Famous Quotes & Sayings

Contemporary Artist Quotes & Sayings

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Top Contemporary Artist Quotes

It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating. — Kalup Linzy

This assumption of the intrinsically repressive nature of collective experience and redemptive power of individuation is a staple of contemporary art theory and criticism. I would argue that a closer analysis of collaborative and collective art practices can reveal a more complex model of social change and identity, one in which the binary oppositions of divided vs. coherent subjectivity, desiring singularity vs. totalizing collective, liberating distanciation vs. stultifying interdependence, are challenged and complicated. — Grant H. Kester

I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness ... Indeed to cast a spell is simply to spell, to manipulate words, to change peoples consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman. — Alan Moore

I would love to say there was some contemporary artist who's work really got me thinking, but lately I have just been trying to sort out 20 years of garbage TV culture that is filling my brain. — Cory Arcangel

Meeting and talking to the artist adds a special element to collecting contemporary art that makes the work an irreplaceable treasure rather than just another possession. — Ernest West Basden

I want to be a contemporary artist and at the same time a romantic! — Luis Gonzalez

Looking at and 'appreciating' art has been understood as an instrument (or at best a result) of upward mobility, in which owning art is the ultimate step. making art is at the bottom of the scale. This is the only legitimate reason to see artists as so many artists see themselves - as 'workers'. At the same time, artists/makers tend to feel misunderstood and, as creators, innately superior to the buyers/owners. The innermost circle of the art-world class system thereby replaces the rulers with the creators, and the contemporary artist in the big city is a schizophrenic creature. S/he is persistently working 'up' to be accepted, not only by other artists, but also by the hierarchy that exhibits, writes about and buys his / her work. At the same time s/he is often ideologically working 'down' in an attempt to identify with the workers outside of the art context and to overthrow the rulers in the name of art. — Ben Davis

A contemporary artist can use the findings of all epochs and all styles, from the most primitive literary expressions up to the most refined products of the baroque. — Juan Goytisolo

I think a lot of artists no longer want to participate in or be associated with narrative because of its corruptedness in contemporary culture. — Rachel Cusk

One of the central flaws in the state of contemporary music is that the major record companies have failed to incorporate that simple fact into their business plans. They've come into an industry that's based on idiosyncratic artists and tried to erase every idiosyncratic aspect out of it. — Moby

Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art. — Odd Nerdrum

Yes, she is." His eyes remained on Olivia, but she wasn't aware he was watching her. "With art, I believe anything created with profound heart is captured compulsively beautifully. — Maria La Serra

I have no doubt about a photographer in particular and a digital artist in general having become contemporary icons. — Nikolay Semyonov

Memory is an artist, an impressionist. She adds colour, sound, smell and emotion to events at her whim. She adds, subtracts and embellishes until the event she started documenting is quite unrecognisable to the others who also experienced it, but at the same time, is more truthful to the owner of the memory. There is no reality. There are only impres- sions of past events, made by a million selves, all interacting with each other, vying for superiority. Reality doesn't exist, perhaps in the end, that's my only truth. — Nigel Jay Cooper

We have a word, censorship, which describes the suppression or alteration of the artist's work by governmental edict intended to prohibit the expression of certain ideas. We have no word for what happened to the writer who refused to splice gratuitous sex scenes into her work. We have no word for the mandatory inclusion of the predictable, invariant Sweaty Sex Scene in nearly every contemporary film intended for adults, nor for the daily, unavoidable overload of sexual images used to sell other kinds of products. It is a sort of reverse censorship, imposed by market analysts who don't believe anything will sell unless coated by sex. Liberation it is not. — D.A. Clarke

The lure in art collecting and its financial rewards, not counting for a moment its aesthetic, cultural and intellectual rewards, is like the trust in paper money: it makes no sense when you really think about it. New artistic images are so vulnerable to opinion that it wouldn't take much more than a whim for a small group of collectors to decide that a contemporary artist was not so wonderful anymore, was so last year. — Steve Martin

Pain is a crucial part of our reality; it awakens a person from a mental stupor. A person must never be afraid to discover where their pain originates, follow pain to where it emanates from, learn from its messages, and reject the mindless business and busyness of contemporary culture in order to fuel an artistic vision of the self. — Kilroy J. Oldster

The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do." — James Keller

I'm a contemporary artist and I show in art galleries and museums. I show a number of photographs and films, but I also make television programs, books and some appetizing, all with the same concept. — Alison Jackson

Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and ... this world is just as important as the outer, visible world. — Edward Betts

Art was my little private pleasure. Nobody had seen my art, not even my parents. Andy didn't know about it. My dream was to become a publisher, not an artist lost in New York. — Stephanie Witter

But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING! — Christina Grimmie

My goal is to tell good stories. And to try as best I can to do something new with acting. To learn from the past and to be a relevant artist. To make stories that are interesting and contemporary and to tell some kind of emotional truth. — Ethan Hawke

My work seen in its totality is a statement about the integration of the contemporary artist into an industrial society. — Herbert Bayer

