Quotes & Sayings About Colors In Art
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Top Colors In Art Quotes

Because you get it, you know? You get that the colors and the lines and the curves aren't trying to be like everything else in the world. You understand that the abstract art is standing out against the norm because it's the only way abstract art knows how to stand. And you get so fucking happy because it's so beautiful. And unique. And edgy. And ... abstract. — Brittainy C. Cherry

In her eyes was the reflection of everything that mattered: old diners with neon signs, vinyl records, celluloid film, drive-in movies, Pears soap, department stores, her brother's old blue Camaro car and the smell of coal dust in the rainy sky of a summer lightning storm.
... And all the nice bright colors of the past that she thought were gone for good came flowing back into her life like a wave of nostalgia flooding over her, reds, yellows, blues and greens drenching her gray memories in psychedelic ribbons and glittering fireworks.
... She hoped that the world would always hold those miniscule yet beautiful, deep and mysterious traces of memory. — Rebecca McNutt

If there is such a thing as being conditioned by climate and geography, and I think there is, it is the West that has conditioned me. It has the forms and lights and colors that I respond to in nature and in art. If there is a western speech, I speak it; if there is a western character or personality, I am some variant of it; if there is a western culture in the small-c , anthropological sense, I have not escaped it. It has to have shaped me. I may even have contributed to it in minor ways, for culture is a pyramid to which each of us brings a stone.
— Wallace Stegner

In art class at school we learned how to draw tanks and soldiers opening fire at [Iranian leader Ayatollah] Khomeini and his beard. They didn't teach us the names of the flowers that grew around us in the city - wild flowers of all kinds and all colors. The math teacher used to whip the kids with his trouser belt. My father was constantly violent toward my mother for the most trivial reasons. — Hassan Blasim

I carried with me into the West End Bar, the White Horse Tavern, a long list of things I would never do: I would never have my hair set in a beauty parlor. I would never move to a suburb and bake cakes or make casseroles. I would never go to a country club dance, although I did like the paper lanterns casting rainbow colors on the terrace. I would never invest in the stock market. I would never play canasta. I would never wear pearls. I would love like a nursling but I would never go near a man who had a portfolio or a set of golf clubs or a business or even a business suit. I would only love a wild thing. I didn't care if wild things tended to break hearts. I didn't care if they substituted scotch for breakfast cereal. I understood that wild things wrote suicide notes to the gods and were apt to show up three hours later than promised. I understood that art was long and life was short. — Anne Roiphe

By poetry we mean the art of employing of words in such a manner as to produce an illusion on the imagination; the art of doing by means of words, what the painter does by means of colors. — Thomas B. Macaulay

No man can roan or inhabit the Canadian North without it affecting him, and the artist, because of his constant habit of awareness and his discipline in expression, is perhaps more understanding of its moods and spirit than others are. He is thus better equipped to interpret it to others, and then, when her has become one with its spirit, to create living works in their own right, by using forms, colors, rhythms and moods, to make a harmonious home for the imaginative and spiritual meaning it has evoked in him. — Lawren Harris

But the long tunnels of art through which I walked in Rome that day had no ragged edges, cowardly colors, or shades of pastel that didn't know what to do with themselves. The wisdom, perfection, and beauty of the colors and forms I passed were more than enough, in their collectivity, to hint at the principles which govern the hereafter, whatever that may be. Indeed, even a detail of one painting can offer solid direction in this regard if one knows how to look — Mark Helprin

In every motions to put colors on my canvas, I feel like I am screaming, "I AM HERE" ... To whom?.. To where? ... Where am I going to ... ? — Hiroko Sakai

I barely registered moving into the long gallery, one hand absentmindedly wrapping around my throat as I looked up at the paintings.
So many, so different, yet all arranged to flow together seamlessly... Such different views and snippets and angles of the world. Pastorals, portraits, still lifes . . . each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet . . . and yet I looked at its work and understood, and felt, and cared. — Sarah J. Maas

