Criticism In Life Quotes & Sayings

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye

But lost in that sea of (valid) criticism is the perhaps subtler critique that in an age of consumerism, economic imperialism and what Martin Luther King Jr. called "jumboism," the sacrificial way of Jesus may be calling us to forsake the supersized life. — C. Christopher Smith

Is there wisdom in innocence? I think there is, but there is a cult now of drab men and women, for whom the world, and even life itself, is a kind of commodity. These critics, having eaten, now study their excrement to see what they consumed. On this they base certain conclusions. Their ignorance is uncompromising. Let us rather stand before the unknown, in very humble, quiet observance and wait while it reveals itself. — Phillip Mann

[L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art
novels, poems, plays, paintings or films
can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world. — Alain De Botton

Tolkien, who created this marvellous vehicle, doesn't go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what's more he doesn't allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is. — Philip Pullman

The absence of models, in literature as in life, to say nothing of painting, is an occupational hazard for the artist, simply because models in art, in behavior, in growth of spirit and intellect
even if rejected
enrich and enlarge one's view of existence. Deadlier still, to the artist who lacks models, is the curse of ridicule, the bringing to bear on an artist's best work, especially his or her most original, most strikingly deviant, only a fund of ignorance and the presumption that as an artist's critic one's judgement is free of the restrictions imposed by prejudice, and is well informed, indeed, about all the art in the world that really matters. — Alice Walker

Perhaps the critics are right: this generation may not produce literature equal to that of any past generation
who cares? The writer will be dead before anyone can judge him
but he must go on writing, reflecting disorder, defeat, despair, should that be all he sees at the moment, but ever searching for the elusive love, joy, and hope
qualities which, as in the act of life itself, are best when they have to be struggled for, and are not commonly come by with much ease, either by a critic's formula or by a critic's yearning. — Bill Styron

Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. — Rainer Maria Rilke

What Kinds of Circumstances Called for Courage in Paton's Life? He had courage to overcome the criticism he received from respected elders for going to the New Hebrides. A Mr. Dickson exploded, "The cannibals! You will be eaten by cannibals!" The memory of Williams and Harris on Erromanga was only 19 years old. But to this Paton responded: Mr. Dickson, you are advanced in years now, and your own prospect is soon to be laid in the grave, there to be eaten by worms; I confess to you, that if I can but live and die serving and honoring the Lord Jesus, it will make no difference to me whether I am eaten by Cannibals or by worms; and in the Great Day my Resurrection body will rise as fair as yours in the likeness of our risen Redeemer (56). — Anonymous

Here all fear of one another, all timidity about praying freely in one's own words in the presence of others may be put aside where in all simplicity and soberness the common, brotherly prayer is lifted to God by one of the brethren. But likewise all comment and criticism must cease whenever words of prayer howsoever halting are offered in the name of Jesus Christ. It is in fact the most normal thing in the common Christian life to pray together. — Dietrich Bonhoeffer

Criticism is necessary and useful; it is often indispensable; but it can never take the place of action, or be even a poor substitute for it. The function of the mere critic is of very subordinate usefulness. It is the doer of deeds who actually counts in the battle for life, and not the man who looks on and says how the fight ought to be fought, without himself sharing the stress and the danger. — Theodore Roosevelt

That this is a practice contrary to the rules of criticism will be readily allowed; but there is always an appeal open from criticism to nature. The end of writing is to instruct; the end of poetry is to instruct by pleasing. That the mingled drama may convey all the instruction of tragedy or comedy cannot be denied, because it includes both in its alterations of exhibition, and approaches nearer than either to the appearance of life, by shewing how great machinations and slender designs may promote or obviate one another, and the high and the low co-operate in the general system by unavoidable concatenation. — Samuel Johnson

People quick to criticize others, but won't shine the light on themselves. You can't always judge a book by the outside appearance. You have to open it up and read in order to discover how precious it is. — Amaka Imani Nkosazana

