Comunione De Residuo Quotes & Sayings
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Top Comunione De Residuo Quotes

He took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love. — Milan Kundera

Off the southeast tip of Italy a young Austrian U-boat commander named Georg von Trapp, later to gain eternal renown when played by Christopher Plummer in the film The Sound of Music, fired two torpedoes into a large French cruiser, the Leon Gambetta. The ship sank in nine minutes, killing 684 sailors. "So that's what war looks like!" von Trapp wrote in a later memoir. He told his chief officer, "We are like highway men, sneaking up on an unsuspecting ship in such a cowardly fashion." Fighting in a trench or aboard a torpedo boat would have been better, he said. "There you hear shooting, hear your comrades fall, you hear the wounded groaning - you become filled with rage and can shoot men in self defense or fear; at an assault you can even yell! But we! Simply cold-blooded to drown a mass of men in an ambush! — Erik Larson

Mercenariness, pride, routine, and indolence are the capital sins of the Russian office-holder, and the first has so strong a hold upon him that the people say, "To make yourself understood by him you must talk of rubles;" adding that in Russia everybody robs but Christ, who cannot because his hands are nailed down. — Emilia Pardo Bazan

House-watching is an art. You have to develop a way of seeing how a building sits in its landscape or streetscape. You have to discover how much room it takes up in the world, how much of the world it displaces. — Edmund De Waal

The Palestinians are a despotic, undemocratic grouping which promotes a religious war against Israel, a democracy, through terror. — Melanie Phillips

The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible. — Samuel Taylor Coleridge