to look at. It's my favorite thing because I know if I ever get lost or lonely or scared, I just have to look up and it'll be there no matter what...and I know it'll always be beautiful. It's what you can think about when your daddy is making you sad, so you don't have to think about him. — Colleen Hoover

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself - one of the first songs of the younger world in a day when songs were sad. It was invested with the woe of unnumbered generations, this plaint by which Buck was so strangely stirred. When he moaned and sobbed, it was with the pain of living that was of old the pain of his wild fathers, and the fear and mystery of the cold and dark that was to them fear and mystery. — Jack London

To-day I think
Only with scents, - scents dead leaves yield,
And bracken, and wild carrot's seed,
And the square mustard field;
Odours that rise
When the spade wounds the root of tree,
Rose, currant, raspberry, or goutweed,
Rhubarb or celery;
The smoke's smell, too,
Flowing from where a bonfire burns
The dead, the waste, the dangerous,
And all to sweetness turns.
It is enough
To smell, to crumble the dark earth,
While the robin sings over again
Sad songs of Autumn mirth.
- A poem called DIGGING. — Edward Thomas

In a matter of moments, I awakened to a life that wasn't mine. It was like peering into a dark hidden world that I wasn't supposed to know about and that my mind didn't want to believe existed. — Mike Ericksen

Sometimes stars do fall to earth. It was true. They did and then became commonplace like the rest of the dirt on the planet.
His star was one of a kind.
He would never allow her to be like any other. Never allow her to be common or sullied.
No, her place was in the sky. With her family.
With her stinking pet wolf. Never with him. Have a nice life, princess. — Sherrilyn Kenyon

Feeling like she really was just seven or eight, Claire sat down on the floor, books all around her, and she opened the last one she'd picked up. Even though it was dark, and even though her eyes couldn't see the words, she knew them.
Knew the little prince's story as well as her own.
She closed her eyes. She leaned her head forward against the book. And she sobbed. — Jennifer Lynn Barnes

There is a silence so great that I can hear the ice crystals cracking and falling from eyelashes of girls who will never blink again. — Lauren DeStefano

It was an old song, old as the breed itself - one of the first songs of the younger world in a day when songs were sad. It was invested with the woe of unnumbered generations, this plaint by which Buck was so strangely stirred. When he moaned and sobbed, it was with the pain of living that was of old the pain of his wild fathers, and the fear any mystery of the cold and dark that was to them fear and mystery. And that he should be stirred by it marked the completeness with which he harked back through the ages of fire and roof to the raw beginnings of life in the howling ages. — Jack London

Stop crying. Stop sitting in the dark counting out all your individual feelings about how sad and lonely you are. Wake up ( ... ) You're not the only person in this world who doesn't want to get out of bed in the morning ( ... ) You can be whoever the hell you want to be now ( ... ) So make a choice. Make a choice and stop wasting everyone's time. Stop eating your own time. Okay? — Tahereh Mafi

O the sad frugality of the middle-income mind. O the humorless neatness of an intellectuality which buys mass-produced candlesticks and carefully puts one at each end of every philosophical mantlepiece! How far it lies from the playfulness of Him who composed such odd and needless variations on the themes of leaf and backbone, eye and nose! A thousand praises that it has only lately managed to lay its cold hand on the wines, the sauces, and the cheeses of the world! A hymn of thanksgiving that it could not reach into the depths of the sea to clamp its grim simplicities over the creatures that swim luminously in the dark! A shout of rejoicing for the fish who wears his eyeballs at the ends of long stalks, and for the jubilant laughter of the God who holds him in life with a daily bravo at the bravura of his being! — Robert Farrar Capon

How very dull our lives would be without literature! How very much dark and poor, how so sad and empty the world would be! — Mehmet Murat Ildan

