Copper Sun Quotes & Sayings

Freedom is a delicate flower, like a pretty leaf in the air: It's hard to catch and may not be what you thought when you get it, she observed quietly.- Polly from Copper Sun — Sharon M. Draper

For the record, I tried to stop this," I said grimly. Then I turned my attention back to Ian.
The afternoon sun gave his copper-hued hair golden highlights and he made sure that the hard lines of his chest and abdomen were on full display as his pace kept his shirt billowing behind him. Grudgingly, I had to admit that several heads turned, and more than a few cars slowed down as female drivers gave him a second, third and fourth look. Ian responded by flashing them a dazzling smile, making him appear almost angelic to anyone who didn't know that he was a conscienceless slut. — Jeaniene Frost

There comes, even to kings, the time of great weariness. Then the gold of the throne is brass, the silk of the palace becomes drab. The gems in the diadem and upon the fingers of the women sparkle drearily like the ice of white seas; the speech of men is as the empty rattle of a jester's bell and the feel comes of things unreal; even the sun is copper in the sky and the breath of the green ocean is no longer fresh. — Robert E. Howard

They would set their course toward it, seeing it grow bigger silently and imperceptibly, a motionless growth
and then, when they were at it, when they were about to bang their noses with a shock against its seeming solid mass, the sun would dim. Wraiths of mist suddenly moving like serpents of the air would coil about them for a second. Grey damp would be around them, and the sun, a copper penny, would fade away. The wings next to their own wings would shade into vacancy, until each bird was a lonely sound in cold annihilation, a presence after uncreation. And there they would hang in chartless nothing, seemingly without speed or left or right or top or bottom, until as suddenly as ever the copper penny glowed and the serpents writhed. — T.H. White

What is Africa to me: Copper sun or scarlet sea, Jungle star or jungle track, Strong bronzed men, or regal black Women from whose loins I sprang When the birds of Eden sang? — Countee Cullen

I love the hint of copper in your eyes, radiating out like the sun, turning your pupils into an eclipse.' He ran his thumb down my cheekbone. 'The different striations of color, how every band of green is its own unique shade. A shard of a broken Heineken bottle, a blade of grass, moss on a rusty can.'

'Romantic...' I laughed. — Anastasia Hopcus

When we neared the orchard a flock of birds lit from its outer rows. They hadn't been there long. The branches shook with their absent weight and the birds circled above in the riddy mackerel sky, where they made an artless semaphore. I was afraid, I smelled copper and cheap wine. The sun was up, but a half-moon hung low on the opposite horizon, cutting through the morning sky like a figure from a child's pull-tab book.
We were lined along the ditch up to our ankles in a soupy muck. It all seemed in that moment to be the conclusion of a poorly designed experiment in inevitability. Everything was in its proper place, waiting for a pause in time, for the source of all momentum to be stilled, so that what remained would be nothing more than detritus to be tallied up. The world was paper-thin as far as I could tell. And the world was the orchard, and the orchard was what came next. But none of that was true. I was only afraid of dying. — Kevin Powers

Dresden: of all German cities, Smiley's favourite. He had loved its architecture, its odd jumble of medieval and classical buildings, sometimes reminiscent of Oxford, its cupolas, towers, and spires, its copper-green roofs shimmering under a hot sun. — John Le Carre

The taste of chalk. The sun lays its copper thumbs on my eyelids. The radio plays the monologue of a dog. What is the formula for tomorrow? — Warren Heiti

Two suns burned in a copper sky overhead. One was large and somewhat oblong and gave off a dull orange light. The other was small and possessed a brilliant white incandescence at its core, ringed farther out by a silver corona. Large eruptions of reddish gas flowed from the surface of the orange sun, swirling through the void at a frightening pace, extending toward the smaller, bluish white sun. The flowing gases painted land and sky in startling colors, and whenever the gases wrapped entirely around the smaller sun, the void between them filled with an incandescent brilliance. The light cut the long flatness of space in half, sweeping aside all other illumination and shadow. Then the crimson gas flow would spiral inward and vanish in the blink of an eye, leaving the two suns to shine in the copper sky once more. — Ryu Mitsuse

It was an innocent enough activity, after all; like looking at the sky, perhaps, when the sun was going down and had made the clouds copper-red, or looking at a herd of fine cattle moving slowly over the land when rains had brought on the sweet green grass. These were pleasures which the soul needed from time to time, and she would wait for Mma Makutsi until she had examined the shoes from all angles. — Alexander McCall Smith

He's just a man," said Paul. "No matter what The Sun says about him."
"He makes miracles. Lightning in a glass bottle. Voices in a copper wire. What kind of a man can do that?"
"A rich one.) — Graham Moore

The sun, an hour above the horizon, is poised like a bloody egg upon a crest of thunderheads; the light has turned copper: in the eye portentous, in the nose sulphurous, smelling of lightning. — William Faulkner

But the essence of a place, the part of it that picks you up and puts you down somewhere else, cannot be given to the reader through factual description. And maybe not at all. You have to find your own secret images. The slow fall of a coin into the gorge with the sun catching the copper only for a moment, and the fall into nothing says more about a sense of place than three pages of restaurant and hotel descriptions ... — Frances Mayes

Consider the roots of a simple and mundane action, for instance, buying bread for your breakfast. A farmer has grown the grain in a field carved from wilderness by his ancestors; in the ancient city a miller has ground the flour and a baker prepared the loaf; the vendor has transported it to your house in a cart built by a cartwright and his apprentices. Even the donkey that draws the cart, what stories could she not tell if you could decipher her braying? And then you yourself hand over a coin of copper dug from the very heart of the earth, you who have risen from a bed of dreams and darkness to stand in the light of the vast and terrifying sun. Are there not a thousand strands woven together into this tapestry of a morning meal? How then can you expect that the omens of great events should be easy to unravel? The Pseudo-Iamblichus Scroll — Katharine Kerr