Not without deep pain do we admit to ourselves that the artists of all ages have in their highest flights carried to heavenly transfiguration precisely those conceptions that we now recognize as false: they are the glorifiers of the religious and philosophical errors of humanity, and they could not have done this without their belief in the absolute truth of these errors. Now if the belief in such truth generally diminishes, if the rainbow colors at the outermost ends of human knowing and imagining fade: then the species of art that, like the Divina commedia, Raphael's pictures, Michelangelo's frescoes, the Gothic cathedrals, presupposes not only a cosmic, but also a metaphysical significance for art objects can never blossom again. A touching tale will come of this, that there was once such an art, such belief by artists. — Friedrich Nietzsche

The mind, and the unconscious mind in particular, is a canvas. We paint on it constantly. Art and music can add such colors, such style. — J.D. Robb

What makes a set of lines and colors into art is the relationship between this line and that one; the way one color or form echoes another in a different part of the canvas. — Daniel Levitin

Munch writes poetry with color. He has taught himself to see the full potential of color in art His use of color is above all lyrical. He feels color and he reveals his feelings through colors; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay. — Sigbjorn Obstfelder

My uncle, who's an art teacher, took me under his wing and gave me a really strong foundation in art. I spent summers with him, and he taught me how to draw, how to see, how to mix colors, how to use different mediums and perspective, and so forth. — Kadir Nelson

I dream of you in colors that don't exist. — Leah Raeder

I've been collecting since college, .. When we're children, we're taught to draw in the lines, use certain colors. In this art, the talent and the creativity we had as children hasn't been squashed. The early stuff is still there. — Beverly L. Kaye

Adultery is the vice of equivocation.
It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery ... You belong to each other in what together you've made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors
neutral gray. — Alexander Theroux

Art is unquestionably one of the purest and highest elements in human happiness. It trains the mind through the eye, and the eye through the mind. As the sun colors flowers, so does art color life. — John Lubbock

For the benefit of kids, "chart art" pulls them away from electronic screens, both big and small. They can enjoy pencils and colors in their hands, while they create pictures that evolve on paper. "Griddles" will get their thought process going, along with problem solving, and discovery - not to mention hand-eye coordination and motor development. It's also a learning tool for numbers and letters on the printed page — Lorraine Holnback Brodek

I don't want these. They're mud and they've got no color. Or at least the color is different from what I'm used to. Take any American city, in autumn, or in winter, when the light makes the colors dance and flow, and look at it from a distant hill or from a boat in the bay or on the river, and you will see in any section of the view far better paintings than in this lentil soup that you people have to pedigree in order to love. I may be a thief, but I know color when I see it in the flash of heaven or in the Devil's opposing tricks, and I know mud. Mr. Knoedler, you needn't worry about your paintings anymore. I'm not going to steal them. I don't like them.
Sincerely yours,
P. Soames — Mark Helprin

In painting, the most brilliant colors, spread at random and without design, will give far less pleasure than the simplest outline of a figure. — Aristotle.

This is God's universe and he is the master gardener of all. If we were to eliminate all colors in his garden, then what would be a rainbow with only one color? Or a garden with only one kind of flower? Why would the Creator create a vast assortment of plants, ethnicities, and animals, if only one beast or seed is to dominate all of existence? — Suzy Kassem

And nail about it because you think it's meaningless, but the next thing you know you're sitting in a library staring at books filled with pictures of abstract artwork and your heart feels ready to explode." Levi turned to me as I stepped out from behind the corner. Our eyes locked, and he kept speaking. "Because you get it, you know? You get that the colors and the lines and the curves aren't trying to be like everything else in the world. You understand that the abstract art is standing out against the norm because it's the only way abstract art knows how to stand. And you get so fucking happy because it's so beautiful. And unique. And edgy. And ... abstract." The room filled with silence as the three of us stood with no words — Brittainy C. Cherry

This deliberately nurtured hatred then spreads to all that is alive, to life itself, to the world with its colors, sounds, and shapes, to the human body. The embittered art of the twentieth century is perishing as a result of this ugly hate, for art is fruitless without love. In the East art has collapsed because it has been knocked down and trampled upon, but in the West the fall has been voluntary, a decline into a contrived and pretentious quest where the artist, instead of attempting to reveal the divine plan, tries to put himself in the place of God. — Aleksandr Solzhenitsyn