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain. — Ronald Carter

Parrhesia is a kind of verbal activity where the speaker has a specific relation to truth through frankness, a certain relationship to his own life through danger, a certain type of relation to himself or other people through criticism (self-criticism or criticism of other people), and a specific relation to moral law through freedom and duty. More precisely, parrhesia is a verbal activity in which a speaker expresses his personal relationship to truth, and risks his life because he recognizes truth-telling as a duty to improve or help other people (as well as himself). In parrhesia, the speaker uses his freedom and chooses frankness instead of persuasion, truth instead of falsehood or silence, the risk of death instead of life and security, criticism instead of flattery, and moral duty instead of self-interest and moral apathy — Michel Foucault

You have enemies? Good. That means you've stood up for something, sometime in your life. — Winston S. Churchill

Although I know very little of the Steppenwolf's life, I have all the same good reason to suppose that he was brought up by devoted but severe and very pious parents and teachers in accordance with that doctrine that makes the breaking of the will the corner-stone of education and upbringing. But in this case the attempt to destroy the personality and to break the will did not succeed. He was much too strong and hardy, too proud and spirited. Instead of destroying his personality they succeeded only in teaching him to hate himself. It was against himself that, innocent and noble as he was, he directed during his whole life the whole wealth of his fancy, the whole of his thought; and in so far as he let loose upon himself every barbed criticism, every anger and hate he could command, he was, in spite of all, a real Christian and a real martyr. — Hermann Hesse

I, with other Americans, have perhaps unduly resented the stream of criticism of American life ... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character. — Herbert Hoover

Who do you spend time with? Criticizers or encouragers? Surround yourself with those who believe in you. Your life is too important for anything less. — Steve Goodier

All serious art, music, literature is a critical act. It is so, firstly, in the sense of Matthew Arnold's phrase: "a criticism of life." Be it realistic, fantastic, Utopian or satiric, the construct of the artist is a counter-statement to the world. — George Steiner

I used to think that other people defined the boundaries of life. Rushing in to impress others, and get them to like me gnawed at me in the back of my mind. Criticism came as a horrifying blade straight into my heart. Now I see that they were self-imposed limitations. While obstacles were always present the fundamental truth behind this epiphany is one words cannot even describe. I was my own propellant, and the moment I realized it my entire world changed. — Sai Marie Johnson

The typical Anarchist, then, may be defined as follows: A man perceptible by the spirit of revolt under one or more of its forms, - opposition, investigation, criticism, innovation, - endowed with a strong love of liberty, egoistic or individualistic, and possessed of great curiosity, a keen desire to know. These traits are supplemented by an ardent love of others, a highly developed moral sensitiveness, a profound sentiment of justice, and imbued with missionary zeal." To the above characteristics, says Alvin F. Sanborn, must be added these sterling qualities: a rare love of animals, surpassing sweetness in all the ordinary relations of life, exceptional sobriety of demeanor, frugality and regularity, austerity, even, of living, and courage beyond compare.[2] — Emma Goldman

(The real brahmin is the one who ... has crossed beyond duality ... knows no this shore, other shore, or both ... (is) settled in mind ... without inflowing thoughts ... is without attachment ... endures undisturbed criticism, ill-treatment and bonds, (and is) strong in patience ... (is) without anger, devout, upright, free from craving, disciplined and in his last body ... has experienced the end of his suffering here in this life, who has set down the burden, freed! — Gautama Buddha

An intelligent person positively accepts criticism, repeatedly thinks before giving any statement, and is capable of motivating himself/herself to be successful in the terrible situations in the way of life journey. — Md. Mujib Ullah

And health in art - what is that? It has nothing to do with a sane criticism of life. There is more health in Baudelaire than there is in [Kingsley]. Health is the artist's recognition of the limitations of the form in which he works. It is the honour and the homage which he gives to the material he uses - whether it be language with its glories, or marble or pigment with their glories - knowing that the true brotherhood of the arts consists not in their borrowing one another's method, but in their producing, each of them by its own individual means, each of them by keeping its objective limits, the same unique artistic delight. The delight is like that given to us by music - for music is the art in which form and matter are always one, the art whose subject cannot be separated from the method of its expression, the art which most completely realises the artistic ideal, and is the condition to which all the other arts are constantly aspiring. — Oscar Wilde

