Could This Be Real Love Quotes & Sayings

A Farewell For a while I shall still be leaving, Looking back at you as you slip away Into the magic islands of the mind. But for a while now all alive, believing That in a single poignant hour We did say all that we could ever say In a great flowing out of radiant power. It was like seeing and then going blind. After a while we shall be cut in two Between real islands where you live And a far shore where I'll no longer keep The haunting image of your eyes, and you, As pupils widen, widen to deep black And I am able neither to love or grieve Between fulfillment and heartbreak. The time will come when I can go to sleep. But for a while still, centered at last, Contemplate a brief amazing union, Then watch you leave and then let you go. I must not go back to the murderous past Nor force a passage through to some safe landing, But float upon this moment of communion Entranced, astonished by pure understanding - Passionate love dissolved like summer snow. — May Sarton

We are now, I believe, on the threshold of a third stage which I call the stage of the sacred marriage. This is the only position we could possibly take and still survive. This is a stage beyond both matriarchy and patriarchy. It involves the restoration to human respect of all of the rejected powers of the feminine. But it is absolutely essential that this restoration should be accomplished in the deep spirit of the sacred feminine. Not only should we invoke the sacred feminine, restore the sacred feminine, but this union between the matriarchal and the patriarchal, the sacred marriage, must be accomplished in the spirit of the sacred feminine for it to be real, effective, rich, and fecund. It must occur in her spirit of unconditional love, in her spirit of tolerance, forgiveness, all-embracing and all-harmonizing balance, and not, in any sense, involve a swing in the other direction. — Andrew Harvey

What strikes me now as the most wonderful proof of my fitness, or unfitness, for the times is the fact that nothing people were writing or talking about had any real interest for me. Only the object haunted me, the separate, detached, insignificant thing. It might be a part of the human body or a staircase in a vaudeville house; it might be a smokestack or a button I had found in the gutter. Whatever it was it enabled me to open up, to surrender, to attach my signature. To the life about me, to the people who made up the world I knew, I could not attach my signature. I was as definitely outside their world as a cannibal is outside the bounds of civilized society. I was filled with a perverse love of the thing-in-itself - not a philosophic attachment, but a passionate, desperately passionate hunger, as if in this discarded, worthless thing which everyone ignored there was contained the secret of my own regeneration. — Henry Miller

This was no peck on the lips. This was a real first kiss, a movie-star-knock-her-socks-off-fireworks-light-up-the-sky kind of kiss.
A girl could live to be a hundred and never forget that kiss. — Carol Fragale Brill

Who wouldn't love this jargon we dress common sense in: "formal innovation is no longer transformative, having been co-opted by the forces of stabilization and post-industrial inertia," blah, blah. But this co-optation might actually be a good thing if it helped keep younger writers from being able to treat mere formal ingenuity as an end in itself. MTV-type co-optation could end up a great prophylactic against cleveritis - you know, the dreaded grad-school syndrome of like "Watch me use seventeen different points of view in this scene of a guy eating a Saltine." The real point of that shit is "Like me because I'm clever" - which of course is itself derived from commercial art's axiom about audience-affection determining art's value. — David Foster Wallace

But it may be asked, could a man of real honor give his hand to one woman, while his heart was in the possession of another? In most cases of a similar description this question may be easily answered: in the present one, general conclusions, drawn from received opinions, will probably prove erroneous. — Helen Craik

I wish I could tell you to always follow your heart, but I think it is bad advice. You have a heart, yes, it is true, but also a brain and also a soul. I've come to believe that we love with our brains as much as our hearts. Real Love is not just instinct, but intent ... From year to year, you may not always be the same Jane. This is perfectly normal. A Jane is many Janes in a lifetime. — Gabrielle Zevin

The audience roared and applauded again. A rush of actors exited the stage and filled the space around her. Shakespeare had already slipped away. She could see Daniel on the opposite wing of the stage.He towered over the other actors,regal and impossibly gorgeous.
It was her cue to walk onstage. This was the start of the party scene at Lord Wolsey's estate, where the king-Daniel-would perform an elaborate masque before taking Anne Boleyn's hand for the first time. They were supposed to dance and fall heavily in love.It was supposed to be the very beginning of a romance that changed everything.
The beginning.
But for Daniel,it wasn't the beginning at all.
For Lucinda,however, and for the character she was playing-it was love at first sight. Laying eyes on Daniel had felt like the first real thing ever to happen to Lucinda,just as it had felt for Luce at Sword & Cross. Her whole world had suddenly meant something in a way it never had before. — Lauren Kate

Love at first sight." It comes out as hardly more than a whisper, but the quietest words carry in this vast, echoing room. "I've always thought real love could only come later. After you both know each other, trust each other. After days, or weeks, or months spent together - learning to understand everything that isn't spoken out loud."