Instead of turning our heads from pain, we merge with it, neither holding on to it nor pushing it away, becoming instead an instrument of transformation. Recently, on my early morning drive to a health club, I saw a deer in the middle lane, trying to get up, but obviously crippled. Her eyes looked confused and frightened. As I drove by, I breathed in her pain and breathed out a blessing. I could feel a dark cloud swirling inside of me, but I also had an image of a deer running freely in the woods. I can never know if it helped her, but something loosened inside of me. Instead of turning away from her pain, I joined her. It was then I realized more deeply the power of Tonglin...
When you feel hurt, confused, lonely, or sad, breathe into your pain, feel it, be with it, then breathe out an image of clarity, light, and a blessing. This alone will start to change your life. — Charlotte Kasl

The night was shadows and wind and the smell of a storm on the way, a night for crying until the tears were gone but the ache was left. A night for imagining that you could step out onto the windowsill and say hello to the dark, say I am sad and have the wind say I know. You could say I am alive and the trees would sigh back We are too. You could whisper I am alone and everything ends and the stars in the sky would answer We understand. Or maybe it's ghosts telling you all these things, saying We know, we're alone too, we understand how everything and nothing ends. — Ally Condie

In his dark story collection Poachers, Tom Franklin, who once worked in a grit factory, offers the sad and sorry lives of people stuck in the back-waters of the Alabama River, who tend to subsist on a steady diet of moon-shine and stale crackers. — Nancy Pearl

Despereaux turned. He looked up and into the Head Mouse's eyes. They were dark eyes, deep and sad and frightened. And as Despereaux looked into them, his heart thudded once, twice. — Kate DiCamillo

I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her ... I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart. — Harlan Coben

Then you will find yourself easy prey for the Dark Lord!" said Snape savagely. "Fools who wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow in sad memories and allow themselves to be provoked so easily - weak people, in other words - they stand no chance against his powers! He will penetrate your mind with absurd ease, Potter! — J.K. Rowling

Great Light, Mover of all that is moving and at rest, be my Journey and my far Destination, be my Want and my Fulfilling, be my Sowing and my Reaping, be my glad Song and my stark Silence. Be my Sword and my strong Shield, be my Lantern and my dark Night, be my everlasting Strength and my piteous Weakness. Be my Greeting and my parting Prayer, be my bright Vision and my Blindness, be my Joy and my sharp Grief, be my sad Death and my sure Resurrection! — Stephen R. Lawhead

The last faint spark
In the self-murdered heart, the wounds of the sad uncomprehending
dark,
The wounds of the baited bear,
The blind and weeping bear whom the keepers beat
On his helpless flesh ... the tears of the hunted hare. — Edith Sitwell

The other Miller was different. Quieter. Sad, maybe, but at peace. He'd read a poem many years before called "The Death-Self," and he hadn't understood the term until now. A knot at the middle of his psyche was untying. All the energy he'd put into holding things together - Ceres, his marriage, his career, himself - was coming free. He'd shot and killed more men in the past day than in his whole career as a cop. He'd started - only started - to realize that he'd actually fallen in love with the object of his search after he knew for certain that he'd lost her. He'd seen unequivocally that the chaos he'd dedicated his life to holding at bay was stronger and wider and more powerful than he would ever be. No compromise he could make would be enough. His death-self was unfolding in him, and the dark blooming took no effort. It was a relief, a relaxation, a long, slow exhale after decades of holding it in. — James S.A. Corey

Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless. — Catherynne M Valente

He put a dark place in me and I can't forgive him for that. But it's a part of me now and how can I regret what I am - though it often makes me sad. — Valerie Martin

The sad truths I've been taught by the families of the dead are these: seeing is believing; knowing is better than not knowing; to name the hurt returns a kind of comfort; the grief ignored will never go away. For those whose sons and daughters, husbands, wives, mothers, fathers and friends went off alive and never did return, the worst that can happen has already happened. The light and air of what is known, however difficult, is better than the dark. The facts of death, like the facts of life, are required learning. — Thomas Lynch

The tree seemed very sad to be involved in such a thing and it hung its dark head over them. — Karen Foxlee