Coming Of Age Novel Quotes & Sayings
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45,000 sections of reinforced concrete - three tons each.
Nearly 300 watchtowers.
Over 250 dog runs.
Twenty bunkers.
Sixty five miles of anti-vehicle trenches - signal wire, barbed wire, beds of nails.
Over 11,000 armed guards.
A death strip of sand, well-raked to reveal footprints.
200 ordinary people shot dead following attempts to escape the communist regime.
96 miles of concrete wall.
Not your typical holiday destination.
JF Kennedy said the Berlin Wall was a better option than a war. In TDTL, the Anglo-German Bishop family from the pebbledashed English suburb of Oaking argue about this - among other - notions while driving to Cold War Berlin, through all the border checks, with a plan to visit both sides of it. — Joanna Campbell

There are many of us who live alongside others, less fortunate, watching them go through everyday suffering for one reason or another, and we're not moving even our little finger to help them. It's in human nature, unfortunately: for the most part, the only people we genuinely care about are ourselves. However, once in a while we encounter different species, different kind of human beings among us: full of compassion, willing and wanting to help, and doing so with joy and happiness. Those are a rarity. But you know what, my dear? Being one of them is not a special calling- it's a choice. So what will you choose, huh? — Yoleen Valai

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable ... and hilariously original. A supernatural crime story, blazing with creative intrigue ... don't miss it. — Michael Arnzen

I'm going to turn my life around. Make a complete three sixty."
"Don't you mean one eighty?" he corrected. "If you do that, you'll end up right back where you started."
"Maybe. But at least I'll have a chance of coming out of it a different person - a better version of me. — Megan Duke

She licked cinnamon sugar off her fingers, sun-heavy and happy, the type of happiness that before might have felt ordinary, but now seemed fragile, like if she stood too quickly, it might slide off her shoulders and break. — Brit Bennett

So he was queer, E.M. Forster. It wasn't his middle name (that would be 'Morgan'), but it was his orientation, his romping pleasure, his half-secret, his romantic passion. In the long-suppressed novel Maurice the title character blurts out his truth, 'I'm an unspeakable of the Oscar Wilde sort.' It must have felt that way when Forster came of sexual age in the last years of the 19th century: seriously risky and dangerously blurt-able. The public cry had caught Wilde, exposed and arrested him, broken him in prison. He was one face of anxiety to Forster; his mother was another. As long as she lived (and they lived together until she died, when he was 66), he couldn't let her know. — Michael Levenson

I think I knew from the first moment I met her, she would be the one to replace me. I didn't think it would happen that fast, but it did. — Megan Duke

The boarding school memoir or novel is an enduring literary subgenre, from 1950s classics such as The Catcher in the Rye to Curtis Sittenfeld's Prep. Doust's recognisably Australian contribution to the genre draws on his own experiences in a West Australian boarding school in this clever, polished, detail-rich debut novel. From the opening pages, the reader is wholly transported into the head of Jack Muir, a sensitive, sharp-eyed boy from small-town WA who is constantly measured (unfavourably) against his goldenboy brother. The distinctive, masterfully inhabited adolescent narrator recalls the narrator in darkly funny coming-of-age memoir Hoi Polloi (Craig Sherborne) - as does the juxtaposition of stark naivety and carefully mined knowingness.' - Bookseller+Publisher — Jon Doust

I see the same sky above me, the same stars and moon, but nothing will ever be the same for me, because I love you." Whoever said love was grand evidently had never been in love. — D.F. Jones

She might have been there for you in the aftermath, but I was there when everything came crashing down. — Megan Duke

He lies there listening to it, absorbing this sense of his own quiet drone transmuted into something of certain substance, something large, magnificent and grand - no longer him, no, but something bursting from him, leaving his split carcass behind as a monument to its source, its host, its feeding ground. — Patrick Bryant

Cormag caught his hand and pulled him back until they were facing each other. "I think you're amazing," he said, blurting the words out.
Lachlan smiled, completely shocked and thrilled by how captivating he found him.
He had never thought this could happen to him, that he would be attracted to another boy.
He thought he knew himself so well.
"I think you're smart, sexy, funny as hell. You have hidden depths, Lachlan. You only need the right person to coax you out of your protective shell," he claimed.
"Are you the right person?" Lachlan wondered, as he took a half step forward.
Cormag took a deep breath and brushed at a strand of hair that was sticking out at a funny angle from behind the top of his ear. He tugged at his short hair every time he talked about his recent break up. He was such a dork. — Elaine White

He shook his head and thought about it for a second. "Maybe I'm not straight? Can I still be straight when I'm sitting here looking into your eyes?" he asked. Maybe it was the alcohol talking or maybe he wasn't as straight as he thought he was.
"Yes. Absolutely." Cormag nodded and watched him closely.
"Even when I think they're so pretty? They are, you know. So many different shades of brown ... and a little green. Just a touch; not a lot. So pretty." He sighed happily, watching those dark eyes staring back at him in surprise. He lay his head on his arms, smiling at the way Cormag flushed in embarrassment and turned his full attention onto his bottle of beer.
"Wow, you are super drunk. — Elaine White

