Cultural Representation Quotes & Sayings

Despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me the most powerful and engaging medium today - one central to the development of cultural dialogue. — Richard Misrach

Though most cultural observers hadn't noticed it yet, everything was now in place for "Hallelujah" to sweep through the pop landscape. It was a song that had multiple strong, emotional connections with millions of listeners. Its mood was both fixed and malleable, universal and specific. It was familiar enough to resonate, obscure enough to remain cool. Though its most celebrated performer was gone forever, its mysterious creator had come back to the spotlight just in time.
After 2001, whether it signified an individual's solitude (human or monster or otherwise) or a population in mourning, "Hallelujah" - now far removed from Leonard Cohen's initial," rather joyous" intent - was established as the definitive representation of sadness for a new generation. — Alan Light

In his thoughtful and complex style of analysis, Hitler continued on to note the following: "Since the newspapers in question did not enjoy an outstanding reputation ... I regarded them more as the products of anger and envy than the [representation] of a principled, though perhaps mistaken, point of view." In the lines above, we see Hitler begin to wrestle with anti- Semitism, flatly reject religious anti-Semitism as unworthy of Austrian cultural tradition, and suspect that the arguments of the anti-Semitic press and gutter pamphlets were exaggerated beyond credibility by too much subjective and too little objective and principled argument. The view of virtually every Hitler biographer that he based his anti-Semitism on arguments derived from the gutter press and pamphlets of Vienna does not hold up in the face of the words above. To the contrary, we see Hitler take the measure of that literature.

--Hitler: Beyond Evil and Tyranny, pp. 103-104 — Russel H.S. Stolfi

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

So much of our cultural representation of what an investigative journalist looks like, in movies and pop culture, is about this really testosterone-filled dude screaming, "Give me what you got!" I didn't see myself as someone who would be good at or comfortable with that. — Sarah Stillman

To put this even more bluntly, one might think about the difference between adding traditional and contemporary Indigenous art to the National Gallery of Canada's historical Canadian wing and imagining the entire gallery curated from an Indigenous perspective of what a "National Gallery of Canada" might mean.37 Put slightly differently, the project of Indigenous representation in the gallery in Canada has been defined as "bringing aboriginal art in to the history of Canadian art" rather than of incorporating settler history into the history of Aboriginal art.38 Would such reimaginings mean, for example, a move away from the primacy of a liberal politic and of the artist genius as a cultural application of that politic? — Lynda Jessup

Vitality, understood both somatically and mentally, is itself the medium that contains a gradient between more and less. It therefore contains the vertical component that guides ascents within itself, and has no need of additional external or metaphysical attractors. That God is supposedly dead is irrelevant in this context. With or without God, each person will only get as far as their form carries them.
Naturally 'God', during the time of his effective cultural representation, was the most convincing attractor for those forms of life and practice which strove 'towards Him' - and this towards-Him was identical to 'upwards'. Nietzsche's concern to preserve vertical tension after the death of God proves how seriously he took his task as the 'last metaphysician', without overlooking the comical aspect of his mission. He had found his great role as a witness to the vertical dimension without God. — Peter Sloterdijk

If you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. — Junot Diaz

When exactly did this downward cultural spiral begin, this loss of tact and refinement and understanding that some things should not be said or directly represented? When did we no longer appreciate that to dignify certain modes of behavior, manners, and ways of being with artistic representation was implicitly to glorify and promote them? There is, as Adam Smith said, a deal of ruin in a nation: and this truth applies as much to a nation's culture as to its economy. The work of cultural destruction, while often swifter, easier, and more self-conscious than that of construction, is not the work of a moment. Rome wasn't destroyed in a day. — Theodore Dalrymple

Trigger warning: The phrases that follow may cause heartburn, hives, hot flashes, or fainting spells. "Man up!" "Act like a man!" Is there anything deemed more hateful on college campuses in America today than telling someone to "man up"? In the fall, University of San Diego held a seminar titled "Man Up? Masculinity and Pop Culture." It was sponsored by the campus's "Women's Center." It was described thusly: "This workshop invites men to engage in a cultural analysis of how masculinity is represented, and how that representation frequently has negative repercussions on men's lives."10 College-aged men in America were once taught how to tune up a car, skin a deer, and how to pin a flower on the strap of a date's dress without sticking her. Today, they are taught to "engage in a cultural analysis of how masculinity is represented." Good grief. — Eric Bolling

Hip-Hop's cultural movement is much larger than the corporate representation. The images most of hip-hop's critics point to are those manufactured by major corporations whether on television, via Viacom, or on the radio, via Radio One and Clear Channel. — Bakari Kitwana

In the spirit of Trickster, here's to turning representation against itself in the fight for survivance, for f"a new consciousness of coexistence," for a new Turtle Island. — Pauline Turner Strong