Color In Nature Quotes & Sayings

The word corruption does not arouse the moral revulsion that it should. We think of it as more a nuisance than a great evil. But corruption kills societies every bit as much as murder kills an individual. Moreover there is no hope for any society in which corruption is endemic. One final thought: Here in Cameroon, as elsewhere in Africa, the knowledgeable guides who lead tours of the slave centers note that Africans were deeply involved in the slave trade, and that without them, the slave trade could not have existed. If only this fact were taught as readily in American universities as it is here in Africa - not in order to minimize white complicity, but because universities should teach truth. Flawed human nature has no color. — Dennis Prager

It is the color closest to light. In its utmost purity it always implies the nature of brightness and has a cheerful, serene, gently stimulating character. Hence, experience teaches us that yellow makes a thoroughly warm and comforting impression. — Johann Wolfgang Von Goethe

Nature awakens each day in brilliant autumn colors, making me wish the pale winter would bid adieu. — Richelle E. Goodrich

Why should color, of all things, be at the center of so much crossfire? Perhaps because in meddling with such a deep and seemingly instinctive area of perception, culture camouflages itself as nature more successfully there than in any other area of language. There is nothing remotely abstract, theoretical, philosophical, hypothetical, or any other -cal, so it seems, about the difference between yellow and red or between green and blue. — Guy Deutscher

Unkar Delta at Mile 73
The layers of brick red sandstone, siltstone, and mudstone of the Dox formation deposited a billion years ago, erode easily, giving the landscape an open, rolling character very different that the narrow, limestone walled canyon upstream, both in lithology and color, fully fitting Van Dyke's description of "raspberry-red color, tempered with a what-not of mauve, heliotrope, and violet." Sediments flowing in from the west formed deltas, floodplains, and tidal flats, which indurated into these fine-grained sedimentary rocks thinly laid deposits of a restful sea, lined with shadows as precise as the staves of a musical score, ribboned layers, an elegant alteration of quiet siltings and delicious lappings, crinkled water compressed, solidified, lithified. — Ann Zwinger

They whirled around in the light dance of a duchess entering a ball - majestic yet understated - a spiraling splash of purity of color that took shape under nature's watch. A newly-sculpted garden burst forth, glistening in an afternoon sun. It welcomed the dusty pink rose, who stood beside its fellows, basked themselves in their own serenity of white, triumphant red, or cheery yellow. It swayed in the breath of a wind, caressing each and becoming more. It was a mixture of quiet and thunderous, light and dark, shyness and boldness. It was a mixture of the quiet strength and overwhelming courage that the human soul might wish to one day possess. — Gina Marinello-Sweeney

Nature's purpose in relation to the visual arts is to provide stimulus not imitation ... From its ceaseless urge to create springs all Life all movement and rhythm time and light, color and mood in short, all reality in Form and Thought. — Hans Hofmann

When using colors to recreate a general harmony of tones in nature, one loses it by painfully exact imitation. One keeps it by recreating in an equivalent color range, and that may not be exactly, or far from exactly, like the model. — Vincent Van Gogh

It was a murky confusion - here and there blotted with a color like the color of the smoke from damp fuel - of flying clouds tossed up into most remarkable heaps, suggesting greater heights in the clouds than there were depths below them to the bottom of the deepest hollows in the earth, through which the wild moon seemed to plunge headlong, as if, in a dread disturbance of the laws of nature, she had lost her way and were frightened. — Charles Dickens

The delight in natural things - colors, forms, scents - when there was nothing to restrain or hamper it, has often been a kind of intoxication, in which thought and consciousness seemed suspended ... — Mary Augusta Ward

Yves Klein said it was the essence of colour itself: the colour that stood for all other colours. A man once spent his entire life searching for a particular shade of blue that he remembered encountering in childhood. He began to despair of ever finding it, thinking he must have imagined that precise shade, that it could not possibly exist in nature. Then one day he chanced upon it. It was the colour of a beetle in a museum of natural history. He wept for joy.'

