Common The Artist Quotes & Sayings

Charles Murray, however, clearly believes that being able to cure fatal diseases is more important than some other things and that Rembrandt was a greater artist than your local sidewalk cartoon sketcher. Most people might regard this as obvious common sense but some of the intelligentsia may be seething with resentment at seeing their pet fetishes ignored. — Thomas Sowell

By keenly confronting the enigmas that surround us, and by considering and analyzing the observations that I had made, I ended up in the domain of mathematics. Although I am absolutely without training in the exact sciences, I often seem to have more in common with mathematicians than with my fellow artists. — M.C. Escher

It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them. — Mark Rothko

Is it better to strive for success as a self-representing artist or try to get your feet wet in the gallery world? That is such a common question these days among artists. I truly believe that most artists will come to a cross road where they will have to decide on which route to take as it's extremely hard to be successful in both worlds. — Matt LeBlanc

It is my belief one should not belittle the artist; while, however glorious his fame may seem, his time on Mount Olympus as an honourable guest of Zeus is short. It's a pity, but all too eager will the common folk drag him from this etherial heights to the low and trodden earth. — Ludwig Van Beethoven

Moralism and ignorance are responsible for the constant stereotyping of prostitutes by their lowest common denominator
the sick, strung-out addicts, couched on city stoops, who turn tricks for drug money ... The most successful prostitutes in history have been invisible. That invisibility was produced by their high intelligence, which gives them the power to perceive, and move freely but undetected in the social frame. The prostitute is a superb analyst, not only in evading the law but in initiating the unique constellation of convention and fantasy that produces a stranger's orgasm. She lives by her wits as much as her body. She is a psychologist, actor, and dancer, a performance artist of hyper-developed sexual imagination. — Camille Paglia

The artist's life cannot be otherwise than full of conflicts, for two forces are at war within him; on the one hand, the common human longing for happiness, satisfaction and security in life and on the other, a ruthless passion for creation which may go so far as to override every personal desire ... there are hardly any exceptions to the rule that a person must pay dearly for the divine gift of creative fire. — C. G. Jung

Art is a positive "FORCE" that bring beings together for the common good. Only the people who had lost a piece of themselves can create the unimaginary. — Henry Johnson Jr

I'd fully taken the road many people start on, but most abandon: common sense had given me a miss, and I'd become an artist. — Michael Redhill

It is unfeeling to speak of the people who cooperate in the production of art works as "personnel" or, worse yet, "support personnel", but that accurately reflects their importance in the conventional art world view. In that view, the person who does the "real work", making the choices that give the work its artistic importance and integrity, is the artist, who may be any of a number of people involved in its production, everyone else's job is to assist. I do not accept the view of the relative importance of the "personnel" involved that the term connotes, but i use it to emphasize that it is the common view in art worlds — Howard S. Becker

What portion in the world can the artist have, Who has awakened from the common dream, But dissipation and despair? — William Butler Yeats

The greatness of an artist or a writer does not depend on what he has in common with other artists and writers, but on what he has peculiar to himself. — Alexander Smith

Still,[ ... ] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience. — Will Eisner

It's nice that people can call me an artist and it's nice that I can refer to myself as such, but it also kind of separates me from the common man in a way that I don't wish to be, so craftsperson makes me feel a bit more connected. — Matana Roberts

Common sense was sufficient to determine that it could not mean that all men were equal in fact, but in right, not all equally tall, strong, wise, handsome, active, but equally men . . . the work of the same Artist, children in the same cases entitled to the same justice. Nabby — David McCullough

Through photography, both artist and scientist can find a common denominator in their search for the synthesis of modern vision in time, space and structure. — Ernst Haas

The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity. — Whitney Chadwick

The impact of a conscious artist is necessary, and it ripples through the world. — Common

Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips. — Walter J. Phillips

So the problem for the poetic artist or the photographer is the common problem of continuous attentiveness, continuous attempts to notice what he is noticing, continuous alertness to catch himself thinking or seeing, devotional attentiveness to the world he's moving through. — Allen Ginsberg

