Quotes & Sayings About Darcy And Elizabeth Pride And Prejudice

Elizabeth laughed and pushed her father's shoulder. "Go, Papa, and be kind to him. I love him so. And it would be to your advantage to be on his good side."
Mr. Bennet raised his eyebrows. "Oh, and why is that?"
Because I have seen both his libraries in London and at Pemberley, Papa."
Interested and amused, Mr. Bennet said, "Ahh, and are they very grand, Lizzy?"
A more exquisite sight you will not see," she assured him. — KaraLynne Mackrory

I love you, Fitzwilliam Darcy--with all my heart."
"And I love you, my dearest Elizabeth. Forever and ever. — Regina Jeffers

Had Elizabeth Bennet known how wildly Darcy's heart beat for her, 'Pride and Prejudice' would barely have made it into a short story. Their torturously slow-burning romance is a classic example of how men and women still struggle to communicate the most basic of emotions. — Mariella Frostrup

What on earth did you say to Isola? She stopped in on her way to pick up Pride and Prejudice and to berate me for never telling her about Elizabeth Bennet and Mr. Darcy. Why hadn't she known there were better love stories around? Stories not riddled with ill-adjusted men, anguish, death and graveyards! — Mary Ann Shaffer

The insistence in Darcy's voice is a symptom of his passion for Elizabeth; it emerges even in their most mundane interactions. We can trace the development of Darcy's feelings for Elizabeth in the tone of his voice. This reaches its climax in the scene in which he proposes to her. His negative persistence, beginning his speech with 'In vain have I struggled. It will not do,' becomes almost violent, in part because the novel itself is so restrained and Darcy is the most restrained of all the characters.
Now, please listen carefully to that 'you.' Darcy seldom if ever addresses Elizabeth by her name, but he has a special way of saying 'you' when he addresses her a few times that makes the impersonal pronoun a term of ultimate intimacy. One should appreciate such nuances in a culture such as ours, where everyone is encouraged to demonstrate in the most exaggerated manner his love for the Imam and yet forbidden from any public articulation of private feelings, especially love. — Azar Nafisi

His reason for coming strengthened his resolve, and without further delay, his words spilled out. "Mr. Bennet, I request a private audience with Miss Bennet."
The room was thick with silence. Elizabeth blinked several times, trying to convince herself she had heard him correctly. The heaviness that had settled over her heart lifted, and her mouth turned up into a small smile. Before her father could respond to Mr. Darcy's request, they heard her mother blurt, "Good Lord! It is about time! — KaraLynne Mackrory

Darcy: 'I certainly have not the talent which some people possess, of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.'
Elizabeth:'My fingers do not move over this instrument in the masterly manner which I see so many women's do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault
because I would not take the trouble of practicing. It is not that I do not believe my fingers as capable as any other woman's of superior execution. — Jane Austen

There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone - different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.
The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds. — Azar Nafisi

Elizabeth Bennet: I'm very fond of walking. Mr. Darcy: Yes... yes I know. (from Pride & Prejudice, the movie) — Jane Austen

The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes. — Andrew Davies

They parted at last with mutual civility, and possibly a mutual desire of never meeting again. — Jane Austen

My object then," replied Darcy, "was to show you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you. — Jane Austen

In their own brief conversations, he had the distinct impression that she was toying with him, verbally challenging him to a duel that she was certain to win, for she established the rules and kept them a secret from him. As perplexing as this was, he found her game engaging, and he inexplicably wanted more of it. — Diana J. Oaks

She was convinced that she could have been happy with him, when it was no longer likely they should meet. — Jane Austen

For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. — Rebecca Solnit

When a gentleman spends quite some time telling me in detail about his father's courtship of his mother, I have to assume there is some moral for me in the tale. Since in this case that courtship consisted primarily of his father insisting repeatedly they were to marry and his mother refusing him almost as often, I take the moral to be that there is very little point in refusing, since it would only lead to the question being repeated until I agreed to it out of sheer exhaustion. — Abigail Reynolds

I do hope we shall meet again. Perhaps we could have a reading club of some sorts. I 've read that one." She leaned in. "Have you reached the part where Mr. Darcy proposes?"
Asriel narrowed his gaze on Cross. "She did that on purpose."
Pippa shook her head. "Oh, I did not ruin it. Elizabeth refuses." She paused. "I suppose I did ruin that. Apologies. — Sarah MacLean

So what do you think, Miss Bennet? Will you come to Pemberley?" He Spoke quietly over her shoulder; she hadn't realized he was so close. Feeling a mischievous impulse, likely from her nervousness at his proximity, she said the first thing that came to her mind.
"It is tolerable, I suppose, but not hadsome enough to tempt me."
Mr. Darcy's face went from shocked and angry, to hurt and confused, and finally to understanding as her words sunk in. — Elizabeth Adams

Marina rolled her eyes. "Besides, I saw the way you were staring at each other during lunch. You tow are so completely Pride and Prejudice."
"You mean he'll scorn me for my family while convincing my sister's soul mate that he doesn't really love her?" I asked hopefully. — Robyn Schneider

As the tide of feminism that crested two decades ago recedes and the old advance-and-retreat games of courtship return, "Pride & Prejudice" speaks wistfully to the moment. Elizabeth Bennet and Fitzwilliam Darcy are tantalizing early prototypes for a Katharine Hepburn-Spencer Tracy ideal of lovers as brainy, passionate sparring partners. That the world teems with fantasies of Mr. Darcy and his ilk there is no doubt. How many of his type are to be found outside the pages of a novel, however, is another matter. — Stephen Holden

And so ended his affection," said Elizabeth impatiently. "There has
been many a one, I fancy, overcome in the same way. I wonder who first
discovered the efficacy of poetry in driving away love!"
"I have been used to consider poetry as the food of love," said Darcy. — Jane Austen