When it comes to art, buy with your eyes, not your ears. I tried very hard not to 'decorate' with art. Art should be reflective of your personality and what's going on in your head-not reflective of the colors of a sofa. — Jason Pomeranc

Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture. — Otto Dix

Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections. — Jean Pigozzi

From the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like those states which I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. — Anne Rice

Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something. — Georgia O'Keeffe

It was amazing how many colors there were, all running into the gutter in a stream: a dozen shades of blue, twenty different reds, and all that black soot, like a nightmare given form, the insides of a heart, destroyed so easily, done away with before anyone could stop the damage, or salvage what was lost, or even try to save him. — Alice Hoffman

The first degree of proficiency is, in painting, what grammar is in literature, a general preparation for whatever the student may afterward choose for more particular application. The power of drawing, modeling, and using colors, is very properly called the language of the art. — Joshua Reynolds

When Black and White are colors and not races, people will still fall in love and discriminate between partners and feel sad and bad and need art that breaks your heart and takes you to those places where pain becomes beauty. — Marlene Dumas

What women do in front of a mirror with few brushes and colors is, indeed, an art. — Uday Mukerji

... food is capable of feeding far more than a rumbling stomach. Food is life; our well-being demands it. Food is art and magic; it evokes emotion and colors memory, and in skilled hands, meals become greater than the sum of their ingredients. Food is self-evident; plucked right from the ground or vine or sea, its power to delight is immediate. Food is discovery; finding an untried spice or cuisine is for me like uncovering a new element. Food is evolution; how we interpret it remains ever fluid. Food is humanitarian: sharing it bridges cultures, making friends of strangers pleasantly surprised to learn how much common ground they ultimately share. — Anthony Beal

That's partly the success of my work-the ability to have a young black girl walk into the Brooklyn Museum and see paintings she recognizes not because of their art or historical influence but because of their inflection, in terms of colors, their specificity and presence. — Kehinde Wiley

In fact, scientists have taken advantage of this effect by using the amount of red in contemporary paintings of sunsets to estimate the intensity of volcanic eruptions. Several Greek scientists, led by C. S. Zerefos, digitally measured the amount of red - relative to other primary colors - in more than 550 samples of landscape art by 181 artists from the sixteenth through the nineteenth centuries to produce estimates of the amount of volcanic ash in the air at various times. Paintings from the years following the Tambora eruption used the most red paint; those after Krakatoa came a close second. — William K. Klingaman

To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art. — Leo Tolstoy

Stothard learned the art of combining colors by closely studying butterflies wings; he would often say that no one knew what he owed to these tiny insects. A burnt stick and a barn door served Wilkie in lieu of pencil and canvas. — Samuel Smiles

Light - both physical and moral - was a central concern to the men and women living in the medieval age. They attempted to explore its properties in the colors of a stained glass canopy, in the tenor of a brisk saltarello, in the lilt of a Jongleur's ballad, in the sweet savor of a banqueting table, in the rhapsody of a well planned garden, indeed, in every arena and discipline of life. — Douglas Wilson Douglas Jones

From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves. — Henri Matisse

The art of an artist must be his own art. It is ... always a continuous chain of little inventions, little technical discoveries of one's own, in one's relation to the tool, the material and the colors. — Emil Nolde

The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too. — Margaret Keane

For 11 years, I was mayor of Tirana, our capital. We faced many challenges. Art was part of the answer, and my name, in the very beginning, was linked with two things: demolition of illegal constructions in order to get public space back, and use of colors in order to revive the hope that had been lost in my city. — Edi Rama

To work and create 'for nothing', to sculpture in clay, to know that one's creation has no future, to see one's work destroyed in a day while being aware that fundamentally this has no more importance than building for centuries- this is the difficult wisdom that absurd thought sanctions. Performing these two tasks simultaneously, negating on one hand and magnifying on the other, is the way open to the absurd creator. He must give the void its colors. — Albert Camus

