Course How To Write Quotes & Sayings

If you put it as 'complex nervous systems' it sounds pretty deflationary. What's so special about a complex nervous system? But of course, that complex nervous system allows you to do calculus. It allows you to do astrophysics ... to write poetry ... to fall in love. Put under that description, when asked 'What's so special about humans ... ?', I'm at a loss to know how to answer that question. If you don't see why we'd be special ... because we can do poetry [and] think philosophical thoughts [and] we can think about the morality of our behavior, I'm not sure what kind of answer could possibly satisfy you at that point.
... I could pose the same kinds of questions of you ... So God says, 'You are guys are really, really special.' How does his saying it make us special? 'But you see, he gave us a soul.' How does our having a soul make us special? Whatever answer you give, you could always say ... 'What's so special about that? — Shelly Kagan

This time Elizabeth Ann didn't answer, because she herself didn't know what the matter was. But I do, and I'll tell you. The matter was that never before had she known what she was doing in school. She had always thought she was there to pass from one grade to another, and she was ever so startled to get a little glimpse of the fact that she was there to learn how to read and write and cipher and generally use her mind, so she could take care of herself when she came to be grown up. Of course, she didn't really know that till she did come to be grown up, but she had her first dim notion of it in that moment, and it made her feel the way you do when you're learning to skate and somebody pulls away the chair you've been leaning on and says, "Now, go it alone! — Dorothy Canfield Fisher

A dear and long-time friend, ... asked me, "Jack, how long does it usually take you to write a book?" I replied, "Of course it depends on the project and its requirements, each book has its own rules. But for a statement to the world at large, once I've thought a book through and written it in my mind, it takes me around a week or so, depending on this and that, ordinarily at the rate of a chapter a day, but I've had some two-chapters day and some chapters have taken two days. And then of course there is revision, but around a week is about right." He seemed surprised, and I was surprised by his surprise, so I thought, maybe I'm wrong. I went home and wrote this book, at the perfectly normal pace of a chapter a day, as usual ... — Jacob Neusner

You obsess (but of course you obsess) until the joy is gone from that thing you'd loved, until your fury overwhelms your passion, until you no longer know how to sit with your back against a tree and write poetry that no one will ever see. — Beth Kephart

When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point. — Lucinda Williams

At school, my religious-education teacher expressly forbade us to write "Xmas." It was regarded as a foul blasphemy. How would I like it if people used an anonymous X in place of my name? However, it would seem that the word "Xmas" is not blasphemous after all.

In the original Greek, "Christ" was written "Xristos," but the X isn't the Roman "ecks"; The Cassell Dictionary of Word Histories explains that it is the Greek letter "chi" (pronounced with a k to rhyme with "eye"--k'eye). The x is simply a stand-in for "the first letter of Greek Khristos--Christ." Indeed, the Chi-Rho (CH-r--the first two syllables of "Christ") illumination can be seen in the ancient Irish manuscript of the Gospels, The Book of Kells, which is housed at Trinity College in Dublin. This work dates back to the ninth century.

Of course, strictly speaking, Xmas" should still be pronounced "Christmas" because it's an abbreviation, not an alternative word. — Andrea Barham

I don't recall that when I was in high school or college, any novel was ever presented to me to study as a novel. In fact, I was well on the way to getting a Master's degree in English before I really knew what fiction was, and I doubt if I would ever have learned then, had I not been trying to write it. I believe that it's perfectly possible to run a course of academic degrees in English and to emerge a seemingly respectable Ph.D. and still not know how to read fiction. — Flannery O'Connor

The good stories, of course, write themselves. And somebody wants to know who are the really good writers, and how many of them there are. There aren't any. Most of the writers are likeable frauds. Some are unlikable frauds. — R.A. Lafferty

I am profoundly uncertain how to write. I know what I love and what I like, because it's a direct passionate response. But when I write, I'm very uncertain whether it's good enough. That is, of course, the writer's agony. — Susan Sontag

I began to think about the extent to which nude and semi-nude female bodies are commonplace in our present day culture and how young girls might be affected. I wondered if, at some point, this bombardment of images could possibly get boring and that concealing - rather than revealing - would awaken sexual desire. I don't think that will ever be the case, of course, but I was intrigued to write a poem in which dressing was just as erotic as undressing. — Denise Duhamel

How do you write when you're not miserable? The solution, of course, is to make yourself miserable about not writing. — Jerry Stahl