In life, most of us are highly skilled at suppressing action. All the improvisation teacher has to do is to reverse this skill and he creates very 'gifted' improvisers. Bad improvisers block action, often with a high degree of skill. Good improvisers develop action. — Malcolm Gladwell

Success needs vision to see, passion to transcend, patience to withstand and the character to overcome failures. — Amit Ray

In general, the best advice I can give people is to take criticism seriously, apologize for anything you have done wrong, and pull back from conflict. Of course, if you are right on a content matter, you should press forward in the interest of quality, but conflict often has a way of taking on a life of its own, unfortunately. — Jimmy Wales

A rule for life: When someone tells you, 'you are amazing' or 'you are great at something', believe them, absorb it, allow it to become part of you, go over the praise in your mind. Dismiss all opposing thoughts. If you receive harsh criticism which is not constructive feedback, replace it immediately and continue to shine" ~ Allan Wilson. — Allan Wilson

I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself. — John Lahr

The first rule of life is to reveal nothing, to be exceptionally cautious in what you say, in whatever company you may find yourself. If you have a secret, you have only to whisper it to your dearest friend with the strictest injunction that it will go no further, and within half a day the story is all over town, and when you do make what would seem to be a perfectly sensible remark, you will find it reported in the most grotesque form, thus incurring no end of criticism to rebound upon you. — Elizabeth Aston

Life was transparent, literature opaque. Life was open, literature a closed system. Life was composed of things, literature of words. Life was what it appeared to be: if you were afraid your plane would crash it was about death, if you were trying to get a girl into bed it was about sex. Literature was never about what it appeared to be about, though in the case of the novel cosiderable ingenuity and perception were needed to crack the code of realistic illusion, which was why he had been professionally attracted to the genre (even the dumbest critic understood that Hamlet wasn't about how the guy wanted to kill his uncle, or the Ancient Mariner about cruelty to animals, but it was surprising how many people thought Jane Austen's novels were about finding Mr Right). — David Lodge

No Socialist system can be established without a political police. Many of those who are advocating Socialism or voting Socialist today will be horrified at this idea. That is because they are short-sighted, that is because they do not see where their theories are leading them. No Socialist Government conducting the entire life and industry of the country could afford to allow free, sharp, or violently-worded expressions of public discontent. They would have to fall back on some form of Gestapo, no doubt very humanely directed in the first instance. And this would nip opinion in the bud; it would stop criticism as it reared its head, and it would gather all the power to the supreme party and the party leaders, rising like stately pinnacles above their vast bureaucracies of Civil servants, no longer servants and no longer civil. — Winston S. Churchill

How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you? — Margaret C. Sullivan

Analysis goes a step farther still, and assures us that those impressions of the individual mind to which, for each one of us, experience dwindles down, are in perpetual flight; that each of them is limited by time, and that as time is infinitely divisible, each of them is infinitely divisible also; all that is actual in it being a single moment, gone while we try to apprehend it, of which it may ever be more truly said that it has ceased to be than that it is.
To such a tremulous wisp constantly reforming itself on the stream, to a single sharp impression, with a sense in it, a relic more or less fleeting, of such moments gone by, what is real in our life fines itself down. — Walter Pater

I wouldn't be worth my salt if I weren't attracting some controversy and criticism. Everyone in the world who has done something in life has attracted criticism. — Margaret Thatcher

By giving professors jobs for life, universities create a feeling of unanswerable power among too many. Tenured professors who are uninterested in serving the student body are less likely to respond favorably to criticism, and are more likely to feel the freedom to intimidate or harass those with opposing viewpoints. — Ben Shapiro

In most hierarchies, super-competence is more objectionable than incompetence." He warned that extremely skilled and productive employees often face criticism, and are fired if they don't start performing worse. Their presence "disrupts and therefore violates the first commandment of hierarchical life: the hierarchy must be preserved. — Laurence J. Peter

Same spirit which gave it forth, - is the fundamental law of criticism. A life in harmony with nature, the love of truth and of virtue, will purge the eyes to understand her text. By degrees — Ralph Waldo Emerson