Paul smiles, which only makes his eyes look sadder. "One can grow into the other, my lady." His words are even quieter than mine. "I have known that to be true."

When we look at each other then, he silently admits something beautiful and dangerous. Does he see the same confession in my eyes? — Claudia Gray

Grace is the first ingredient necessary for growing up in the image of God. Grace is unbroken, uninterrupted, unearned, accepting relationship. It is the kind of relationship humanity had with God in the Garden of Eden. Adam and Eve were loved and provided for. They knew God's truth, and they had perfect freedom to do God's will. In short, they were secure; they had no shame and anxiety. They could be who they truly were. Perhaps you have experienced this kind of love and grace with someone. You can be exactly who you are. You do not need to hide your thoughts or feelings; you do not need to perform; you do not need to do anything to be loved. Someone knows the real you, and loves you anyway. — Henry Cloud

If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography. — Germaine Greer

Each of us has a role to play, and we all need to contribute to making the world a better place. You cannot sit back and do nothing and hope for change; one person can make the biggest difference. Throughout history people have tried to say that we need love and we need to work together, which we do, but you cannot truly love anything unless you learn to love yourself. It all boils down to you, the individual.
When individuals accept themselves, they are liberated from their suffering, and are capable of fully embracing the world around them. You are the only one who can change your life. When the people recognize this, real change will come. Do not wait around for someone else to save the world. You are unique and you have knowledge from your own experience that no one else has. You have ideas and passions that nobody else can claim. You could be the one to help us out of the dreadful situation that we are in, but if you do not act on your ambition the world will never know. — Joseph P. Kauffman

Inside this pencil
crouch words that have never been written
never been spoken
never been taught

they're hiding

they're awake in there
dark in the dark
hearing us
but they won't come out
not for love not for time not for fire

even when the dark has worn away
they'll still be there
hiding in the air
multitudes in days to come may walk through them
breathe them
be none the wiser

what script can it be
that they won't unroll
in what language
would I recognize it
would I be able to follow it
to make out the real names
of everything

maybe there aren't
many
it could be that there's only one word
and it's all we need
it's here in this pencil

every pencil in the world
is like this — W.S. Merwin

Do you think you might be able to love me someday?" He asked and heard her laugh softly.

"I already do." She said and his soul soared. "So this is what the poets write about? This is what they call love?" She asked.

"Yes my love." He said softly.

"They do not do it justice." She stated and he laughed.

"I agree." He told her as he held her, wondering how this could be real. — Jasmine Dubroff

Personally I don't think there's any real intrinsic difference between comic books, movies, theatre, novels. I know there's sure to be some differences of some sorts. I've worked on novels, films, and video games, and in an adaptation, I guess one of the issues is that I have to be in love with the thing I'm adapting before I do it. So that can cause a problem. You can be too scared of it. You could be too reverential. But at the same time you want to try to capture this thing that you're obsessed by. You're fixated for a reason. What's the reason? You try to get ahold of it. — Alex Garland

This was our house. Mine and hers. I know she'd sneak over to the rectory every once in a while and let you wail on her for a night. But I got her the rest of the time. I cooked her breakfast. I answered her fan mail. I put her to bed when she fell asleep at her desk writing. I rubbed her back when she was sore from overworking herself. And when she got all wrought up over you, it was me she cried on. No, she and I never had sex. That's true. But we had love, real love that didn't take anything out of us, that didn't bruise us or break us. I loved her without hurting her. You asked me if I, a virgin, could teach her what sex should be? No, course not. Hell no. But at least I can teach her what love should be like. And she knows it too. — Tiffany Reisz

