Quotes & Sayings About Cover Pictures
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Top Cover Pictures Quotes

The news business is simple but it's not easy to do well. You know the story, you have to cover it, you need pictures, you need good writers, you have to get it to the screen but it's obviously not easy to do well. — Jai Courtney

Sometimes I read the same books over and over and over. What's great about books is that the stuff inside doesn't change. People say you can't judge a book by its cover but that's not true because it says right on the cover what's inside. And no matter how many times you read that book the words and pictures don't change. You can open and close books a million times and they stay the same. They look the same. They say the same words. The charts and pictures are the same colors.
Books are not like people. Books are safe. — Kathryn Erskine

These visitors remain far removed from the conversations between archaeologists, historians, and government officials concerning Bagan's legacy. Instead, they arrive intrigued by the cover photo of so many Myanmar guidebooks: a panoramic shot of the sprawling, temple-filled plains of a grand ancient city. To the vast majority of these tourists, Bagan isn't a complex matrix of preservation, economic growth, and cultural tradition. It isn't a place to be debated or discussed or analyzed. To many of these tourists, Bagan is simply a place to look around, to take pictures, to buy souvenirs. To them, Bagan is a postcard. This — David Bockino

What's the big deal? I have really strong morals, and just because I look sexy on the cover of Rolling Stone doesn't mean I'm a naughty girl. I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time. — Britney Spears

When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations. Afterward one can choose - not simply accept - the phrases that will best cover the meaning, and then switch round and decide what impressions one's words are likely to make on another person. — George Orwell

Gunner Ainslie made a face at his sister-in-law. "'Amateur' is a bit rough, Alice. I took a degree in archaeology, after all."
She looked even more confused. "Then why are you a photographer now instead of an archaeologist?"
"Because he didn't want to be a burden to the estate like all my other siblings," his brother Elliott, the current Baron Ainslie, answered, giving his wife a squeeze. "Or so he said. Frankly, I think it was a cover so he could take pictures of unclothed women. — Katie MacAlister

But actually making pictures to look like my pictures, I've done it for so long, I'm kind of used to it now. So at the beginning of the process, designing and storyboarding everything, I sort of did all that. And then designed the characters, and doing the textures for the characters, and the texture maps to cover all the animated characters and the sets, I did those, because that's where my sort of coloring and textures get imprinted on the film. — Dave McKean

We must find a balance between "reddish whites," "bluish whites" and "yellowish whites," and decide on the proper length and thickness of the fiber. Then each part of the book can play its proper role: the front cover conveys a powerful silence; the inside cover the purity of first openings; the title page the texture of new beginnings; while the body of the text sets the words and pictures against a clear background, or whispers "touch me!" to the reader's fingertips — Kenya Hara

Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page. — Jane Green

Put a damn shirt on and cover up your eighteen pack or whatever you got going on under that skin, you are making me drool."
"Lea, stop saying crap like that to me and stop gawking, awkward."
Lea smiled down at me, "You, sir are a bit easy on the eye, so therefore I shall stare at you. If you feel at all uncomfortable, I could always knock you over the head with something until you're unconscious and take pictures. — Christine Zolendz

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

It is the subtle things in life that you have to look for because the deepest love speaks at a whisper that only two people can hear. — Shannon L. Alder

A house without books is a poor house, even if beautiful rugs are covering its floors and precious wallpapers and pictures cover its walls — Hermann Hesse

At the heart of the gay marriage argument is an untruth: unions of two men or women are not the same as unions of husband and wife. The law cannot make it so, it can only require us to paint pretty pictures to cover up deep truths embedded in human nature. — Maggie Gallagher

As they passed through the exit, Indrani pulled Zarina's stole over her head, covering half of her face. The two words - not guilty - had changed Zarina's stature in minutes, from a relentless human rights activist to someone running for cover. They climbed down the stairs and rushed to the parking lot. Zarina's car was in a pathetic condition - smashed windscreen, deflated tyres, broken rear view mirrors and torn upholstery. An exasperated Zarina raised her hands in utter disgust. Mob fury. Idiots, if they have won the case, let them celebrate their victory; why smash my car? The fighter in her forced Zarina to take out her cell phone and click pictures of her car from different angles. — Hariharan Iyer

We straighten , bu our snickering is barely contained as we attempt to focus our attention on a picture of a discarded Coke can. "This guy's lady love is kind of a slob, don't you think?" he whispers.
I cover my mouth with my hands again.
"A reaaaaaaaal litterbug."
"Stop it," I hiss. My eyes are watering. "Ohmygod look at this one! How did he get her toenail clippings?"
"If you were my girl," he whispers, "I'd take creepy pictures of your trash when I knew you weren't looking."
"If you were my girl," I whisper back," I"d put the creepy pictures in a foreign museum so you wouldn't know that I take creepy pictures. — Stephanie Perkins