However, Hardy's relationship with nature is a dialectical one. While he indicates that he recognizes how human perception shapes nature, he nevertheless accepts nature as possessed of its own agency, as working through its cycle regardless of human perception, understanding, or attempted control. In essence, it claims a power apart from that with which humans may have imbued it. Even when humanity has lost faith in the possibility of renewal through nature, nature as Hardy describes it fights back, attempting to force human consciousness to acknowledge her power, her ability to transform life. — Shirley A. Stave

In 1922 Woolf met the writer Vita Sackville-West, who was to join Vanessa Bell and Leonard Woolf as the most significant people in her life. — Jane Goldman

The only antidote to religious triumphalism is the readiness of communities of faith to permit doubt and self-criticism to play a vital role in the life of Faith. — Douglas John Hall

When we withdraw from life, we become a closed system. Our expression turns in on itself, often in anger and self-criticism, which wears us down further. Fire takes fuel to burn, and in a closed system, the fuel eventually burns up. Only in a dynamic state of interaction with the world can we keep up the movement and contact that feeds our fire and zest for life. — Anodea Judith

The trouble with today's snarky pipsqueaks who break off a sentence or two, or who write a couple of mean paragraphs, is that they don't go far enough; they don't have a coherent view of life. Spinning around in the media from moment to moment, they don't stand for anything, push for anything; they're mere opportunists without dedication, and they don't win any victories. — David Denby

To be a critical reader means for me: (1) to affirm the enduring power of the Bible in my culture and in my own life and yet (2) to remain open enough to dare to ask any question and to risk any critical judgement. Nothing less than both of these points, together, can suffice for me. I was a reader of the Bible before I was a critic of it, but I found becoming a critic to be liberating and satisfying, and therefore I judge criticism to be a high calling of inestimable value. Yet, I recognize the prior claim of the text and the preeminence of reading over criticism; accordingly, I see and occasionally am apprehended by moments in which the text wields its indubitable power. The critic's ego says this could be a taste of the cherished post-critical naivete; the reader's proper humility before the text says that a reader should not judge such things. — Robert M. Fowler

But what help from these fineries or pedantries? What help from thought? Life is not dialectics. We, I think, in these times, have had lessons enough of the futility of criticism. — Ralph Waldo Emerson

Opening myself to criticism was a big door to go through. You can be afraid about something your whole life, about being out in public where people know your name but not you, and it can cripple your ability to try new things. — Peggy Rathmann

Hardy's astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres he employs the lyric, narrative, ballads, and the sonnet. He also moves easily between the amplitude of dramatic monologue and the compression of imagism. He experiments continually with an ingenious variety of stanza forms and rhyme schemes, rejecting the fluidity of contemporary poetry for his own idiosyncratic style, based on a real understanding of the variety of speech rhythms and registers. Each individual poem is designed to express in its language and form, and with utter honesty, Hardy's impressions of life. — Geoffrey Harvey

Have you ever stopped to think that maybe you were wrong? Maybe, you only saw your point of view and you never once put yourself in the other person's shoes. Maybe, walking away from the senseless drama and spiteful criticism isn't the best thing to do. Maybe, for just once in your life you could wear another person's confusion, pain or misunderstanding. Maybe, your future doesn't require explaining yourself or offering an explanation for your indifference, but your character and reputation does. What if one day you find out that you didn't have all the information you thought you did? What if you find out that your presence was needed for healing? What if you only knew half of it and the other half was just your fear and anger translating everything you experienced? What if you were wrong? What if the same thing happened to you? — Shannon L. Alder

Perhaps the most important thing we bring to another person is the silence in us, not the sort of silence that is filled with unspoken criticism or hard withdrawal. The sort of silence that is a place of refuge, of rest, of acceptance of someone as they are. We are all hungry for this other silence. It is hard to find. In its presence we can remember something beyond the moment, a strength on which to build a life. Silence is a place of great power and healing. — Rachel Naomi Remen

I learned that it's okay to feel the way I do: that my life has no meaning unless I have a boyfriend. A real man is like the perfect vampire-boy and all the perfect guys in Twue Wuv. — Jess C. Scott

When you become worthy of people's worship, you will be able to attain moksha (liberation), you cannot go to moksha just like that. Reproach (criticism) by people is the cause of a life in the lower realms. — Dada Bhagwan