- "Zima Blue" by Alastair Reynolds — Alastair Reynolds

She could not have been born gray. Her
color, her color of brown, was an essential part of her, not an accident. Her anger, timidity, brashness, gentleness, all were elements of her mixed being, her mixed
nature, dark and clear right through, like Baltic amber. She could not exist in the gray people's world. She had not been born. — Ursula K. Le Guin

Under the stress of the event, we felt, each man's true nature was revealed. The impression we had of each candidate's character was as direct and compelling as the color of the sky." He had had no trouble identifying which men would make good officers and which would not. "We were quite willing to declare, 'This one will never make it,' 'That fellow is rather mediocre,' or 'He will be a star.'" The problem came when he'd tested his predictions against the outcomes - how the various candidates had actually performed in officer training. His predictions were worthless. And yet, because it was the army and he had a job to do, he kept on making them; and because he was Danny, he noted that he still felt confident about them. — Michael Lewis

After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights. — Leonardo Da Vinci

The Raven And The Swan
A RAVEN saw a Swan and desired to secure for himself the same beautiful plumage. Supposing that the Swan's splendid white color arose from his washing in the water in which he swam, the Raven left the altars in the neighborhood where he picked up his living, and took up residence in the lakes and pools. But cleansing his feathers as often as he would, he could not change their color, while through want of food he perished. Change of habit cannot alter Nature. — Aesop

Cards and boards, [Johnny] thought. And the dead. That's not dark forces. Making a fuss about cards and heavy metal and going on about Dungeons and Dragons stuff because it's got demon gods in it is like guarding to door when it is really coming up through the floorboards. Real dark forces ... aren't dark. They're sort of gray, like Mr. Grimm. They take all the color out of life; they take a town like Blackbury and turn it into frightened streets and plastic signs and Bright New Futures and towers where no one wants to live and no one really does live. The dead seem more alive than us. And everyone becomes gray and turns into numbers and then, somewhere, someone starts to do arithmetic ... — Terry Pratchett

Hoheit, do you know why crows are black?" "No, I never thought of it." "They taste lousy, and they're black as a sure sign to predators that they're crows, who will taste lousy." "Why aren't they yellow?" "They live in cold climates, and black absorbs heat. They don't need camouflage, so they can take advantage of the way their color soaks up the sunlight." "Why do you ask me these questions?" Klodwig demanded. "To remind you, Hoheit, not to argue with nature. — Mark Helprin

Dramatic use of color, harmonious design, the interplay of light and shadow across a variety of textures, the portrayal of the figure and other subject matter that reflects the sophistication and beauty I find in nature - all presented from a unique point of view - can only be successfully achieved with a sound command of the painter's craft ... history will determine how successful I have been. — Nelson Shanks

Nature offers us a thousand simple pleasers- Plays of light and color, fragrance in the air, the sun's warmth on skin and muscle, the audible rhythm of life's stir and push- for the price of merely paying attention. What joy! But how unwilling or unable many of us are to pay this price in an age when manufactured sources of stimulation and pleasure are everywhere at hand. For me, enjoying nature's pleasures takes conscious choice, a choice to slow down to seed time or rock time, to still the clamoring ego, to set aside plans and busyness, and to simply to be present in my body, to offer myself up.
Respond to the above quote. Pay special attention to each of your five senses as you describe your surroundings. Also, you need to incorporate at least one metaphor and smile in your descriptions. — Lorraine Anderson

Nature, when undisturbed, is never monotonous, you know. Even when using green, the most frequent color on her palette, she throws in contrasting tints by way of expression, and you will seldom see two sides of a leaf of the same hue, and the leaf stem frequently gives a good dash of bronze or purple. — Mabel Osgood Wright

She ran as the first maples started to change color, then the oak.
She jumped over roots, she sidestepped brambles, her footfalls echoing off plank bridges traversing streams.
She was the first person at practice. The last to go home.
She ran for speed. She ran for distance. She stretched carefully first thing in the morning and last thing before bed. — C.D. Bell

We know what wood is and what earth and stone are and that they have a color and texture, a smell and even a taste, but matter as a perceptible material substance independent of the nature of the wood, earth and stone composed of it seems incomprehensible. In order for us to regard a thing as real it must possess at least some distinctive physical qualities. We must be able to experience it as a physical thing before we can decide it is real. Matter as proposed by modern science, however, has no distinctive or definite physical qualities at all. Matter is simply some unimaginable stuff possessing no conceivable definition whatsoever. The concept of matter, then, proves to be just as elusive and abstract as the concepts of spirit, soul or the life-principle. — Ojo Blacke