I kissed him lightly and used the moment to slip the package out of the inside of his pocket. I was a white handkerchief folded into a square. "What's this?"
He pretended to look put out. "Did you just pick my pocket?"
"Yes."
"Good thing it's for you then."
"It is? Really?" I'd only been teasing him when I went through his pockets. I unwrapped it, touched. It was a small brooch made of tin, in the shape of a rose. "Oh, Colin, it's lovely. Thank you!"
"I thought the rose would remind you of this place. I guess now you don't need it." he pinned it to my top, just under my collarbone. "I love you, Violet. Could you love a gardener who can't afford real silver, now that you're an earl's daughter living in a fine house?"
I leaned forward so my lips were so close to his they brushed lightly when I spoke. "I love you, Colin Lennox."
His grin was crooken and wicked.
"Then we'll be just fine. — Alyxandra Harvey

Not his real name, darling, but my own name for him. I never thought it could be like this. I never thought one could be so close, and yet so different to a single human being. He is everything I've never been, and yet I love him more than any person or anything I've ever known. — Rosamunde Pilcher

I wanted love and goodness in this which is living death,' I said. 'It was impossible from the beginning, because you cannot have love and goodness when you do what you know to be evil, what you know to be wrong. You can only have the desperate confusion and longing and the chasing of phantom goodness in its human form. I knew the real answer to my quest before I ever reached Paris. I knew it when I first took a human life to feed my craving. It was my death. And yet I would not accept it, could not accept it, because like all creatures I don't wish to die! And so I sought for other vampires, for God, for the devil, for a hundred things under a hundred names. And it was all the same, all evil. And all wrong. Because no one could in any guise convince me of what I myself knew to be ture, that I was damned in my own mind and soul. — Anne Rice

Does religion fill a much needed gap? It is often said that there is a God-shaped gap in the brain which needs to be filled: we have a psychological need for God
imaginary friend, father, big brother, confessor, confidant
and the need has to be satisfied whether God really exists or not. But could it be that God clutters up a gap that we'd be better off filling with something else? Science, perhaps? Art? Human friendship? Humanism? Love of this life in the real world, giving no credence to other lives beyond the grave? — Richard Dawkins

But nothing could be held true for the rest of one's life, every coveted thing in the end was maya, illusion, a myth, and this the great sages of India had always understood --- little was real. We were put on this earth transitorily; we deposited our genes in offspring; deluded ourselves that we would be missed when we were gone; pretended that money, wealth, titles, and land were to be desired. But every such thing was ephemeral, prone to change. The only reason to live was love. — Indu Sundaresan

First I'm taking your sexy ass to the shower. After that, I'm taking you to bed and making love to you until you're so exhausted that you can't help but fall asleep. I know how your mind works Miss Cooper, and I know that if I don't wear you out you'll be up all night thinking about what could have happened. You got very little sleep last night, we made love for hours this afternoon and then we threw some unexpected travel and a hell of a lot of emotion onto the menu. You need to be loved hard so that you can get some real sleep. — Ella Fox

Why did people fall in love?he wondered as he watched Rock and Doris pretend to do just that. Obviously, it made people ridiculous and not just in movies from the sixties. There had to be some basis in real life or no one would ever have made a silly comedy about love. Yeah, there were also movies about love that weren't comedies, but in those movies people acted ridiculous for a while and then someone announced the were going to die, or they had to go off to war, or oops I forgot to mention my wife. People stopped acting ridiculous and starting acting really serious and sad, sad because the ridiculous part was over. How could people want this foolishness in their lives? — Marshall Thornton

What could have been simply bizarre, sentimental or contrived here becomes an utterly absorbing love story; This is early days in the festival, but Rust and Bone has to be a real contender for prizes, and, the odds will be shortening to vanishing point for Cotillard getting the best actress award. — Peter Bradshaw

I can't keep doing this to myself, getting my hopes up so high, only to have them come crashing down. I can't keep waiting for him to come to his senses, having my whole emotional state rest on what he decides. What if he never wakes up to how perfect we'd be together? What if I spend another year pining for him - or longer even? In a terrible flash, I see my future stretching out before me: waiting for his calls, rearranging my life around college visits, and decoding texts and instant messages like they could be something real, something true.
This isn't love; this is pure torment. — Abby McDonald

He suddenly felt the urge to kiss her-hard- upon the mouth. But this- what he felt, it could never be real. Because once the ball was over, she would go back to being an assassin, and he would still be a prince. Dorian swallowed hard. For tonight, though ...
He held her closer. Everyone transformed into mere shadows on the wall. — Sarah J. Maas

