Composer S Quotes & Sayings
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It's a cute little studio apartment that has just what I need: a bed, a couch, a table, a chair, and a coffee-maker. — Shawn Lukas

Intelligent analysis of the composer's intention and strict adherence to it automatically ensures sincerity. — Kate Smith

When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer. — Dave Brubeck

I think Bach is equally a romantic composer because he laid the seeds harmonically for people like Chopin and the great Romantics, Brahms, so it's difficult to you know all this like labelling and putting - I think Bach is attractive to musicians because he supersedes the labels. — Nigel Kennedy

The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body. — Anthony De Mello

I think it's good for the composer to teach because you always have new students and you have to begin at the beginning and make things clear. — John Corigliano

The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri. — Bob Mondello

...music does not mean anything at all. You cannot ask it to speak to you in such concrete terms. It can evoke, affect, cajole and persuade, but it's language is not that of speech. Indeed, if a composer can say in literal terms what his music means, he had much better write prose than notes... Let music, when you hear it, work on you in its own way...let it flow around you and find its own way to touch you. It is not something you must translate moment by moment. Give it your attention. If it fails to speak to you in its own manner then, well, it is a failure of the music, not in yourself. — Imogen Robertson

I don't ascribe to the idea of the ivory tower composer who sits alone in a room composing his masterpieces and then comes down from Mount Sinai with the tablets. It doesn't work like that. The job of a composer is putting something down on a piece of paper that will inspire the person who's playing. — John Zorn

With so much reading ahead of you, the temptation might be to speed up. But in fact it's essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but it's surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted. — Francine Prose

Remember always that the composer's pen is still mightier than the bow of the violinist; in you lie all the possibilities of the creation of beauty. — John Philip Sousa

I had a musician friend once tell me that it's not in the orchestra that you get the true test of the musicians but in the little trios and quintets where you really get to see if they've got the stuff. And the composer. — Wes Craven

It's important as a composer to sit in silence and imagine these complex musical worlds in your head, but it's also a wonderful experience to touch your music and to hear it and hear it in the room with you and to say, you can't have an entire orchestra there, but you'd kind of like to have the orchestra there. — Tod Machover

Music is not written in red, white and blue. It is written in the heart's blood of the composer. — Nellie Melba

Einstein's space is no closer to reality than Van Gogh's sky . The glory of science is not in a truth more absolute than the truth of Bach or Tolstoy, but in the act of creation itself. The scientist's discoveries impose his own order on chaos, as the composer or painter imposes his; an order that always refers to limited aspects of reality, and is based on the observer's frame of reference, which differs from period to period as a Rembrant nude differs from a nude by Manet. — Arthur Koestler

It's hard to decide how to match words to music. It's not like it's twice the work. It's always difficult for me to explain to the composer what I'm looking for. I'm not a professional; I lack even basic knowledge about writing music. — Ayumi Hamasaki

When I'm writing a play I hear it like music. I use the same indications that a composer does for duration. There's a difference, I tell my students, between a semi-colon and a period. A difference in duration. And we have all these wonderful things, we use commas and underlining and all the wonderful punctuation things we can use in the same way a composer uses them in music. And we can indicate, as specifically as a composer, the way we want our piece to sound. — Edward Albee

It is only by demanding the impossible of the piano that you can obtain from it all that is possible. For the psychologist this means that imagination and desire are ahead of the possible reality. A deaf Beethoven created for the piano sounds never heard before and thus predetermined the development of the piano for several decades to come. The composer's creative spirit imposes on the piano rules to which it gradually conforms. That is the history of the instrument's development. I don't know of any case where the reverse occurred. — Heinrich Neuhaus

Genetically, I have tons of musical background in my life. My mother's father was a famous Weimar-era composer, Ernst Toch. My father's mother was the head of the Vienna Conservatory's piano department. It all canceled out in my case. I'm completely hopeless in music. — Lawrence Weschler

There's more musical freedom on Madison Avenue than anywhere else. It's an Eden for a composer. — Mitch Leigh

Tim Price continues to explore and develop his deeply personal approach to music. Through the years his persistence, determination and passion has enabled him to create a stellar reputation as a multiple woodwind master, composer, producer, author and last but not least educator. Tim is one of the best musicians active today and I'm happy to say he's my friend ... — Bennie Maupin

Every philharmonic orchestra merely interprets the composer. My goal was to create new music by that composer. In doing so, I wanted to find the painter's creative center and become familiar with it, so that I could see through his eyes how his paintings came about and, of course, see the new picture I was painting through his eyes - before I even painted it. — Wolfgang Beltracchi

