Cobblestones Quotes & Sayings

Nico clenched his sword. Sharing his secret crush hadn't been the worst of it. Eventually he might have done that, in his own time, in his own way. But being forced to talk about Percy, being bullied and harassed and strong-armed simply for Cupid's amusement ... Tendrils of darkness were now spreading out from his feet, killing all the weeds between the cobblestones. Nico tried to rein in his anger. — Rick Riordan

Fascism will perish for the very reason that it has applied to man the laws applicable to atoms and cobblestones! — Vasily Grossman

In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance. — Amy Waldman

Which of you is without sin? Let him cast the first stone." The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. Someday, they think, I may be like this woman, and I'll hope for forgiveness and another chance. I should treat her the way I wish to be treated. As they open their hands and let the stones fall to the ground, the rabbi picks up one of the fallen stones, lifts it high over the woman's head, and throws it straight down with all his might. It crushes her skull and dashes her brains onto the cobblestones. "Nor am I without sin," he says to the people. "But if we allow only perfect people to enforce the law, the law will soon be dead, and our city with it. — Orson Scott Card

A man is lying under machine-gun fire on a street in an embattled city. He looks at the pavement and sees a very amusing sight: the cobblestones are standing upright like the quills of a porcupine. The bullets hitting against their edges displace and tilt them. Such moments in the consciousness of a man judge all poets and philosophers. Let us suppose, too, that a certain poet was the hero of the literary cafes, and wherever he went was regarded with curiosity and awe. Yet his poems, recalled in such a moment, suddenly seem diseased and highbrow. The vision of the cobblestones is unquestionably real, and poetry based on an equally naked experience could survive triumphantly that judgment day of man's illusions. — Czeslaw Milosz

Going about one's native land one is inclined to take many things for granted, roads and buildings, roofs, windows and doorways, the walls that shelter strangers, the house one has never entered, trees which are like other trees, pavements which are no more than cobblestones. But when we are distant from them we find that those things have become dear to us, a street, trees and roofs, blank walls, doors and windows; we have entered those houses without knowing it, we have left something of our heart in the very stonework. Those places we no longer see, perhaps will never see again but still remember, have acquired and aching charm; they return to us with the melancholy of ghosts, a hallowed vision and as it were the true face of France. We love and evoke them such as they were; and such as to us they still are, we cling to them and will not have them altered, for the face of our country is our mother's face. — Victor Hugo

I inhale slowly, soaking it all in. I step forward and backward, my neck twisting and turning, memorizing every corner. I feel an instant connection to this place. Something about being here grabs me and infatuates me. I begin taking mental pictures of the narrow alleys decorated with rows of artists and vendors. I start imagining myself dining at the sidewalk cafes, sitting there with Chad during the summer, spring, winter, and fall. I get this strong desire to take off my shoes and walk barefooted on the cobblestones as if I have found my new home. — Corey M.P.

Murtaugh Allsbrook and his riders spread the news like wildfire. Down every road, over every river, to the north and south and west, through snow and rain and mist, their hooves churning up the dust of each kingdom.
And for every town they told, every tavern and secret meeting, more riders went out.
More and more, until there was not a road they had not covered, until there was not one soul who did not know that Aelin Galathynius was alive - and willing to stand against Adarlan.
Across the White Fangs and the Ruhnns, all the way to the Western Wastes and the red-haired queen who ruled from a crumbling castle. To the Deserted Peninsula and the oasis-fortress of the Silent Assassins. Hooves, hooves, hooves, echoing through the continent, sparking against the cobblestones, all the way to Banjali and the river-front palace of the King and Queen of Eyllwe, still in their midnight mourning clothes.
Hold on, the riders told the world.
Hold on. — Sarah J. Maas

The flat sound of my wooden clogs on the cobblestones, deep, hollow and powerful, is the note I seek in my painting. — Paul Gauguin

Peacekeepers, in pristine white uniforms, march on the cleanly swept cobblestones. Along the rooftops, more of them occupy nests of machine guns. — Suzanne Collins

