Daniel's Story Quotes & Sayings

By all accounts, John Frankenheimer was singularly obsessed with The Manchurian Candidate, a film that, according to Daniel O'Brien, the director regarded "as his first truly personal project, feeling that the story made an all too valid point regarding the political manipulation and conditioning of American society. — James Kaplan

When I describe priming studies to audiences, the reaction is often disbelief. [ ... ] The idea you should focus on, however, is that disbelief is not an option. The results are not made up, nor are they statistical flukes. You have no choice but to accept that the major conclusions of these studies are true. More important, you must accept that they are true about you. [ ... ] You do not believe that these results apply to you because they correspond to nothing in your subjective experience. But your subjective experience consists largely of the story that your System 2 tells itself about what is going on. Priming phenomena arise in System 1, and you have no conscious access to them. — Daniel Kahneman

[T]he price you've paid is not the price of becoming human. It's not even the price of having the things you just mentioned. It's the price of enacting a story that casts mankind as the enemy of the world. — Daniel Quinn

All children grow up, all but one. His name is Peter and by now, all the civilized world has heard of him. He has captured the public imagination and become a legend, a subject for poets, philosophers and psychologists to write about, and for children to dream of. The children's tales might be lacking in some details, but on the whole they are more accurate than most other accounts, for children will always understand Peter intuitively, as I did when I first met him.

"I shall endeavor to tell you the true story of my friend Peter, because he cannot tell it to you himself. Afterward I hope you will love him and defend him as I have for the remainder of your days. Pass on to others a true account of the wild boy who would not grow up, who danced with kings and won the hearts of princesses. He defied logic and reason, lived and loved with an innocent heart, and found peace in the midst of a turbulent world. — Christopher Daniel Mechling

The story of Daniel and his friends is a clarion call to our generation to be courageous; not to lose our nerve and allow the expression of our faith to be diluted and squeezed out of the public space and thus rendered spineless and ineffective. Their story will also tell us that this objective is not likely to be achieved without cost. — John C. Lennox

Exactly as we might ask God, and do ask God, to change our fate. The difference is that in the story the writer actually replies and in the end even changes his mind. — Daniel Kehlmann

And now the story begins for the last time. — Daniel H. Wilson

Culture. A culture is a people enacting a story." "A people enacting a story. And a story again is ... ?" "A scenario interrelating man, the world, and the gods." "Okay. So you're saying that the people of my culture are enacting their own story about man, the world, and the gods." "That's right. — Daniel Quinn

We laughed the rest of the way, because the point of this story is, it is not the cookies. It is the love. — Daniel Handler

I know that some people disparage you for your lack of knowledge, and I know you may not understand me, Peter, but I wish you could, because you might be the only person who would. I feel that I can tell you anything Peter. — Christopher Daniel Mechling

I started drawing at a very young age. Writing a story wasn't satisfying, but to actually draw our own world - it's like controlling your own dreams. — Daniel Clowes

There is enormous pressure on you to take a place in the story your culture is enacting in the world - any place at all. — Daniel Quinn

Even a man persuaded that the great powers of the heavens loved him above all else could starve. However powerful a story might be, it had its limits, and the brute material world didn't listen or care what priests and bankers told it. — Daniel Abraham

We are inducting Connor "The Crusher" Michalek into the WWE Hall of Fame with the Warrior Award, and it's going to be really hard with the waves of emotion that will set in. I will have to share with everyone what he meant to me and also deal with how sad his story is. He was so inspiring to people, it is going to be really emotional for me. It should be very special! — Daniel Bryan

And it is natural for System 1 to generate overconfident judgments, because confidence, as we have seen, is determined by the coherence of the best story you can tell from the evidence at hand. Be warned: your intuitions will deliver predictions that are too extreme and you will be inclined to put far too much faith in them. — Daniel Kahneman

We are all captives of a story. — Daniel Quinn

My name is Daniel, and this is the first volume of my life story, which, hopefully, will be a very long and distinguished one. Who should you read it? Very good question. Maybe because this is your planet, and you have a right to know what's actually happening on it. — James Patterson