During the course of the day, I write things down, things I don't do anything with. Then, when I get ready to start recording, I just look through my books and I see if I can find something that stands out. That's how I come up with the off-the-wall-kinda-strange-indirect-stuff. — Bootsy Collins

You will ask me, after this, why, I didn't tell you this before. It is because I know how powerful a story can be. It can change the course of history. It can save a life. But it can also be a sinkhole, a quicksand in which you become stuck, unable to write yourself free. — Jodi Picoult

Kitty Kelley's method, already perfected in her unauthorised and unflattering biographies of Frank Sinatra and Nancy Reagan, is to write bestsellers that take what she describes as an 'unblinking look' at their subjects - which might, of course, mean that her eyes are permanently open or permanently closed ... the result is a work so bad that Britons cannot realise how fortunate they are in being unable to buy it. The great mistake with this book is not that it has been published in Britain, but that it has actually been published anywhere else. — David Cannadine

I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months. The thing to say to such people is: "See how *bad* a story you can write. See how dull you can be. Go ahead. That would be fun and interesting. I will give you ten dollars if you can write something thoroughly dull from beginning to end!" And of course, no one can. — Brenda Ueland

I started out of course with Hemingway when I learned how to write. Until I realized Hemingway doesn't have a sense of humor. He never has anything funny in his stories. — Elmore Leonard

Of course, I could holler Religious Persecution. Not that it would do any good. But it's something I happen to know quite a bit about, seeing as Religious Persecution was my assignment in Social Studies that time we studied Man's Inhumanity to Man. The idea was to write a two-thousand-word report proving how everybody has been a shit to everybody else through the ages, and where did it ever get them? This is supposed to improve us somehow, I guess. — Guy Vanderhaeghe

The main reason I became a teacher is that I like being the first one to introduce kids to words and music and people and numbers and concepts and idea that they have never heard about or thought about before. I like being the first one to tell them about Long John Silver and negative numbers and Beethoven and alliteration and "Oh, What a Beautiful Morning" and similes and right angles and Ebenezer Scrooge ... Just think about what you know today. You read. You write. You work with numbers. You solve problems. We take all these things for granted. But of course you haven't always read. You haven't always known how to write. You weren't born knowing how to subtract 199 from 600. Someone showed you. There was a moment when you moved from not knowing to knowing, from not understanding to understanding. That's why I became a teacher. — Phillip Done

I am, apparently, of that rare breed that likes to write. The demands of a chapter pull me from bed in the morning, and regardless of how well I think I know the day's road ahead, there are always surprises. But the pleasures that come from writing about the American past, of discovering what I hope no one has seen before, are of course balanced by rough, often tedious stretches. Writing does not come easily for me; I work slowly, much like a sculptor with a chisel, only words rather than stone or wood are my medium. But when at the end of the day I have a page or two that seem right, I pull away from the desk certain that all is right in the world, regardless of what the evening news might tell me later. — David Freeman Hawke

These days, I've been trying to classify my thoughts into two categories: "Things I can change," and "Things I can't." It seems to help me sort through what to really stress about. But there I go again, over-planning and over-organizing my over-thinking! I write songs about my adventures and misadventures, most of which concern love. Love is a tricky business. But if it wasn't, I wouldn't be so enthralled with it. Lately I've come to a wonderful realization that makes me even more fascinated by it: I have no idea what I'm doing when it comes to love. No one does! There's no pattern to it, except that it happens to all of us, of course. I can't plan for it. I can't predict how it'll end up. Because love is unpredictable and it's frustrating and it's tragic and it's beautiful. And even though there's no way to feel like I'm an expert at it, it's worth writing songs about
more than anything else I've ever experienced in my life. — Taylor Swift

But then of course you reach a point where you have to say, I've got to figure out how this book's going to end. Otherwise, you're going to write yourself into so many dead-ends. — Anthony Doerr

Of course you want someone special to love you. A majority of the people who write to me inquire about how they can get the same thing ... Unique as every letter is, the point each writer reaches is the same: I want love and I'm afraid I'll never get it.
It's hard to answer those letters because I'm an advice columnist, not a fortune-teller. I have words instead of a crystal ball. I can't say when you'll get love or how you'll find it or even promise that you will. I can only say you are worthy of it and that it's never too much to ask for it. — Cheryl Strayed