Edgar, do you actually think that how long a person grieves is a measure of how much they loved someone? There's no rule book that says how to do this." She laughed, bitterly. "Wouldn't that be great? No decisions to make. Everything laid right out for us. But there's no such thing. You want facts, don't you? Rules. Proof. You're like your father that way. Just because a thing can't be logged, charted, and summarized doesn't mean it isn't real. Half the time we walk around in love with the idea of a thing instead of the reality of it. But sometimes things don't turn out that way. You have to pay attentin to what's real, what's in the world. Not some imaginary alternative, as if it's a choice we could make. — David Wroblewski

Do you not know that there comes a midnight hour when every one has to throw off his mask? Do you believe that life will always let itself be mocked? Do you think you can slip away a little before midnight in order to avoid this? Or are you not terrified by it? I have seen men in real life who so long deceived others that at last their true nature could not reveal itself; ... In every man there is something which to a certain degree prevents him from becoming perfectly transparent to himself; and this may be the case in so high a degree, he may be so inexplicably woven into relationships of life which extend far beyond himself that he almost cannot reveal himself. But he who cannot reveal himself cannot love, and he who cannot love is the most unhappy man of all. — Soren Kierkegaard

And you thought you'd honk Shay off real good by asking the man at the top of her Most Hated list." "She doesn't hate you." "Could've fooled me." "Well, you haven't fooled anybody, least of all me." Miss Lucy's eyes, magnified by the bottle glasses, narrowed knowingly. Travis looked toward the darkening sky and clamped his jaw. "Don't know what you're talking about." "Don't be contrary with me, Travis McCoy. I've known you since you were running around this place in nothing but a diaper. You're still in love with Shay. — Denise Hunter

Oh, my love," Erienne breathed as he pressed his lips to her brow, "I was afraid you would come, and yet I hoped you would."
Light kisses rained upon her cheek and brow as he held her close, savoring the nearness of her while he could. "I would have come sooner had I known where they had taken you. I had not expected this of your father, but he will answer. I promise you that."
Erienne shook her head and replied in the same muted tone. "He is not my real father."
Christopher held her away, looking down at her wonderingly. "What is this?"
"My mother married an Irish rebel and got with child before he was hanged. Avery married her, knowing the facts, but he never told her that it was he who had given the final orders to hang my father."
Christopher gently brushed a tumbled curl from off her cheek. "I knew you were too beautiful to be kin to him."

-Erienne & Christopher — Kathleen E. Woodiwiss

While they read these stories, moreover - and this is a comforting thought for those who believe that the best way for anyone to become a lover of real literature is to be exposed to it early and often - boys and girls are not only gratifying their love for a
stirring tale, they are making the acquaintance of the great story-tellers of the past, taking them into their lives as companions. This early contact gives children an experience which will keep their horizon in after life from being entirely circumscribed by the mediocre and ephemeral. If a boy has sailed the wine dark Aegean, or climbed a height whence he could watch Roland's last heroic stand in the Pass of Roncevaux, some gleam remains, and there is far less likelihood that his adult reading will be entirely commonplace. — Anne Thaxter Eaton

This time could be different. This time it could last. Maybe it would be a longer, deeper love: a real and solid entity that lived in the house, used the bathroom, ate their food, mussed up the linens in sleep. A love that pulled her close when she cried, that slept with its chest pressed against her back. — Leslye Walton

I think love is the most misunderstood emotion in the universe. I don't think half the people know what real love is. And I don't think half the people on this planet have ever experienced it. If people experienced for one moment what real love is, we could never live the way we live with each other. We couldn't do to each other what we're doing. We couldn't ignore what we're ignoring. We couldn't allow it to be the way it is. — Neale Donald Walsch

Rose leaned against the bathroom door. Here it was - her real life, the truth of who she was, barreling down on her like a bus with bad brakes. Here was the truth - she wasn't the kind of person Jim could fall in love with. She wasn't what she'd made herself out to be - a cheerful, uncomplicated girl, a normal girl with a happy, orderly life, a girl who wore pretty shoes and had nothing more pressing on her mind that whether ER was a rerun this week. The truth was in the exercise tape she didn't have time to unwrap, let alone exercise to; the truth was her hairy legs and ugly underwear. Most of all, the truth was her sister, her gorgeous, messed-up, fantastically unhappy and astoundingly irresponsible sister. — Jennifer Weiner

