Dani Ryodan Quotes & Sayings

I'm his locomotive and he's my shield. — Karen Marie Moning

You're early."
I give him a mutinous look. Of course he thinks my being early is about him. It's not. Mac was at Chester's last night at eight. I think she's hunting me. Since I can't be late to avoid her, I have to be early. "Watch broke. Thought I was on time."
"You don't wear a watch."
"See? I knew I had a problem. I'll just dash out and get one. Be back tomorrow. On time. — Karen Marie Moning

One day, kid, you'll be willing to mortgage your fucking soul for somebody."
"I don't think you should say fucking around me. In case you forgot, I'm only fourteen, And news flash, dude,I've got no soul. There aren't any banks. And there isn't any currency. Ergo. Never. Going. To. Happen."
"I'm not sure you could be any more full of yourself."
I cut him a smug look. "I'm willing to try. — Karen Marie Moning

Stop. Vibrating." Ryodan plucks a paper out of the air and slaps it back down on his desk.
I wonder if he cleans it. How many tushes have been on that thing? I'm never touching it again. "Can't help it," I say around a mouthful of candy bar. I know what I look like: a smudge of black leather and hair. "It happens when I get really excited. The more excited I get, the more I vibrate."
"Now there's a thought," Lor says.
"If you mean what I think you mean, you want to shut the fuck up and never think it again," Ryodan says.
"Just saying, boss," Lor says. "You can't tell me you didn't think it, too. — Karen Marie Moning

-I'm going to kill the kid. - Barrons says faintly.
Ryodan makes a burbling sound like a bodly laught. -Get in line — Karen Marie Moning

You could ask me to teach you."
"Huh?" This night is getting weird in a hurry. "Teach me like you're teaching a class or something? What are you going to call it: 'You Too Can Be a Sociopath 101'?"
"It would be more like a graduate-level class."
I start to snicker. His sense of humour sneaks up on you. Then I remember who's talking and bite it off. — Karen Marie Moning

I hear a guttural sound followed by a weak sigh and look back at the bodies.
"I'm going to kill the kid," Barrons says faintly.
Ryodan makes a burbling sound like a bloody laugh. I don't think he even has the parts left to laugh with. "Get in line. — Karen Marie Moning

Dude, the bush is ready. Why you still beating around it?"
"I've lived a long time, kid, and I've never heard anyone mutilate the English language quite like you. — Karen Marie Moning

You're not pretty. Goddamn it, Dani. You're beautiful. — Karen Marie Moning

The more excited I get, the more I vibrate."
"Now there's a thought," Lor says.
"If you mean what I think you mean, you want to shut the fuck up and never think it again," Ryodan says. — Karen Marie Moning

She was a fool. She wept like a helpless child that night at Chester's while the entire club watched. Not because you broke her finger or threatened her but because you were alive and she was that happy to see you. She was always happy to see you. She lit up inside. You lost her. You let her be lost. — Karen Marie Moning

He gives me a look that says, "Dude, if I knew that do you think I'd have enlisted your puny help?"
I snicker.
"Something funny here."
"You. All prickly and pissed 'cause there's something you don't know. Got to call on the megaservices of the Mega."
"Ever occur to you I'm using you for reasons your inferior human brain can't begin to understand. — Karen Marie Moning

Observations," he says.
"Four imperial Unseelie guards were the only commonality I was able to isolate endemic to both scenes." They'd been standing, armed, at the dock doors, overseeing the delivery.
He gives me a sidewise look. "Wow. That was, like, a whole sentence. With nouns and verbs and connective tissue. Endemic. Fancy word. — Karen Marie Moning

She waited, thinking you were different from those who used and betrayed her. She believed you would find her, come charging to her rescue. That belief was as misplaced as the monsters we faced were deadly. The day came she finally lost her faith in you, and I was there as I've always been there when she needed me. — Karen Marie Moning

Sloppy, Mega," I mutter. I still can't see. I wipe my bloody nose on my sleeve and reach out to feel what I hit.
"That's my dick," Ryodan says.
I snatch my hand away. "Gah!" I choke out. I can feel my face again - because, like, it's going up in flames. What kind of universe makes me reach out at exactly that fecking level to feel what I think is a wall and puts my hand on a penis?
Then I remember this is Ryodan and scowl. "You did that on purpose!" I accuse. "You saw my hand go out and you stepped right into it!"
"I'd do that why, kid? — Karen Marie Moning