Easing back in her seat, Grace watched the children in the playground opposite, coats off, faces flushed, laughing hysterically with pleasure. They were so vividly alive, completely immersed in the game. She tried to recall a time when she'd been that way and realized she couldn't remember when that had been. She'd lost the knack of forgetting herself. Instead she seemed to look down on herself throughout the day, scrutinizing, judging; finding herself wanting more. — Kathleen Tessaro

It may be that the Chronicles of Narnia may outlive The Allegory of Love, and Perelandra outlive them both. Few works of learning and criticism survive a hundred years; what it was learned to know in 1950 will be expected of scholarship-candidates in 2000; new things will be discovered, old notions disproved, other critical values asserted; but a piece of genuine imagination in fiction may have a long life. — Jocelyn Gibb

Beauty surrounds us, but oftentimes it takes a person with a poetic perception, an artist's way of looking at the world, to first notice the sublime, and then stagecraft the splendor of nature so that other people can perceive their synoptic vision. The spirit and aesthetic intention behind the work is what assigns the work its artistic quality. Great works of poetry and writing, for instance, express not simply a criticism of life, but also encompass a philosophy for living. — Kilroy J. Oldster

Learn to think and judge for yourself, responsibly. Don't accept everything without criticism and as absolutely true, everything which is brought to your attention. Learn from life. The biggest mistake of my life was that I believed everything faithfully which came from the top, and I didn't dare to have the least bit of doubt about the truth of that which was presented to me. Walk through life with your eyes open. Don't become one-sided; examine the pros and cons in all matters. — Rudolf Hoss

So the professor takes the student's point seriously, and responds with a concise but adequate argument in defence of the disputed equation. The professor tries hard to show no sign of being irritated by criticism from so lowly a source. Most of the questions from the floor will have the form of criticisms which, if valid, would diminish or destroy the professor's life's work. But bringing vigorous and diverse criticism to bear on accepted truths is one of the very purposes of the seminar. Everyone takes it for granted that the truth is not obvious, and that the obvious need not be true; that ideas are to be accepted or rejected according to their content and not their origin; that the greatest minds can easily make mistakes; and that the most trivial-seeming objection may be the key to a great new discovery. — David Deutsch

The people who believe themselves superior to you will reveal themselves in how they respond to criticism from you. An opinion of anyone carries as much weight as whatever value that person's social currency has. A poor man spouting words more thought provoking than plato would not be credit for his prudence for his social currency and not his wisdom decides the value of his life. — Crystal Evans

People in office have to become models of correct behaviour. What they say and how they act should be beyond criticism. And when they commit the slightest mistake, they should quit their office on moral grounds without waiting to be proved guilty. Moral values must take centre stage in all walks of life. — D. R. Karthikeyan

Self-criticism is a way of life in North Korea. Everybody has to do it, even the highest party members. Our sessions were once a week on Monday mornings. All through the week, we were supposed to keep a diary, where we wrote about the times we failed to live up to Kim Il-sung's teachings. — Charles Robert Jenkins

Thus, on the one hand, Spenser's thought is steeped in sensuous detail, so that for him there is no really abstract thinking; men, he thinks, 'should be satisfied with the use of these days, seeing all things accounted by their showes, and nothing esteemed of, that is not delightfull and pleasing to commune sense' ( Prefatory Letter). But on the other hand the details of the physical universe become translucent from the pulsing light of varied human experience which is seen behind it. His 'haunt and the main region of (his) song' is the inner life of man and it is described in the symbolism of human figures clothed in raiment iridescent with innumerable associations. His art is a development of the mediaeval. — Janet Spens

It's one thing to make a pronouncement in a moment of inspiration about what you intend to manifest in your life or what kind of person you intend to become. It's quite another thing to make a commitment to holding that vision regardless of what difficulties or obstacles may surface. Holding the vision involves an unwillingness to compromise what you're visualizing for yourself. It means being willing to suffer through criticism and what appears to be an uncooperative universe. — Wayne Dyer

