Czech Life Quotes & Sayings

A picture was a motionless record of motion. An arrested representation of life. A picture was the kiss of death pretending to possess immutability. — Ivan Klima

What drove such people to their sinister occupations? Spite? Certainly, but also the desire for order. Because the desire for order tries to transform the human world into an inorganic reign in which everything goes well, everything functions as a subject of an impersonal will. The desire for order is at the same time a desire for death, because life is a perpetual violation of order. Or, inversely, the desire for order is a virtuous pretext by which man's hatred for man justifies its crimes. — Milan Kundera

And at this very moment, like a miracle, the rail-bus appeared. We waved our arms frantically, hardly daring to hope that it would stop. It did stop. We scrambled thankfully on board.
That is the irony of travel. You spend your boyhood dreaming of a magic, impossibly distant day when you will cross the Equator, when your eyes will behold Quito. And then, in the slow prosaic process of life, that day undramatically dawns - and finds you sleepy, hungry and dull. The Equator is just another valley; you aren't sure which and you don't much care. Quito is just another railroad station, with fuss about baggage and taxis and tips. And the only comforting reality, amidst all this picturesque noisy strangeness, is to find a clean pension run by Czech refugees and sit down in a cozy Central European parlor to a lunch of well-cooked Wiener Schnitzel. — Christopher Isherwood

She wants to have her notebooks so that the flimsy framework of events, as she has constructed them in her school notebook, will be provided with walls and become a house she can live in. Because if the tottering structure of her memories collapses like a clumsily pitched tent, all that Tamina will be left with is the present, that invisible point, that nothingness moving slowly toward death. — Milan Kundera

But it was not only a feeling of guilt which drove him into danger. He detested the pettiness that made life semilife and men semimen. He wished to put his life on one of a pair of scales and death on the other. He wished each of his acts, indeed each day, each hour, each second of his life to be measured against the supreme criterion, which is death. That was why he wanted to march at the head of the column, to walk on a tightrope over an abyss, to have a halo of bullets around his head and thus to grow in everyone's eyes and become unlimited as death is unlimited ... — Milan Kundera

He was looking for immensity. His life was hopelessly small, everything surrounding him was nondescript and gray. And death is absolute; it is indivisible and indissoluble.
The presence of the girl was pathetic (a few caresses and a lot of meaningless words), but her absolute absence was infinitely grand; when he imagined a girl buried in a field, he suddenly discovered the nobility of pain and the grandeur of love.
But it was not only the absolute but also bliss he was looking for in his dreams of death. — Milan Kundera

How would I explain to him that I couldn't make peace with him? How would I explain that if I did I would immediately lose my inner balance? How would I explain that one of the arms of my internal scales would suddenly shoot upward? How would I explain that my hatred of him counterbalanced the weight of evil that had fallen on my youth? How would I explain that he embodied all the evils in my life? How would I explain to him that I needed to hate him? — Milan Kundera

At last either Betsie or I would open the Bible. Because only the Hollanders could understand the Dutch text, we would translate aloud in German. And then we would hear the life-giving words passed back along the aisles in French, Polish, Russian, Czech, back into Dutch. They were little previews of heaven, these evenings beneath the lightbulb. — Corrie Ten Boom

You certainly remember this scene from dozens of films: a boy and a girl are running hand in hand in a beautiful spring (or summer) landscape. Running, running, running and laughing. By laughing the two runners are proclaiming to the whole world, to audiences in all the movie theaters: "We're happy, we're glad to be in the world, we're in agreement with being!" It's a silly scene, a cliche, but it expresses a basic human attitude: serious laughter, laughter "beyond joking."
All churches, all underwear manufacturers, all generals, all political parties, are in agreement about that kind of laughter, and all of them rush to put the image of the two laughing runners on the billboards advertising their religion, their products, their ideology, their nation, their sex, their dishwashing powder. — Milan Kundera

Certainty. Life's last and kindest gift. — Milan Kundera

The tree of possibilities: life as it reveals itself to a man arriving, astonished, at the threshold of his adult life: an abundant treetop canopy filled with bees singing. And he thinks he understands why she never showed him the letters: she wanted to hear the murmur of the tree by herself, without him, because he, Jean-Marc, represented the abolition of all possibilities, he was the reduction, (even though it was a happy reduction) of her life to a single possibility. — Milan Kundera