Something is still missing from this story: the answers need to be fitted to the original questions. — Daniel Kahneman

sight. In his essay On The Sublime, Edmund Burke observes, "Represent the most sublime and affecting tragedy we have...and when you have collected your audience, just at the moment when their minds are filled with expectation, let it be reported that a criminal is on the point of being executed in the adjoining square..." And in a moment, the theater will be empty. In these bloody rituals of execution and repression, the leader becomes the ancient God-King stepping forward to save his people, a promise as dangerous as it is seductive. If there is one lesson we can take away from the extravagant lives of our tyrants it is the fragility of our democratic society which, after all, is the exception, not the norm, in that dark, violent story known as human history. — Daniel Myerson

An individual who expresses high confidence probably has a good story, which may or may not be true. — Daniel Kahneman

Anytime I am spending time with my son. We went to a theme party recently and it was Toy Story. He was Buzz Lightyear, I was Woody and his mom dressed like Woody's wife. — Daniel Jacobs

The story of Daniel Lord and the Legion of Decency goes to a central contention of this book: in the United States, it is industrial structure that determines the limits of free speech. — Tim Wu

Phillip Murray and Wanda Saxton meet in the last scene under the rainy awning, their wrong wife and fiance finally story-lined away, and walk out together into the downpour - we know from the first scene, Christmas eve, that both of them like walking in the rain but don't have anybody who will do it with them - and it's the miracle of the ending. — Daniel Handler

Would anyone remember the story of Godiva if she lowered Coventry's taxes without taking her clothes off? — Daniel Donoghue

Sometimes it takes the story to grow, for the real characters to emerge. — Daniel Kaye

Remember, we are all part of a great story that is really about God, not us. He is the number one character (read: winner), and we are all secondary (read: losers). — Daniel Hochhalter

...One cannot help but consider the future- what will it be like when all the wild places of the earth have been taken over by civilization, and there is no more room for Indians, Pirates, and Wild Boys? — Christopher Daniel Mechling

A common question asked of Mr. Fenn was, "How old is the boy?" to which Mr. Fenn's reply, year after year, was, "He has been somewhere between twelve and thirteen since the day I laid eyes on him. — Christopher Daniel Mechling

Robin looked at Daniel and had the meanest thought of her life: "He'll do. — Jami Attenberg

In the end it will not matter how we have told our story, but only how God sees it. — Daniel I. Block

Well, this is a story about books."
About books?"
About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind."
You talk like the jacket blurb of a Victorian novel, Daniel."
That's probably because I work in a bookshop and I've seen too many. But this is a true story. — Carlos Ruiz Zafon

Listen up and I'll tell a story about an artist growing old. Some would try for fame and glory; others aren't so bold. — Daniel Johnston

They didn't want more information that might spoil their story. WYSIATI. — Daniel Kahneman

In fact, after a while it was the machines I was looking at, not my father at all. They had become him. They were telling me his story. Which — Daniel Wallace

To be alive is to have a story to tell. — Daniel Mendelsohn

Science properly done is one of the humanities, as a fine physics teacher once said. The point of science is to help us understand what we are and how we got here, and for this we need the great stories: the tale of how, once upon a time, there was a Big Bang; the Darwinian epic of the evolution of life on Earth; and now the story we are just beginning to learn how to tell... — Daniel C. Dennett

Philip is being very vocal about it. For me, I don't think the story isn't at all anti-religious in any way. I think what's it more against is the control and the misuse of power that any organised religion, or any political organisation exercises over the people they're supposed to represent. I think that, for me, is what's important in the movie. — Daniel Craig

Daniel first kisses his brother in a town where no-one knows them, a no-account place that's barely even a town, just some buildings clustered around the highway: a smoky bar, an empty motel, a convenience store that only sells candy and condoms and beer. The nearest gas station is twenty miles away. The nearest bus station is fifty. — Kirsty Logan

Action movies live and die by the story that you're trying to tell. It's hard. It's very difficult to do an action movie that stays engaging. — Daniel Craig

That's been my main interest for the last 15 years, is to really make sure the story and the characters take precedence over everything else, and that I give them everything I can to make them exist as actual people. — Daniel Clowes

Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion's den, and the Tower of Babel. People remember these metaphors because they are so vivid you can't get free of them and that's what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I've been running through the fields and picking up bright objects. I turn one over and say, Yeah, there's a story. And that's what kids like. Today, my stories are in a thousand anthologies. And I'm in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did. — Ray Bradbury

They say when you meet the love of your life, time stops, and that's true. What they don't tell you is that when it starts again, it moves extra fast to catch up. — Daniel Wallace

Salvation is to accept one's place in the story of faith whose theme is shalom. — Daniel Taylor

Peter and the deer herd ranged over the forest together, and without words, Peter told the deer about his new life at the Palace, amongst people. The scents that lingered on him told a hundred stories. His expressions and movements too, echoed foreign influences. And in Peter's eyes, the story was told plainly. They sensed that he had grown not just physically, but in his being he was bigger, more mature.
The deer wanted the Wild Boy to return to the Enchanted Forest with them, but they were uncertain he would come. They called him by his forest name, and he replied, "Peter." The strangeness of this intonation puzzled them. — Christopher Daniel Mechling

There's a wonderful, perhaps apocryphal story that people tell about Daniel Patrick Moynihan, the brilliant, prickly, and iconoclastic late senator from New York. Apparently, Moynihan was in a heated argument with one of his colleagues over an issue, and the other senator, sensing he was on the losing side of the argument, blurted out: 'Well, you may disagree with me, Pat, I'm entitled to my own opinion." To which Moynihan frostily replied, "You are entitled to you own opinion, but you are not entitled to you own facts. — Barack Obama

I can't think of a story that doesn't have something terrible in it. Otherwise, it's dull. So when I embarked into the world of picture books, my first thought was to do something about the dark. — Daniel Handler

Earlier I traced people's confidence in a belief to two related impressions: cognitive ease and coherence. We are confident when the story we tell ourselves comes easily to mind, with no contradiction and no competing scenario. But ease and coherence do not guarantee that a belief held with confidence is true. — Daniel Kahneman

I changed his name after I saw this old movie at the Snark. It's called Nosferatu, and it's the original Dracula story. It's ten times as scary as the version you see on television. The guy who plays the vampire is really bizarre. — Daniel Pinkwater

Literally, the piece at the end is where the universe is cracked apart, it's a big moment. Basically, they, the filmmakers, have directed the story earlier in the book. It happens, it's called adapting a book, you have to make decisions about things. It's not unusual having to cut out scenes. — Daniel Craig

He might have run off then, and thus avoided a great many adventures to come, but the girl cried, "Wait!" and he turned to face her. "Please," she implored from the window. "Don't go. Come with us. I promise you won't regret it."
For a moment, Peter stood in the road indecisively, staring into the girl's eyes as if trying to penetrate a great mystery. — Christopher Daniel Mechling

How any person decides to emphasize strengths and mitigate weaknesses is something people have to figure out for themselves. I'm wary of the self-help literature that suggests there are certain rules. I'm very happy for people to look at my story and say it's possible to achieve many things. — Daniel Tammet

It's not always to the benefit of the story to have it so preordained. — Daniel Woodrell

We were required to predict a soldier's performance in officer training and in combat, but we did so by evaluating his behavior over one hour in an artificial situation. This was a perfect instance of a general rule that I call WYSIATI, "What you see is all there is." We had made up a story from the little we knew but had no way to allow for what we did not know about the individual's future, which was almost everything that would actually matter. When you know as little as we did, you should not make extreme predictions like "He will be a star." — Daniel Kahneman

Like the Critical Theory of the Frankfurt School, postmodernism seeks to institutionalize dishonesty as a legitimate school of thought. The idea of truth as the ultimate goal of the intellectual is discarded. In its place, scholars are asked to pursue political objectives
so long as those political objectives are the 'correct' ones. Postmodernism is not fringe within the community of scholars. It is central. This tells us a great deal about the life of the mind today. Peruse any university course catalogue, and you find names like Foucault, Derrida, and Barthes. Scour the footnotes of scholarly books and journals and a similar story unfolds. With the primacy of philosophies
postmodernism, Critical Theory, and even the right-leaning Straussianism
that exalt dishonesty in the service of supposedly noble causes, is it at all surprising that liars like Alfred Kinsey, Rigoberta Menchu, Alger Hiss, and Margaret Sanger have achieved a venerated status among the intellectuals? — Daniel J. Flynn