This is what it means to be a fanatic - but a fanatic, that is to say, in a very special sense. It has little in common with the obsession of the politician or the artist, for instance, for both of these understand in a greater or lesser degree the impulse which drives them. But the sportsman fanatic - that is another matter entirely.
His thoughts fixed solely on a vision of that mounted trophy against the wall, the eyes now dead that were once living, the tremulous nostrils stilled, the sensitive pricked ears closed to sound at the instant when the rifle shot echoed from the naked rocks, this man hunts his quarry through some instinct unknown even to himself.
Stephen was a sportsman of this kind. It was not the skill needed that drove him, nor the delight and excitement of the stalk itself, but a desire, so I told myself, to destroy something beautiful and rare. Hence his obsession with chamois. ("The Chamois") — Daphne Du Maurier

I didn't dare to think of anything then except the "facts." To get beneath the facts I would have had to be an artist, and one doesn't become an artist overnight. First you have to be crushed, to have your conflicting points of view annihilated. You have to be wiped out as a human being in order to be born again an individual. You have to be carbonized and mineralized in order to work upwards from the last common denominator of the self. You have to get beyond pity in order to feel from the very roots of your being. — Henry Miller

Contrary to the current presumption, if there is any man who has no right to solitude, it is the artist. Art cannot be a monologue. When the most solitary and least famous artist appeals to posterity, he is merely reaffirming his fundamental vocation. Considering a dialogue with deaf or inattentive contemporaries to be impossible, he appeals to a more far-reaching dialogue with the generations to come. But in order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The sea, rains, necessity, desire, the struggle against death - these are the things that unite us all. We resemble one another in what we see together, in what we suffer together. Dreams change from individual to individual, but the reality of the world is common to us all. — Albert Camus

There are all very different directors. Some are more specific, some are calmer than others when the pressure is on, some use more colorful language and they all communicate differently. But they all have love and care in common. They are all artists. And they have voices that I believe shine through within their films. To add to that, as a director myself I have learned so much from all three. I would like to thank them for that. — E.J. Bonilla

The feeble-minded, the neurotic, the criminal, perhaps, also, the artist, have unpredictability and perverted innocence in common. — Truman Capote

I feel, as an artist, I should be able to express who I am and the things I come from, and the places I want to also be. — Common

I started digging into parts of myself that I probably ignore and don't really get to express because Common is an artist that is conscious and is aware and is trying to put a positive energy to the world. — Common

As an artist you look into yourself to understand the human potential to be all kinds of things that are not necessarily pleasant but are real - a criminal, a murderer, a sadist, a rapist; to be all of these things that many people are. You can't allow yourself to say, 'I'm a different species from those people.' Because you aren't.
The criminal as monster is kind of common. That's very convenient because you can then say, 'Of course I'm not a monster, therefore I'm not a criminal therefore I have no potential in tern of criminality.' And that lets you off the hook. That gives you a nice wall between yourself and them. — David Cronenberg

If you're going to go for 'it' you have a common thing you share with other artists; that's desperation. You jump out a window style-wise. Try to put it together before you hit the ground. — Alex Katz

No longer can we consider what the artist does to be a self-contained activity, mysteriously inspired from above, unrelated and unrelatable to other human activities. Instead, we recognize the exalted kind of seeing that leads to the creation of great art as an outgrowth of the humbler and more common activity of the eyes in everyday life. Just as the prosaic search for information is "artistic" because it involves giving and finding shape and meaning, so the artist's conceiving is an instrument of life, a refined way of understanding who and where we are. — Rudolf Arnheim

There is a poverty of the average human's life, who is unnoticed by the world. It is the poverty of the commonplace. There is nothing heroic about it; it is the poverty of the common lot, devoid of ecstasy. Jesus was poor in this way. He was no model figure for humanists, no great artist or statesman, no diffident genius. He was a frighteningly simple man, whose only talent was to do good. The one great passion in his life was "the Father." Yet it was precisely in this way that he demonstrated "the wonder of empty hands" (Bernanos), the great potential of the person on the street, whose radical dependence on God is no different from anyone else's. He has no talent but that of his own heart, no contribution to make except self-abandonment, no consolation save God alone. — Johann Baptist Metz