Don't be fool enough to think you can know a person's character after a few moments of observation. You can't. You have no idea where his life began or how his saga has unfolded thus far. Only his present state can you witness. To judge him at a glance is like reading one page in an open book, believing it's enough to confidently recite the story from beginning to end. True, one page may tell you much, but not nearly enough to accurately critique a book or evaluate a life. So, either become his friend and learn his entire story, or refrain from commenting on a tale you know nothing about. — Richelle E. Goodrich

In the spiritual domain, criticism is love turned sour. In a wholesome spiritual life there is no room for criticism. The critical faculty is an intellectual one, not a moral one. If criticism becomes a habit it will destroy the moral energy of the life and paralyse spiritual force. The only person who can criticise human beings is the Holy Spirit. — Oswald Chambers

Citizen involvement in democracy triggers criticism and creative attitude, the spirit of competition and transparency as well. This is the dynamic of life that must be confronted, a continuous process of improvement towards better quality of democracy, governance and stronger nation. Neutrality may not make you dizzy, and also nurture your apathetic attitude and skip an opportunity to participate and contribute to change, no matter how small it is. — Toba Beta

Oh, yes, there are ways in which men can be destroyed short of murder. We can destroy a man's reputation, we can shake somebody else's confidence in him by whispering criticism or by deliberate fault finding. That is the kind of thing which our Lord is here indicating, and His whole purpose is to show that all that is included in this commandment: 'Thou shalt not kill.' Killing does not only mean destroying life physically, it means still more trying to destroy the spirit and the soul, destroying the person in any shape or form. — D. Martyn Lloyd-Jones

All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. — Ronald Carter

The effect, if not the prime office, of criticism is to make our absorption and our enjoyment of the things that feed the mind as aware of itself as possible, since that awareness quickens the mental demand, which thus in turn wanders further and further for pasture. This action on the part of the mind practically amounts to a reaching out for the reasons of its interest, as only by its ascertaining them can the interest grow more various. This is the very education of our imaginative life. — Henry James

And your doubt can become a good quality if you train it. It must become knowing, it must become criticism. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perhaps bewildered and embarrased, perhaps also protesting. But don't give in, insist on arguments, and act in this way, attentive and persistent, every single time, and the day will come when, instead of being a destroyer, it will become one of your best workers
perhaps the most intelligent of all the ones that are building your life. — Rainer Maria Rilke

Bloomsbury lost Fry, in 1934, and Lytton Strachey before him, in January 1932, to early deaths. The loss of Strachey
was compounded by Carrington's suicide just two months after, in March. Another old friend, Ka Cox, died of a heart attack in 1938. But the death, in 1937, of Woolf 's nephew Julian, in the Spanish Civil War, was perhaps the
bitterest blow. Vanessa found her sister her only comfort: 'I couldn't get on at all if it weren't for you' (VWB2 203). Julian, a radical thinker and aspiring writer, campaigned all his life against war, but he had to be dissuaded by his
family from joining the International Brigade to fight Franco. Instead he worked as an ambulance driver, a role that did not prevent his death from shrapnel wounds. Woolf 's Three Guineas, she wrote to his mother, was
written 'as an argument with him — Jane Goldman

Human life is not for suffering criticism. If it is the truth and there is no nagging or insistence upon it, others will accept it in their hearts. And if it is the truth and you nag or insist upon it, it will not touch others. — Dada Bhagwan

We dedicate most of the time worrying about our deficiencies and self-criticism instead of concentrating on our goals and believing in our destination — Sunday Adelaja

Often the crowd does not recognize a leader until he has gone, and then they build a monument for him with the stones they threw at him in life. — J. Oswald Sanders

Algernon. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility! Jack. That wouldn't be at all a bad thing. Algernon. Literary criticism is not your forte, my dear fellow. Don't try it. You should leave that to people who haven't been at a University. They do it so well in the daily papers. — Oscar Wilde

I'm often asked how I take the criticism directed my way. I have three answers: First, if you choose to be in public life, remember Eleanor Roosevelt's advice and grow skin as thick as a rhinoceros. Second, learn to take criticism seriously but not personally. Your critics can actually teach you lessons your friends can't or won't. I try to sort out the motivation for criticism, whether partisan, ideological, commercial, or sexist, analyze it to see what I might learn from it, and discard the rest. Third, there is a persistent double standard applied to women in politics - regarding clothes, body types, and of course hairstyles - that you can't let derail you. Smile and keep going. — Hillary Rodham Clinton