The artistic formulae wear thin quickly and yet daily the artist - when developing his own foundation - must enter his own time and the problems of other contemporary artists. Paths cross and the soil of time is starting to be turned. — Asger Jorn

Audrey Auld is a great singer songwriter. She holds a unique place in contemporary Americana/Roots music. I believe that this uniqueness is largely due to the fact that she is Australian. This affords her a totally different attitude as an artist than traditional American contributors to this genre. Audrey is one of the most honest original artists I know. — Fred Eaglesmith

The overscaled compositions being produced by so many abstract painters, which are full of movement and use of color, are ideal example, ideal transformations of an entire wall and entire room ... There is no denying that one of the major attractions of these successful large compositions is their structural decorative use in the contemporary scene ... That these large canvases can be superbly decorative may not be considered complimentary by some of the artists involved ... — Van Day Truex

[Documentary photography] is unwittingly literary, because it is nothing other than an observation of contemporary life apprehended at the right moment by an artist capable of seizing it. (1928) — Pierre Mac Orlan

What if pretending is interfering with the person you're meant to be?" he said. — Robin Bielman

Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't. — Charles Saatchi

A painting walks into the room supported by the collector. It is the painting of a nude by a contemporary artist. She is scarred by shadows from venetian blinds. "The ritual scarification of light and shadow," I say. But am thinking, silently, the female nude is the self-ironization of the male. She, in his shadow, by design. — Carla Harryman

All too often people say to artists, 'To be an artist is fine if your art can be used for evangelism.' And art has often become a tool for evangelism. But let's be precise. As such there is nothing against this. But we must be aware that art cannot be used to show the validity of Christianity; it should rather be the reverse. Christianity is true; things and actions and human endeavor only get their meaning from their relationship to God; if Christ came to make us human, the humanity and the reality of art find their foundation in him. So art should not be used to preach even if it can help. Yet there is another way that art can be or is meaningful. — H.R. Rookmaaker

Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors. — Charlotte Cotton

To put this even more bluntly, one might think about the difference between adding traditional and contemporary Indigenous art to the National Gallery of Canada's historical Canadian wing and imagining the entire gallery curated from an Indigenous perspective of what a "National Gallery of Canada" might mean.37 Put slightly differently, the project of Indigenous representation in the gallery in Canada has been defined as "bringing aboriginal art in to the history of Canadian art" rather than of incorporating settler history into the history of Aboriginal art.38 Would such reimaginings mean, for example, a move away from the primacy of a liberal politic and of the artist genius as a cultural application of that politic? — Lynda Jessup

Works of art produced in the contemporary world are a further expression of that. But I don't think there is an active, ongoing nihilist self-consciousness in the artist. — Leonard Baskin

As a rule, people who classify art as "irrelevant" are trying to position themselves above the entity; it's a way of pretending they're more in step with contemporary culture than the artist himself, which is mostly a way of saying they can't find a tangible reason for disliking what something intends to embody. Moreover, the whole argument is self-defeating: If you classify something as "irrelevant," you're (obviously) using it as a unit of comparison against whatever is "relevant," so it (obviously) does have meaning and merit. Truly irrelevant art wouldn't even be part of the conversation. — Chuck Klosterman

To be contemporary actually means to be an artist. [But] I do not feel contemporary in my work. I perceive my work as old-fashioned. It does not have a frame of actuality in our time or locality. — Odd Nerdrum

The contemporary artist ... is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see? — Jerry Uelsmann

I'm in awe of you, Rowan Palotay," he said softly. "And plan to make love to you for the rest of the night, but right now, I want you to be a good cowgirl and ride me."
His finger hooked around the string of her panties, and he tugged them down and off. "The boots stay on. — Robin Bielman

The rush to books and universities is like the rush to the public house. People want to drown their realization of the difficulties of living properly in this grotesque contemporary world, they want to forget their own deplorable inefficiency as artists in life. — Aldous Huxley

I want to be able to do whatever I feel like doing and not worry about anything. Even when I was a kid, the only contemporary artist I listened to was Cyndi Lauper. — Fiona Apple

Curiously, Laura Warholic is one of those novels in which the characters actually read books.You don't often see this in contemporary fiction. People resent polysyllabic words, find it showing off, never look them up, refuse to play. Words are to a writer what paint is to an artist. I am amazed at how readers refuse to enjoy the out-of-the-way fact, the astonishing detail, the original thought. Style is taken as an affront by stupid and lazy people. Just say it, they say. Sure! Should I die or should I live basically sums up Hamlet's "To Be or Not to Be" soliloquy. Why didn't he just say so!? — Alexander Theroux

My priciple is, the artist shall put forth, humbly & lovingly, without bitterness, the very best & highest that is within him,utterly regardless of contemporary criticism. — Sidney Lanier

I'm a contemporary artist with a bit of an unexpected background. I was in my 20s before I ever went to an art museum. I grew up in the middle of nowhere on a dirt road in rural Arkansas, an hour from the nearest movie theater. — Shea Hembrey