I am not the first to suggest that anthropology arose in Western thought in an inauspicious period, one characterized by colonialism and so-called racial science. But I seem to be more or less alone in my conviction that, in all its primitivity, this anthropology continues to color the ways in which we conceive of human nature. — Marilynne Robinson

October is nature's funeral month. Nature glories in death more than in life. The month of departure is more beautiful than the month of coming - October than May. Every green thin loves to die in bright colors. — Henry Ward Beecher

She was practically an invalid ever after I could remember her, but used what strength she had in lavish care upon me and my sister, who was three years younger. There was a touch of mysticism and poetry in her nature which made her love to gaze at the purple sunsets and watch the evening stars. Whatever was grand and beautiful in form and color attracted her. It seemed as though the rich green tints of the foliage and the blossoms of the flowers came for her in the springtime, and in the autumn it was for her that the mountain sides were struck with crimson and with gold. — Calvin Coolidge

Colors shift like smoke within the branch beneath our feet. Sprites jump from leaf to leaf, leaving sprinklings of glittery dust in the air behind them. Droplets of water are strung like pearls from the silver strands of a spider's web. Bluebottle glow-bugs stick to the leaves and branches, lighting up the night with their blue-green bodies. And high above us, clouds are draped like sashes of color across the sky. Amethyst, azure, jade. — Rachel Morgan

Color which, like music, is a matter of vibrations, reaches what is most general and therefore most indefinable in nature: its inner power. — Paul Gauguin

Art is unquestionably one of the purest and highest elements in human happiness. It trains the mind through the eye, and the eye through the mind. As the sun colors flowers, so does art color life. — John Lubbock

Color, in the outward world, answers to feeling in man; shape, to thought; motion, to will. The dawn of day is the nearest outward likeness of an act of creation; and it is, therefore, also the closest type in nature for that in us which most approaches to creation
the realization of an idea by an act of the will. — John Sterling

Should I not be proud, when for twenty years I have had to admit to myself that the great Newton and all the mathematicians and noble calculators along with him were involved in a decisive error with respect to the doctrine of color, and that I among millions was the only one who knew what was right in this great subject of nature? — Johann Wolfgang Von Goethe

It takes time and devotion to learn the language of color and lighting in the garden. Your tastes are sure to change over time, reflecting your inner evolution. Seeing the garden as a canvas for your celebration of Nature's palette is a wonderful expression of the soul's love of beauty and artistry. Your own inner intuition, however, is often your best teacher, but don't forget that Mother Nature will always have a few surprises up Her sleeve as well. — Christopher McDowell

It is difficult to estimate the influence upon a life of the early formed habit of doing everything to a finish, not leaving it half done, or pretty nearly done, but completely done. Nature completes every little leaf, even every little rib, its edges and stera, as exactly and perfectly as though it were the only leaf to be made that year. Even the flower that blooms in the mountain dell, where no human eye will ever behold it, is made with the same perfection and exactness of form and outline, with the same delicate shade of color, with the same completeness of beauty, as though it were intended for royalty in the queen's garden. "Perfection to the finish," is — Orison Swett Marden

People make a great deal of the flowers of spring and the leaves of autumn, but for me a night like this, with a clear moon shining on snow, is the best
and there is not a trace of color in it. I cannot describe the effect it has on me, weird and unearthly somehow. I do not understand people who find a winter evening forbidding. — Murasaki Shikibu

Just as when we step into a mosque and its high open dome leads our minds up , up , to greater things , so a great carpet seeks to do the same under the feet .Such a carpet directs us to the magnificence of the infinite , veiled , yet never near , closer than the pulse of jugular , the sunburst that explodes at the center of a carpet signals this boundless radiance . Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool , and in this tiniest of details, there it is : a call to the best within , summoning us to the joy of union .in carpets , I now saw not just intricacies of nature and color , not just mastery of space , but a sign of the infinite design . In each pattern lay the work of a weaver of the world, complete and whole ; and in each knot of daily existence lay mine . — Anita Amirrezvani

