Control The Narrative Quotes & Sayings

Hardly any aspect of my life, from where I had lived to my education to my employment history to my friendships, had been free from the taint of racial inequity, from racism, from whiteness. My racial identity had shaped me from the womb forward. I had not been in control of my own narrative. It wasn't just race that was a social construct. So was I. — Tim Wise

It's hard, because when you talk about process or your characters ruling your narrative, it sounds like you have no control, but obviously you're ultimately the author, so you do have control. — Alice Sebold

The greatest of human inventions is the library, a vast repository of collective memory far larger than any single mind can hold. Written memory becomes fixed in time, regardless of the distortion it contains, and the adventures we recount on paper are there to be reexperienced by those who are not oneself, the writer. So long as one's narrative survives, one's ideas and versions of history are passed along, like genetic code, to ensuing generations. Control what goes into the library, what becomes the available record, and you control what the future thinks. — Tony Eprile

It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised?
When we, ourselves, can taste that freedom. — Rebecca Walker

I think our lives are mapped out for us. They are too complex, too perfect to be an accident of randomness. They have an inescapable narrative - a beginning , middle and end - unnecessary except by design. Birth, life and death, neatly seperated and sequenced. Authored, if you will, by the universe's own hand. We are gifted existence in three acts, but we can only ever understand our middle third. We cannot control our birth, yet though we have no power over this first act of ours we believe we can manipulate our second act, our life, to control our death. We cannot choose either, and it is right we cannot. We think we are the lightning or the thunder, but we're merely raindrops in a storm. We forget we are ordained a time to live and a time to die. They are chosen for us, only when that time is right. — Tom Wood

I wear makeup and I don dramatic attire because I like control. I'm not interested in controlling others but I'm invested in strict self-governance. This is why I don't do many face-to-face interviews. I don't like being caught off-guard. It all goes back to that attempt to create order amidst disorder. One of the most frightening things about losing your mind is that you feel like your body, your brain, every part of your essence is being invaded. There is such a palpable helplessness to that narrative and I hate the sense of victimhood that it implies. Certainly, this is how I felt during my moments of psychological disquiet. I felt like my personhood was under attack. Performativity is important to me because I'm the teller of my own stories. I have been performing these multiple roles for so long that they have bled into my identity. I have become the man that I always wanted to be. — Diriye Osman

When we embraced social media, we took more control of the Newark narrative. We increased responsiveness toward residents. We drew more of our constituents in to participate in government and improve our cities. — Cory Booker

I did documentary film for a long time, and I spent a lot of time behind the camera, fervently wishing that the reality I was filming would conform to my narrative propriety. But you can't control it. — Ruth Ozeki

The ending shouldn't determine the meaning of anything, a story or a life. Logically, I don't think it can--didn't Heidegger say something to that effect? That the meaning of all our moments cannot be contingent upon an end-point over which we have no control? That if we are happy right now, that means something, even if we die tomorrow? Narrative integrity is overrated. I don't need to know that the story of my life has a happy ending to enjoy it. A good thing, too, because I hear all the characters die in the end. — Alexa Stevenson

I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome ... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained. — Patricia Rozema

I tend to agree with my husband, that to continue the conversation about something that is an important topic, particularly now, which is that of gun control, through his narrative, which is actually what's happened, I don't think it was a conscious decision of, "That's what we're going to do," but that's what seems to have happened, and that's not a bad thing. — Katey Sagal

I had no idea what to say to this. I had been nurtured in the U.S. school system on a steady diet of the Great Men theory of history. History was full of Great Men. I had to take separate Women's History courses just to learn about what women were doing while all the men were killing each other. It turned out many of them were governing countries and figuring out rather effective methods of birth control that had sweeping ramifications on the makeup of particular states, especially Greece and Rome.
Half the world is full of women, but it's rare to hear a narrative that doesn't speak of women as the people who have things done to them instead of the people who do things. More often, women are talked about as a man's daughter. A man's wife. — Kameron Hurley

Simply put, the Internet undermines the ability of an institution to control its own narrative. — Jamais Cascio

As artists, we are so not in control most of the time of the content or the narrative of our characters, and sometimes writing takes a turn and it's not something we necessarily have control over. It's just a lot of random dumb luck, so when things click, you've just got to enjoy it. — Mike Colter

A perfect historian must possess an imagination sufficiently powerful to make his narrative affecting and picturesque; yet he must control it so absolutely as to content himself with the materials which he finds, and to refrain from supplying deficiencies by additions of his own. He must be a profound and ingenious reasoner; yet he must possess sufficient self-command to abstain from casting his facts in the mould of his hypothesis. — Thomas B. Macaulay

But love doesn't control, and I suppose that's why it's the ultimate risk. In the end, we have to hope the person we're giving our heart to won't break it, and be willing to forgive them when they do, even as they will forgive us. Real love stories don't have dictators, they have participants. Love is an ever-changing, complicated, choose-your-own adventure narrative that offers the world but guarantees nothing. — Donald Miller

You are your own stories and therefore free to imagine and experience what it means to be human ... And although you don't have complete control over the narrative (no author does, I can tell you), you could nevertheless create it. — Toni Morrison

You control whether you are happy. It's all your narrative and you can change it if you choose to. - L. R. W. Lee Andy Smithson: Blast of the Dragon's Fury — L.R.W. Lee

We can choose the narrative we tell about our lives. We're born into cultures, nations and languages that we didn't choose. We're born with certain brain chemicals and genetic predispositions that we can't control. We're sometimes thrust into social conditions that we detest. But among all the things we don't control, we do have some control over our stories. We do have a conscious say in selecting the narrative we will use to organize perceptions. — David Brooks

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller