Contemporary Reality Quotes & Sayings

Because we lack a divine Center our need for security has led us into an insane attachment to things. We really must understand that the lust for affluence in contemporary society is psychotic. It is psychotic because it has completely lost touch with reality. We crave things we neither need nor enjoy. 'We buy things we do not want to impress people we do not like'. Where planned obsolescence leaves off, psychological obsolescence takes over. We are made to feel ashamed to wear clothes or drive cars until they are worn out. The mass media have convinced us that to be out of step with fashion is to be out of step with reality. It is time we awaken to the fact that conformity to a sick society is to be sick. Until we see how unbalanced our culture has become at this point, we will not be able to deal with the mammon spirit within ourselves nor will we desire Christian simplicity. — Richard J. Foster

I kind of thought actually that Trevor was gone completely mental when he called up here a few weeks ago. Like, why would he not text or email or Facebook? What's with all the reality, I thought. Does he not know he's a million times cooler in virtual form? — Donal Ryan

As Wade Clark Roof noted in his study, the 'weightlessness' of contemporary belief in God is a reality ... for religious liberals and many evangelicals. — Mark Galli

Some writers have even argued that it may be possible to wean sex offenders away from their criminal activities through the use of pornography - with pornography acting as a substitute for sexual acts rather than a stimulant. This ties in with the argument that the pro-censorship lobby fails to distinguish between fantasy and reality, and to recognise that many people - including feminists! - can behave in perfectly decent, moral and non-abusive ways whilst enjoying 'politically incorrect' sexual fantasies. The assumption that fantasy leads to crimes of abuse is both highly contentious and inevitably seems to 'criminalise' sexual fantasy. Moreover, the argument that exposure to pornography causes men to act in a violent or abusive way towards women is surely undermined by even a casual look at human history and at the contemporary world. — Richard Dunphy

I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented. — Tom Hooper

It takes a perverse determination to drain that instinctive curiosity away and make history seem just remote, dead and disconnected from our contemporary reality. Conversely, it just takes skilful storytelling to recharge that connection to make the past come alive in our present. — Simon Schama

Caves have carried strong symbolic resonance for as long as there has been sacred legend. It might be tempting to say that it began with Plato's "allegory of the cave" in The Republic, which explores the interplay between shadows and reality (or in contemporary terms, perhaps, between virtual and actual reality). — Lesley Hazleton

Contemporary science is based on the philosophy of materialism, which claims that all reality is material or physical. — Rupert Sheldrake

As I stumbled into confusion about what was real and what was not, the strangest thing happened: The world disintegrated. Reality collapsed, or my perception of it. It ripped apart like a dry skin under pressure, giving way to something I can only describe as ineffable dimensions, depths upon depths. — Stefan Emunds

Memory is an artist, an impressionist. She adds colour, sound, smell and emotion to events at her whim. She adds, subtracts and embellishes until the event she started documenting is quite unrecognisable to the others who also experienced it, but at the same time, is more truthful to the owner of the memory. There is no reality. There are only impres- sions of past events, made by a million selves, all interacting with each other, vying for superiority. Reality doesn't exist, perhaps in the end, that's my only truth. — Nigel Jay Cooper

Much of the story we have told falls outside the boundaries of modern academic disciplines and their respective histories. Contemporary economics focuses on issues of efficiency in allocation, political science on institutions of governmental power, political theory on questions of justice, sociology on social groups as defined by interactions outside the market. Some division of intellectual labor is of course productive, and the conceptual lenses that each discipline brings to bear may genuinely help us see an aspect of reality that would otherwise remain undetected. Yet those concerned with the moral implications and ramifications of the market
as any self-critical person in modern society ought to be
get a very skewed picture when they view it through only one of these lenses. Seeing the market with the added perspectives offered by the thinkers treated here provides us with a richer and more rounded view. — Jerry Z. Muller

The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream. — Slavoj Zizek

Never, even in his wildest dreams, had his imagination come close to the reality of her. — Marissa Clarke

Any honest evaluation of contemporary evangelicalism will acknowledge that there are many people walking the streets and sitting in pews who have "obtained like precious faith with us" as the demons (2 Peter 1:1).11 They know something of the person and work of Christ, and they will make something of a confession when it is convenient. However, there is little evidence of an ongoing reality of the saving work of Christ in their lives. Their hope of eternal salvation is founded upon a decision they made long ago, which they believed was sincere, to "accept Christ" by means of a simple prayer. Ministers of the gospel who should have known better confirmed their hope. Like demons, they are lost. Yet, unlike demons, they do not know it. — Paul David Washer

His intercession was not only solidarity but identification with us: he bears all of us in his Body. And thus his whole life as a man and as Son is a cry to God's heart; it is forgiveness, but forgiveness that transforms and renews. I think we should meditate upon this reality. Christ stands before God and is praying for me. His prayer on the Cross is contemporary with all human beings, contemporary with me. He prays for me; he suffered and suffers for me; he identified himself with me, taking our body and the human soul. And he asks us to enter this identity of his, making ourselves one body, one spirit with him because from the summit of the Cross he brought, not new laws, tablets of stone, but himself, his Body and his Blood, as the New Covenant. — Pope Benedict XVI

The relation of photography and language is a principal site of struggle for value and power in contemporary representations of reality; it is the place where images and words find and lose their conscience, their aesthetic and ethical identity. — William J. Mitchell

Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years. — Andrzej Wajda

When art calls, you have to follow it. It doesn't happen often, so take the opportunity when it strikes. In all reality, what I do is art. I do create fabulous pieces of decorative baked goods. — A.M. Willard

Any dramatic series the producers want us to take seriously as a representationof contemporary reality cannot be taken seriously as a representation ofanything - except a show to be ignored by anyone capable of sitting uprightin a chair and chewing gum simultaneously. — Richard Schickel

Everything in the universe is older than it seems. Blame Einstein for that. We see what a thing was when the light left it, and that was long ago. Nothing in the night sky is contemporary, not to us, not to one another. Ancient stars exploded into ruin before their sparkle ever caught our eyes; those glimpsed in glowing "nurseries" were crones before we witnessed their birth. Everything we marvel at is already gone.
Yet, light rays go out forever, so that everything grown old and decayed retains somewhere the appearance of its youth. The universe is full of ghosts.
But images are light, and light is energy, and energy is matter; and matter is real. So image and reality are the same thing, after all. Blame Einstein for that, as well. — Michael Flynn

You still give me butterflies. — Tan Redding

Pain is a crucial part of our reality; it awakens a person from a mental stupor. A person must never be afraid to discover where their pain originates, follow pain to where it emanates from, learn from its messages, and reject the mindless business and busyness of contemporary culture in order to fuel an artistic vision of the self. — Kilroy J. Oldster

I think it should be obvious by now that I'm not necessarily interested in reality. — Elle Lothlorien

Choices and consequences. Choices and consequences. — Tan Redding

Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting. — Nancy Kress

She used to be afraid of him catching her looking at him, but not anymore. It's funny how quickly the tables turn in the game of vulnerability. She had believed he'd had the power to hurt her. The reality is that it cuts both ways. His fear, her fear, they were sourced from the same place - both wanted to be loved, yet neither one was able to fully admit it. There was too much doubt, not enough trust to allow them to take that final step. — Vivian Winslow

Are you in love with him?'
She kept her lips tightly closed as if holding something back.
'Are you in love with me?'
She tried to answer but nothing came out. She lowered her eyes to the floor. — Tan Redding

We really must understand that the lust for affluence in contemporary society is psychotic. It is psychotic because it has completely lost touch with reality. We crave things we neither need nor enjoy. 'We buy things we do not want to impress people we do not like.' ... It is time to awaken to the fact that conformity to a sick society is to be sick. — Richard J. Foster

Either I'm yours, and you're mine, or we're nothing."

"What?" She blinks her confusion.

"I said," drawing out the word and giving her a few seconds to ge accustomed to our new reality. "Either I'm yours and you're mine, or we're nothing. I don't want to be your friend. I want to be... yours. — Kennedy Ryan

After two decades there she was, in front of him, almost within touching distance, not faded like in his dreams, but bright and clear and vividly real, looking comfortably, almost defiantly, the same as she always had and then everything she had never been. — Tan Redding

Indeed, if these final decades of the millennium have taught us anything, it must be that oral tradition never was the 'other' we accused it of being; it never was the primitive, preliminary technology of communication we thought it had to be. Rather, if the whole truth is told, oral tradition stands out as the single most dominant communicative technology of our species, as both a historical fact and, in many areas still, a contemporary reality. The miracle of the flat inscribable surface and Gutenberg's genius aside, even the electronic revolution cannot challenge the long-term preeminence of the oral tradition. ("Introduction" by John Foley) — E. Anne Mackay

Their conversation was like root canal without anaesthesia. — Tan Redding

It is as if, in today's permissive society, transgressive violations are allowed only in a "privatized" form, as a personal idiosyncrasy deprived of any public, spectacular, or ritualistic dimension. We can thus publicly confess all our weird private practices, but they remain simply private idiosyncrasies. Perhaps we should also invert here the standard formula of fetishistic disavowal: "I know very well (that I should obey the rules), but nonetheless ... (I occasionally violate them, since this too is part of the rules)." In contemporary society, the predominant stance is rather: "I believe (that repeated hedonistic transgressions are what make life worth living), but nonetheless ... (I know very well that these transgressions are not really transgressive, but are just artificial coloring serving to re-emphasize the grayness of social reality). — Slavoj Zizek

