Quotes & Sayings About Colour In Art

Writing is like painting. You sketch it, add colour, add depth and detail. You give it a final layer and then hang it proudly. — Kia Carrington-Russell

The effect on Lucy was not bad, for the faint seemed to merge subtly into the narcotic sleep. It was with a feeling of personal pride that I could see a faint tinge of colour steal back into the pallid cheeks and lips. No man knows, till he experiences it, what it is to feel his own lifeblood drawn away into the veins of the woman he loves.
The Professor watched me critically. "That will do," he said. "Already?" I remonstrated. "You took a great deal more from Art." To which he smiled a sad sort of smile as he replied, "He is her lover, her fiance. You have work, much work to do for her and for others, and the present will suffice. — Bram Stoker

A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal
and a piece of parchment.
It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed. — Diana Norman

I am a great lover of art, in many forms: paintings, objets, textiles. I don't have the talent for painting, but I have a very good sense of colour, a love of visual beauty. — Jacqueline Bisset

Grey. It makes no statement whatever; it evokes neither feelings nor associations: it is really neither visible nor invisible. Its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph. It has the capacity that no other colour has, to make 'nothing' visible. — Gerhard Richter

I sense a scream passing through nature. I painted ... the clouds as actual blood. The colour shrieked. — Edvard Munch

The first colour charts were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions. — Gerhard Richter

Grey has no agenda ... Grey has the ability, that no other colour has, to make the invisible visible. — Roma Tearne

Thou art the sky and thou art the nest as well.

O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.

There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.

And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.

But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word. — Rabindranath Tagore

The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white ... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends. — Edward Weston

Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece. — Okakura Kakuzo

The rest of my Thursday can be summarised thus:
- Nat tells me to bite her.
- I don't.
- I am forced to sit next to Toby for the entire two-and-a-half-hour return coach journey.
- He tells me that water is not blue because it reflects the sky, but actually because the molecular structure of the water itself reflects the colour blue and therefore our art teacher is wrong and the authorities should be alerted.
- I pull my jumper over my head.
- I stay under my jumper for the next two hours. — Holly Smale

To speak of these things and to try to understand their nature and, having understood it, to try slowly and humbly and constantly to express, to press out again, from the gross earth or what it brings forth, from sound and shape and colour which are the prison gates of our soul, an image of the beauty we have come to understand - that is art. — James Joyce

One of the wise and awful truths which this brown-paper art reveals, is that, white is a colour. It is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black. — G.K. Chesterton

Colour is a matter of personal opinion. — Tessa De Loo

Whence did the wond'rous mystic art arise, / Of painting SPEECH, and speaking to the eyes? / That we by tracing magic lines are taught, / How to embody, and to colour THOUGHT? — Marshall McLuhan

Colour is a power which directly influences the soul. — Wassily Kandinsky

Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting - that blend of anxiety, curiosity and joy that is at the origin of art - and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort. — Yann Martel

The importance of colour is as nothing compared with that of form, chiaroscuro and arrangement. They are the true and enduring bases of pictorial art. — Walter J. Phillips

They will come, not to paint the bay and the sea and the boots and the moors, but the warmth of the sun and the colour of the wind. A whole new concept. Such stimulation. Such vitality. — Rosamunde Pilcher

Magic is a combination of art and science. It's an art because of the traditional parts of things, the graceful gestures, the sonorous invocations, the use of colour, sight, sound, all of these things make it very much an art form. Yet it is also a science as well because we expect something to come of what we do. Using and creating these almost dreamlike inner landscapes in which we can live, move, and have our being. — Dolores Ashcroft-Nowicki

Only now, years after having read though the works of Shakespeare, Dickens, Scott, Poe, Balzac did he realise that even the most prolific writer created only one novel; throw away the individual bindings and the whole of each man's writing constituted one book: the true and complete portrait of himself. An artist had one thing to say, and one only; he might flail about, seek new techniques, forms, colour combinations, subjects, but intrinsically he would always paint the same canvas, write the same book. — Irving Stone

A study in scarlet, eh? Why shouldn't we use a little art jargon? There's the scarlet thread of murder running through the colourless skein of life, and our duty is to unravel it, and isolate it, and expose every inch of it. — Arthur Conan Doyle

One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides. — Ralph Steadman

Turning to the colour-classification methodology: The starting point are the four pure colours red, yellow, green and blue; their in-between shades and scales of brightness result in colour schemes containing 16, 64, 256 and 1,024 shades. More colours would be pointless because it wouldn't be possible to distinguish between them clearly. — Gerhard Richter

I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc. — Gerhard Richter

I made art a philosophy, and philosophy an art: I altered the minds of men, and the colour of things: I awoke the imagination of my century so that it created myth and legend around me: I summed up all things in a phrase, all existence in an epigram: whatever I touched I made beautiful — Oscar Wilde

That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness. — H.P. Lovecraft

Bear in mind that the children of life are the children of joy; that the lower animals are only unhappy when made so by man; that man alone of all the creatures, has "found out many inventions", the chief of which appears to be the art of making himself miserable, and of seeing all Nature stained with that dark and hateful colour. — William Henry Hudson