Bach's music is really some of the greatest. I think, in some ways, Bach is the most profound composer of all. — Joshua Bell

Finally, three smashing chords to finish, obviously intended to set off a roar of applause. I start to clap, but the man with the score glares again. One does not applaud in the midst of greatly great great music, even if the composer wants one to! Coughing, squirming, whispering, the crowd suppresses its urge to express pleasure. It's like mass anal retention. — Alex Ross

Around eighth grade I decided I wanted to be a composer and that's what I went to college for. Just a few years back, I switched out of composition and into creative writing so I could work with words. — Joanna Newsom

We've always said we're a HEAVY METAL band. We've kinda branched out here and there - we've done a rap thing, we've done a rap-rock thing, we've done something with Angelo Belmonte, who's the primary composer of Twin Peaks. In fact, most of David Lynch's movies is Angelo. He did something with us and that was great. We've also acted, we've done an episode in Married with Children, which was awesome - so we're always looking to do things which you wouldn't expect. — Charlie Benante

The world is composed of lies. Starting from a kid's cute lie, a teen's white lie, a youth's smart lie, it grows older with us, romantic lies as a couple, effusive lies as a parent and unavoidable lies at old age. Lies are beautiful, lies are awkward. Lies are stupid, lies are witty. Everyone is a classical composer and lifetime listener of lies. — Ram Vignesh

When we play music we describe the echo the tableau of natural forms, their shapes and arrangements, as uncovered by the composer's imagination, which yet must be filtered through our own. There is no other way. And in acknowledging this tableau, this revelation, we must "hesitate", we must doubt, as the composer doubted, for no valid creation can issue unscarred by doubt, by that vast flux of wonder which precedes the construction of being. — Russell Sherman

Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly. — Christophe Beck

Purcell is a composer who had a formative influence on British music - even The Who now cite him as an influence. There's an intense, dirty harmony, but there's a Louis XIV kind of elan and style, too. He had the melancholy DNA of our national folk heritage. — Charles Hazlewood

I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England. — John Corigliano

As a kid I never knew what I wanted to be when I grow up, but the only thing I knew was that I wanted to create things. And then I wanted to be an astronaut. I would paint stars and the atmosphere and then frame and hang the universe up on my bedroom wall. A few years down the line while I was still stargazing, I came to realize that I'm halfway around the world chasing something and the whole time it's in my backyard. From the very beginning I was who I always wanted to be. — Shawn Lukas

In many ways, a song-writing partnership is like a marriage. Apart from just liking each other, a lyricist and a composer should be able to spend long periods of time together - around the clock if need be - without getting on each other's nerves. Their goals, outlooks, and basic philosophies should be similar. — Richard Rodgers

In a timepiece, a sweep of a second hand is so slim in a way that it doesn't wait for no man, and that's why we choose to conceive things from the heart. — Shawn Lukas

In 1829 Rossini was at an age which has often proven critical in the lives of musicians, painters and writers. Lapses into silence far more complete than Rossini's, creative failures, suicides, and unanticipated deaths have been common in the middle to late 30s. As Charles Rosen has noted, 'It is the age when the most fluent composer begins to lose the ease of inspiration he once possessed, when even Mozart had to make sketches and to revise'. — Richard Osborne

Jerry Goldsmith is the #1 composer working now. He's open to new ideas and always inventing. — Elmer Bernstein

'How big's your dick?' Zak blurted.
His father gave a roar of outrage.
'How good's your dental plan?' asked Number Five.
Zak laughed.
'You can't ask that,' his father snapped at his side.
'My favorite composer is Rachmaninov. My last client moved to New Zealand. There's nothing stuck to my shoe. I had fruit for breakfast and I don't waste my time worrying. I make sure there's never anything to worry about.' He walked across the room and put his mouth close to Zak's ear. 'In answer to your last. How responsive's your gag reflex?' — Barbara Elsborg

It's a myth that you need to understand all the ins and outs of music. The ideal scenario is you have a conceptual, directorial conversation about what you're trying to achieve in a theme and then trust your composer to go ahead and do that. — Henry Jackman

The discrepancy between the vacationists' good times and Isolde's unfortunate experience is more than disgusting — Paul Hindemith

The 'cleverness' syndrome has taken the place of melody. It's like everyone has come down with this terrible disease in jazz ... you are always expected to do your own material, which is a strange thing to do if you're a poor composer but a great player. — Keith Jarrett

It's not a special taste. An American composer should have something to say to a cab driver. — Morton Gould

