Cronenberg The Fly Quotes & Sayings
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Top Cronenberg The Fly Quotes

The problem with proving something is that instead of leaving you alone people never stop giving you new things to prove, harder things. — Marlon James

If you learn to go beyond the jabbering of your mind, and can go to the deeper aspects of your consciousness, then body, breath, and mind will not come in your way. — Rama Swami

He took possession of my lips even before the last word left my mouth, taking them, tasting them. Claiming them in a way that was all male, all possession, all desire. No one had ever kissed me like that. No one. — Keri Arthur

I really cherish everything that basketball brings; and I think, for me, it's been a great ride and I'm not done yet. — Stephen Curry

Often, joking for me is a way of diffusing the awkwardness of a situation, so it's kind of exhilarating to be a part of projects where there's nothing funny or lighthearted. — Emma Stone

Be wary of friends - they will betray you more quickly, for they are easily aroused to envy. They also become spoiled and tyrannical. But hire a former enemy and he will be more loyal than a friend, because he has more to prove. In fact, you have more to fear from friends than from enemies. If you have no enemies, find a way to make them. — Robert Greene

A developer is someone who wants to build a house in the woods. An environmentalist is someone who already has a house in the woods. — Dennis Miller

I know we're all following the same yellow brick road, looking for that ultimate band, that ultimate night to be remember. — Rachel Cohn

I've had male executives say that my lead character was unlikable because she slept with a lot of guys. — Julie Taymor

This was an adequate enough performance, as improvisations go. The only problem was that my entire education, everything I had ever been told or had told myself, insisted that the production was never meant to be improvised: I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was mean to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no "meaning" beyond their temporary arrangement, not a movie but a cutting-room experience. In what would probably be the middle of my life I wanted still to believe in the narrative and in the narrative's intelligibility, but to know that one could change the sense with every cut was to begin to perceive the experience as more electrical than ethical. — Joan Didion