Deep in our nature we are foragers, and life is a process of gathering the resources we need from a large connected planet. It's all out there
every color, shade, flavor and mutation of life and experience. Whatever we are looking for, we will find ... if it doesn't find us first. However, the result will not be what we're consciously looking for but what we're unconsciously seeking. And so, what we want, will never be anything like what we expect. It is the forager's law
you can find the berry bush, but you can't control its yield. — Neil Strauss

Yesterday morning, I awoke to a brilliant rainbow. At first, I marveled at the sky's pink hues, and I thought how soothing it was. I haven't had that feeling in a long time, that feeling of being at peace with myself or my life. I got out of bed to stand to pull the obligatory curtain further, the color peeking through the leaves of the oaks outside my window. Where I had been seeing grey for quite some time shone now pink. The color is hard to describe accurately. It was pink; but it bordered on a light red. It told me to come look at it. — R.B. O'Brien

The greatest help to spiritual life is meditation. In meditation we divest ourselves of all material conditions and feel our divine nature. We do not depend upon any external help in meditation. The touch of the soul can paint the brightest color even in the dingiest places; it can cast a fragrance over the vilest thing; it can make the wicked divine-and all enmity, all selfishness is effaced. — Swami Vivekananda

It's in our nature, Julian would say. We destroy. It's the constant of our kind. No matter the color of blood, man will always fall.
I didn't understand that lesson a few days ago, but now, with Cal's hands in mine, guiding me with the lightest touch, I'm beginning to see what he meant.
I can feel myself falling. — Victoria Aveyard

Every one must be struck with astonishment, when he first beholds one of these vast rings of coral-rock, often many leagues in diameter, here and there surmounted by a low verdant island with dazzling white shores, bathed on the outside by the foaming breakers of the ocean, and on the inside surrounding a calm expanse of water, which, from reflection, is of a bright but pale green color. — Charles Darwin

Don't assume that God will always work in your life the way He always has. A sunset is proof that God colors outside the lines. He has no status quo. Even the laws of nature are His to interrupt. As many times as you've prayed before, today may be the day when God sends the answer so swiftly-so divinely-that you're windburned. — Beth Moore

Hermes had said, the giant was about ten feet tall, which made him small compared to some other giants I'd seen. But Cacus made up for it by being bright and gaudy. He had curly orange hair, pale skin, and orange freckles. His face was smeared upward with a permanent pout, upturned nose, wide eyes, and arched eyebrows, so he appeared both startled and unhappy. He wore a red velour housecoat with matching slippers. The housecoat was open, revealing silky Valentine-patterned boxer shorts and luxurious chest hair of a red/pink/orange color not found in nature. Annabeth made a small gagging sound. It's the ginger giant. — Rick Riordan

The human understanding is no dry light, but receives infusion from the will and affections; whence proceeds sciences which may be called "sciences as one would." For what a man had rather were true he more readily believes. Therefore he rejects difficult things from impatience of research; sober things, because they narrow hope; the deeper things of nature, from supersition; the light of experience, from arrogrance and pride; things not commonly believed, out of deference to the opinion of the vulgar. Numberless in short are the ways, and sometimes imperceptible, in which the affections color and infect the understanding.
1620 - Francis Bacon — Carl Sagan

The most abundant hue in nature, the human eye sees more green than any other color in the spectrumas it has throughout history, multifaceted emerald continues to sparkle and fascinate. Symbolically, emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today's complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors. — Leatrice Eiseman

Oh! grief is fantastic; it weaves a web on which to trace the history of its woe from every form and change around; it incorporates itself with all living nature; it finds sustenance in every object; as light, it fills all things, and, like light, it gives its own colors to all. — Mary Wollstonecraft Shelley

Nature has color-coded groups of individuals so that statistically reliable predictions of their adaptability to intellectual rewarding and effective lives can easily be made and profitably used by the pragmatic man-in-the street. — William Shockley

There is no climate, no place, and scarcely an hour, in which nature does not exhibit color which no mortal effort can imitate or approach. For all our artificial pigments are, even when seen under the same circumstances, dead and lightless beside her living color; nature exhibits her hues under an intensity of sunlight which trebles their brilliancy. — John Ruskin