The poet is the supreme artist, for he is the master of colour and of form, and the real musician besides, and is lord over all life and all arts. — Oscar Wilde

For true art there is no such thing as preparatory schooling, but there are certainly preparations; the best, however, is when the least pupil takes a share in master's work. Colour-grinders have turned into very good artists. — Johann Wolfgang Von Goethe

Just as music is noise that makes sense, a painting is colour that makes sense, so a story is life that makes sense. — Yann Martel

I think there is no work of art which represents the spirit of a nation more surely than "Die Meister Singer" of Richard Wagner. Here is no plaything with local colour, but the raising to its highest power all that is best in the national consciousness of his country. — Ralph Vaughan Williams

And that nice little balcony is yours? How cool it looks up there!"
He paused a moment. "Come up and see," he suggested. "I can give you a cup of tea in no time - and you won't meet any bores."
Her colour deepened - she still had the art of blushing at the right time - but she took the suggestion as lightly as it was made.
"Why not? It's too tempting - I'll take the risk," she declared.
"Oh, I'm not dangerous," he said in the same key.
In truth, he had never liked her as well as at that moment. He knew she had accepted without afterthought: he could never be a factor in her calculations, and there was a surprise, a refreshment almost, in the spontaneity of her consent. — Edith Wharton

In a sense, one could speak of the secret life of colour. Despite its outward beckoning, like true beauty, colour is immensely hesitant in giving away its secrets. Painters learn to respect the hesitancy of colour and endeavour to refine their skill to become worthy of its revelations. A painter learns the language of colour slowly. As with any language, you struggle for a long time outside the language. There is a willed deliberateness to how you sequence the strange words to make a sentence.Then one day the language lets you in to where the words dance to your thoughts with ease and fluency. Perhaps for the painter there is a day when colour lets him in, when his palette sings with synergy and delight. — John O'Donohue

I was a man who stood in symbolic relations to the art and culture of my age ... The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy,intellectual daring; I made art a philosophy, and philosophy an art: I altered the minds of men and the colour of things: there was nothing I said or did that did not make people wonder ... I treated Art as the supreme reality, and life as mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram. — Oscar Wilde

Colour is the ultimate in art. It is still and will always remain a mystery to us, we can only apprehend it intuitively in flowers. — Philipp Otto Runge

Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work. — Gerhard Richter

IN THE CINEMA A DIRECTOR EXPRESSES HIS INDIVIDUALITY FIRST AND FOREMOST THROUGH HIS SENSE OF TIME, THROUGH RHYTHM. RHYTHM GIVES COLOUR TO A WORK BY DISTINGUISHABLE STYLISTIC CHARACTERISTICS. RHYTHM MUST ARISE NATURALLY IN A FILM, A FUNCTION OF THE DIRECTOR'S INNATE SENSE OF LIFE AND COMMENSURATE WITH HIS QUEST FOR TIME. — Andrei Tarkovsky

Bad people are, from the point of view of art, fascinating studies. They represent colour, variety and strangeness. Good people exasperate one's reason; bad people stir one's imagination. — Oscar Wilde

[F]ireworks had for her a direct and magical appeal. Their attraction was more complex than that of any other form of art. They had pattern and sequence, colour and sound, brilliance and mobility; they had suspense, surprise, and a faint hint of danger; above all, they had the supreme quality of transience, which puts the keenest edge on beauty and makes it touch some spring in the heart which more enduring excellences cannot reach. — Jan Struther

My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art. — Alexej Von Jawlensky

Imagine you saw a colour in your dream, which you have never seen before. It doesn't consist of any colours or shades that you know. Trying to describe that colour would be as difficult as trying to belive that there is enough love & compassion in the world so every human can feel happiness. — Egor Kraft

There is silver blue, sky blue and thunder blue. Every colour holds within it a soul, which makes me happy or repels me, and which acts as a stimulus. To a person who has no art in him, colours are colours, tones tones ... and that is all. All their consequences for the human spirit, which range between heaven to hell, just go unnoticed. — Emil Nolde

If the image was sketched onto the canvas and spontaneously drawn, colour would often be restrained and unfree ... The most important and the most difficult liberation process we went trough, the one that has distinguished our art, was the freeing of colour, the transition to a painterly spontaneity. — Asger Jorn

A work of art in paint should be beautiful and expressive as abstract colour and form and should not interest us necessarily in any 'story' outside of itself - or else it belongs to the field of illustration. — John F. Carlson

Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak. — Oscar Wilde

To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour. — Gerhard Richter

The grey is certainly inspired by the photo-paintings, and, of course, it's related to the fact that I think grey is an important colour - the ideal colour for indifference, fence-sitting, keeping quiet, despair. In other words, for states of being and situations that affect one, and for which one would like to find a visual expression. — Gerhard Richter

The hardest part of being a Canadian kid is having to color in Nunavut with a crayon in school, hell on earth. — Rebecca McNutt