Dude. Post-apocalyptic world. Who does job applications anymore?"
"I do."
I squint at it, then him. "What are you paying me?" I angle.
"Dude. Post-apocalyptic world. Who does money anymore."
I snicker. First sign of any sense of humor he's shown. Then I remember where I am and why. I wad it up and throw it at him. It bounces off his chest. — Karen Marie Moning

I see how he feels about his world and I want to be one of the parts he prizes. I want to be worth fighting for. Worth the same kind of effort he puts into the things that matter to him. Like Dani."
"I don't tell her no human matters to the boss like Dani. — Karen Marie Moning

The sun's nearly level with the horizon, right behind his head, making this weird halo effect around his face - as if! I'm surprised he doesn't smell like brimstone. He probably has a red pitchfork and hides horns under his hair. — Karen Marie Moning

Velvet looks horrified. "If you are fool enough to address King R'jan, you will do it thus and in no other manner! 'My King, Liege, Lord, and Master, your servant begs you grant it leave to speak.'"
"Wow. Totally delusionary there."
"Good luck with that," Ryodan says. "She doesn't beg to speak, or do anything else. You can lock her up, down, and sideways and it's never going to happen."
I beam at him. I had no idea he thought so highly of me. — Karen Marie Moning

Tramp stamp or get the fuck out. — Karen Marie Moning

What does somebody like you want? More power? More toys? More sex?"
"All of the above. All the time."
"Greedy bugger."
"Kid, let me tell you something. Most people spend their short time in this world less than half alive. They wander through their days in a haze of responsibility and resentment. Something happens to them not long after they're born. They get conflicted about what they want and start worshipping the wrong gods. Should. Mercy. Equality. Altruism. There's nothing you should do. Do what you want. Mercy isn't Nature's way. She's an equal opportunity killer. We aren't born the same. Some are stronger, smarter, faster. Never apologize for it. Altruism is an impossible concept. There's no action you can make that doesn't spring from how you want to feel about yourself. Not greedy, Dani. Alive. And happy about it every single fucking day. — Karen Marie Moning

I'll give you a choice. Kill me."
"By definition 'choice' mandates a minimum of two possible avenues of action."
"I wasn't done. Or kiss me. But do one or the other. Before I do one or the other to you. — Karen Marie Moning

Let me be your anchor. I'll never let you be lost again. — Karen Marie Moning

I know that when he has sex he laughs like the world is a perfect place. And when he did that, my hands curled into fists because I thought about touching his face like maybe I could catch joy in my hands and hold it. — Karen Marie Moning

You both talk too much," the kid says. "Shut up. Don't make me tell you again."
We shut up, which I find hysterically funny. — Karen Marie Moning

He looks at me, looks at my head, and his lips twitch like he's trying not to bust out laughing. "You don't need that ... whatever the fuck it is."
"Ain't dying by Shade. It's a MacHalo. — Karen Marie Moning

Lor blows in like he was plastered to the other side of the door.
"Escort the kid to clean the fuck up and get that stench off her."
"Sure thing, boss."
He scowls at me.
I scowl right back.
Lor points through the glass floor. "See that blonde down there with the big tits? I was about to get laid."
"One, I'm too young to hear that kind of stuff, and two, I don't see you carrying a club to knock her over the head with, so how were you going to accomplish that?"
Behind me, Ryodan laughs.
"You're ruining my night, kid."
"Ditto. Ain't life at Chester's grand. — Karen Marie Moning

It was so different than kissing Dancer. Dancer's kiss was sweet and dreamy and exciting. Ryodan's kiss had razor edges, sharp and dangerous as the man. Being in Dancer's arms was like living on the edible planet. Being in Ryodan's was like stepping into the eye of a cyclone. Dancer was easy laughter and a normal future (sans abrupt death). Ryodan was endless challenge and a future that was impossible to imagine.
Dancer accepted me any way I wanted to be without question. Ryodan made me question myself and pushed me to be the most I could be. — Karen Marie Moning

You'll never be just anything. A tsunami can never be 'just' a wave."
"Get off my chin."
"I like that about you. Waves are banal. Tsunamis reshape the Earth. Under the right circumstances, even entire civilizations."
I blink.
"You're going to be one hell of a woman one day, Dani. — Karen Marie Moning

Why did you laugh right before you lost consciousness."
"Death's an adventure. I lived big. Rigor mortis makes your face stick. So, who knew how to thaw me?"
"Death's an insult."
"At least an affront," I agree. — Karen Marie Moning