People say 'I love Artists', but what they really know about Artists? They've ever thought about sharing the real madness with us? I believe those extreme passions/emotions in me separated from the real world is the sauce to pull out the inspirations out of me that touch the core of people's hearts, which is usually wandering about deep inside of you unconsciously covered with the social taboo called 'common sense'. — Hiroko Sakai

While their methods differ radically, artists and physicists share the desire to investigate the ways the interlocking pieces of reality fit together. This is the common ground upon which they meet. — Leonard Shlain

There is a legend of an artist who long sought for a piece of sandalwood, out of which to carve a Madonna. He was about to give up in despair, leaving the vision of his life unrealized, when in a dream he was bidden to carve his Madonna from a block of oak wood which was destined for the fire. He obeyed and produced a masterpiece from a log of common firewood. Many of us lose great opportunities in life by waiting to find sandalwood for our carvings, when they really lie hidden in the common logs that we burn. — Orison Swett Marden

Style is, above all, a system of forms with a quality and a meaningful expression through which the personality of the artist andthe broad outlook of a group are visible, ... communicating and fixing certain values of religious, social, and moral life through the emotional suggestiveness of forms. It is, besides, a common ground against which innovations and individuality of particular works may be measured. — Meyer Schapiro

I don't need to praise anything so justly famous as Frost 's observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person's random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the "alienated artist" cut off from everybody who isn't, yum-yum, another alienated artist; he is someone like normal people only more so a normal person in the less common and more important sense of normal . — Randall Jarrell

Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all. — Leo Tolstoy

To A Young Beauty
Dear fellow-artist, why so free
With every sort of company,
With every Jack and Jill?
Choose your companions from the best;
Who draws a bucket with the rest
Soon topples down the hill.
You may, that mirror for a school,
Be passionate, not bountiful
As common beauties may,
Who were not born to keep in trim
With old Ezekiel's cherubim
But those of Beauvarlet.
I know what wages beauty gives,
How hard a life her servant lives,
Yet praise the winters gone:
There is not a fool can call me friend,
And I may dine at journey's end
With Landor and with Donne. — W.B.Yeats

I work with many jazz artists as Miles Davis, Laughlin, etc.. One of the things all these artists had in common is that they had no fear. — George Duke

Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life. — Carl Andre

I like to remind people that creativity also isn't a spark; it's a slog. Every artist, inventor, designer, writer, or other creative in the world will talk about his work being an iterative experience. He'll start with one idea, shape it, move it, combine it, break it, begin anew, discover something within himself, see a new vision, go at it again, test it, share it, fix it, break it, hone it, hone it, hone it, hone it. This might sound like common sense, but it's not common practice, and that's why so many people are terribly uncreative - they're not willing to do the work required to create something that's beautiful, useful, desirable, celebrated. No masterpiece was shaped or written in a day. It's a long slog to get something right. This knowledge and willingness to iterate is what makes the world's most creative people so creative (and successful). — Brendon Burchard

Norman Rockwell, the Brueghel of the 20th century bourgeoisie, the Holbein of Jell-O ads and magazine covers; by common assent, the most American artist of all. — Jerry Adler

An artist is a person who lives in the triangle which remains after the angle which we may call common sense has been removed from this four-cornered world. — Soseki Natsume

I think the biggest lesson is the common one that gets in the way of most of us as artists - there are these messages in society that if you aren't hitting certain metrics, then you're not successful and you're not valid. — Lela Loren

To have my name said like, "Common and John Legend, Golden Globe nominees," is one of the greatest achievements I've ever had as an artist, as a person. — Common

The books of the great scientists are gathering dust on the shelves of learned libraries ... While the artist's communication is linked forever with its original form, that of the scientist is modified, amplified, fused with the ideas and results of others and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with the world than his work. — Max Delbruck

If an artist and a scientist have a common point, it is probably in the need for some kind of imaginative thinking to interpret the material they have. — Catherine Yass

The truth is, anyone who puts so much of herself and her life into art as you do must naturally fear any failure in that art as a potential threat to your life. And so you protect your art more than you protect your health or the common forms of happiness the rest of us have. And you probably have this in common with every artist you admire. — Arthur Phillips

