Color Contrast Quotes & Sayings

Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation. — Van Day Truex

The incident emphasizes once more that beauty is something to be found, rather than passively encountered, that it requires us to pick up on certain details, to identify the whiteness of a cotton dress, the reflection of the sea on the hull of a yacht, or the contrast between the color of a jockey's coat and his face. — Alain De Botton

Matchy-matchy is not for me. I don't want things to be too perfect. It's like pairing a matte top with a shiny skirt, so they play off each other. I want there to be relationships with texture and color, and sometimes it's more about the contrast that chimes. — Peter Som

In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth. — John Van Hamersveld

Suffice it to say that black and white are also colors ... for their simultaneous contrast is as striking as that of green and red, for instance. — Vincent Van Gogh

I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity. — Wolf Kahn

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate. — John Dykstra

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface. — Alan Cooper

The approach of intellect or noesis will forever be an effete and limited sort of thing by contrast with the vigor and color of gnosis; but in academia there is virtually nothing but noetic minds to be found, and the very idea of gnosis is alien and untranslatable, not to mention discreditable. — Kenny Smith

Fine old Christmas, with the snowy hair and ruddy face, had done his duty that year in the noblest fashion, and had set off his rich gifts of warmth and color with all the heightening contrast of frost and snow. — George Eliot

You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior. — Michel Gondry

She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in. — Tahereh Mafi

When taking a photo, I tend to look for one of the following: depth, symmetry, color or contrast. All of those things catch my eye to the point where I stop dead in my tracks to capture whatever it is that I've seen. — Connor Franta

Andreas had been trying to remember the words to a ribald drinking song he had heard a few weeks ago when Saluador rode up next to him. The Spaniard's horse was a hand or so taller than his own, and in keeping with the man himself, much more spirited. Andreas was tall enough to see over most crowds, but Saluador eclipsed him readily. The Spaniard kept his beard and hair short, cropped close to his head, and when he smiled, his cheeks dimpled in a way that was very disarming to the ladies. Unfortunately, Saluador had not managed how to make his ready charm extend to his eyes. The ladies found this contrast exciting and dangerous, but Andreas thought that a man who couldn't smile naturally was a man who harbored a deep and long-standing grudge. Probably against something he could never change, like God or the weather or the color purple. Which made him unpredictable. — Neal Stephenson

Film is better than digital in every way. It has better contrast ratio, better blacks, and better color reproduction. It's a more organic image, which is more the way your eyes see. — James Gray

Coral, my love, you are too pure, too innocent, too alive for me,"
he said slowly, almost carefully. "My world is like a drawing in black
and white on a gray canvas, without a single note of color to bring it
to life. And now, on this pale and melancholic picture, a red flower
has fallen, a warm and scented flower." He sighed. "It's a wonderful
contrast, but too vivid ... — Hannah Fielding

Monochromatic color schemes are lacking in contrast, which is why I start many of my canvas or paper pieces in this way. I can add layers of contrasting elements later on if desired. Adding tints and shades will give you a larger range of colors with which to create a richness of hues in your projects. — Roxanne Padgett

Contrast warm to cool. Make color sing, ring like a bell. Work from big to small. — Sergei Bongart

Too many bright colors make for congestion. Too many bright colors need, above all, contrast in value, to eliminate vibration. — Van Day Truex

Red was ruby, green was fluorescent, yellow was simply incandescent. Color was life. Color was everything.
Color, you see, was the universal sign of magic. — Tahereh Mafi

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image. — John Dykstra

I like to carry a concealer palette that has a green, a yellow, and a tan color. I like to carry the green one because when I have a pimple, it's good to use that to contrast the red. Then you put the yellow over it, and it helps it disappear. — Francia Raisa

More advice: if your message is to be printed, use high-quality paper to maximize the contrast between characters and their background. If you use color, you are more likely to be believed if your text is printed in bright blue or red than in middling shades of green, yellow, or pale blue. — Daniel Kahneman

Those without color - say, dressed in all black - can go about almost unnoticed. Where the rainbow is conspicuous, their darkness acts as a kind of camouflage, masculine by contrast, and allows them to watch without being watched. It's the choice of someone who needs not to attract. Someone self-sufficient. Someone more distant, less knowable, and ultimately, mysterious. Powerful. — Sam Wasson

Margaret in contrast held her head high, her cheeks flagged with a becoming rose color. She looked like a goddess enraged. A goddess who might, if they were alone, assault his person
the thought of which unaccountably aroused him. — Elizabeth Hoyt

I often marveled that the interior peace of the woman was reflected so faithfully in her surroundings. Even the selection and arrangements of her possessions gave an aura of uncluttered calm. In addition, there was a directness in her approach to all of life
including housekeeping
that never failed to fascinate me.
Miss Alice was a person to whom color, symmetry of line and contrast of texture were important. — Catherine Marshall

By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus. — John D. MacDonald

Brush strokes write poetry harmonized through the cords of an artist's imagination.
Color, contrast, simple compassion splattered across paper leaves tainted with the melody of the silent wind.
Gasping, grasping, simply glancing at the souls of those who were not blessed with the visionary sight of inspirational artistry. — Laura S. Al Bast

When a moment in front of me appears to be particularly special, whether it be by beauty or experience, I capture it. I usually find a reason to justify taking that photo - symmetry, or color, or contrast - and it's my hope that my photography sheds light onto what I see and do on a daily basis. — Connor Franta

I know that the battle scenes, as well, are quite gory and quite strong. Battle was romantic, but it was far from being easy. It's nice, in both respects, to have that color and contrast. — Tamsin Egerton

The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast
archangels
their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nail heads sparkling under the domed vast roof of the universe. — Mark Twain