We grew tired together, creating our own kind of art. We became the masterpieces of the loneliest souls. The colors in both of our eyes bled out, knowing that sometimes the most beautiful pieces of art were created from the darkest of souls. — Brittainy C. Cherry

However, this sceptic had one fanaticism. This fanaticism was neither a dogma, nor an idea, nor an art, nor a science; it was a man: Enjolras. Grantaire admired, loved, and venerated Enjolras. To whom did this anarchical scoffer unite himself in this phalanx of absolute minds? To the most absolute. In what manner had Enjolras subjugated him? By his ideas? No. By his character. A phenomenon which is often observable. A sceptic who adheres to a believer is as simple as the law of complementary colors. That which we lack attracts us. No one loves the light like the blind man. The dwarf adores the drum-major. The toad always has his eyes fixed on heaven. Why? In order to watch the bird in its flight. Grantaire, in whom writhed doubt, loved to watch faith soar in Enjolras. He had need of Enjolras. That chaste, healthy, firm, upright, hard, candid nature charmed him, without his being clearly aware of it, and without the idea of explaining it to himself having occurred to him. — Victor Hugo

The first source of art, then, is akin to the display of colors and plumage on the male animal in mating time; it lies in the desire to adorn and beautify the body. And just as self-love and mate-love, overflowing, pour out their surplus of affection upon nature, so the impulse to beautify passes from the personal to the external world. The soul seeks to express its feeling in objective ways, through color and form; art really begins when men undertake to
beautify things. — Will Durant

Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You ... ' " The wind is red and black in the trembling cypress. — Chaim Potok

My paintings are the result of countless small brushstrokes, each one shaded with a different blend of colors, each one with a single, deliberate purpose. Every moment, every day, we are all making something - whether it's science or art, a relationship or a destiny - building it choice by choice, moment by moment. Our decisions shape other people's worlds as well as our own. We are all the center of our own universe and all of use in someone else's orbit. It's a paradox, but sometimes paradoxes are where truth begins.
My father would point out that the Beatles told us all of this decades ago. They one sang that in the end, the love we take is equal to the love we make. No, we can never be in complete control of our fates - we're all vulnerable to accidents, to cruelty, and to the random misfortune of life. But I try to think about how much of it is up to us. We decide what emotions serve as our building blocks, which feelings we'll use to shape our universe. — Claudia Gray

Without this faculty of man and beast alike to recognize identities across the variations of difference, to make allowance for changed conditions, and to preserve the framework of a stable world, art could not exist. When we open our eyes under water we recognize objects, shapes, and colors although through an unfamiliar medium. When we first see pictures we see them in an unfamiliar medium. This is more than a mere pun. The two capacities are interrelated. Every time we meet with an unfamiliar type of transposition, there is a brief moment of shock and a period of adjustment-but it is an adjustment for which the mechanism exists in us. — E.H. Gombrich

In the last 20 years of collecting contemporary African art, I have been bombarded by incredible shapes and colors that I now want to translate into clothes. — Jean Pigozzi

My hands are flowing like sunlight. The shapes and colors are astounding. I don't understand these images that are empowering me. My brush touches the canvas like photons to the earth, and a new world develops, free from my control, yet intrinsically dependent upon me. I am sweating with elation. I have no idea what I am doing, or what it is my hands are trying to see. There is so much strength in this clarity I am overpowered by the independence of it. — Daniel J. Rice

Why is this important for school success? To get along in kindergarten, your child should know information like colors, shapes, seasons, holidays, farm animals, types of transportation, fruits, and vegetables - all the basics that children are exposed to through picture books, preschool, and life itself. He will be expected to demonstrate age-appropriate social standards and behavior. If he knocks over someone's art project, he should know to apologize and help pick it up. — Karen Quinn

Evolution tells us how to survive; art tells us how it's possible still to live even while knowing that we and all we love will someday vanish. It says there's beauty even in grief, freedom even inside the strictures of form and of life. What's liberating isn't what's simplest; it's the ability to include more and more shadows, colors and possibilities inside any moment's meeting of self and world. — Jane Hirshfield