Quotes & Sayings About Creative Brief

Today [the voice of women] is being heard loud and clear. But I do not read the welcome triumph of feminism, social, economic, and creative, as a brief for postmodernism. The advance, while opening new avenues of expression and liberating deep pools of talent, has not exploded human nature into little pieces. Instead, it has set the stage for a fuller exploration of the universal traits that unite humanity. — E. O. Wilson

If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past's fugitive movements of compassion rather than in its solid centuries of warfare. — Howard Zinn

When I take a break, even just a brief one, the creative energy flows in. Only then do I have anything of value to share with others. Once I recognized this, I stopped feeling guilty about taking time for myself. — Holly Mosier

Losing a belief in free will has not made me fatalistic - in fact, it has increased my feelings of freedom. My hopes, fears, and neuroses seem less personal and indelible. There is no telling how much I might change in the future. Just as one wouldn't draw a lasting conclusion about oneself on the basis of a brief experience of indigestion, one needn't do so on the basis of how one has thought or behaved for vast stretches of time in the past. A creative change of inputs to the system - learning new skills, forming new relationships, adopting new habits of attention - may radically transform one's life. — Sam Harris

To relinquish your typical everyday character for a brief while, in pursuit of uninhibited sexual pleasure can be an incredibly cathartic experience.......Why not try it some time? — Miya Yamanouchi

In this very brief history of modern cosmological physics, the laws of quantum and relativistic physics represent things to be wondered at but widely accepted: just like biblical miracles. M-theory invokes something different: a prime mover, a begetter, a creative force that is everywhere and nowhere. This force cannot be identified by instruments or examined by comprehensible mathematical prediction, and yet it contains all possibilities. It incorporates omnipresence, omniscience and omnipotence, and it's a big mystery. Remind you of Anybody?49 — John C. Lennox

Making music, being creative in some primal way, should be fun. Listening to it or playing it can and should take you out of yourself for some brief blissful moments. — Simon Price

The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box. — Henri Cartier-Bresson

These include Philip Marshall Dale, Medical Biographies: The Ailments of Thirty-Three Famous Persons (Norman, OK: University of Oklahoma Press, 1952); Brian Dillon, The Hypochondriacs: Nine Tormented Lives (New York: Faber and Faber, 2010); Douglas Goldman et al., Retrospective Diagnoses of Historical Personalities as Viewed by Leading Contemporary Psychiatrists (Bloomfield, NJ: Schering Corporation, 1958); Kay Redfield Jamison, Touched with Fire: Manic-Depressive Illness and the Artistic Temperament (New York: Free Press, 1993); Jeffrey A. Kottler, Divine Madness: Ten Stories of Creative Struggle (San Francisco: Jossey-Bass, 2006); Philip Mackowiak, Post-Mortem: Solving History's Great Medical Mysteries (Philadelphia: American College of Physicians, 2007); Roy Porter, Madness: A Brief History (New York: Oxford University Press, 2002); David Rettew, Child Temperament: New Thinking About the Boundary Between Traits and Illness (New York: W. W. Norton, 2013). Articles — Claudia Kalb

The struggle of the artist against the art-ideology, against the creative impulse and even against his own work also shows itself in his attitude towards success and fame; these two phenomena are but an extension, socially, of the process which began subjectively with the vocation and creation of the personal ego to be an artist. In this entire creative process, which begins with self-nomination as artist and ends in the fame of posterity, two fundamental tendencies - one might almost say, two personalities of the individual - are in continual conflict throughout: one wants to eternalize itself in artistic creation, the other in ordinary life - in brief, immortal man vs. the immortal soul of man. — Otto Rank

Perhaps creativity's greatest mercy is this: By completely absorbing our attention for a short and magical spell, it can relieve us temporarily from the dreadful burden of being who we are. Best of all, at the end of your creative adventure, you have a souvenir - something that you made, something to remind you forever of your brief but transformative encounter with inspiration — Elizabeth Gilbert

Even the great scientists have reported that their creative break-throughs came at a time of mental quietude. The surprising result of a nationwide inquiry among America's most eminent mathematicians, including Einstein, to find out their working methods, was that thinking 'plays only a subordinate part in the brief, decisive phase of the creative act itself'. — Eckhart Tolle