Common Metaphor Quotes & Sayings

(W.D.) Howells asserted that the Americans' 'love of the supernatural is their common inheritance from no particular ancestry.' Their fiction, he added, often gathers in the gray 'twilight of the reason,' on 'the borderland between experience and illusion. Howells's geographical metaphor was derived, of course, from Hawthorne's idea of a moonlit 'neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbue itself with the nature of the other.' Whether literally, as in Cooper's The Spy, or metaphorically, as in Hawthorne's works, the neutral territory/borderland was the familiar setting of the American romance. As American writers came to realize, not only was there a borderland between East and West, civilization and wilderness, but also between the here and the hereafter, between conscious and unconscious, 'experience and illusion' - psychic frontiers on the edge of territories both enticing and terrifying. — Howard Kerr

Metaphor ... is, as a common feature of linguistic practice, an incidental expediency, a homely administering of first-aid by mother-wit to jams or halts in expression suddenly confronting speakers, with no respectable linguistic solution immediately in sight. — Laura Riding

The point is that if you think you can pinpoint the cause, then you can fool yourself into thinking you can avert the cause. It's deeply egotistical. It's life played as a grand insurance policy. Our myth-making around cancer stems from the same impulse. Because we don't know exactly why most of it happens, we weave a makeshift wisdom around it, a false prophet, which seeps into the common story and feeds our hunger to understand why. The guilt is a byproduct, a way to assign blame and seek absolution. It's a lesser evil than the forces of randomness. And it gives us the illusion of control. — Alanna Mitchell

I believe in a reasonable amount of "right to bear arms". But private citizens of the United States are not allowed to own nuclear weapons. I always wanted a nuclear weapon, if I could have gotten one. I'm every other kind of power, but I'm not a nuclear power. — Ted Turner

At its simplest, the parable is a metaphor or simile drawn from nature or common life, arresting the hearer by its vividness or strangeness, and leaving the mind in sufficient doubt to its precise application to tease the mind into active thought. — C. H. Dodd

The most common metaphor for careers is a ladder, but this concept no longer applies to most workers. As of 2010, the average American had eleven jobs from the ages of eighteen to forty-six alone.1 This means that the days of joining an organization or corporation and staying there to climb that one ladder are long gone. Lori often quotes Pattie Sellers, who conceived a much better metaphor: "Careers are a jungle gym, not a ladder. — Sheryl Sandberg

The light of the sun is the manifestation of the clarity of the sky; and the sky is the basic condition necessary for the manifestation of the sun's light. So, too, in the sky two, three, four, or any number of suns could arise; but the sky always remains indivisibly one sky. Similarly, every individual's state of presence is unique and distinct, but the void nature of the individual is universal, and common to all beings. — Namkhai Norbu

The dominant metaphor of conceptual relativism, that of differing points of view, seems to betray an underlying paradox. Differentpoints of view make sense, but only if there is a common co-ordinate system on which to plot them; yet the existence of a common system belies the claim of dramatic incomparability. — Donald Davidson

I've struggled enough in my life to be appreciated and understood. I've had to go against all kinds of people through the years just to be myself. I think everybody should be allowed to be who they are, and to love who they love. I don't think we should be judgmental. Lord, I've got enough problems of my own to pass judgment on somebody else. — Dolly Parton

We have fried chicken in common? Do you realize how loaded fried chicken is as a metaphor here? — Chimamanda Ngozi Adichie

I'm seriously going to be sick, C.P.," I said and turned away. "Hey, serial killer dude!" I called out toward the street. "You can come get me now! I can't live with the image that is now burned on my brain."
"Tandy! Take that back!" C.P. said.
"Okay, fine. I take back the part about wanting the serial killer to come and get me," I told her. "But the rest? That is insane. I can't believe it. You and my . Freaksome. — James Patterson

For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together. — Hilary Mantel

The moon features frequently as a simile for beauty (and indeed Budur's name means 'moons'). Beautiful women are conventionally compared to gazelles. It was more common to evoke beauty through metaphor and simile than by close physical description. — Malcolm C. Lyons

'TIME's spell-check always admonishes me whenever I compose a sentence in the passive voice, a warning that is often ignored by me. — Richard Corliss

For instance, to be fluent with the various LOVE IS A JOURNEY expressions, one has to fathom the conceptual metaphor in considerable depth. Lakoff explains:
The lovers are travelers on a journey together, with their common life goals seen as destinations to be reached. The relationship is their vehicle, and it allows them to pursue those common goals together. The relationship is seen as fulfilling its purpose as long as it allows them to make progress toward their common goals. The journey isn't easy. There are impediments, and there are places (crossroads) where a decision has to be made about which direction to go in and whether to keep traveling together. — Steven Pinker

But I think I will keep you. — Amy Harmon

He had thought at first that they were all of common stature and costume, with the evident exception of the hairy Gogol. But as he looked at the others, he began to see in each of them exactly what he had seen in the man by the river, a demoniac detail somewhere. That lop-sided laugh, which would suddenly disfigure the fine face of his original guide, was typical of all these types. Each man had something about him, perceived perhaps at the tenth or twentieth glance, which was not normal, and which seemed hardly human. The only metaphor he could think of was this, that they all looked as men of fashion and presence would look, with the additional twist given in a false and curved mirror. — G.K. Chesterton