Colour In Film Quotes & Sayings

If you take the time and put in the effort to write your own material and absolutely refuse to be denied the right to make your film it is difficult whatever colour you are. — Denzel Washington

When the sky is as grey as this - impeccably grey, a denial, really of the very concept of colour - and the stooped millions lift their heads, it's hard to tell the air from the impurities in our human eyes, as if the sinking climbing paisley curlicues of grit were part of the element itself, rain, spores, tears, film, dirt. Perhaps, at such moments, the sky is no more then the sum of the dirt that lives in our human eyes. — Martin Amis

There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad. — Marianne Jean-Baptiste

She noticed immediately that they were now in an altogether paler country. The sun had disappeared above a film of vapour. The air was becoming cooler every minute. The land was flat and treeless and there seemed to be no colour in it at all. Every minute, the mist became thicker. The air became colder still and everything became paler and paler until soon there was nothing but grey and white all around them. They were in a country of swirling mists and ghostly vapours. There was some sort of grass underfoot but it was not green. It was ashy grey. — Roald Dahl

I'm a dark blonde, yes. I dyed my hair blue, then black, when I was 14. I thought the colour was more flattering and matched my skin tone. I don't think I'd ever change back unless it was for a film. — Eva Green

In 1982 I bought the newly released Makina Plaubel 55mm fixed-lens camera. With this shift from 35mm to 6 x 7, I also changed from black and white to color. Later that year, I started my project on New Brighton called The Last Resort. However, the first project I shot in colour was composed of urban scenes from Liverpool. This image was on the second roll of film. It's the first good photo I made in this new chapter of my work. — Martin Parr

Spare me therefore, your good intentions, your inner sensitivities, your unarticulated and unexpressed love. And spare me also these tedious psycho-historians which, by exposing the goodness inside the bad man, and the evil in the good-invariably establish a vulgar and perverse egalitarianism, as if the arrangement of what is outside and what inside makes no moral difference. — Willard Gaylin

When there's an elephant in the room, you can't pretend it isn't there and just discuss the ants. — Ellen Wittlinger

Friendship isn't a science mudboy. Just do what you think is right. — Eoin Colfer

The desert. No seasons of bloom and decay. Just the endless turn of night and day. Out of time: and she is gazing- not over it, taken into it, for it has no measure of space, features that mark distance from here to there. In a film of haze there is no horizon, the pallor of sand, pink-traced, lilac-luminous with its own colour of faint light, has no demarcation from land to air. Sky-haze is indistinguishable from sand-haze. All drifts together, and there is no onlooker; the desert is eternity. — Nadine Gordimer

Hear from the heart wordless mysteries. — Rumi

I feel sick when I look at the parody synopsis, at the letters from the film company ... The novel is 'about' a colour problem. I said nothing in it that wasn't true. But the emotion it came out of was something frightening, the unhealthy, feverish illicit excitement of wartime, a lying nostalgia, a longing for licence, for freedom, for the jungle, for formlessness. It is so clear to me that I can't read that novel now without feeling ashamed, as if I were in a street naked. Yet no one else seems to see it. Not one of the reviewers saw it. Not one of my cultivated and literary friends saw it. It is an immoral novel because that terrible lying nostalgia lights every sentence. — Doris Lessing

I always tell people this: to be a savvy politician or a good head of state and to be charitable are not mutually exclusive things. — Natalie Dormer

It was a black and white film [at first]. And then it changed to colour film, and I was surprised and culture shocked when I was six or seven years old. And then HD, then 3D now. So what's going? What's coming next? It's so exciting. — Hiroyuki Sanada

There's only one rule in photography - never develop colour film in chicken noodle soup. — Freeman Patterson

Let's assume that all the cassettes of monochrome film Cartier-Bresson ever exposed had somehow been surreptitiously loaded with colour film. I'd venture to say that about two thirds of his pictures would be ruined and the remainder unaffected, neither spoiled nor improved. And perhaps one in a thousand enhanced. — Philip Jones Griffiths

My goal is to never stop growing. — Monica Wright

Everyone comes here for pleasure. Even if they think they don't. Embracing it is harder for some and they go mad before they truly accept it. Most of the places they cme from are founded on guilt and rules. The Ripers want us to break away from that - some wish to tear it from us while others are more subtle. — Marianne De Pierres

Actually, I was rock climbing on this film at 7 in the morning. It was quite unique! But in any event, the colour of the leaves disturbed me so we had to work on that. On the other hand, I didn't want to drench it in a kind of depressing tone. — Martin Scorsese

Jake Green isn't just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film's world of cons and games. — Guy Ritchie

I would love to work in a Bollywood film as there is so much drama and colour in the films there. — Brad Pitt

Authentic Christianity should lead to maturity, personality, and reality. It should fashion whole men and women living lives of love and communion — Brennan Manning

IN THE CINEMA A DIRECTOR EXPRESSES HIS INDIVIDUALITY FIRST AND FOREMOST THROUGH HIS SENSE OF TIME, THROUGH RHYTHM. RHYTHM GIVES COLOUR TO A WORK BY DISTINGUISHABLE STYLISTIC CHARACTERISTICS. RHYTHM MUST ARISE NATURALLY IN A FILM, A FUNCTION OF THE DIRECTOR'S INNATE SENSE OF LIFE AND COMMENSURATE WITH HIS QUEST FOR TIME. — Andrei Tarkovsky

Sometimes the things I learn making paintings or drawings - composition, colour, expressionism, texture - can directly influence the making of a film. Sometimes it's great that they are different, and simply taking a break from one medium to spend time with another, recharges the batteries and I feel refreshed. — Dave McKean

Why do you knock yourself out? Take it easy. — David O. Selznick

The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on. — Miranda Richardson

...personal experiences are probably the most convincing reason to believe for any individual who has had them. — Lewis N. Roe

They came there regularly every evening drawn by some need. It was as if the water floated off and set sailing thoughts which had grown stagnant on dry land, and gave to their bodies even some sort of physical relief. First, the pulse of colour flooded the bay with blue, and the heart expanded with it and the body swam, only the next instant to be checked and chilled by the prickly blackness on the ruffled waves. Then, up behind the great black rock, almost every evening spurted irregularly, so that one had to watch for it and it was a delight when it came, a fountain of white water; and then while one waited for that, one watched, on the pale semicircular beach, wave after wave shedding again and again smoothly, a film of mother-of-pearl. — Virginia Woolf