There's one kind of writing that's always easy: Picking out something obviously stupid and reiterating how stupid it obviously is. This is the lowest form of criticism, easily accomplished by anyone. And for most of my life, I have tried to avoid this. In fact, I've spend an inordinate amount of time searching for the underrated value in ostensibly stupid things. I understand Turtle's motivation and I would have watched Medelin in the theater. I read Mary Worth every day for a decade. I've seen Korn in concert three times and liked them once. I went to The Day After Tomorrow on opening night. I own a very expensive robot that doesn't do anything. I am open to the possibility that everyting has metaphorical merit, and I see no point in sardonically attacking the most predictable failures within any culture. — Chuck Klosterman

[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling. — T. S. Eliot

Hardy classified A Pair of Blue Eyes among 'Romances and Fantasies'. A favourite of Tennyson, its melancholy treatment of youth, love and death is expressive of late nineteenth-century susceptibilities. Not unnaturally in an early novel, Hardy draws freely on his own life. — Geoffrey Harvey

Criticism, for a book, is a truthful, unfaked badge of attention, signaling that it is not boring; and boring is the only very bad thing for a book. Consider the Ayn Rand phenomenon: her books Atlas Shrugged and The Fountainhead have been read for more than half a century by millions of people, in spite of, or most likely thanks to, brutally nasty reviews and attempts to discredit her. The first-order information is the intensity: what matters is the effort the critic puts into trying to prevent others from reading the book, or, more generally in life, it is the effort in badmouthing someone that matters, not so much what is said. So if you really want people to read a book, tell them it is "overrated," with a sense of outrage (and use the attribute "underrated" for the opposite effect). — Nassim Nicholas Taleb

When on life's journey it becomes our lot to travel with criticism of skeptics, the hate of some, the rejection of others, the impatience of many, or a friend's betrayal, we must be able to pray in such a manner that an abiding faith and a strong testimony that the Lord will be with us to the end, will compel us to say, "Nevertheless, Father, Thy will be done, and with Thy help, in patience I will follow firmly on the path that takes me back to Thee." — Angel Abrea

Take whatever is thrown at you and build upon it. "Yes ... and" rather than "No ... but." "The idiot is bound by his pride," he says. "It always has to be his way. This is also true of the person who is deceptive or doing things wrong: he always tries to justify himself. A person who is bright in regard to his spiritual life is humble. He accepts what others tell him - criticism, ideas - and he works with them. — Michael Lewis

The fact of resurrection is not extraordinary; it is in accord with what we who believe at all believe to be the uniform law of life
that death does not touch it. The witnesses to the resurrection of Christ were unprejudiced, unexpectant, incredulous, and their honesty is not doubted even by skeptical criticism. — Charles Spurgeon

You see an artist, a creative person, can accept criticism or can live with the criticism much more easily than with being ignored. Criticism makes you feel alive. If somebody is bothered enough to speak vituperatively about it, you feel you have touched a nerve and you are at least 'in touch.' You are not happy that he doesn't like it, but you feel you are in contact with life. — Saul Bass

To us to-day this period of transition, with its mediaeval mixture of commerce, religion, and war, of emotion and logic, of admiration for St. Augustine and belief in the infallibility of Aristotle, looks extremely odd. We forget that our generation may be in danger of similar criticism. Odd or not, this was the state of Italy in the period preceding that great burst of the arts and intellectual life known as the Renaissance. FOOTNOTES: — Henry Dwight Sedgwick

Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows that my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me. — Henri J.M. Nouwen

One of life's fundamental truths states, 'Ask and you shall receive.' As kids we get used to asking for things, but somehow we lose this ability in adulthood. We come up with all sorts of excuses and reasons to avoid any possibility of criticism or rejection. — Jack Canfield

Chaucer's world in The Canterbury Tales brings together, for the first time, a diversity of characters, social levels, attitudes, and ways of life. The tales themselves make use of a similarly wide range of forms and styles, which show the diversity of cultural influences which the author had at his disposal. Literature, with Chaucer, has taken on a new role: as well as affirming a developing language, it is a mirror of its times - but a mirror which teases as it reveals, which questions while it narrates, and which opens up a range of issues and questions, instead of providing simple, easy answers. — Ronald Carter