It is true that the original of this story is put into new words, and the style of the famous lady we here speak of is a little altered; particularly she is made to tell her own tale in modester words that she told it at first, the copy which came first to hand having been written in language more like one still in Newgate than one grown penitent and humble, as she afterwards pretends to be. — Daniel Defoe

I wrote Rick before I was published, and I had no vision of it, really. It was just a story that occurred to me, and that put its little claws in my brain, and I wrote it, and I showed it to a couple people, and they all said, "This is ghastly." — Daniel Handler

It is the consistency of the information that matters for a good story, not its completeness. — Daniel Kahneman

The premise of the Taker story is 'the world belongs to man'. ... The premise of the Leaver story is 'man belongs to the world'. — Daniel Quinn

Propositions are to stories (and to reality) as powdered milk is to what comes from the udder. Propositions are dried-out stories with much of the vitality removed. They may say something technically true, just as powdered milk is still technically a form of milk, but they do not win our hearts and are not enough on which to nourish a life. — Daniel Tayler

Story blew out a shaky breath toward the ceiling. "Dude."

Beside her, Daniel's body shook with silent laughter. "Did you really just say that?"

She rolled over to face him, a catlike yawn stretching her face. "In California, the word dude has over a thousand different meanings. Dude, Duuuuuude, Dude! It all depends on your tone. — Tessa Bailey

You are radiant."
"Yes, she is."
Daniel.
She turned to him. His blond hair and violet eyes, the strong cut of his shoulders, the full lips that had brought her back to life a thousand times. They had loved each other even longer than Luce had realized. Their love had been strong since the early days of Heaven. Their relationship spanned the entire story of existence. She knew where she'd first met Daniel on Earth-right here, on the singled fields of Troy while the angels were falling-but there was an earlier story. A different beginning to their love.
When? How had it happened?
She searched for the answer in his eyes-but she knew she wouldn't find it there. She had to look back in her own soul. She closed her eyes. — Lauren Kate

Tonight, I decided to take a stroll down to my local liquor store. Maybe I'll find a refreshment to wash down this full moon. I hate showing up & the clerk fucking knows my name, perhaps because I'm a regular. Anyways got my shit, left ... barely covering the tax. Took the long way home; to get away from that haunting typewriter. Sat down at some park bench, as I started to open my poison; A memory rushed into me. A empty bottle of Jack Daniel's under the Christmas tree. I thought my dad would want another drink, so started to pour my bottle into the dirt & cried. — Brandon Villasenor

There is no rest for the striver. Just beyond the completion of each goal on our life-achievement "bucket list" looms another goal, and then another. Meanwhile, of course, the clock is ticking - quite loudly, in fact. We become breathless. And we have no time left for a calm and reflective appreciation of our twilight years, no deliciously long afternoons sitting with friends or listening to music or musing about the story of our lives. And we will never get another chance for that. — Daniel Klein

White. Like a clean piece of paper, like uncarved ivory, all is white when the story begins. — Daniel Mason

Daniel, I was asked of a budding author, how do you know if your story is on track? My answer: I start by knowing my intention, my target. Then, with purpose, I write the scene that unfolds before me, as faithfully as is human. - Daniel LaMonte — Daniel LaMonte

Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. "Do you pity me, Story?" For the second time that night, she surprised him. "No. I pity the sixteen-year-old boy. Of course I do. How could I not?" Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. "But I don't pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent. — Tessa Bailey

Once you learn to discern the voice of Mother Culture humming in the background, telling her story over and over again to the people of your culture, you'll never stop being conscious of it. Wherever you go for the rest of your life, you'll be tempted to say to the people around you, how can you listen to this stuff and not recognize it for what it is? — Daniel Quinn

As she told them, Brie was relieved to see them both as con-
fused by the story as she was - but less relieved by which parts they focused on:
"Freak cougar accident," Kev said with a grin.
Paul tried to put it together. "Well, was it his wife or some- thing? It happens."
"No, I mean it was a literal cougar. I tried to leave with the cash, but this dick caught me and arrested me."
"I'm sorry. Cougars? Dicks? Are you sure you're being literal?"
"I mean a literal cougar and a detective. Yeesh, you guys have complete gutter-mind. Anyway, I'm headed out again tonight. We'll have the whole thing cleared up by morning. — Daniel Younger