Temptation isn't impersonal - there is an actual enemy doing the tempting. Mark treats Satan as a reality, not a myth. This is certainly jarring in contemporary cultures that are skeptical of the existence of the supernatural, let alone the demonic. — Timothy Keller

Solitude is escapist. People who like being alone are running away from 'reality', refusing to make the effort to 'commit' to real life and live instead in a half-dream fantasy world. They should 'man up', get real, get a grip. But if social life is so natural, healthy and joyous as contemporary society insists, why would anyone be 'escaping' from it?
Solitude is antisocial. Well of course it is - that's the point. This argument is tautological. But 'antisocial' is a term that carries implicit rather than explicit moral condemnation; it is clearly a 'bad thing' without it being at all clear what it might mean. All this actually says is 'solitude is preferring to be alone rather than with others/me [the speaker] and I am hurt.' It is true, but is based on the assumption that being alone is self-evidently a bad thing, and being social is equally self-evidently a good thing. — Sara Maitland

It's weird because I think of movies like Reality Bites or something, where, even though my life was nothing like that, I hadn't done something contemporary for a while, and it's easier. You do try to make something your own. — Winona Ryder

It has been utterly exhausting to love you. — Tan Redding

I think I have a God complex, and I like moving mountains and writing stories that affect entire worlds, and it's a bit hard to do that in a contemporary setting because you have reality intruding. Whereas, when you set your own reality, you can make up your own rules and do whatever you like. — Jennifer Fallon

The lust for affluence in contemporary society has become psychotic; it has completely lost touch with reality. — Richard J. Foster

Sometimes books feel like the only thing that keep her sane. Actually, she knows that they're the only reason she's still even vaguely okay right now. That's what she clings to: reading great books and seeing great films and, for as long as she's immersed in them, being able to forget, if only for a short time, about the reality of her life. — Steph Bowe

Again and again the schools which form the twentieth century's elites throughout the West refer to their Socratic heritage. The implication is that doubt is constantly raised in their search for truth. In reality the way they teach is the opposite of a Socratic dialogue. In the Athenian's case every answer raised a question. With the contemporary elites every question produces an answer. Socrates would have thrown the modern elites out of his academy. — John Ralston Saul

Street culture is a culture of containment. Most young people do not realize that it all too often leads to a "dead end". "Street culture," as I am using the term, is a counterforce to movement culture. Street culture in contemporary urban reality is synonymous with survival at all costs. This world view is mostly negative, because it demands constant adjustment to circumstances that are often far beyond young people's control or understanding, such as economics, education, housing, employment, nutrition, law, and so forth. — Haki R. Madhubuti

There will always be some who dilute the gospel to attract a crowd, but not everyone who wants to be contemporary does that. You can tell those who do because they leave out critical parts of the message, such as the uniqueness of Christ, that he's the only way, the fact that we are saved by grace through faith, or the reality of heaven and hell. Those who compromise on nonnegotiables think they're being relevant, but they become irrelevant because they have nothing to offer. Their message becomes increasingly weak and void of the power to transform people's lives. — Leon Fontaine

I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289) — Azar Nafisi

Contemporary scholars have little explored the preconditions of genocide. Still less have they asked whether a society's weapons policy might be one of the institutional arrangements that contributes to the probability of its government engaging in some of the more extreme varieties of outrage. Though it is a long step between being disarmed and being murdered-one does not usually lead to the other-but it is nevertheless an arresting reality that not one of the principal genocides of the twentieth century, and there have been dozens, has been inflicted on a population that was armed. — Daniel D. Polsby

She wasn't sure if she even needed him anymore and the thought made her sad. In consolation, she offered him a kind smile and reached for his dependable hand. — Tan Redding

Our demons are friends, — Tan Redding

All that is necessary for the triumph of evil is that good men do nothing. (Edmund Burke) — Zack Love

I held it together for the rest of the drive home but as soon as Kelsey dropped me off I flopped face down on the couch and sobbed like a reality TV star on confessional day. — Molly Harper

Art that's blind to the true landscape we inhabit - physical reality in the widest sense - is just absurdly, pathetically blinkered and myopic.
So while I'm sure that the individual works I've written have only succeeded to varying degrees, I'm still proud to have done something to nudge the center of gravity of contemporary SF some microscopic distance towards a genuine engagement with reality." -Greg Egan — Karen Burnham

I find three basic characteristics that fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness.
These three characteristics of the novel are all organically interrelated and have all been powerfully affected by a very specific rupture in the history of European civilization: its emergence from a socially isolated and culturally deaf semipatriarchal society, and its entrance into international and interlingual contacts and relationships. — Mikhail Bakhtin