If you have not touched the rocky wall of a canyon. If you have not heard a rushing river pound over cobblestones. If you have not seen a native trout rise in a crystalline pool beneath a shattering riffle, or a golden eagle spread its wings and cover you in shadow. If you have not seen the tree line recede to the top of a bare crested mountain. If you have not looked into a pair of wild eyes and seen your own reflection. Please, for the good of your soul, travel west. — Daniel J. Rice

Ananias had come with money from the sale of property. He had presented it to Peter, claiming it to be the full amount of the sale. Instead of praising him, Peter had condemned him. Not for his generosity, which was commendable, but for his lie. "The land was yours," Peter had told Ananias, his eyes flashing fire. "The money was your right to keep. But you have lied to the Holy Spirit." And right on the spot, Ananias had collapsed on the cobblestones. They could not revive him, and he was dead. The women struggled to accept what they were hearing. But Philip was not finished with his report. Even more frightening, when Sapphira had arrived, the whole scene was repeated. They were gone. Both of them. In only the matter of a few hours. Peter had ordered some of the men to take them out of the compound and bury them. — Janette Oke

On a pitch black, starless night, a solitary man was trudging along the main road from Marchiennes to Montsou, ten kilometres of cobblestones running straight as a die across the bare plain between fields of beet. — Emile Zola

She was destroyed many years ago, La Belle, on the cobblestones of the alley beside the opera house ... — Anne Rouen

For four years I have been wearing blinders. I thought all this time I walked a path of cobblestones, and it turns out to have been an avenue of stars! For four years, my head has been caught in a box. Its sides were painted with pleasant enough scenes, but that I should have thought this was the world! — Franny Billingsley

Then I heard a noise I'd never heard in real life before. The kind of noise you hear in movies when horse's hooves are beating on cobblestones or the members of Monty Python were cracking together coconuts. — Kristen Ashley

My shoes made an odd, clacking sound on the cobblestones of the courtyard, no matter how quietly I placed my feet. It was like being followed by the audible manifestation of my own shadow. — Sharon Shinn

He stares at the cellist, and feels himself relax as the music seeps into him. He watches as the cellist's hair smoothes itself out, his beard disappears. A dirty tuxedo becomes clean, shoes polished bright as mirrors ... The building behind the cellist repairs itself. The scars of bullets and shrapnel are covered by plaster and paint, and windows reassemble, clarify and sparkle as the sun reflects off glass. The cobblestones of the road set themselves straight. Around him people stand up taller, their faces put on weight and colour. Clothes gain lost thread, brighten, smooth out their wrinkles. Kenan watches as his city heals itself around him. The cellist continues to play ... — Steven Galloway

It is a part of our office to stand uncloaked, masked, sword bared, upon the scaffold for a long time before the client is brought out. Some say this is to symbolize the unsleeping omnipresence of justice, but I believe the real reason is to give the crowd a focus, and the feeling that something is about to take place. A crowd is not the sum of the individuals who compose it. Rather it is a species of animal, without language or real consciousness, born when they gather, dying when they depart. Before the Hall of Justice, a ring of dimarchi surrounded the scaffold with their lances, and the pistol their officer carried could, I suppose, have killed fifty or sixty before someone could snatch it from him and knock him to the cobblestones to die. Still it is better to have a focus, and some open symbol of power.
Wolfe, Gene (1994-10-15). Shadow & Claw: The First Half of 'The Book of the New Sun' (p. 184). Tom Doherty Associates. Kindle Edition. — Gene Wolfe

For the most part, in the course of our daily lives we abide the abundant evidence that no such universal justice exists. Like a cart horse, we plod along the cobblestones dragging our masters' wares with our heads down and our blinders in place, waiting patiently for the next cube of sugar. But there are certain times when chance suddenly provides the justice that Agatha Christies promise. We look around at the characters cast in our own lives - our heiresses and gardeners, our vicars and nannies, our late-arriving guests who are not exactly what they seem - and discover that before the end of the weekend all assembled will get there just desserts. But when we do so, we rarely remember to count ourselves among their company. — Amor Towles

You've turned on us, New York. We who see your jagged-tooth skyline rise up and want to weep because we are so full of you. We who know that the tumbledown tenements are beautiful, that the cracked sidewalks are beautiful, that the iron and cobblestones, the soot and the stink are beautiful, that the tired old shoemakers are beautiful. That the bodega cats, the gutter rats, the endless clouds of pigeons are beautiful . . . We mourn for you, New York, because you are forgetting us, your brash and ragged children. — Cari Luna