Life isn't easy. Would that every story ended happily, every crisis be averted, everything get a pretty shiny bow, but that's not the world we live in. Life is harsh. Things go wrong, People get hurt, and some even die. That's just the way it goes. — Daniel Younger

Wordlessly they settled on a third-story ledge near Patriarch's Pond, of the roof across from Luce's window, where they used to watch her sleep. The memory would be fresher in Daniil's mind, but the faint recollection of Luce lying dreaming under the covers still sent a warm rush across Daniel's wings.
Both were somber.In the bombed-out city, it was sad and ironic that her building had been spared when she hadn't. They stood in silence in the cold night,both carefully tucking back their wings so that they wouldn't accidentially touch. — Lauren Kate

Design. Story. Symphony. Empathy. Play. Meaning. These six senses increasingly will guide our lives and shape our world. — Daniel H. Pink

Objective truth is difficult to come by, and even if you have it, what you can pass on to the next person is the story that you tell about it. In order for truth to be recognized as true, it has to be wrapped in plausibility. Just the same as lies. (Another Word: Plausibility and Truth — Daniel Abraham

The emotional brain is highly attuned to symbolic meanings and to the mode Freud called the 'primary process' - the messages of metaphor, story, myth, the arts. — Daniel Goleman

The sky grows dark over the city as Janey tells me her story. Teh beast was supposed to help their community. Something that would look good in a brochure, I suppose. But instead, it cut loose, took out in to the Williamsburg night. Janey and the kids went after it , and when they finally caught up what does it do? The thing ate a hipster. — Daniel Jose Older

Do you think, Daniel," she said to him, rolling over onto her back so that she was able to look out of the window while she spoke, "that we might have reached the end of our story? — Maggie O'Farrell

FDR's struggle with illness and subsequent metal-filled life are remarkably similar to the story of another great leader who was part robot: Iron Man. FDR, much like Tony Stark, was cocky and arrogant before his life-changing diagnosis, but the years of suffering changed all of that, and he emerged more humble, more fearless, and ready to defend America. Also, FDR wore iron braces and used a wheelchair, which, for the purposes of this comparison, is exactly like a well-armed robot suit. — Daniel O'Brien

Confidence is a feeling, which reflects the coherence of the information and the cognitive ease of processing it. It is wise to take admissions of uncertainty seriously, but declarations of high confidence mainly tell you that an individual has constructed a coherent story in his mind, not necessarily that the story is true. — Daniel Kahneman

A recurrent theme of this book is that luck plays a large role in every story of success; — Daniel Kahneman

I tell the story by feel most of the time, and I am not much given to labyrinthian digressions but seem to be naturally drawn to compression and pace, and the feelings come about on their own. — Daniel Woodrell

Creators, makers of the new, can never become obsolete, for in the arts there is no correct answer. The story of discoverers could be told in simple chronological order, since the latest science replaces what went before. But the arts are another story- a story of infinite addition. We must find order in the random flexings of the imagination. — Daniel J. Boorstin

Most importantly, of course, we all care intensely for the narrative of our own life and very much want it to be a good story, with a decent hero. — Daniel Kahneman

The amount of evidence and its quality do not count for much, because poor evidence can make a very good story. For some of our most important beliefs we have no evidence at all, except that people we love and trust hold these beliefs. Considering how little we know, the confidence we have in our beliefs is preposterous - and it is also essential. — Daniel Kahneman

When you send off a short story, it sits on the editor's desk in the same pile with stories by the most famous and honored names in present-day writing-and it's not going to be accepted unless it's as good as theirs. (And it'll probably have to be better.) — Daniel Quinn