Every life force has a color and a tone. Many in your world would call this an aura, but it's much more complicated than that as anyone who could see would be able to tell you. Every life force carries a certain amount of power. Only those with the ability to use magic can draw upon the force of nature. And even that isn't accurate. The ability to use nature as the driving force behind your own power is a very intricate magic. — Jessica McQuay

The secret of 'fusion' is the fact that the artist's eye sees in nature ... an inexhaustible wealth of tension, rhythms, continuities, and contrasts which can be rendered in line and color. — Susanne Katherina Langer

I don't even know what my natural color is. Natural? What is natural? What is that? I do not believe in totally natural for women. For me, natural has something to do with vegetables — Donatella Versace

"Humanism" is to be human, to think, to analyze, and to probe. To respond and to be stimulated by all living things - beasts, fowl, and fishes. To respond through touch, sight, smell, and sound to all things in nature - both organic and inorganic-to colors, shapes, and textures - to not only look at a blade of grass but to really see a blade of grass. These things, to me, are what life and living are all about. I would call it "Humanism." — Jacob Lawrence

I held a blue flower in my hand, probably a wild aster, wondering what its name was, and then thought that human names for natural things are superfluous. Nature herself does not name them. The important thing is to know this flower, look at its color until the blends becomes as real as a keynote of music. Look at the exquisite yellow flowerettes at the center, become very small with them. Be the flower, be the trees, the blowing grasses. Fly with the birds, jump with a squirrel! — Sally Carrighar

There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies - a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child. — Vladimir Nabokov

Lying is a disgraceful vice, and one that Plutarch paints in most disgraceful colors, when he says that it is "affording testimony that one first despises God, and then fears men." It is not possible more happily to describe its horrible, disgusting, and abandoned nature; for can we imagine anything more vile than to be cowards with regard to men, and brave with regard to God. — Michel De Montaigne

Nature, at all events, humanly speaking, is manifestly very fond of color; for she has made nothing without it. Her skies are blue; her fields, green; her waters vary with her skies; her animals, vegetables, minerals, are all colored. She paints a great any of them in apparently superfluous hues, as if to show the dullest eye how she loves color. — Leigh Hunt

This is the fairest picture on our planet, the most enchanting to look upon, the most satisfying to the eye and spirit. To see the sun sink down, drowned in his pink and purple and golden floods, and overwhelm Florence with tides of color that make all the sharp lines dim and faint and turn the solid city to a city of dreams, is a sight to stir the coldest nature, and make a sympathetic one drunk with ecstasy. — Mark Twain

In 1915 Sophie Tauber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper (without using oil colors to avoid any reference with usual painting). These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous. — Hans Arp

In tantric practice one identifies with a yidam of a particular buddha family corresponding to one's nature. For instance, if a yidam is associated with the ratna family, then he will be yellow in color and have symbolism characteristic of ratna. The types of mandalas given to you by your teacher depend upon the family to which you belong, whether you belong to the passionate family or the family of pride, or whether you have the quality of air or water in you. Generally one can feel that certain people have the quality of earth and solidness, and certain people have the quality of air, rushing here and there, and other people have the quality of warmth and a presence connected with fire. The mandalas are given to you so that you can identify yourself with your particular emotions which have the potential of transmuting into wisdom. — Chogyam Trungpa

By the combination of lines and colors, under the pretext of some motif taken from nature, I create symphonies and harmonies that represent nothing absolutely real in the ordinary sense of the word but are intended to give rise to thoughts as music does. — Paul Gauguin

Years later the Romantic poet John Keats would complain that on that fateful day Newton had "destroyed all the poetry of the rainbow by reducing it to prismatic colors." But color - like sound and scent - is just an invention of the human mind responding to waves and particles that are moving in particular patterns through the universe - and poets should not thank nature but themselves for the beauty and the rainbows they see around them. — Victoria Finlay

Old & New put their stamp to everything in Nature. The snowflake that is now falling is marked by both. The present moment gives the motion & the color of the flake: Antiquity, its form & properties. All things wear a luster which is the gift of the present & a tarnish of time. — Ralph Waldo Emerson

