Connection Theme Quotes & Sayings

The recurring theme of all religions is a sympathy, empathy, connection, capacity between the human and the divine - that we were made for union with one another. They might express this through different rituals, doctrines, dogmas, or beliefs, but at the higher levels they're talking about the same goal. And the goal is always union with the divine. — Richard Rohr

People first. Technology second. — Biz Stone

It is not widely known that in the end, 65 per cent of the church leaders were informers for us, and the rest of them were under surveillance anyhow. — Anna Funder

Setting aside embassies, consulates and military bases, Rose Atoll of American Samoa is the southernmost point of U.S. controlled territory. Guam, Puerto Rico, the US Virgin Islands, and half a dozen other islands are all further south than Ka Lae.
While Ka Lae is not the southermost point of the United States, it is the southernmosr point of the fifty states. — John Richard Stephens

The theme that runs through all my books is connection. Connection - physical and non-physical - with other humans, and connection with nature are necessary for our well-being. Without it, we are depressed, lonely, and fail to thrive. — Mary Alice Monroe

It was lonely for a day or so until one morning some man , more recently arrived than I, stopped me on the road.
'How do you get to West Egg village?' he asked helplessly.
I told him. Ans as I walked on I was lonely no longer. I was a guide, a pathfinder, an original settler. He has casually conferred on me the freedom of the neighborhood. — F Scott Fitzgerald

I listen to tons of hard rock and metal, like Iron Maiden, Motorhead, etc., but I also listen to Beethoven and Mozart, to Discharge and the Bad Brains, and to Charlie Parker and Duke Ellington. So I think there's merit to both the melodic punk and to the hardcore stuff too. — Dave Smalley

From the deepest silence between us arose uncertain, utterly vague and, as it were, whispered varieties on the theme 'smile'. — Nicola Lecca

The first, clearer, type suggests the musical pattern of theme and variations. The chosen theme persists through the six stages, in various aspects. The second type is more difficult to analyze. A recurrent leitmotiv is lacking here; instead six differerent stages whose connection is usually an inner one are joined together in mosaic fashion. But on both types, the so-called judgment is the tenor which is maintained through all the changes. — Hellmut Wilhelm

The last thing DeMille added to his $13 million film before he delivered the final negative to Paramount was his introduction that ran before the opening credits, filmed with him standing behind a microphone in front of a blue-and-white curtain (the colors of the Israeli flag). His intention was to emphasize the "importance" of what the audience was about to see and how authentic the film really was, and to make the spiritual connection to the Holocaust. DeMille says, in part: "The theme of this picture is whether man ought to be ruled by God's law, or whether they are to be ruled by the whims of a dictator like Rameses. Are men the property of the state or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of the divinely inspired story, created three thousand years ago . . ." The introduction was almost always cut after the film's initial run. That — Marc Eliot

Debbie truly had Tess's best interest at heart with the promoting of romanticized contemplation, and she hoped that such contemplation would make transparent a roses and chocolate candy theme that would ignite a passionate desire in her friend for deep intimate companionship that would make lengthy modifications until it became a candlelight connection that would light up brightly and cause a common smile to take form in the lives of two singles. But the detailed scene of Tess's grander purview on the overall picture placed her friend's intent in a corner of stagnant nothingness that had no realistic chance of ever modifying into the romantic reality that she advocated. — Calvin W. Allison

My life, I resolved, ought to be a perpetual transcending, a progression from stage to stage; I wanted it to pass through one area after the next, leaving each behind, as music moves on from theme to theme, from tempo to tempo, playing each out to the end, completing each and leaving it behind, never tiring, never sleeping, forever wakeful, forever in the present. In connection with the experiences of awakening, I had noticed that such stages and such areas exist, and that each successive period in one's life bears within itself, as it is approaching its end, a note of fading and eagerness for death. That in turn leads to a shifting to a new area, to awakening and new beginnings. — Hermann Hesse