Silver eyes met hers and locked. "I didn't like Dani."
"At least you're consistent," she said coolly.
His silver eyes were ice. "I loved her. — Karen Marie Moning

Dani, Dani, Dani."
I flinch. I've never heard anyone say my name so gently. It creeps me all kinds of out.
He's towering over me, arms crossed over his chest, scarred forearms dark against the rolled-up sleeves of a crisp white shirt.
Heavy silver cuffs glint at both wrists. The light is smack behind his head, as usual.
"You didn't really think I'd let you get away with it," Ryodan says. — Karen Marie Moning

I stretched to my full height and kissed him. Like I kissed Dancer. Soft, sensual butterfly wings against his lips. Unlike the last kiss I gave Ryodan, this wasn't one to provoke or challenge or say "Fuck you - can't touch this." It was a kiss that said simply, "I see you and admire you and want you to live. — Karen Marie Moning

A fecking flamethrower! Why didn't I think of that? Best I came up with was a measly hair dryer. — Karen Marie Moning

Odd way to dress for an investigation," Barrons murmured.
"She's not Dani anymore," Ryodan clipped.
"Would you rather she had on jeans and sneakers?" I said.
"I'd rather she had on a fucking suit of armor," Ryodan said cooly.
And a chastity belt if I could read the looks in a man's eyes. And I could. "She's a woman, Ryodan," I said softly. "Get used to it. Dancer was right. We need to accept her."
(Mac, Barrons and Ryodan as Dani/Jada walks into Chesters) — Karen Marie Moning

He was a broad-shouldered beast. — Karen Marie Moning

I'll never be her first.
But one day I'll be her last. — Karen Marie Moning

In fishing for information, one might advocate the use of interrogatories."
Ryodan laughs. "Ah, Dani, there you are. You can run, but you can't hide."
"If by that you mean that this Dani person to whom you so erroneously and tediously refer also remarked upon your deliberate omission of proper punctuation as a psychological tactic intended to subtle coerce, the logical conclusion is that multiple women find your methods transparent. — Karen Marie Moning

Turn it off," Ryodan says without even looking at me. "You're distressing Dani. No one distresses Dani but me. — Karen Marie Moning

Dani: Crank it up. Lets get this party started. *I hand Dancer my iPod.*
Lor: What is this crap. Where the hell is Hendrix on this thing?
Jo: Did you get any Muse?
Dani: Muse is something you do
Jo: Distrubed is something you are
Dancer: And Godsmacked is something you get
Lor: Don't you have any Motley Crue or Van Halen?
Christian: How about some Flogging Molly?
Ryodan: Whats the deal with all the Linkin Park, for fuck's sake.
Dancer: Mega has a crush on Chester
Jo: You got any Adele?
Dani: Got some Nicki Minaj.
Ryodan: Somebody kill me now. — Karen Marie Moning

I thought you were disgusted by the people that come to my club." "They're still people." He presses the button again. "If you go outside, you will be killed. If you make noise, you will be sent outside. Don't piss me off." Just like that, Chester's goes completely silent. — Karen Marie Moning

Ryodan says softly, "Holy strawberries, Dani, we're in a jam."
I look at him like he's sprouted two heads. Holy strawberries? In a jam? Even Barrons looks stumped.
He continues, "But don't worry. Holy priceless collection of Etruscan snoods - you really butchered that one, by the way - I've got it in the bag. How about this one: holy borrowing bibliophile, let's book. — Karen Marie Moning

I look up but don't spot him. "I take care of myself. I ain't living with nobody. Got my own digs. What are you doing up there?"
"Tracking the Hag. Trying to devise a way to trap her. She's fast but she's not a sifter."
I jerk, and look around warily. That's all we need right now. "Is she here?"
"If you brought that crazy bitch near me again." Ryodan doesn't finish his sentence. He doesn't need to. — Karen Marie Moning

That's what you're after? Establishing new case
precedence? Never going to happen. Not on this point. You
want to turn Dani. Assuming she's ever Dani again."
"Nobody's turning my fucking honey," Lor muttered
darkly.
"You took the Highlander, as your test case," Barrons
said.
Ryodan said nothing.
"Kas doesn't speak. X is half mad on a good day,
bugfuck crazy on a bad one. You're tired of it. You want your
family back. You want a full house, like the old days. — Karen Marie Moning