The thing that's hard about it - the thing that makes it so hard when the person you love has been taken from you, not by something evil you could have seen coming but by random, pure chance - is that you find yourself suddenly living through a history other than the one you expected to live, through no fault of your own. I feel . . . it's hard to describe, but I feel weirdly outside of time. Ever since the accident I've had these moments when I felt like a visiting guest in this world, not a permanent resident. Like sometimes I look in a mirror and I feel like I can almost see through the version of me on the other side of the glass. And sometimes I feel like I can see the history I used to be in more clearly than the history I'm in now - the real history is one where Philip and Sean and I are all together, being a family and doing whatever family things people do, and this one's like . . . like a fake version of events that I've been yanked into, where everything's gone wrong. — Dexter Palmer

If I could fall in love with a girl, it'd be her. Those ifs are dangerous. You try them on in your head like dresses, so easy to slide in and out of. If I kissed girls, I'd kiss her. If we kissed, it'd go like this. At some point I dropped the if like a slip and just wore the feeling, nothing between it and my skin. When I kiss her. When it happens. All of it took place in my head, in silence, locked tight in skull bone and the frantic synaptic whispers between neurons, no clues popping out except the passive-aggressive haircut, the incriminating poem.
That's the problem with writers. Too much imagination.
The greater part of me knew it couldn't be real, but the hopeful part, which is more concentrated and condensed, rich in nine essential delusions, thought: It's not all in your head. — Leah Raeder

During his sweet sleep, there was an angelic creature and in her eyes a look of joyous elation that filled Kevin's mind with anticipation of her possible existence in the real world. This freckle-faced vision with her wild mane of untamed blonde curls nightly left an unexplainable ache in his soul. In his dreams, she would appear to him as a mirage of hope. He could feel the love in her heart, for it seeped through her very essence into the air between them. She lay next to him in the grass as they quietly observed the sky above. Her hand seemed to be always just out of his reach. Kevin wanted to hold her hand so badly it was torturous. Her hand was just about touching his but not quite. Then her fingers brushed a path across his fingertips as if to say in the exquisite beauty of the moment, I will always be right here. — Kim Cormack

Rimbaud held the keys to a mystical language that I devoured even as I could not fully decipher it. My unrequited love for him was as real to me as anything I had experienced. At the factory where I had labored with a hard-edged, illiterate group of women, I was harassed in his name. Suspecting me of being a Communist for reading a book in a foreign language, they threatened me in the john, prodding me to denounce him. It was within this atmosphere that I seethed. It was for him that I wrote and dreamed. He became my archangel, delivering me from the mundane horrors of factory life. His hands had chiseled a manual of heaven and I held them fast. The knowledge of him added swagger to my step and this could not be stripped away. I tossed my copy of Illuminations in a plaid suitcase. We would escape together. — Patti Smith

In the opera, there was only one great love for the characters. In... tales there was only one love as well - yes, even after death. Everything I had read or sung or felt said this was always the case. If you ignored this great truth, if you gave up on it of being too hard to hold on to, or let it slip away to have mere things, no real meaning could be left in life. — Lenore Hart

But there she was, standing next to his mother, so beautiful, so radiant that he could not see anyone else.
Suddenly the rest of the world seemed like such a chore. He didn't want to be here at this dance, with people he didn't want to talk to and messages he didn't particularly wish to deliver. He didn't want to dance with young ladies he didn't know, and he didn't want to make polite conversation with people he did. He just wanted Billie, and he wanted her all to himself.
He forgot about Tallywhite. He forgot about pease, porridge, and pudding, and he stalked across the room with such single-minded purpose that the crowds seemed to melt from his path.
And somehow, amazingly, the rest of the world had not yet noticed her. She was so beautiful, so uncommonly alive and real in this room full of waxen dolls. She would not go undiscovered for long.
But not yet. Soon he would have to fight the throngs of eager young gentlemen, but for now, she was still his alone. — Julia Quinn

I hate this part," I sighed in aggravation and jerked the sunglasses from my eyes, setting them atop my head into my hair.
"What?" he said in a voice that clearly didn't understand where I could be leading things.
"This is where the leading man tries to save the girl from herself. She is willing to give up everything for him and he, in his misguided attempt to save her, tells her he's skipping for the hills and she has to beg him to stay and convince him that her love is real and that she is sound of mind. — Shelly Crane