We want you to write it down
to camouflage it. Only for the present, of course. Once the thing gets going we shan't have to bother about the great heart of the British public. We'll make the great heart what we want it to be. But in the meantime, it does make a difference how things are put. For instance, if it were even whispered that the N.I.C.E. wanted powers to experiment on criminals, you'd have all the old women of both sexes up in arms and yapping about humanity. Call it re-education of the mal-adjusted, and you have them all slobbering with delight that the brutal era of retributive punishment has at last come to and end. Odd thing it is
the word 'experiment' is unpopular, but not the word 'experimental.' You must'nt experiment on children; but offer the dear little kiddies free education in an experimental school attached to the N.I.C.E. and it's all correct! — C.S. Lewis

I was full of doubts, of course, not a particularly bad way to be, but I didn't know that. Doubting so much made me suffer, but I could have saved myself the anxiety and simply doubted, without any problem. I was unaware that to doubt is to write. Marguerite Duras would say so in 1995, toward the end of her days: I can say what I like, but I shall never know why people write and how it is people don't write. In life, there comes a time, and I think it is total, that we cannot escape, where we doubt everything: that doubt is writing. — Enrique Vila-Matas

Google released the basic algorithms for a program called TensorFlow for public consumption by the open-source community. TensorFlow is a set of algorithms that enable fast computers to do "deep learning" with big data sets to perform tasks better than a human brain. "By January 2016 we had a course online on how to use the TensorFlow open-source platform to write deep learning algorithms to teach a machine to do anything - copyediting, flying a plane, or legal discovery from documents," explained Thrun. — Thomas L. Friedman

I am uneasy about the practice of other people telling you how to write. This is especially true for beginners who haven't yet developed their style and their writer's persona and are easily pushed off the course. — Yuriy Tarnawsky

It was unaccountable not to be obliged to go out to see her, not to have any occasion to be tormenting myself about her, not to have to write to her, not to be scheming and devising opportunities of being alone with her. Sometimes, of an evening, when I looked up from my writing, and saw her seated opposite, I would lean back in my chair, and think how queer it was that there we were, alone together as a matter of course - nobody's business any more - all the romance of our engagement put away on a shelf, to rust - no one to please but one another - one another to please, for life. — Charles Dickens

Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course, everyone wants to own copyrights. — Hal David

As for 'too much description,' well, opinions differ. We write the books we want to read. And I want to read books that are richly textured and full of sensory detail, books that make me feel as if I am experiencing a story, not just reading it. Plot is only one aspect of telling a tale, and not the most important one. It is the journey that matters, not how fast you arrrive at the destination.
That's my view, anyway. Others writers differ, of course. There are hundreds of books where everything is subordinate to advancing the plot, some of them quite fine, but my work has never been about that, and never will be. — George R R Martin

We were to write a short essay on one of the works we read in the course and relate it to our lives. I chose the "Allegory of the Cave" in Plato's Republic. I compared my childhood of growing up in a family of migrant workers with the prisoners who were in a dark cave chained to the floor and facing a blank wall. I wrote that, like the captives, my family and other migrant workers were shackled to the fields day after day, seven days a week, week after week, being paid very little and living in tents or old garages that had dirt floors, no indoor plumbing, no electricity. I described how the daily struggle to simply put food on our tables kept us from breaking the shackles, from turning our lives around. I explained that faith and hope for a better life kept us going. I identified with the prisoner who managed to escape and with his sense of obligation to return to the cave and help others break free. — Francisco Jimenez

It's the real thing at last. A new type of man: and it's people like you who've got to begin to make him." "That's my trouble. Don't think it's false modesty, but I haven't yet seen how I can contribute." "No, but we have. You are what we need: a trained sociologist with a radically realistic outlook, not afraid of responsibility. Also, a sociologist who can write." "You don't mean you want me to write up all this?" "No. We want you to write it down - to camouflage it. Only for the present, of course. Once the thing gets going we shan't have to bother about the great heart of the British public. We'll make the great heart what we want it to be. But in the meantime, it does make a difference how things are put. — C.S. Lewis

Man knows, and in the course of years he comes to know it increasingly well, feeling it ever more acutely, that memory is weak and fleeting, and if he doesn't write down what he has learned and experienced, that which he carries within him will perish when he does. This is when it seems everyone wants to write a book. Singers and football players, politicians and millionaires. And if they themselves do not know how, or else lack the time, they commission someone else to do it for them ... engendering this reality is the impression of writing as a simple pursuit, though those who subscribe to that view might do well to ponder Thomas Mann's observation that, 'a writer is a man for whom writing is more difficult than it is for others — Ryszard Kapuscinski