If the reader were so rash as to purchase any of Bela Bartok's compositions, he would find that they each and all consist of unmeaning bunches of notes, apparently representing the composer promenading the keyboard in his boots. Some can be played better with the elbows, others with the flat of the hand. None require fingers to perform or ears to listen too. — Frederick Corder

My mouth blooms like a cut.
I've been wronged all year, tedious
nights, nothing but rough elbows in them
and delicate boxes of Kleenex calling crybaby
crybaby, you fool!
Before today my body was useless.
Now it's tearing at its square corners.
It's tearing old Mary's garments off, knot by knot
and see - Now it's shot full of these electric bolts.
Zing! A resurrection!
Once it was a boat, quite wooden
and with no business, no salt water under it
and in need of some paint. It was no more
than a group of boards. But you hoisted her, rigged her.
She's been elected.
My nerves are turned on. I hear them like
musical instruments. Where there was silence
the drums, the strings are incurably playing. You did this.
Pure genius at work. Darling, the composer has stepped
into fire. — Anne Sexton

Since Mozart's day composers have learned the art of making music throatily and palpitatingly sexual. — Aldous Huxley

In major movies these days, the fine details of music, instrumentation and sound design are lost. This is a shame, and it is one of the various reasons that make me not want to be part of the entertainment business. Although I have done it in the past, finally I know that I'm not here to create industry products. Music is more than images, it's more than language ... it's the medium that's capable of communicating the answers to the Big Questions. — Julius Dobos

Composition is interesting because, in a sense, you always have to let it go. Unless you're a true composer/performer, you're always sending a PDF and then someone else makes it. It's like instructions for a short story, faxed to every English student who's studying it. — Nico Muhly

I believe that interpretation should be like a transparent glass, a window for the composer's music. — Vladimir Ashkenazy

The negative is the equivalent of the composer's score, and the print the performance. — Ansel Adams

The age of clear answers was over. So was the age of characters and plots. Despite her journal sketches, she no longer really believed in characters. They were quiant devices that belonged to the nineteenth century. The very concept of character was founded on errors that modern psychology had exposed. Plots too were like rusted machinery whose wheels would no longer turn. A modern novelist could no more write characters and plots than a modern composer could a Mozart symphony. It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer's morning, the sensations of a child standing at a window, the curve and dip of a swallow's flight over a pool of water. The novel of the future would be unlike anything in the past. — Ian McEwan

If we compel the composer to write in terms of what the listener is able to hear, we flirt with the danger of freezing the evolution of musical language, whose progressive development comes about through transgressions of a given era's perceptual habits. — Jean-Jacques Nattiez

I grew up mostly in Champaign, Illinois. My dad was at the University of East Illinois, so I was always around the music. One of my dad's buddies was the avant-garde composer John Cage, so I picked up on that weird classical and eclectic music. — Stuart Hamm

In the Belgian backwaters, south of Bruges, there lives a reclusive English composer, named Vyvyan Ayrs. You won't have heard of him because you're a musical oaf, but he's one of the greats. — David Mitchell

I went to a concert upstairs in Town Hall. The composer whose works were being performed had provided program notes. One of these notes was to the effect that there is too much pain in the world. After the concert I was walking along with the composer and he was telling me how the performances had not been quite up to snuff. So I said, "Well, I enjoyed the music, but I didn't agree with that program note about there being too much pain in the world." He said, "What? Don't you think there's enough?" I said, "I think there's just the right amount. — John Cage

As I rode back to Detroit, a vision of Henry Ford's industrial empire kept passing before my eyes. In my ears, I heard the wonderful symphony which came from his factories where metals were shaped into tools for men's service. It was a new music, waiting for the composer with genius enough to give it communicable form.
I thought of the millions of different men by whose combined labor and thought automobiles were produced, from the miners who dug the iron ore out of the earth to the railroad men and teamsters who brought the finished machines to the consumer, so that man, space, and time might be conquered, and ever-expanding victories be won against death. — Diego Rivera

I've come up with another formulation about style: that it's essentially a manifestation of a certain habitual set of limitations. It's what a composer does NOT do that defines a style. — James Tenney

A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio
he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on
your strengths. Like being able to talk with the stone. — Haruki Murakami

Stories about [the German composer Johannes] Brahms's rudeness and wit amused me in particular. For instance, I loved the one about how a great wine connoisseur invited the composer to dinner. 'This is the Brahms of my cellar,' he said to his guests, producing a dust-covered bottle and pouring some into the master's glass. Brahms looked first at the color of the wine, then sniffed its bouquet, finally took a sip, and put the glass down without saying a word. 'Don't you like it?' asked the host. 'Hmm,' Brahms muttered. 'Better bring your Beethoven!' — Arthur Rubinstein