I live alone," he said simply. "I live in the open. I hear the waves at night and see the black patterns of the pine boughs against the sky. With sound and silence and color and solitude, of course I see visions. Anyone would."
"But you don't believe in them?" Doc asked hopefully.
"I don't find it a matter for belief or disbelief," the seer said. "You've seen the sun flatten and take strange shapes just before it sinks into the ocean. Do you have to tell yourself everytime that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it? Don't you see visions?"
"No," said Doc. — John Steinbeck

Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject ... It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause. — Washington Allston

One sees differently with color photography than black-and-white ... in short, visualization must be modified by the specific nature of the equipment and materials being used. — Ansel Adams

In nature, light creates the color. In the picture, color creates the light. — Hans Hofmann

Our earliest ancestors were descended from primates who thrived for millions of years in a treetop environment, and who in the process had evolved one of the most remarkable visual systems in nature. To move quickly and efficiently in such a world, they developed extremely sophisticated eye and muscle coordination. Their eyes slowly evolved into a full-frontal position on the face, giving them binocular, stereoscopic vision. This system provides the brain a highly accurate three-dimensional and detailed perspective, but is rather narrow. Animals that possess such vision - as opposed to eyes on the side or half side - are generally efficient predators like owls or cats. They use this powerful sight to home in on prey in the distance. Tree-living primates evolved this vision for a different purpose - to navigate branches, and to spot fruits, berries, and insects with greater effectiveness. They also evolved elaborate color vision. — Robert Greene

Winters are a desolate time where all senses are wiped away, and here in Canada, this is especially true. All smells are sucked clean from the air, leaving only a harsh, icy crispness. Colours are stripped away, leaving a stark white landscape, a sky which stays black at night and gray in the day, a world of only three shades. Stay outside too long, and your hands will get so cold that they'll go numb and turn red, like the claws of a lobster. During a whiteout, even sight itself is reduced to nothingness. — Rebecca McNutt

A tree is made to live in peace in the color of day and in friendship with the sun, the wind and the rain. Its roots plunge in thefat fermentation of the soil, sucking in its elemental humors, its fortifying juices. Trees always seem lost in a great tranquil dream. The dark rising sap makes them groan in the warm afternoons. A tree is a living being that knows the course of the clouds and presses the storms because it is full of birds' nests. — Jacques Roumain

Men in a state of nature, uncivilized nations, children, have a great fondness for colors in their utmost brightness, and especially for yellow-red. — Johann Wolfgang Von Goethe

Colour is as variable and evanescent in the form of pigment as in visible nature. — Walter J. Phillips

Artist should look at the reality and brutality of modern life in all its color, nature with all its imperfections - that should be the challenge to the modern painter not the didactic idealization of the past. The new generation should forge a new path. — Charles Baudelaire

Our right brain hemisphere (transcendent mind) supports us in acknowledging our infinite potential when we understand our true nature and origins, and the importance of our free will. The latter gives us the ability to choose to live like an interdependent whole, within which, we are as musical notes inside a great symphony or the various shades of color in a painting, where our role is as important as that of every component but not better than any other — Ivan Figueroa-Otero

The glories and the beauties of form, color, and sound unite in the Grand Canyon - forms unrivaled even by the mountains, colors that vie with sunsets, and sounds that span the diapason from tempest to tinkling raindrop, from cataract to bubbling fountain. — John Wesley Powell

I think art parallels life; it is not a report on nature or on intimate disclosure of inner secrets. Color, in my opinion, behaves like man
in two distinct ways: first in self-realization and then in the realization of relationships with others. — Josef Albers

The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you. — Henri Charriere

We love to see any redness in the vegetation of the temperate zone. It is the color of colors. This plant speaks to our blood ... What a perfect maturity it arrives at! It is the emblem of a successful life concluded by a death not premature, which is an ornament to Nature. What if we were to mature as perfectly, root and branch, glowing in the midst of our decay, like the poke! — Henry David Thoreau

But aside from those curling green tendrils, the gown was the bright pink of ... of ... of ... All comparisons failed Oliver. It wasn't the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn't just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn't look away. The room was small enough that he could hear the first words of greeting. "Miss Fairfield," a woman said. "Your gown is ... very pink. And pink is ... such a lovely color, isn't it?" That last was said with a wistful quality in the speaker's voice, as if she were mourning the memory of true pink. — Courtney Milan

