Quotes & Sayings About Close Ups

I love staging action and wide-shots, not necessarily going to close-ups. — Alan Taylor

As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too. — Salman Rushdie

I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery. — David Duchovny

I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer. — Philip Kaufman

He went back to snapping pictures, this time getting close-ups of each SWAT member. "The ones who're only interested in muscular men who kick in doors and shoot things." Her lips twitched. "Versus men who do what? Take pictures and eavesdrop on police scanners?" "And program their own phone apps," he told her. "Trust me. That skill is in high demand these days. — Paige Tyler

It's strange, the lack of emotion, the absence of drama in reality. When things happen in real life, extraordinary things, there's no music, there's no dah-dah-daaahhs. There's no close-ups. No dramatic camera angles. Nothing happens. Nothing stops, the rest of the world goes on. — Kevin Brooks

I am into nature and seeing whales. I went whale-watching, and I was really looking forward to that, but when you see it on TV and you see other programs do it, you're seeing close-ups of these massive creatures, and the music that's added gives you a certain feeling. — Karl Pilkington

World War Z was a great zombie film because those were zombie performances. It wasn't just a bunch of people walking around slow. They did close-ups on zombies who were performing, as a mindless dead thing. They were creepy and scary. — Tom Savini

To work effectively in a film, you have to repeat and work consistently. Basically, you shoot a big master then you do close-ups. You're supposed to be in the same moment, the same 30-second moment, for a day. — Colin Firth

Back at the Davydokovo apartment, we sat mesmerized in front of Grandad's Avantgard brand TV. It was all porn all the time. Porn in three flavors: 1)Tits and asses; 2) gruesome close-ups of dead bodies from war or crimes; 3) Stalin. Wave upon wave of previously unseen documentary footage of the Generalissimo. Of all the porn, number three was the most lurid. The erotics of power. — Anya Von Bremzen

What I've come to realize I that I don't like action for action's sake. Mindless explosions, super close ups of combat and gore, and unnecessary effects make me zone out incredibly fast.
What I do love is a fight that is well choreographed and in which I actually care about the outcome. And hopefully not riddled with cliches.
Even more so, I have had a long, deep-seated appreciation for watching chicks kick ass. Watching some lone-wolf-type hero beat the crap out of the bad guys is okay, but watching a BAMF femme do it is 10000% times better. — J.M. Richards

Are you serious? What the hell does a stunt double do in a porno flick?"
Jake waved a hand vaguely toward his belt. "Extreme close-ups."
"Uh. What?"
"Historically speaking, it doesn't happen often. Especially what with Viagra now. But it isn't unknown for a director to bring in a double for the close of a scene, if the actor is having trouble finishing."
I blinked. "He thought I was a stunt penis?"
Jake laughed at my reaction. "Man. You are new. — Jim Butcher

In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else. — Kaui Hart Hemmings

I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film. — Alejandro Jodorowsky

Pope John Paul II was a great presence on the stage. Pope Benedict is a much more gentle and refined person, and I think he benefits greatly from the television close-ups because he wants to engage in a dialogue, in conversation. He wants to put forward his views in a measured, eloquent, rational way. — Vincent Nichols

..every time scientists try to observe the quantum world they disturb it. And because at least one quantum of energy must always be involved, there is no way the size of this disturbance can be reduced.

Our acts of observing the universe, our attempts to gather knowledge, are no longer strictly objective because in seeking to know the universe we act to disturb it. Science prides itself on objectivity, but now Nature is telling us we never see a pure, pristine and objective quantum world. In every act of observation the observing subject enters into the cosmos and disturbs it in an irreducible way.

Science is like photographing a series of close ups with your back to the sun. No matter which way you move, your shadow always falls across the scene you photograph. No matter what you do, you can never efface yourself from the photographed scene. — F. David Peat

Every art always deals with human beings, it is a human manifestation and presents human beings. To paraphrase Marx: "The root of all art is man." When the film close-up strips the veil of our imperceptiveness and insensitivity from the hidden little things and shows us the face of objects, it still shows us man, for what makes objects expressive are the human expressions projected on to them. The objects only reflect our own selves, and this is what distinguished art from scientific knowledge (although even the latter is to a great extent subjectively determined). When we see the face image of things, we do what the ancients did in creating gods in man's image and breathing a human soul into them. The close-ups of the film are the creative instruments of this mighty visual anthropomorphism. — Gerald Mast

In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there. — Alice Eve

When Peeta holds out his arms, I walk straight into them. It's the first time since they announced the Quarter Quell that he's offered me any sort of affection. He's been more like a very demanding trainer, always pushing, always insisting Haymitch and I run faster, eat more, know our enemy better. Lovers? Forget about that. He abandoned any pretense of even being my friend. I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go.
And why should I? — Suzanne Collins

I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white. — Masashi Kishimoto

When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me. — Peter Jackson

If the best way to learn to succeed is to fail as fast as possible, then the second-best way is to watch someone else fail as fast as possible. Watching someone else screw up is a kind of rehearsal for your own eventual downfall. A close observation of someone else's attempt to resolve a difficulty is a great way to acquire real-world insight into whether and when to deploy their method in your own times of trouble. — Cory Doctorow

If you were to hold me down and tickle me to pick my favorite 'plus-comic,' it would have to be Kevin James, a broad physical pratfaller capable of deadpan underplay, a technique honed from years of reaction-shot close-ups on TV, where every teeny fraction of a squint registers. — James Wolcott

The public never appears to tire of endless courses of strawberries and cream, and the theory that you run the risk of boring people with endless photo montages of the Chelsea Pensioners in their dress reds, or close-ups of a Pimm's Cup sprouting all kinda of flora, has yet to be proven. People like Wimbledon in the same way they like blue jeans or even their own spouses: for the pleasure yielded by their reliable sameness. — Peter Bodo

I see an incredible abuse of close-ups in many films these days. Why is that? — Emmanuel Lubezki

The weird thing with 'Kismet' is that Vincente Minnelli didn't know what to do with a Cinemascope camera for that film - so he never moved it! It's like in the old days when sound first came in and was so complicated that the camera just sat there. There are hardly any close-ups in 'Kismet,' so everything's at a bit of a distance. — Robert Osborne

The close relationships between the abrupt ups and downs of solar activity and of temperature that I have identified occur locally in coastal Greenland; regionally in the Arctic Pacific and north Atlantic; and, hemispherically, for the whole circum-Arctic, suggesting that changes in solar activity drive Arctic and perhaps even global climate. — Willie Soon

Elijah can register such subtle emotion on his face that I loved doing close-ups on him. He really brings a superb emotional level to Frodo's scenes and although he is a very instinctive actor, we discussed the character thoroughly. — Peter Jackson

What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be. — Margaret Atwood

I know when it's getting close to game time, I create a different playlist for each and every game. Before the game, to game time, to warm-ups, going to the stadium, I have a different playlist that puts me in a different mode. — Cam Newton

If you look at classic Hollywood films, they tend to shoot close-ups on quite long lenses and the background it out of focus. You know, it's just a mush. — Tom Hooper

I have had, in the course of my life, lots of encounters and lots of serious people. I have spent lots of time with grown-ups. I have seen them at close range ... which haven't much improved my opinion of them. — Antoine De Saint-Exupery

As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking. — Stanley Tucci

Strange, how such a small realization can affect everyone's life forever. In movies there is always a carefully staged moment - a big crescendo of music, close- ups of the actors' faces, the camera slowly pulling away to let all this sink in for the viewer ... but, in real life, most all of the extraordinary things happen with no more loudness than a whisper. — Silas House

You think you know. Then you lower your guard and act as though everything's just great. With the passage of time, you stop paying as much attention to things as you should. You're confident. What more can you do? Life is smiling on you. So is luck. You can afford your dreams. Everything's fine, everything blesses you ... and then, without warning, the sky falls in on your head. And once you're flat on your back, you realize that your life, your whole life - with its ups and downs, its pains and pleasures, its promises and failures, hangs and has always hung by a thread as flimsy and imperceptible as the threads in a spider's web. Suddenly, the slightest sound terrifies you, and no longer feel like believing in anything whatsoever. All you want to do is close your eyes and think no more — Yasmina Khadra

High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script. — Neill Blomkamp

The eyes are the windows of your soul, and when you're acting, they're one of your most important instruments. Especially for close-ups! — Jacki Weaver

I had someone very close to me say to me that hopefully I'll have many more ups and downs, not in just my career but in life. If you don't have that, you're not taking enough risks. — Taylor Kitsch

[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail. — Peter Jackson

It's pretty easy in theatre. The comedy's either physical or verbal, and you're looking at the whole frame at once. But TV executives want close-ups. I keep telling them to look at Preston Sturges' movies. He'll do a whole scene without a cut in it, and it's a riot. — Don Scardino

I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go. — Suzanne Collins

The audience had run to beards and magenta shirts and original ways of arranging its neckwear; and not content with the ravages produced in its over-excitable nervous system by the remorseless workings of its critical intelligence, it had sat through a film of Japanese life called 'Yes,' made by a Norwegian film company in 1915 with Japanese actors, which lasted an hour and three-quarters and contained twelve close-ups of water-lilies lying perfectly still on a scummy pond and four suicides, all done extremely slowly. — Stella Gibbons

I've got four piercings in my left, so we've dubbed my right one the 'period drama ear.' I have to be filmed from that side when I do emotional close-ups in 'Downton.' — Jessica Brown Findlay

I don't do close-ups any more. I am better looking from the waist downwards. — Bruce Forsyth

The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out ... Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions. — E.L. Doctorow

When you're part of an ensemble and share the screen with so many people, you become close to them because you're hanging out all the time. Obviously you have your ups and downs, but that kind of brings you closer in many ways. — Aidan Turner

Obviously in the close-ups we bring extras around or we do it later, but them running in and the big shots, they don't know. They're just coming out. — Jaume Collet-Serra

What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things
from close-ups of insects to panoramas of prairies
which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity. — Eric Bentley

I love being so tight on people in close-ups that the veins in their eyes look like the Mississippi River. — Sylvester Stallone

I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasn't much improved my opinion of them. — Antoine De Saint-Exupery