As far as I can figure, the way that it works is this: everyone has something that happened to them. The thing that we each carry. And you can see it in people, if you look. See it in the way someone walks, in the way someone takes a compliment, sometimes you can just see it in someone's eyes. In one moment of desperation, of fear, in one quick moment you can see that thing that happened. Everyone has it. The thing that keeps you up at night, or makes you not trust people, or stops love. The thing that hurts. And to stop it, to stop the hurt, you have to turn it into a story. And not just a story you play over and over for yourself, but a story that you tell. A story's not a story unless you tell it. And once you tell it, it's not yours anymore. You give it away. And once you give it away, it's not something that hurts you anymore, it's something that helps everyone who hears it. It's the kind of thing that's hard to explain. It's probably best if we just show you how it works. — Daniel MacIvor

Again, again ... " really means "We must love each other, you and I, if this one story, told and retold, is all we need." Reading again isn't about repeating yourself; it's about offering fresh proof of a love that never tires. — Daniel Pennac

At a certain point, I realized that I could draw anything, and there was nothing I should avoid - I could make it work. That's opened me up to being able to be much more comfortable telling any kind of story. — Daniel Clowes

With the e-reader, the whole book was on
the same virtual page. One could not feel the depth of the pages on the left side increase as those of the right side diminished, the
gradual progression from beginning to middle to end, the sense of where one stood in the journey of the story. — Daniel Seltzer

And so my story begins, like so many stories, with a woman — Daniel Defoe

Wait, wait, wait," Breckin says, interrupting the story. "You called her Cinderella? What the hell for?"
Daniel shrugs. "We were in a janitor's closet. I didn't know her name and there were all these mops and brooms and shit and it reminded me of Cinderella, okay? Give me a break. — Colleen Hoover

If you remain unsettled by a piece of writing, it means you are not watching the story from the outside; you've already taken a step towards it. — Daniel Day-Lewis

We can't live in a state of perpetual doubt, so we make up the best story possible and we live as if the story were true. — Daniel Kahneman

The Queen died. The King died."
"The Queen died. And the King died of a broken heart."
The first line was fact. The second line was a story. It placed the facts in context, added emotion and made us connect to it by making it memorable. — Daniel H. Pink

There's nothing fundamentally wrong with people. Given a story to enact that puts them in accord with the world, they will live in accord with the world. But given a story to enact that puts them at odds with the world, as yours does, they will live at odds with the world. Given a story to enact in which they are the lords of the world, they will ACT like lords of the world. And, given a story to enact in which the world is a foe to be conquered, they will conquer it like a foe, and one day, inevitably, their foe will lie bleeding to death at their feet, as the world is now. — Daniel Quinn

A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life's various buffetings that they are proud to be the person they are is a hero. Now I do have to mention the real heroes of The Trevor Project, the men and women volunteers, all of whom stand up day after day answering the calls of desperate teens whose circumstances have pushed them to the edge of the abyss. To take that call, and say yes, I will be the one who saves this life takes such courage and compassion. Hemingway's definition of 'grace under pressure' seems fitting as the job they do is every bit as important, and every bit as delicate as a soldier defusing a bomb. — Daniel Radcliffe

I love scary movies. I like American Horror Story. That is more of a series, but it is really good. — Daniel Jacobs

To be alive today is to have a story to tell. To be alive is precisely to be the hero, the center of a life story. When you can be nothing more than a minor character in somebody else's tale, it means that you are truly dead. — Daniel Mendelsohn

There's four sides to every story ...
If these walls could talk, they'd probably still ignore me. — Daniel Dumile

luck plays a large role in every story of success; it is almost always easy to identify a small change in the story that would have turned a remarkable achievement into a mediocre outcome. — Daniel Kahneman

There is a deep gap between our thinking about statistics and our thinking about individual cases. Statistical results with a causal interpretation have a stronger effect on our thinking than noncausal information. But even compelling causal statistics will not change long-held beliefs or beliefs rooted in personal experience. On the other hand, surprising individual cases have a powerful impact and are a more effective tool for teaching psychology because the incongruity must be resolved and embedded in a causal story. — Daniel Kahneman

I wrote a comedy, which hopefully [Rick director] Curtiss Clayton will bring to the screen, that I thought was the antithesis of all my work. I thought it was light and sunshiny, and Mr. Clayton reminded me that it is the story of a woman kidnapped and forced to do things against her will, which is not what most people think of as light and sunshiny. — Daniel Handler