When the same lessons of life that taught them teaches you, you get a good understanding of what made them become who and what they became; you appreciate them better and you uphold the dignity of their integrity in high esteem! — Ernest Agyemang Yeboah

Johnson's later life, from 1763, is among the best documented of all literary lives. James Boswell gave himself the enormous task, after Johnson's death in 1784, of producing what is now held to be a model of biography; rich in detail and anecdote, a complete picture of the man and his times, traced over a period of more than twenty years. Boswell's Life of Johnson, published in 1791, carries on Johnson's own contribution to the growing art of biography, and consolidates Johnson's position as a major literary figure, who, although a poet and a novelist, is remembered more for his academic and critical achievement than for his creative writings. — Ronald Carter

Those who have chosen the path of least resistance in life, who cannot bear to bring themselves to make a stern value-judgment in criticism of their own most intimate feelings, achieve what they deserve: not self-understanding but radical self-superficialization, not a discovered but a self-ascribed identity that explains nothing, reveals nothing, means nothing, and ultimately accomplishes nothing culturally or intellectually. — Kenny Smith

I love criticism. Equitable Life went down because management wouldn't brook criticism, but if you are in business, you have to hear what's going wrong. — Peter Hargreaves

When something's wrong, even though you're the one doing it, you shouldn't feel defensive about it. It's hard because you have to protect yourself as a person in your life, but you can't protect yourself as an actor. You have to just take criticism. — Jess Weixler

The preceding criticism ... justifies the following definition of the entire human: human existence as the life of "unmotivated" celebration, celebration in all meaning of the word: laughter, dancing, orgy, the rejection of subordination, and sacrifice that scornfully puts aside any consideration of ends, property, and morality. — Georges Bataille

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless
as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it ... The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house. — Janet Malcolm

Contemplation: I read a lot of books on philosophy and religion, and try to keep always growing in that part of my life, because without having a spiritual grounding, I think you can get really swayed by the winds of all the praise or the criticism; it's all very, kind of, up and down. Try to stay up and focused. — Kimbra

What The Mysteries of Udolpho suggests is how a novel, by presenting phenomena before it present resolutions, can create an on-going, perhaps spurious, but nevertheless compelling dynamic between details which can undermine the ability of form to impose its particular tyranny on the reader's experience: there is a life in the novel which comes from within. — Ian Gregor

Emotions in this country right now are running very high. Sometimes that emotion is translated into inspiration, sometimes into criticism. We've heard some of that tonight. But it's still part of the American way of life. — Matt Lauer

Bhagat Singh revered Lajpat Rai as a leader. But he would not spare even Lajpat Rai, when, during the last years of his life, Lajpat Rai turned to communal politics. He then launched a political-ideological campaign against him. Because Lajpat Rai was a respected leader, he would not publicly use harsh words of criticism against him. And so he printed as a pamphlet Robert Browning's famous poem, 'The Lost Leader,' in which Browning criticizes Wordsworth for turning against liberty. The poem begins with the line 'Just for a handful of silver he left us.' A few more of the poem's lines were:
'We shall march prospering, not thro' his presence;
Songs may inspirit us, not from his lyre,' and
'Blot out his name, then, record one lost soul more.'

There was not one word of criticism of Lajpat Rai. Only, on the front cover, he printed Lajpat Rai's photograph! — Bipan Chandra

The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in the 1960s and it made a large impact on the higher education establishments of Britain and America. New life was breathed into psychoanalytic and Marxist theory, while structuralism gave way to post-structuralism. The stability of the text as a focus of study was challenged by deconstruction, a theory developed by the French philosopher, Jacques Derrida, which represented a complete fracture with the old liberal-formalist mode of reading. Coherence and unity were seen as illusory and readers were liberated to aim at their own meanings. Hardy's texts were at the centre of these theoretical movements, including one that came to prominence in the 1980s, feminism. — Geoffrey Harvey

Suicide is about life, being in fact the sincerest form of criticism life gets. — Wilfrid Sheed