By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus. — John D. MacDonald

What they used to call soul. What they used to call spirit. Indivisible, complete, that thing made of mind, distinct from body.
He thought he had one - a soul, a spirit, a nature, an essence. He thought his mind was proof of it.
If mood, facial expression, hunger pain, love of color, if everything human and happenstance came not from the soul, the core of self, but from synapses firing and electrical signals, from the stuff in the brain that could be manipulated and X-rayed, what could he say about himself with any degree of certainty? Was mind just body more refined?
He refused to believe that. — Joshua Ferris

The cultural significance of blue, on the other hand, is very limited. As noted earlier, blue is extremely rare as a color of materials in nature, and blue dyes are exceedingly difficult to produce. People in simple cultures might spend a lifetime without seeing objects that are truly blue. Of course, blue is the color of the sky (and, for some of us, the sea). But in the absence of blue materials with any practical significance, the need to find a special name for this great stretch of nothingness is particularly non-pressing. — Guy Deutscher

Color was not given to us in order that we imitate Nature. It was given to us so that we can express our emotions. — Henri Matisse

Light and color are closely linked. The colors can make a crucial change in nature, if you switch from daylight to artificial light or just from strong to weak illumination. In addition, color perception is affected by the material structure. Even if a piece of textile can have the same color as a shiny enamel plate, then they will act completely different. — Verner Panton

The vivacity and brightness of colors in a landscape will never bear any comparison with a landscape in nature when it is illumined by the sun, unless the painting is placed in such a position that it will receive the same light from the sun as does the landscape. — Leonardo Da Vinci

It is this subtle dimension of understanding that marks the southwestern Indian peoples from other religions and separates tribal peoples from the world's religions. Somewhere in the planetary history religious expression changed from participation in the sound, color and rhythm of nature to the abstractions of man outside this context pleading for temporary respite and hoping in the next life to return to the Garden. — Vine Deloria Jr.

I'm in love with red. I think it's such a passionate color. Every flag of every country pretty much has red it it. It's power, there's no fence sitting with red. Either you love it or you don't. I think its blood and strength and life. I do love red. I love all colors. Great shades of blue, you find them in nature. They're all magic. — Bryan Batt

Forget the historic nature of his election having to do with skin color - Obama has an opportunity offered to few presidents: the chance to set the course of the nation for decades, if not generations, to come. Who knows: perhaps in the near future, our grandchildren will spend money with Obama's face on it. — Chuck Todd

All that is limited by form, semblance, sound, color is called object. Among them all, man alone is more than an object. Though, like objects, he has form and semblance, He is not limited to form. He is more. He can attain to formlessness. When he is beyond form and semblance, beyond "this" and "that," where is the comparison with another object? Where is the conflict? What can stand in his way? He will rest in his eternal place which is no-place. He will be hidden in his own unfathomable secret. His nature sinks to its root in the One. His vitality, his power hide in secret Tao. — Zhuangzi

One of the weaknesses of much abstract painting is the attempt to substitute the inventions of the intellect for a pristine imaginative conception. The inner life of a human being is a vast and varied realm and does not concern itself alone with stimulating arrangements of color, form and design. The term 'life' as used in art is something not to be held in contempt, for it applies all of its existence, and the province of art is to react to it and not to shun it. Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again be great. — Edward Hopper

Whether you are five years old and irresistibly drawn to the piano in your home, or you are an adult who suddenly falls in love with music and decides to take lessons, the knowledge that you belong in the world of music is deep and indestructible. It is part of your basic nature, as much as the color of your eyes or the sound of your voice. Even your choice of instrument might feel choiceless; you hear a piano or a cello and somehow know that that is the instrument you must play. — Madeline Bruser

If a being suffers there can be no moral justification for refusing to take that suffering into consideration. No matter what the nature of the being, the principle of equality requires that its suffering be counted equally with the like suffering - insofar as rough comparisons can be made - of any other being. So the limit of sentience is the only defensible boundary of concern for the interests of others. To mark this boundary by some other characteristic like intelligence or rationality would be to mark it in an arbitrary manner. Why not choose some other characteristic, like skin color? — Peter Singer