When you touch a man's body, he will enjoy the moment, when you touch a man's heart he will remember it forever. — Dixie Waters

With every beat of my heart, I believe she thought keeping her secret was in everyone's best interest. She thought the secret would be buried with her, never to be revealed. She thought wrong. — Misa Rush

My illusion, the idea of a soul mate, was so entrenched in my fantasy that the thought of letting him go, wrecked me. — M.R. Field

Everything I ever lost, I gained back with you. — Megan Duke

When we became teenagers boredom grew like a moth in a cocoon fighting to escape, and the peace created by our parents became a prison. We sought excitement and adventure. We sought anything but the sinless, pure, and average of the faux idyllic. — Scott Thompson

A magical blending of mystery, romance, and deep and dangerous secrets. Kelly Parra's Invisible Touch is an action-packed coming-of-age novel, sure to keep readers turning pages and begging for a sequel. — Laurie Faria Stolarz

You understand. I don't know. I am not sure how I would feel in your shoes. My mother wanted me. — Donna K. Childree

Sometimes Karl, you have to realize your weeknesses and be willing to discuss them with adults. — Molly Maguire McGill

I loved you yesterday. I love you today. I'll love you tomorrow ... forever. — Lynetta Halat

Dorothy Allison's Bastard Out of Carolina is a coming-of-age novel about Ruth Ann (Bone) Boatwright and a difficult childhood made even harder by her violent and predatory stepfather. — Nancy Pearl

Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene. — Michael J. Sullivan

Yes, 'Black Girl/White Girl' might be described as a 'coming-of-age' novel, at least for the survivor Genna. It is also intended as a comment on race relations in America more generally: we are 'roommates' with one another, but how well do we know one another? — Joyce Carol Oates

Oh yes, he's seen the black pupils of time's eyes. Two dark drains in a pair of dirty gas station bathroom sinks. The faucet's open and he's gurgling down the pipes, gushing toward whatever tank he's bound to swirl around in for the rest of his life. There's no telling from here if that's a realm of purification or of shit. There's only one way to find out, and that's to ride it all the way down. — Patrick Bryant

Dear Diary:
I have a confession to make: I've become a total idiot over French pastries.
They're my new favorite food.
My new-found edible souvenir.
My new favorite sin.
Dunkin Donuts is so yesterday. — Kimberley Montpetit

She'd already learned that pretty exposes you and pretty hides you and like most girls, she hadn't yet learned how to navigate the difference. — Brit Bennett

I tried to write a coming of age novel, but I wasn't deep enough to get past the third chapter. — Rick Robinson

It was late morning when he woke and found the telephone beside his bed in the hotel tolling frantically, and remembered that he had left word to be called at eleven. Sloane was snoring heavily, his clothes in a pile by his bed. They dressed and ate breakfast in silence, and then sauntered out to get some air. Amory's mind was working slowly, trying to assimilate what had happened and separate from the chaotic imagery that stacked his memory the bare shreds of truth. If the morning had been cold and gray he could have grasped the reins of the past in an instant, but it was one of those days that New York gets sometimes in May, when the air of Fifth Avenue is a soft, light wine. How much or how little Sloane remembered Amory did not care to know; he apparently had none of the nervous tension that was gripping Amory and forcing his mind back and forth like a shrieking saw. — F Scott Fitzgerald

I see us milling around our lockers in Tri-County High, laughing and joking and making plans for the weekend, whispering about girls and sex and other undiscovered territories, slapping five, talking cool, dreaming our pretty little high school dreams. — James Michael Rice

I am careful with the arguas (tomato caterpillars). Be careful with your mothers' hearts too, por favor.
THE PINATA-MAKER'S DAUGHTER — Eileen Granfors

Yessir, some things is sin 'cause God says so. Some things is sin 'cause they hurt other people. And some things is just pure-dee stupid. — David Hopper

It's 2010. I'm forty-three years old. I've just turned in the final draft of what will be my third novel when I decide I want a tattoo. Maybe it's a middle-age thing. Or maybe now that my kids are nearly grown and I have a career in place, I'm finally coming into my own. — Therese Fowler

True love is what makes life worth living. — D.F. Jones

My mom says . . . there are bad people who hurt others for fun . . . and there are good people who do it by accident. Like, they make a mistake?
I think you're a good person. — Svetlana Chmakova

Even the most beautiful flower, the rose," he argued, "has the thorn that makes it imperfect. — Lynetta Halat

It feels like I'm trapped in quicksand. The more I struggle, the more I sink. So I stop struggling. I stop trying to free myself; because the more I struggle the scarier it becomes. Then - and only then did panic yield long enough for a numbness to spread and stick to me like a second skin. — Jannet Casas

It'd be impossible to capture the feel of 'All Quiet on the Western Front' in a novel starring Mace Windu; 'All Quiet' is a tragic coming-of-age story. — Matthew Stover