It was like listening to the universe in motion. Planets spinning on their appointed courses, the lives of men intersecting and parting, the unimaginable harmony of the human body itself in hierarchy and order, were all implied in the song, but something greater as well: the genius of the composer, which must surely approach the miraculous. Perceval closed his eyes and was lost in the weaving music. — Suzannah Rowntree

It can only be hoped that the overwhelming factual (not anecdotal) evidence presented herein will arouse conductors and performers of all stripes to rededi-cate themselves to serving, rather than using, the art of music - espousing the notion and principle that a great composer's creations ought to be inherently respected and cherished. Perhaps one could then supplant the motto "nobody gives a damn about the composer" with the more benign, gracious - and simple - "all for the composer. — Gunther Schuller

I'll admit that writing doesn't always come, but I'm totally against walking around looking at the sky when you're experiencing a block, waiting for inspiration to strike you. Tchaikovsky and Rimsky-Korsakov didn't like each other and agreed on very few things, but they were of one opinion on this: you had to write constantly. If you can't write a major work, write minor trifles. If you can't write at all, orchestrate something. — Dmitri Shostakovich

I make me. At 18, I decided I wasn't going to have an unconstructed self ever. I was going to be the composer, the designer, the architect of me. It's been really fun. — Patch Adams

Sammy Davis, Andy Williams, Tony Bennett ... their records sell in the millions; when I do it, it just trickles. But for the composer and lyricist, there's a tidy bit to be made that way, too, so I don't really mind. — Anthony Newley

To be a great composer requires immense experience ... One acquires this by listening not only to other men's work, but above all to one's own! — Frederic Chopin

Trombone virtuoso and innovative composer, Papo combines the best of jazz and Latin music to create a genre that is unique and wild. He's redefined Latin jazz! — Michael Brecker

Wagner exploited all forms of expression at a composer's disposal - harmony, dynamics, orchestration - to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves. — Daniel Barenboim

I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing. — Jeanine Tesori

Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert. — Cecilia Bartoli

Three of tonights performers are members of the group Return To One, whose album Hopes and Dreams I heard for the first time a couple of weeks ago. Blown away by the album, I called Nathan Hubbard, the drummer and composer for the group, and with whom I've played on a couple of Trummerflora-related occasions, and asked him to round up several of his Return To One cohorts for tonight's show. I can't recommend their album highly enough; please pick up a copy ... — Mike Keneally

I thought about Stockhausen. What had prompted him to call the attacks a work of art? For him, I thought, it was not a matter of finding death beautiful, but rather seeing that someone had taken liberties in reality that an artist could only dream of. That was both the virtue and the vice of art. In art, you can kill with impunity - destroy the world, perpetrate a holocaust, whip up the apocalypse. But it's only art. You can blow up five million people in an opera and not have anywhere near the impact of blowing up five thousand in reality. Stockhausen seemed to realize this, since the terrorism caused him to feel that being a composer was nothing. In that sense, his words were a moral statement about the limits of art, not an immoral statement about aestheticizing destruction. — Supervert

When you think of Mitch Leigh as a businessman, remember he's also a composer. And when you think of Mitch Leigh as a composer, remember he's also a businessman. — Mitch Leigh

The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways. — Ansel Adams

It is always interesting and sometimes even important to have intimate knowledge of a composer's life, but it is not essential in order to understand the composer's works. — Daniel Barenboim

There are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter's girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. * — Amos Oz

Walt had a way of communicating that was just magical," composer Richard Sherman told me. "Simple, but magical. He would give you a challenge and say, 'I know you can do this.' He made you believe anything was possible. He made you proud to be on his team. And it really was a team effort - Walt would roll up his sleeves and go to work alongside the rest of us. "He saw potential in people who had never really done anything great. My brother Robert and I really had no track record in the music industry, but Walt heard a few of our songs and he gave us an opportunity and inspired us to keep topping ourselves. Without Walt to inspire us, I don't know where we'd be today. "Walt always wanted you to find something wonderful in yourself, to believe in it and consider it God's gift to you. God gives you the gift, and the rest is up to you. Walt taught me that what you do with that gift is your gift back to God. — Pat Williams

Damn everything but the circus! ... The average 'painter' 'sculptor' 'poet' 'composer' 'playwright' is a person who cannot leap through a hoop from the back of a galloping horse, make people laugh with a clown's mouth, orchestrate twenty lions. — E. E. Cummings