We Japanese, on the other hand, know our egos are nothing. We bend our egos, all of the time, and that is where we differ. That is the fundamental difference, Hatsue. We bend our heads, we bow and are silent, because we understand that by ourselves alone, we are nothing at all, dust in a strong wind, while the 'hakujin' believes his aloneness is everything, his separateness is the foundation of his existence. He seeks and grasps, seeks and grasps for his separateness, while we seek union with the Greater Life
you must see that these are distinct paths we are travelling, Hatsue, the 'hakujin' and we Japanese (p. 176). — David Guterson

I am aware that when we see something, we are getting only a measure of information, a sense, an inkling of what is really there to see. I don't know the details or the terminology but I do know that the optic nerve is not telling the full truth. We're seeing only intimations. The rest is our invention, our way of constructing what is actual, if there is any such thing, philosophically, that we can call actual. — Don DeLillo

Above all, documentary must reflect the problems and realities of the present. It cannot regret the past; it is dangerous to prophesy the future. It can, and does, draw on the past in its use of existing heritages but it only does so to give point to a modern argument. In no sense is documentary a historical reconstruction and attempts to make it so are destined to failure. Rather it is contemporary fact and event expressed in relation to human associations. — Paul Rotha

All too often people say to artists, 'To be an artist is fine if your art can be used for evangelism.' And art has often become a tool for evangelism. But let's be precise. As such there is nothing against this. But we must be aware that art cannot be used to show the validity of Christianity; it should rather be the reverse. Christianity is true; things and actions and human endeavor only get their meaning from their relationship to God; if Christ came to make us human, the humanity and the reality of art find their foundation in him. So art should not be used to preach even if it can help. Yet there is another way that art can be or is meaningful. — H.R. Rookmaaker

She felt damned. As though she were marching to her death. She felt like had been sentenced. And yet she felt eerily free. — Tan Redding

Attitudes towards menstrual blood in contemporary Western culture still circle around the subject with a mixture of denial and horror, advertisements for sanitary products typically use blue liquid in an attempt to sanitize the reality of blood, weary old jokes circulate about not trusting anything that bleeds for seven days and does not die. Menstrual blood is constructed either as something that requires a hygienic makeover or as something unnatural and obscene, a further indication of the horrors of sexual difference and the threatening 'secrets' of the female body. — Ruth McPhee

In times such as these, life often begs us to seek answers when in reality there are only questions available. — Brian Joyce

I like to think there is something deep in our own world of reality that will create a dynamic balance between technology and human existence, the relationship between which has a decisive effect on contemporary cultural forms and social structure. — Kenzo Tange

Talking to you is like talking to someone I've never met before. When did you become so competitive? When did you decide that you needed to win all of the time?'
He stopped dead in the promenade and grabbed her hand, turning her to face him.
He caught her by surprise. She leant her neck backwards slightly in defence.
'When I lost you. — Tan Redding

A political philosophy (often called "political science" by practitioners who are not averse from verbal trickery) must deal with contemporary realities. If it does not, if it is charged with "ideals," it is merely a variety of romantic fiction, although it may not be recognized as such. — Revilo P. Oliver

While I love to read contemporary fiction, I'm not drawn to writing it. Perhaps it's because the former journalist in me is too inhibited by the press of reality; when I think about writing of my own time I always think about nonfiction narratives. Or perhaps it's just that I find the present too confounding. — Geraldine Brooks

That night, he laid in his bed thinking about all the possibilities. They came like waves in his mind. At first they came slow, then gradually built up speed, cresting into full on dreams, until finally, they broke onto the shore with all of their reality. First dreams, then nightmares. — Brian Joyce

The major impediment to experiencing the sacred depths of ordinary moments is the speed and distraction of contemporary life that moves to the imperatives of the global economic order.In addition, we increasingly live in a virtual world in which our reality is filtered through media and information technology. — Sam Keen

In reality, genuine epiphanies are extremely rare. In contemporary adult life maturation & acquiescence to reality are gradual processes. Modern usage usually deploys epiphany as a metaphor. It is usually only in dramatic representations, religious iconography, and the 'magical thinking' of children that insight is compressed to a sudden blinding flash. — David Foster Wallace

The public has a right to art
The public is being ignored by most contemporary artists.
...
Art is for everybody.
...
I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. — Keith Haring

I am making an Enlightenment Capsule for the audience to meditate inside - virtual reality in which people can experience ancient ideas from the East ... But I'm not interested in using ancient things; rather I want to connect [audiences] with contemporary life through the technology we have now. — Mariko Mori

fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness. — Mikhail Bakhtin