Copy Editor Quotes & Sayings

As a writer, you write the book, you give it to your editor, it's copy edited, it's published, it's thrown out there, and then there's a response. — David Bergen

I have to admit that as a copy editor I agree with the conservatives - my job is to do no harm. But as a person - and as a writer and reader - I am all over the place. — Mary Norris

Bradlee had been recruited with the idea that the New York Times need nod exercise absolute preeminence in American journalism.
That vision had suffered a setback in 1971 when the Times published the Pentagon Papers. Though the Post was the second news organization to obtain a copy of the secret study of the Vietnam war, Bradlee noted that 'there was blood on every word' of the Times' initial stories. Bradlee could convey his opinions with a single disgusted glance at an indolent reporter or editor.
Carl Bernstein, Bob Woodward — Carl Bernstein

I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper. — Wendell Pierce

I treat my writing like a day job, like my main job, even if for many years I was doing other jobs to pay the bills. I worked as a copy editor. I was a medical guinea pig. I was an eBay power seller of ladies' handbags. I was an assistant to a bookie at the horse races. I bartended. I did anything I could to make ends meet. — Miguel Syjuco

Everything about being a copy editor is top secret - by default, really - because no one else cares. — Rainbow Rowell

Notepad++ or any advanced editor. All you need to do is copy the code and paste it into Notepad. Upon execution, you will get the output as depicted in the — Aravind Shenoy

believing, Jody Hotchkiss (Onward!), David Grossman, Helen Heller, and the tireless Chandler Crawford. I am grateful and indebted to every single person at Riverhead Books. In particular, I want to thank Susan Petersen Kennedy and Geoffrey Kloske for their faith in this story. My heartfelt thanks also go to Marilyn Ducksworth, Mih-Ho Cha, Catharine Lynch, Craig D. Burke, Leslie Schwartz, Honi Werner, and Wendy Pearl. Special thanks to my sharp-eyed copy editor, Tony Davis, who misses nothing, and, lastly, to my talented editor, Sarah McGrath, for her patience, foresight, and guidance. Finally, thank you, Roya. — Khaled Hosseini

The image of the copy editor is of someone who favours a rigid consistency, a mean person who enjoys pointing out other people's errors, a lowly person who is just starting on her career in publishing and is eager to make an impression, or, at worst, a bitter, thwarted person who wanted to be a writer and instead got stuck dotting the i's and crossing the t's and otherwise advancing the careers of other writers. — Mary Norris

Sometimes I write less than I'd like but do research. Other times, editor's notes or a copy-edited manuscript or page proofs for a forthcoming novel mean that I need to put my attentions elsewhere for a day or two, but I always come back to writing. — Jane Lindskold

There is a phase in the life of every copy editor when she is obsessed with hyphens. — Mary Norris

I've earned my living in all sorts of terrible ways - as a janitor, a copy editor, a psychotherapist. — Chad Harbach

The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done! — Tom Rachman

I'd forgotten - perhaps preferred to forget - that I'd caved in to the interference of some copy-editor ... somebody anonymous whose commitment to finding something wrong would not disgrace an Eastern European clerk. — Ramsey Campbell

The Alexandrian man, who is basically a librarian and copy editor and goes miserably blind from the dust of books and printing errors. — Friedrich Nietzsche

For the writer who truly loves language, a trip to the copy editor is like a week at a spa. You come out looking younger, trimmer, and standing straighter. — Betsy Lerner

I thought I would write non-fiction. I thought I would enter the New York literary scene as copy editor, work my way up, and then write my own books. — Michael Gruber

(I must note that the copy editor for this book, upon reading this section, actually allowed me to use singular they throughout the book. Here's to them in awed gratitude!) — John McWhorter

I used to sit in the studio with a copy of the (Saturday Evening) Post laid across my knees ... And then I'd conjure up a picture of myself as a famous illustrator and gloat over it, putting myself in various happy situations, surrounded by admiring females, deferred to by office flunkies at the magazines, wined and dined by the editor ... — Norman Rockwell

Anyone who edits their own copy has a fool for an editor. — Donald Davis

"I think we'll have a good potato crop this year," a newspaper editor told his housekeeper one morning. "No such thing," asserted the housekeeper. "I think the crop will be poor." Ignoring her remark, the editor caused to be inserted in the evening paper his estimate of the crop situation. That night when he returned home he found the housekeeper waiting for him with a sheepish grin on her face and a copy of the paper in her hand. "I was wrong," she said apologetically. "It says right here in the paper that the crop will be excellent this fall." — James Keller

He had been living in a down-town Y.M.C.A., but when he quit the task of making sow-ear purses out of sows' ears, he moved up-town and went to work immediately as a reporter for The Sun. He kept at this for a year, doing desultory writing on the side, with little success, and then one day an infelicitous incident peremptorily closed his newspaper career. On a February afternoon he was assigned to report a parade of Squadron A. Snow threatening, he went to sleep instead before a hot fire, and when he woke up did a smooth column about the muffled beats of the horses' hoofs in the snow ... This he handed in. Next morning a marked copy of the paper was sent down to the City Editor with a scrawled note: "Fire the man who wrote this." It seemed that Squadron A had also seen the snow threatening - had postponed the parade until another day. A week later he had begun "The Demon Lover." ... In — F Scott Fitzgerald

The writer Lee Smith, who once had a New York copy editor query in the margin of her manuscript "Double-wide what?" tells a perfectly marvelous, spot-on story about Eudora Welty when she came to Hollins College, where Smith was a student. Welty read a short story in which one female character presents another with a marble cake. In the back of the audience Smith noted a group of leather-elbowed, goatee-sporting PhD candidates, all of whom were getting pretty excited. One started waving his hand as soon as she stopped reading and said, "Miz Welty, how did you come up with that powerful symbol of the marble cake, with the feminine and masculine, the yin and the yang, the Freudian and the Jungian all mixed together like that?" Smith reported that Welty looked at him from the lectern without saying anything for a while. Finally she replied mildly, "Well, you see, it's a recipe that's been in my family for some time. — Sally Mann

First my copy was sent back to me with a note: "Please call ASAP regarding portrayal of Cossacks as primitive monsters." It turned out that my copy was lacking in cultural sensitivity toward Cossacks. I tried to explain that, far from calling Cossacks primitive monsters, I was merely suggesting that others had considered Cossacks to be primitive monsters. The coordinator, however, said that this was my mistake: others didn't consider Cossacks to be primitive monsters; in fact, "Cossacks have a rather romantic image."
I considered quoting to her the entry for Cossack in Flaubert's Dictionary of Received ideas: "Eats tallow candles"; but then the burden of proof would still be on me to show that tallow candles are a primitive form of nourishment. Instead I adopted the line that the likelihood of any Cossacks actually attending the exhibit was very slim. But the editor said this wasn't the point, "and anyway you never know in California. — Elif Batuman

Though bad writing has always been with us, the rules of correct usage are the smallest part of the problem. Any competent copy editor can turn a passage that is turgid, opaque, and filled with grammatical errors into a passage that is turgid, opaque, and free of grammatical errors. Rules of usage are well worth mastering, but they pale in importance behind principles of clarity, style, coherence, and consideration for the reader. — Steven Pinker

Jennifer to Beth I don't know. Writing headlines, I guess. Reading the same stories over and over to make sure some idiot reporter didn't use "they're" when he should have used "their." Changing "which"es to "that"s. Arguing with someone about sequence of tenses. What on earth is sequence of tenses? It's top-secret copy editor stuff. — Rainbow Rowell

I first got into writing because I got involved in the production of a magazine for army wives. They were short of copy one day and the editor asked me to write a piece about being an army wife "and make it funny". Good at obeying orders I did as I was told, the piece was a success, I was asked to write a regular piece and slowly it ended up as a book. — Catherine Jones

Best putdown of a copy editor ever award goes to Raymond Chandler, who, in a 1947 letter to the editor of the Atlantic Monthly, wrote: By the way, would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of barroom vernacular, this is done with the eyes wide open and the mind relaxed but attentive. — Raymond Chandler

Writers' bedtimes vary, but few have been spared the shock of a copy editor's early wake-up call. — Bill Walsh

From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing. — Karen DeCrow