It is very common with artists who are of a generation that has already gone by to get overly concerned with, Oh my God I have to sell to the younger generation. — Carole King

We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize. — Gretel Ehrlich

Vital art comes always from a cross between art and life: art being of one sex only, and quite sterile by itself. Such a cross is always possible; for though the artist may not have the capacity to bring his art into contact with the higher life of his time; fermenting in its religion, its philosophy, its science, and its statesmanship (perhaps indeed their may not be any statesmanship going), he can at least bring it into contact with the obvious life and common passions of the streets. 362 — George Bernard Shaw

In Germany, a certain artistic sense is fairly common, but the artist's sense is foreign there. — Franz Grillparzer

There are some superficial things that connect me to the stream. There's instrumentation, there's timbre, use of electronics, the way that samples are used, the way the electric guitar is used. I'm thinking of things that are particular to this era. But I don't always feel particularly close to the music of my peers. I often feel that I have more in common with writers and visual artists. I try to connect to people in an emotional kind of way. — Missy Mazzoli

Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist. — Harold Rosenberg

Art is in itself noble; that is why the artist has no fear of what is common. This, indeed, is already ennobled when he takes it up. — Johann Wolfgang Von Goethe

Any artist, the work you do, if it's a painting or if it's a performance, you hope it translates to a common denominator with the people that they see something in their own life in there. Or they see something in somebody else's life. That's what's fun about sharing art. — Matthew McConaughey

An artist is identical with an anarchist,' he cried. 'You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway.'
'So it is,' said Mr. Syme.
'Nonsense!' said Gregory, who was very rational when any one else attempted paradox. — G.K. Chesterton

Over the years, I've realized that I have as much in common with the performance artist, the standup comedian, the screenwriter, as I do with the theologian. I'm in an odd world where I make things and share them with people. — Rob Bell

It is really one of the most serious faults which can be found with the whole conception of democracy, that its cultural function must move on the basis of the common denominator. Such a point of view indeed would make a mess of all of the values which we have developed for examining works of art. It would address one end of education in that it would consider that culture which was available to everyone, but in that achievement it would eliminate culture itself.
This is surely the death of all thought.
This quote is taken from "The Artist's Reality: Philosophies of Art" by Mark Rothko, written 1940-1 and published posthumously in 2004 by Yale University Press, pp.126-7. — Mark Rothko

Yet the freedom of the artist, the pure beauty of nature, and the liberty of each of us to live our lives as we choose are still under threat - and despite all our progress, this threat may be greater now than in many years. The slave religions have used the weapons of fear, guilt, superstition, greed, terror and paranoia to achieve significant gains in political, ideological, and cultural power during recent decades, notably in the forms of militant Islamic fundamentalism and Christian dominionism.

It takes strength to stand in defense of beauty, truth and freedom, and strength requires unity.

Even while we celebrate our diversity and individuality with justified exuberance, it is critical that we remember those principles we hold in common, and those things we owe to each other as brothers and sisters of this, our Holy Order. — Sabazius X

I came from the South Side of Chicago wanting to be a rap artist and make videos. — Common

The creative artist has something in common with the hero. Though functioning on another plane, he too believes that he has solutions to offer. He gives his life to accomplish imaginary triumphs. At the conclusion of every grand experiment, whether by statesman, warrior, poet or philosopher, the problems of life present the same enigmatic complexion. The happiest people, it is said, are those which have no history. Those which have a history, those which have made history, seem only to have emphasized through their accomplishments the eternality of struggle. These disappear too, eventually, just as those who made no effort, who were content merely to live and to enjoy. — Henry Miller

All writers are different, each have their own artist way they go about telling a story. The only thing they have in common, is they write. — Lori Lesko

Give me the artist who breathes it like a native, and goes about his work in it as quietly as a common man goes about his ordinary business. Mozart did so; and that is why I like him. Even if I did not, I should pretend to; for a taste in his music is a mark of caste among musicians, and should be worn, like a tall hat, by the amateur who wishes to pass for a true Brahmin. — George Bernard Shaw