There were orchids for sale, for one and two and three and five hundred dollars, a madhouse of orchids in every color, in every shape, with wide leaves and skinny leaves and no leaves at all, with fat jutting lips and lips cupped like thimbles, and with blackish-red hoods and freckles, with ruffles, with pleats, with corkscrew curls, big as fists, small as fingernails, smelling of honey, grass, citrus, cinnamon, or of nothing, not a smell at all but just the heavy warm quality that air has after it has been sitting in a flower. — Susan Orlean

My hands are flowing like sunlight. The shapes and colors are astounding. I don't understand these images that are empowering me. My brush touches the canvas like photons to the earth, and a new world develops, free from my control, yet intrinsically dependent upon me. I am sweating with elation. I have no idea what I am doing, or what it is my hands are trying to see. There is so much strength in this clarity I am overpowered by the independence of it. — Daniel J. Rice

All things are moral; and in their boundless changes have an unceasing reference to spiritual nature. Therefore is nature glorious with form, color, and motion, that every globe in the remotest heaven; every chemical change from the rudest crystal up to the laws of life; every change of vegetation from the first principle of growth in the eye of a leaf, to the tropical forest and antediluvian coal-mine; every animal function from the sponge up to Hercules, shall hint or thunder to man the laws of right and wrong, and echo the Ten Commandments. — Ralph Waldo Emerson

I cannot copy nature in a servile way; I am forced to interpret nature and submit it to the spirit of the picture. From the relationship I have found in all the tones there must result a living harmony of colors, a harmony analogous to that of a musical composition. — Henri Matisse

Symbolic of life, hair bolts from our head[s]. Like the earth, it can be harvested, but it will rise again. We can change its color and texture when the mood strikes us, but in time it will return to its original form, just as Nature will in time turn our precisely laid-out cities into a weed-way. — Diane Ackerman

Colors do not exist separately and independently within nature; they are constantly shifting in response to subtle gradations of light. It is language that, magnificently, gives them clear shape. — Kenya Hara

Tess took a deep breath. 'You are not marrying me for love, Lord Mayne. Nor-as far as I can see-due to any overwhelming feeling of a less...less proper nature.' She could feel color rising into her cheeks.
'Now that's not true,' Mayne said. There was a hint of wicked laughter in his eyes, and his fingers tightened on hers. 'I feel quite improperly toward you.'
Goodness, but he was attractive when he wasn't hedging, when he was being honest. 'Are you not disturbed by the fact that we do not feel warmer emotions for each other?' she asked him.
'I would be disturbed if we /did/ ... I do not wish for a tempestuous marriage, although I am quite certain that there will be sufficient warmth between us.'
'And in your estimation, tempests must accompany love,' she said, raising an eyebrow. — Eloisa James

Boers lived on their slaves exactly the way natives had lived on an unprepared and unchanged nature. When the Boers, in their fright and misery, decided to use these savages as though they were just another form of animal life, they embarked upon a process which could only end with their own degeneration into a white race living beside and together with black races from whom in the end they would differ only in the color of their skin. — Hannah Arendt

Look, without our stories, without the true nature and reality of who we are as People of Color, nothing about fanboy or fangirl culture would make sense. What I mean by that is: if it wasn't for race, X-Men doesn't sense. If it wasn't for the history of breeding human beings in the New World through chattel slavery, Dune doesn't make sense. If it wasn't for the history of colonialism and imperialism, Star Wars doesn't make sense. If it wasn't for the extermination of so many Indigenous First Nations, most of what we call science fiction's contact stories doesn't make sense. Without us as the secret sauce, none of this works, and it is about time that we understood that we are the Force that holds the Star Wars universe together. We're the Prime Directive that makes Star Trek possible, yeah. In the Green Lantern Corps, we are the oath. We are all of these things - erased, and yet without us - we are essential. — Junot Diaz

Try to do ugly things so that you make them beautiful ... The more delicate the thing is in nature the more one must look for the solemn note. Color in nature is never pretty, it's beautiful. — Charles Webster Hawthorne

The first source of art, then, is akin to the display of colors and plumage on the male animal in mating time; it lies in the desire to adorn and beautify the body. And just as self-love and mate-love, overflowing, pour out their surplus of affection upon nature, so the impulse to beautify passes from the personal to the external world. The soul seeks to express its feeling in objective ways, through color and form; art really begins when men undertake to
beautify things. — Will Durant