Improvisation was the blood and bone of jazz, and in the classic, New Orleans jazz it was collective improvisation in which each performer, seemingly going his own melodic way, played in harmony, dissonance, or counterpoint with the improvisations of his colleagues. Quite unlike ragtime, which was written down in many cases by its composers and could be repeated note for note (if not expression for expression) by others, jazz was a performer's not a composer's art. — Russell Lynes

I think there's a time as a writer when you want to see the best things in life, and you go out wherever you go with your dreams as a writer or a composer. — Tori Amos

As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano. — Michael Hersch

They sang without instrumental accompaniment
or, more accurately in their case, without any interference. Their voices were melodious and unsentimental, almost to the point where a somewhat more denominational man than myself might, without straining, have experienced levitation. A couple of the very youngest children dragged the tempo a trifle, but in a way that only the composer's mother could have found fault with. — J.D. Salinger

To talk about communication theory without communicating its real mathematical content would be like endlessly telling a man about a wonderful composer, yet never letting him hear an example of the composer's music. — John R. Pierce

A composer's job involves the decoration of fragments of time. — Frank Zappa

I don't think they understand it's as important as math and science. It rounds you out as a person. I think it gives you a love of certain things. You don't have to become the next great composer. It's just nice to have heard certain things or to have seen certain things. It's part of being a human being. — Marvin Hamlisch

I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of it is figuring out what the composer intended ... You have music of the 17th century - it's all whole notes and half notes. But inside of that, there are so many things that one can do, at least according to what we know about performance practice. — Caroline Shaw

I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important. — Howard Shore

I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart. My songs bring images to the listener's mind. The object is to transport my listeners to another place, some place sacred and spiritual that will make them glad they took the ride. — Bradley Joseph

I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer. — Danny Elfman

To judge a composer's work, one must consider it as a whole. — Gustav Mahler

She seemed to have apprehended all of the composer's coldness and none of his poetry. — Kate Chopin

Other players and at least one great composer - Beethoven - had lived with deafness, but hearing loss wasn't where Hugh's woes ended. There was the vertigo, the trembling, the periodic loss of vision. There was nausea, vomiting, diarrhea, galloping pulse. Worst of all was the almost constant tinnitus. He had always thought deafness meant silence. This was not true, at least not in his case. Hugh Yates had a constantly braying burglar alarm in the middle of his head. — Stephen King

I don't understand why we have to experiment with film. I think everything should be done on paper. A musician has to do it, a composer. He puts a lot of dots down and beautiful music comes out. And I think that students should be taught to visualize. That's the one thing missing in all this. The one thing that the student has got to do is to learn that there is a rectangle up there - a white rectangle in a theater - and it has to be filled. — Alfred Hitchcock

There's no card, business card, better than a compact disc for a composer. It doesn't half impress people and they get a long way on it ... these composers they will get more performances, more commissions, more recognition just by having that disc — Peter Maxwell Davies

I think it's very good music composed by a human composer and sung by two birds with two feet and no feathers! — Alexandre Dumas

As far as rock groups, I really like Stone Temple Pilots. As for classical composers, it's Bach. I love Paganini, too, the Italian composer who would break strings during a performance and finish playing on just one string. Someone I would have loved to play with is Jimi Hendrix. — Matt Schulze

But the longer he listened to the King Lear fantasia, the further he felt from any possibility of forming some definite opinion for himself. The musical expression of feeling was ceaselessly beginning, as if gathering itself up, but it fell apart at once into fragments of new beginnings of musical expressions and sometimes into extremely complex sounds, connected by nothing other than the mere whim of the composer. But these fragments of musical expressions, good ones on occasion, were unpleasant because they were totally unexpected and in no way prepared for. Gaiety, sadness, despair, tenderness and triumph appeared without justification, like a madman's feelings. And, just as with a madman, these feelings passed unexpectedly.
All through the performance Levin felt like a deaf man watching people dance. He was in utter perplexity when the piece ended and felt great fatigue from such strained but in no way rewarded attention. — Leo Tolstoy

As a composer and as a musician I'm a true believer - and this is not to be overly diplomatic - I'm a believer that there's artistry in everything from a lawn gnome to a desk chair to a symphony to an Andy Warhol painting. There's art in absolutely everything. — Darren Criss

I usually work with the director and it's just a collaboration between me and the one person. I think you make good movies that way. If the director and the composer can have this common goal and this excitement about making something great, then you're going to do something good. — Howard Shore

Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence. — Leonard Bernstein