There are now little brass plaques on the ground outside this address.
These are Stolpersteine.
Tributes to the victims of the Holocaust.
There are many of them in Berlin, especially in Charlottenburg.
They are not easy to spot.
You must walk with your head down, seeking memories between the cobblestones.
In front of 15 Wielandstrasse, three names can be read.
Paula, Albert, and Charlotte.
But on the wall, there is only one commemorative plaque.
The one for Charlotte Salomon. — David Foenkinos

Soon we will plunge ourselves into cold shadows, and all of summer's stunning afternoons will be gone. I already hear the dead thuds of logs below falling on the cobblestones and the lawn. — Charles Baudelaire

He was aware, suddenly, of the chill condensing clammily on his skin, the smell of damp cobblestones, of the very air flowing in and out of his lings.
But most of all he was aware of the woman, this woman, his woman, standing so proudly, waiting patiently for him, only him.
He walked toward her and knew with every fiber of his being that he walked to life itself. — Elizabeth Hoyt

My wit is more polished than your mustache. The truth which I speak strikes more sparks from men's hearts than your spurs do from the cobblestones. — Edmond Rostand

Galladon paused for a moment, then laughed. "Does nothing frighten you, sule?"
"Actually, pretty much everything here does - I'm just good at ignoring the fact
that I'm terrified. If I ever realize how scared I am, you'll probably find me trying to hide under those cobblestones over there. — Brandon Sanderson

As I looked down at him, as I saw his yellow hair pressed against my coat, I had a vision of him from long ago, that tall, stately gentleman in the swirling black cape, with his head thrown back, his rich, flawless voice singing the lilting air of the opera from which we'd only just come, his walking stick tapping the cobblestones in time with the music, his large, sparkling eye catching the young woman who stood by, enrapt, so that a smile spread over his face as the song died on his lips; and for one moment, that one moment when his eye met hers, all evil seemed obliterated in that flush of pleasure, that passion for merely being alive. — Anne Rice

Everyone all right?"
Angela nodded. Holly looked up and smiled too, her smile shakier and thus more real than Ash's. "I'm okay," she said. "I see you are too. I also see you have a weapon that is on fire."
"I'm badass like that," Kami said, putting the branch down on the cobblestones. — Sarah Rees Brennan

There was something in the moonlight tonight. It was stroking the stonework and spires, leaning into cracks between the cobblestones, caressing the stained-glass windows. She felt her heart lift with magic. — Jaclyn Moriarty

Must've been hard on your mom," Frank said. "I guess we'll do anything for someone we love."
Hazel squeezed his hand appreciatively. Nico stared at the cobblestones. "Yeah," he said bitterly. "I guess we will. — Rick Riordan

I STOOD IN the piazza facing St. Peter's Basilica in Rome. Bodies pressed around me and a pope's voice boomed in my ears. The ground began to tremble, as if aching under the crowd's weight. The cobblestones lurched under my feet. I staggered, tripped over someone, and fell flat on my back. People started running and screaming. — J.B. Simmons

He expected the other man to be dead - not many could survive a thirty-foot fall to cobblestones with another's weight on top of him - but what he had not expected was to see the fellow's dagger driven to the hilt into his own heart. Such an ordinary-looking man to have tried to kill him. Mat did not think he would even have noticed him in a crowded room. — Robert Jordan

The first job of the historian and of the journalist is to find facts. Not the only job, perhaps not the most important, but the first. Facts are the cobblestones from which we build roads of analysis, mosaic tiles that we fit together to compose pictures of past and present. There will be disagreement about where the road leads and what reality or truth is revealed by the mosaic picture. The facts themselves must be checked against all the available evidence. But some are round and hard
and the most powerful leaders in the world can trip over them. So can writers, dissidents and saints. — Timothy Garton Ash

This town is filled with echoes. It's like they were trapped behind the walls, or beneath the cobblestones. When you walk you feel like someone's behind you, stepping in your footsteps. — Juan Rulfo